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Film Sound Mixer Jobs (NOW HIRING)

Manage post-production workflow including sound mixing, color correction, and subtitling. Digital ... Bachelor's degree in Multimedia Design, Digital Media, Graphic Design, Film Production, or related ...

Videographer

Providence, RI · On-site

$20 - $40/hr

Someone local who can come to our office to film on-site. * Strong camera skills - lighting ... Solid audio recording and mixing skills (clear sound is a must). * A creative eye for making ...

Conduct and film interviews with C-suite executives and key stakeholders in the Philadelphia area ... Manage all aspects of post-production, including editing, color correction, sound mixing, graphics ...

Facilitate the ingest of digital media assets from publishers, film makers, and external media ... Basic sound design and mixing skills (dialogue, music, SFX) * Invoice/billing accuracy experience ...

Showing results 21-40

Film Sound Mixer information

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$10

$17

$24

How much do film sound mixer jobs pay per hour?

As of Aug 6, 2026, the average hourly pay for film sound mixer in the United States is $17.31, according to ZipRecruiter salary data. Most workers in this role earn between $14.90 and $19.23 per hour, depending on experience, location, and employer.

What does a film sound mixer do?

A Film Sound Mixer, also known as a Production Sound Mixer, is responsible for capturing high-quality audio on a film set. They manage microphones, recording devices, and wireless systems to ensure clear dialogue and ambient sounds. Working closely with the director and sound team, they monitor and adjust levels in real-time to avoid unwanted noise. Their work is crucial for minimizing the need for extensive post-production audio fixes.

What are the typical daily responsibilities of a film sound mixer on set?

A Film Sound Mixer is responsible for capturing all sound recordings during film shoots, which includes mixing dialogue, ambient sounds, and sometimes live music in real time. Each day, you'll set up and test microphones, recorders, and wireless systems, monitor sound quality during takes, and troubleshoot any audio issues as they arise. You’ll work closely with the director, boom operator, and other crew members to ensure the audio aligns with the creative vision. Additionally, you will keep detailed notes for post-production and manage audio files at the end of each shoot day. This fast-paced role demands both technical expertise and constant collaboration for the best on-screen results.

What are the key skills and qualifications needed to thrive as a film sound mixer, and why are they important?

To thrive as a Film Sound Mixer, you need expertise in audio recording, mixing techniques, acoustics, and a solid understanding of on-set workflow, often supported by relevant training or a degree in audio engineering or sound production. Familiarity with digital audio workstations (DAWs), field mixers, boom microphones, and industry-standard software like Pro Tools is crucial. Excellent communication, flexibility, and strong teamwork skills help you collaborate effectively with directors, sound editors, and the production crew. These abilities are vital to capturing clear, high-quality sound in challenging environments while meeting the creative vision of the film.

More about Film Sound Mixer jobs
What cities are hiring for Film Sound Mixer jobs? Cities with the most Film Sound Mixer job openings:
What are the most commonly searched types of Film Sound Mixer jobs? The most popular types of Film Sound Mixer jobs are:
What job categories do people searching Film Sound Mixer jobs look for? The top searched job categories for Film Sound Mixer jobs are:
Infographic showing various Film Sound Mixer job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 87% Full Time, 10% Part Time, 1% Temporary, and 1% Contract. Highlights an 94% Physical, 2% Hybrid, and 4% Remote job distribution, with an average salary of $35,996 per year, or $17.3 per hour.

Lecturer/ Senior Lecturer of Sound/Audio Engineering

University of North Texas System

Denton, TX • On-site

Full-time

This job post has expired today. Applications are no longer accepted.


Job description

Title: Lecturer/ Senior Lecturer of Sound/Audio Engineering
Employee Classification: Senior Lecturer (Continuing)
Campus: University of North Texas
Division: UNT-Provost
SubDivision-Department: UNT-College of Music
Department: UNT-Jazz Studies-134330
Job Location: Denton
Salary: Compensation is competitive and commensurate with the candidate's qualifications, experience, and discipline, in accordance with university guidelines and available funding.
FTE: 1.00
Retirement Eligibility: ORP Eligible
About Us - Values Overview
Welcome to the University of North Texas System. The UNT System includes the University of North Texas in Denton and Frisco, the University of North Texas at Dallas and UNT Dallas College of Law, and University of North Texas Health Fort Worth. We are the only university system based exclusively in the robust Dallas-Fort Worth region. We are growing with the North Texas region, employing more than 14,000 employees, educating a record 49,000+ students across our system, and awarding nearly 12,000 degrees each year.
We are one team comprised of individuals who are committed to excellence, curiosity and innovation. We are transforming lives and creating economic opportunity through education. We champion a people-first values-based culture where We Care about each other and those we serve. We believe that we are Better Together because we foster an environment of respect, belonging, and access for all. We demonstrate Courageous Integrity through setting exceptional standards and acting in the best interest of our communities. We are encouraged to Be Curious about opportunities for learning, creating, discovering, and innovating, and are encouraged to learn from failure. Show Your Fire by joining our team and exhibiting your passion and pride in your work as part of our UNT System team.
Learn more about the UNT System and how we live our values at www.UNTSystem.edu .
Department Summary
The University of North Texas (UNT) College of Music is America's largest public-university music program and one of its most respected. UNT offers fully accredited degrees from the bachelor to doctoral levels and is home to the world's first jazz studies degree program. Faculty include internationally acclaimed artists and scholars in commercial music, composition, conducting, ethnomusicology, music business, music education, music history, music theory, and performance. The college presents more than 1,000 concerts and recitals annually. UNT music alumni can be found around the globe in impressive, award-winning careers across a wide range of music professions. For more information about the UNT College of Music, please see https://music.unt.edu/.
UNT has a highly diverse campus with a wide range of languages spoken in addition to English. We welcome candidates who have experience with HSI/MSIs and/or who speak Spanish, Vietnamese, American Sign Language, Chinese (Cantonese, Mandarin and other variations), Arabic, Tagalog, Farsi, French, or/and Yoruba.
UNT has a highly diverse campus with a wide range of languages spoken in addition to English. We welcome candidates who have experience with HSI/MSIs and/or who speak Spanish, Vietnamese, American Sign Language, Chinese (Cantonese, Mandarin, and other variations), Arabic, Tagalog, Farsi, French, and/or Yoruba.
Position Overview
The UNT College of Music invites applications for a professional-track faculty appointment (Lecturer/Senior Lecturer) in Music Recording Engineering. This is a renewable, multi-year appointment (3-4 years) and is not tenure-eligible. The successful candidate will shape and lead one of the nation's premier immersive audio training and production environments within a top-tier comprehensive music school.
Teaching: Teach courses in recording engineering and commercial music, including sound engineering (advanced microphone techniques, signal flow, immersive workflows, session management, mastering), mixing and mastering, album production, digital orchestration, and Dolby Atmos for theatrical media (film, installations, games), with emphasis on scoring, editing, and delivery integration.
Administration: Provide strategic and operational leadership for scheduling, maintenance, calibration, infrastructure development, equipment/software inventory, and long-term technical planning for the Spec's Charitable Foundation Research and Recording Lab (recently completed) and a newly constructed 7.2.4 Dolby Atmos mixing and mastering environment designed for advanced immersive production across film, large ensemble recording, installation, and emerging media formats (expected August 2026), including ongoing assessment and strategic growth of immersive initiatives.
Service: Participate fully in academic and professional activities, including service assignments, across the campus and the profession. Collaborate across divisions to support interdisciplinary projects in scoring, sound design, and immersive audio.
Additional Responsibilities: Coordinate student recording projects and supervise student engineers and graduate assistants. Oversee recording support for ensembles, guest artists, and faculty projects, including post-production and archival workflows. Serve as liaison for technology planning, budgeting, vendor relations, and equipment upgrades. Develop industry partnerships and experiential learning opportunities (guest artists, internships, certifications). Advise student capstone/practicum projects and juried portfolios. Contribute to assessment, recruitment, and outreach initiatives.
Minimum Qualifications
Earned Master's degree in audio engineering, music technology, recording arts, composition/media arts, or a related field, or bachelor's degree in music or music business with significant professional recording engineering experience, including demonstrated expertise in immersive (Dolby Atmos) production workflows. Proficiency with DAWs and post-production tools (e.g., Pro Tools Ultimate, Logic, Nuendo), Dolby Atmos workflows, Dante, and studio maintenance practices. Demonstrated ability to manage complex technical facilities.
Knowledge, Skills and Abilities
N/A
Preferred Qualifications
Earned Doctorate.
Demonstrated record of industry engagement and/or collaborative production across genres and media formats.
Substantial portfolio of commercial, academic, or independent recording credits, including large ensembles.
Experience leading a recording facility or academic lab and supervising/mentoring staff.
Experience teaching immersive/interactive media audio (film, XR, game audio).
Professional certifications (Avid, Dante) and experience with audio infrastructure, calibration, and console/outboard maintenance.
Required License/Registration/Certifications
Job Duties
Physical Requirements
Environmental Hazards
Work Schedule
varies based on assignment
Driving University Vehicle
No
Security Sensitive
This is a Security Sensitive Position.
Special Instructions
Applicants must submit a minimum of two professional references as part of their application. If needed, additional references can be added after the application has been submitted. Applicants must submit names and contact information for three professional references as part of their application. If needed, names of additional references can be added after the application has been submitted. Please upload the following documents with the application:
• Letter of application addressing qualifications and vision for Spec's Lab.
• Curriculum vitae.
• Portfolio of representative recordings/mixes/masters (include immersive examples if available) with links and role descriptions.
• Optional: Teaching samples.
• Optional: Sample syllabi, assignments, and statement on inclusive teaching.
Benefits
For information regarding our Benefits, click here .
EEO Statement
The University of North Texas System is firmly committed to equal opportunity and does not permit -and takes actions to prevent - discrimination, harassment (including sexual violence, domestic violence, dating violence and stalking), and retaliation on the basis of race, color, religion, national origin, sex, age, disability, genetic information, or veteran status in its application, employment practices, and facilities; nor permits race, color, national origin, religion, age, disability, veteran status, or sex discrimination and harassment in its admissions processes, and educational programs and activities. UNT System Administration promptly investigates complaints of discrimination, harassment, and related retaliation and takes remedial action when appropriate. System Administration also takes actions to prevent retaliation against individuals who oppose any form of harassment or discriminatory practice, file a charge or report, or testify, assist, or participate in a related investigation or proceeding.