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Freelance Iptv Jobs (NOW HIRING)

AEG

Director, Game Presentation

Woodland Hills, CA · On-site

... IPTV environments). * Establish KPIs and operational benchmarks to measure success across fan ... Lead and develop game presentation staff, contractors, vendors, freelancers, and live event ...

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How much do freelance iptv jobs pay per hour?

As of Sep 1, 2026, the average hourly pay for freelance iptv in the United States is $62.54, according to ZipRecruiter salary data. Most workers in this role earn between $60.34 and $68.27 per hour, depending on experience, location, and employer.

What is a freelance IPTV professional?

A Freelance IPTV professional is an independent contractor who specializes in Internet Protocol Television (IPTV), which is the delivery of television content over internet networks instead of traditional cable or satellite. These freelancers may set up, configure, or maintain IPTV systems for clients, or provide custom software, streaming solutions, and technical support. They often work on a project basis and serve businesses or individuals looking to implement or enhance IPTV services.

What are the key skills and qualifications needed to thrive as a freelance IPTV specialist?

To thrive as a Freelance IPTV Specialist, you need expertise in network administration, streaming protocols, and video encoding, often supported by a background in IT or telecommunications. Familiarity with IPTV middleware, content management systems, and tools like VLC or OBS Studio is typically required. Strong problem-solving skills, client communication, and adaptability are crucial soft skills for managing diverse technical challenges and client needs. These competencies ensure reliable service delivery, client satisfaction, and the ability to troubleshoot complex IPTV solutions efficiently.

What are some common challenges freelance IPTV professionals face when working with clients remotely?

Freelance IPTV professionals often encounter challenges such as ensuring consistent streaming quality across different client devices and networks, troubleshooting technical issues without on-site access, and keeping up with rapidly evolving IPTV technologies. Effective communication is crucial to understand client requirements and promptly address concerns. Additionally, freelancers must stay updated on legal and copyright considerations in various regions to avoid compliance issues.

What is the difference between Freelance Iptv vs Freelance Video Content Editor?

AspectFreelance IptvFreelance Video Content Editor
CredentialsKnowledge of streaming technology, basic networkingVideo editing software skills, creative portfolio
Work EnvironmentRemote, tech-focusedRemote or on-site, media production
Industry UsageStreaming services, IPTV providersMedia companies, content creators

Freelance Iptv specialists focus on streaming technology and IPTV setup, while Freelance Video Content Editors concentrate on editing and producing video content. Both roles are remote and require specific technical skills, but they serve different aspects of digital media and entertainment industries.

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Freelance Iptv jobs near you
Infographic showing various Freelance Iptv job openings in the United States as of August 2026, with employment types broken down into 56% Full Time, 15% Part Time, 2% Temporary, and 27% Contract. Highlights an 61% Physical, 3% Hybrid, and 36% Remote job distribution, with an average salary of $130,079 per year, or $62.5 per hour.

Director of Live Production | Full-Time | Ryan Field at Northwestern University

Evanston, IL • On-site

AEG
Recruiting and Staffing Services • 51 - 200 employees
Learn more about AEGexternal

$115K - $120K/yr

Full-time

Medical, Dental, Vision, Retirement, PTO

Re-posted 4 days ago

Job description

In order to be considered for this role, after clicking "Apply Now" above and being redirected, you must fully complete the application process on the follow-up screen.
Overview
The Director of Live Production leads the creative vision, planning, and execution of gameday presentation and in-venue entertainment at the New Ryan Field and Welsh Ryan Arena. This role creates a distinctive, innovative, emotionally engaging experience that reflects New Ryan Field and Northwestern University's brand, traditions, and competitive environment while aiming to deliver the best gameday experience in collegiate sports. The Director is responsible for presentations from concept development and scripting through rehearsal, show-calling, and post-event evaluation while also managing event-day staff, production workflows, budgets, systems, vendors, and production oversight for concerts, commencements, rentals, and other third-party events.
This role pays an annual salary of $115,000 - $120,000 and is bonus eligible.
Benefits for Full-Time roles: Health, Dental and Vision Insurance, 401(k) Savings Plan, 401(k) matching, and Paid Time Off (vacation days, sick days, and 11 holidays).
This position will remain open until October 30, 2026.
Responsibilities
Creative Vision and Gameday Experience
  • Develop memorable moments that create energy, strengthen fan connection, and enhance home-field advantage.
  • Lead the evolution of team entrances, opening sequences, music, lighting, fan prompts, recognitions, traditions, and situational entertainment.
  • Identify new ideas, technologies, and industry trends that can elevate the overall experience.
  • Keep the presentation fresh, intentional, and engaging throughout the season.

Show Planning and Live Execution
  • Lead the full planning process for Northwestern University football and basketball games, including scripts, rundowns, timing, rehearsals, and contingency plans.
  • Regularly serve as the lead show caller for football games, men's basketball games, and other priority productions.
  • Lead production meetings, event-day briefings, rehearsals, and post-event reviews.
  • Ensure all productions meet university, conference, league, broadcast, safety, and venue requirements.

Content and Entertainment Direction
  • Collaborate with internal creative teams and outside partners on intro videos, hype content, graphics, features, and event-specific assets.
  • Review and approve content for creative quality, brand alignment, accuracy, and technical readiness.
  • Oversee music strategy, entertainment booking, hosts, performers, student groups, recognitions, and specialty acts.

University and Stakeholder Collaboration
  • Build strong relationships across athletics, marketing, communications, creative services, spirit programs, bands, student groups, alumni relations, development, campus leadership, stadium operations, and other university departments.
  • Manage expectations, communicate deadlines and production needs, and align multiple stakeholders around a cohesive vision.
  • Advise leadership on fan experience, creative strategy, presentation opportunities, and industry trends.

Event-Day Staff Leadership
  • Recruit, train, schedule, supervise, and evaluate student workers, freelancers, contractors, and control room personnel.
  • Provide coaching, feedback, and development opportunities.
  • Foster a culture of preparation, creativity, accountability, teamwork, and calm execution under pressure.

Stadium Systems and Production Operations
  • Oversee the operational readiness of videoboards, LED displays, replay, graphics, audio, IPTV, cameras, intercom, lighting, and show-control systems.
  • Coordinate with engineering, information technology, stadium operations, and vendors to ensure systems are tested and event-ready.
  • Identify opportunities for workflow improvements, system upgrades, and capital investment.

Partnerships and Sponsored Integration
  • Collaborate with corporate partnerships and marketing teams to integrate sponsored elements into the gameday experience.
  • Ensure partner activations are accurate, entertaining, and aligned with the overall presentation.
  • Help identify new presentation assets and fan-engagement opportunities that may support revenue goals.
  • Balance commercial obligations with show pacing and audience experience.

External and Non-University Events
  • Provide production oversight for concerts, commencements, ceremonies, rentals, and other stadium events.
  • Serve as an operational liaison for promoters, production companies, outside clients, and vendors.
  • Review staffing, technical requirements, schedules, and use of stadium systems.

Budget and Vendor Management
  • Develop and manage budgets for game presentation, staffing, entertainment, production support, content, and equipment.
  • Manage relationships with production vendors, creative partners, entertainment providers, and freelancers.
  • Recommend future investments based on creative impact, operational need, and audience experience.

Qualifications
  • Bachelor's degree in live event production, broadcasting, communications, media production, sports management, marketing, entertainment, or a related field; equivalent experience may be considered.
  • 5-7+ years of progressively responsible experience in game presentation, live sports entertainment, stadium production, broadcast production, or major live events.
  • Proven experience developing creative game-presentation strategies and producing high-profile live events.
  • Strong show-calling experience and knowledge of scripting, timing, control room operations, rehearsals, and contingency planning.
  • Demonstrated ability to manage multiple projects, deadlines, stakeholders, and event details simultaneously.
  • Experience directing student workers, freelancers, contractors, vendors, or event-day crews.
  • Strong creative judgment, organizational skills, and attention to detail.
  • Excellent communication, leadership, and relationship-management skills.
  • Ability to remain calm, decisive, and solutions-oriented in high-pressure live environments.
  • Experience managing budgets, vendors, and production resources.
  • Ability to work nights, weekends, holidays, and irregular hours based on the event calendar.

Preferred Qualifications
  • Experience in major collegiate athletics, professional sports, a large stadium or arena, or a nationally recognized live-entertainment organization.
  • Experience participating in production-system upgrades, control room projects, or stadium technology planning.
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About AEG

Sourced by ZipRecruiter

Industry

Recruiting and staffing services

Company size

51 - 200 Employees

Headquarters location

Saint Louis, MO, US

Year founded

1992

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