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Film Sound Mixer Jobs (NOW HIRING)

Taylor University

Assistant Media Engineer

Upland, IN · On-site

... the Film & Media Arts program. As directed by the Chief Media Engineer, the Assistant Media ... Support departmental productions, events, and technology operations while maintaining sound ...

inlandgroup

Corporate Videographer

Oak Brook, IL

Audio enhancement and sound mixing * Motion graphics and visual effects * Captioning and formatting ... Bachelor's degree in Film, Media Production, Communications, Digital Media, Marketing, or a related ...

Newell Brands

Manage color grading, sound mixing, and motion graphics to enhance video quality and effectiveness ... Key Qualifications: * Bachelor's degree in Film, Media Production, or a related field (or ...

Newell Brands

Senior Video Editor

Atlanta, GA · On-site

Manage color grading, sound mixing, and motion graphics to enhance video quality and effectiveness ... Key Qualifications: * Bachelor's degree in Film, Media Production, or a related field (or ...

COGSWELL COLLEGE LLC

Adjunct Faculty DAT

San Jose, CA · On-site

$3.0K - $4.5K/mo

Experience working with industry-standard audio software such as Pro Tools, Logic Pro, or similar DAWs for creating sound design, music production, or audio mixing for games, film, or interactive ...

Argon Agency

Multimedia Specialist

West Palm Beach, FL · On-site

$50K - $80K/yr

Manage post-production workflow including sound mixing, color correction, and subtitling. Digital ... Bachelor's degree in Multimedia Design, Digital Media, Graphic Design, Film Production, or related ...

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How much do film sound mixer jobs pay per hour?

As of Aug 6, 2026, the average hourly pay for film sound mixer in the United States is $17.31, according to ZipRecruiter salary data. Most workers in this role earn between $14.90 and $19.23 per hour, depending on experience, location, and employer.

What does a film sound mixer do?

A Film Sound Mixer, also known as a Production Sound Mixer, is responsible for capturing high-quality audio on a film set. They manage microphones, recording devices, and wireless systems to ensure clear dialogue and ambient sounds. Working closely with the director and sound team, they monitor and adjust levels in real-time to avoid unwanted noise. Their work is crucial for minimizing the need for extensive post-production audio fixes.

What are the typical daily responsibilities of a film sound mixer on set?

A Film Sound Mixer is responsible for capturing all sound recordings during film shoots, which includes mixing dialogue, ambient sounds, and sometimes live music in real time. Each day, you'll set up and test microphones, recorders, and wireless systems, monitor sound quality during takes, and troubleshoot any audio issues as they arise. You’ll work closely with the director, boom operator, and other crew members to ensure the audio aligns with the creative vision. Additionally, you will keep detailed notes for post-production and manage audio files at the end of each shoot day. This fast-paced role demands both technical expertise and constant collaboration for the best on-screen results.

What are the key skills and qualifications needed to thrive as a film sound mixer, and why are they important?

To thrive as a Film Sound Mixer, you need expertise in audio recording, mixing techniques, acoustics, and a solid understanding of on-set workflow, often supported by relevant training or a degree in audio engineering or sound production. Familiarity with digital audio workstations (DAWs), field mixers, boom microphones, and industry-standard software like Pro Tools is crucial. Excellent communication, flexibility, and strong teamwork skills help you collaborate effectively with directors, sound editors, and the production crew. These abilities are vital to capturing clear, high-quality sound in challenging environments while meeting the creative vision of the film.

More about Film Sound Mixer jobs
What cities are hiring for Film Sound Mixer jobs? Cities with the most Film Sound Mixer job openings:
What are the most commonly searched types of Film Sound Mixer jobs? The most popular types of Film Sound Mixer jobs are:
What job categories do people searching Film Sound Mixer jobs look for? The top searched job categories for Film Sound Mixer jobs are:
Film Sound Mixer jobs near you
Infographic showing various Film Sound Mixer job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 87% Full Time, 10% Part Time, 1% Temporary, and 1% Contract. Highlights an 94% Physical, 2% Hybrid, and 4% Remote job distribution, with an average salary of $35,996 per year, or $17.3 per hour.

Assistant Media Engineer

Taylor University

Upland, IN • On-site

Part-time

Re-posted 26 days ago

Taylor University rating

8.7

Company rating: 8.7 out of 10

Based on 5 frontline employees who took The Breakroom Quiz

55th of 615 rated colleges and universities

Job description

Location : Upland
Job Type: Part Time Staff
Job Number: 202300029
Area: School of Arts and Humanities
Opening Date: 06/11/2026
Summary
Mission and Commitment
Taylor's mission is to develop servant-leaders marked with a passion to minister Christ's redemptive love, grace, and truth to a world in need.
As a community, Taylor faculty, staff, and students commit to living out Christ's love and truth in the here and now. We worship together, serve one another, and grow in faith as we learn in the classroom, on the field, at chapel, and anywhere else we're doing Life Together.
Position Summary
The Assistant Media Engineer supports the activities, both curricular and co-curricular, of the Film & Media Arts program. As directed by the Chief Media Engineer, the Assistant Media Engineer will work with faculty, students and technology to further the goals of the film & media arts major, dealing primarily with technology such as cameras, Steadicam, jibs, dollies, lighting equipment, networked video, networked editing equipment, live television control room, remote television control trailer, computers/software (especially those related to film/video/audio production) and classroom technology. The person in this position needs to have people skills as well as a very broad and deep understanding of the technology involved in modern film and media production and be able to conform to the processes that have been implemented by the Chief Media Engineer.
Duties and Responsibilities
This position is primarily responsible to:
  • Testify to personal experience of salvation in Jesus Christ, affirm belief in the University's Statement of Faith, abide by and practice our Life Together Covenant, and both personally agree with and support the Foundational Documents of Taylor University.
  • Assist the Chief Media Engineer with research, development, maintenance, repair, and troubleshooting of media production equipment and systems.
  • Diagnose and repair issues with:
    • Cameras and camera support systems
    • Steadicam Shadow and Pilot systems
    • Tripods, dollies, and jibs
    • Professional lighting, dimming, and control systems
    • Live television production systems
    • Editing and post-production software
    • Networked storage, archiving, and asset management systems
  • Troubleshoot equipment and systems to the component level.
  • Document findings and report issues and recommendations to the Chief Media Engineer.
  • Initiate corrective actions, including:
    • Contacting vendors and manufacturers
    • Obtaining technical information and replacement parts
    • Preparing equipment for shipment and repair
  • Plan and execute maintenance projects independently or in collaboration with the Chief Media Engineer.
  • Provide regular verbal progress updates and recommendations regarding equipment maintenance, repair, and operational processes.
  • Interact professionally with students, faculty, staff, vendors, and manufacturers.
  • Support departmental productions, events, and technology operations while maintaining sound judgment and stewardship of valuable equipment.
  • Other duties as assigned.

Typical Qualifications
Education and Experience
  • High school diploma or GED; at least 6 months of experience directly related to the duties and responsibilities specified.
  • Bachelor's degree in a media-related field, preferred.
  • 1 - 2 years professional experience, preferred.
  • Steadicam training, preferred.
Skills and Competencies
Required
  • Experience with:
    • Large-format digital, broadcast, and DSLR cameras
    • Steadicam Shadow and Steadicam Pilot systems
    • Jibs and dollies
    • Professional lighting equipment
    • Pro Tools
    • Apple and PC computer systems
    • Live television production systems
    • Lighting boards and dimmers
    • Audio boards
    • Video switchers and routers
  • Ability to:
    • Read waveform monitors and vectorscopes
    • Solder and crimp connectors
    • Troubleshoot media equipment to the component level
  • Strong communication, organizational, and problem-solving skills.
  • Ability to work independently and collaboratively.
Preferred
  • Steadicam training.
  • Understanding of live music production, electronics, mixing, and mastering.
  • Knowledge of post-production audio workflows.
  • Experience with audio mixing and mastering.
  • Experience using iZotope RX Advanced for audio cleanup and noise removal.
  • Demonstrated ability to meet deadlines while working independently.

Supplemental Information
  • Supervisory Responsibility
    • Reports directly to the Chief Media Engineer.
  • Travel Requirements
    • Periodic in-state travel for recruiting visits, conferences, and departmental activities.
  • Work Schedule
    • Occasional evening and weekend work required.
    • Support may be needed for events such as:
      • Envision Film Festival
      • Red Eye Film Frenzy
      • Concert productions
      • Other department-sponsored media events
    • Approximately 6-7 special events per year.
  • Physical Requirements
    • Ability to stand, walk, crawl, and climb ladders.
    • Ability to lift and carry equipment weighing up to 90 pounds.
    • Perform tasks involving cable installation, lighting maintenance, and equipment setup.
  • Work Environment
    • Primarily indoor work with occasional outdoor event support.
    • Use of cleaning chemicals for maintaining equipment.
    • Required use of hearing protection when appropriate.
    • Commitment to safe work practices when using ladders, lighting systems, and production equipment.
  • Additional Information
    • All essential functions are subject to reasonable accommodation.
    • Additional job-related duties may be assigned by the supervisor.
    • Significant changes to job responsibilities may result in a position review and reclassification.

01
Please use this link to navigate to the Taylor University website to review the following documents, which are part of our Foundational Documents: - Mission Statement- Statement of Faith- Sanctity of Life Statement- Statement on Human Sexuality- Multicultural Philosophy Statementhttps://taylor.edu/about/mission-distinctions-beliefs
  • Yes, I have read this page in its entirety and understand its contents
  • No, I have not read this page in its entirety or I do not understand its contents.

02
In reference to the Foundational Documents: Do you personally support these statements to be your own example of belief, and if hired by Taylor University, would you agree to abide by the Life Together Covenant, Sanctity of Life Statement, the Statement of Human Sexuality, the Statement on Multicultural Philosophy, Taylor University Mission Statement, and Statement of Faith?
  • Yes
  • No

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