ZipRecruiter

Log In

2

Director Remote Audio Production Jobs (NOW HIRING)

Lucem Health

$226K - $237K/yr

Our Product Director will be able to effortlessly glide between the strategic and the tactical as ... remote but the Charlotte, NC, or Raleigh NC, areas are preferred. Qualifications: The ideal ...

Airgas

$160K - $190K/yr

R10096047 Director, Remote Operations Control Center (Open) Location: Independence, OH - Rockside ... Guide the daily production process and support its implementation to determine the most cost ...

The Chalmers Center

Podcast Producer

Chattanooga, TN · Remote

$126K - $129K/yr

A bank of experience in narrative audio production allows you to move quickly into the field with ... You'll work with the team to cut stories into final episodes, able to direct, but also to try your ...

T-Cetra LLC

Sales Director - Remote

$100K - $115K/yr

While this is a remote position, our Sales Director will need to be near a major city for business ... products. * Demonstrated success building, managing, and motivating field sales and 3rd party sales ...

Playground Labs

Game Director - Remote

$150K/yr

The Opportunity Playground Labs is seeking a Game Director to set the product and design vision of ... This is a 100% remote position, and we welcome applications from qualified candidates worldwide.

Cenero, LLC

Project Manager

Charlotte, NC · On-site +1

Our Charlotte, NC office is looking for a Project Manage r to manage local and remote audio visual ... Direct project financial milestones and labor expenses for internal resources and subcontractors

CD PROJEKT RED

Producer (Audio)

Boston, MA · On-site +1

The role will focus on production support for our sound effects and music teams. You will work closely with our audio director, lead sound designer, producers, sound and music teams both in Warsaw ...

New

next page

Showing results 1-20

All JobsRemote JobsArts And Entertainment JobsEntertainment Production JobsAudio Engineer JobsDirector Remote Audio Production Jobs

Director Remote Audio Production information

See salary details

$24K

$107.5K

$189.5K

How much do director remote audio production jobs pay per year?

As of Sep 12, 2026, the average yearly pay for director remote audio production in the United States is $107,478.00, according to ZipRecruiter salary data. Most workers in this role earn between $78,000.00 and $129,500.00 per year, depending on experience, location, and employer.

What does a director of remote audio production do?

A Director of Remote Audio Production oversees the planning, coordination, and execution of audio production for live or recorded events that occur outside of a traditional studio setting. This role involves managing technical teams, selecting appropriate equipment, ensuring high-quality sound capture and transmission, and troubleshooting issues in real-time. Directors also collaborate with producers, engineers, and other creatives to deliver seamless audio experiences for broadcasts, streaming, or live events. Their expertise is crucial in environments such as sports, concerts, or large-scale conferences where remote audio needs are complex.

What are the key skills and qualifications needed to thrive as a director of remote audio production?

To excel as a Director of Remote Audio Production, you need extensive experience in audio engineering, production management, and a solid understanding of broadcast standards, typically backed by a relevant degree or equivalent experience. Expertise with digital audio workstations (DAWs), remote collaboration tools, streaming platforms, and industry-standard audio hardware is crucial. Strong leadership, problem-solving, and communication skills help coordinate dispersed teams and ensure seamless production workflows. These abilities are vital for delivering high-quality audio content efficiently, often across multiple locations and under tight deadlines.

How does a director of remote audio production typically collaborate with other departments during live events or productions?

A Director of Remote Audio Production works closely with broadcast engineers, producers, technical directors, and on-site audio teams to ensure seamless audio quality during live events. Collaboration often involves pre-event planning meetings to align on technical requirements, real-time communication during broadcasts to troubleshoot issues, and post-event reviews to optimize future workflows. This role acts as a bridge between creative and technical teams, ensuring both the artistic vision and technical standards are met, often under tight deadlines and in rapidly changing environments.

What is the difference between Director Remote Audio Production vs Remote Audio Engineer?

AspectDirector Remote Audio ProductionRemote Audio Engineer
Primary RoleOversees audio projects, manages teams, and ensures production qualityExecutes technical audio tasks, mixes, and edits audio content
CredentialsExperience in audio production, leadership skills, possibly a degree in audio or mediaTechnical audio certifications, audio engineering degree or equivalent experience
Work EnvironmentRemote, often in a managerial or supervisory capacityRemote or studio-based, focused on technical execution
Industry UsageUsed in media companies, production studios, broadcastingCommon in recording studios, broadcasting, podcasting

The main difference is that the Director Remote Audio Production focuses on overseeing and managing audio projects remotely, while the Remote Audio Engineer handles the technical audio work. Both roles require audio expertise, but the director role emphasizes leadership and project management.

More about Director Remote Audio Production jobs

What cities are hiring for Director Remote Audio Production jobs?

Cities with the most Director Remote Audio Production job openings:

What are the most commonly searched types of Remote Audio Production jobs?

The most popular types of Remote Audio Production jobs are:

What states have the most Director Remote Audio Production jobs?

States with the most job openings for Director Remote Audio Production jobs include:

What job categories do people searching Director Remote Audio Production jobs look for?

The top searched job categories for Director Remote Audio Production jobs are:

Director Remote Audio Production jobs near you
Infographic showing various Director Remote Audio Production job openings in the United States as of September 2026, with employment types broken down into 87% Full Time, 9% Part Time, 2% Contract, and 2% Nights. Highlights an 92% Physical, 2% Hybrid, and 6% Remote job distribution, with an average salary of $107,478 per year, or $51.7 per hour.

Seasonal Part-Time Broadcast Audio 1

Inglewood, CA • Remote

The National Football League
Performing Arts, Spectator Sports and Event Promotion • 1 - 5K employees
Learn more about The National Football Leagueexternal

Full-time, Part-time

Re-posted 5 days ago

Key responsibilities

  • Serve as the lead audio mixer for live and recorded productions, ensuring audio quality and operational excellence.

  • Design, configure, and execute complex audio workflows for various productions and digital formats.

  • Troubleshoot and resolve technical audio issues in real time while maintaining on-air continuity.

Job description

NFL Media Technical Operations is seeking an experienced Audio 1 (A1) to lead audio production for live and recorded programming across NFL Media platforms. This position serves as the primary audio lead responsible for the planning, execution, mixing, and overall quality of audio elements supporting studio, remote, and special event productions. 

The ideal candidate possesses extensive live broadcast audio experience, strong technical expertise in modern IP-based audio environments, and a proven ability to perform in fast-paced, high-profile sports production settings. Production services will be based at NFL Media's state-of-the-art broadcast facility in Inglewood, California. 

Responsibilities

  • Serve as the lead audio mixer for live and recorded productions, ensuring the highest level of audio quality and operational excellence.
  • Design, configure, and execute complex audio workflows for studio shows, remote broadcasts, special events, and digital productions.
  • Operate and mix live productions utilizing broadcast audio consoles, playback systems, communication systems, and IP-based audio infrastructure.
  • Collaborate closely with producers, directors, technical directors, engineering teams, and production personnel to deliver consistent and impactful audio experiences.
  • Develop and maintain show-specific audio configurations, routing strategies, and operational workflows.
  • Lead audio planning for remote productions, transmission paths, venue integration, and signal management.
  • Troubleshoot and resolve technical audio issues in real time while maintaining on-air continuity.
  • Oversee proper setup, operation, and optimization of communications systems, including Riedel intercom platforms.
  • Ensure compliance with broadcast audio standards and best practices across stereo, surround sound, and emerging audio formats.
  • Provide guidance, mentorship, and operational direction to A2 and A3 personnel and freelance audio staff as needed.
  • Maintain proficiency in emerging broadcast technologies, IP networking standards, and audio production workflows.
  • Perform other duties as assigned. 

Required Qualifications

  • 7+ years of professional broadcast audio experience, including significant experience mixing live sports and studio productions.
  • Proven experience serving as an Audio 1 (A1) or senior-level broadcast audio mixer in a professional television, streaming, or live event environment.
  • Advanced experience operating SSL audio consoles; experience with SSL System T and S500 platforms strongly preferred.
  • Demonstrated expertise in stereo, 5.1 surround, and multi-channel broadcast audio mixing.
  • Extensive knowledge of IP-based audio infrastructures, including AES67, Dante, SMPTE 2110, and related broadcast networking technologies.
  • Experience supporting complex remote productions, transmission workflows, and large-scale live event broadcasts.
  • Strong understanding of broadcast signal flow, routing, communications systems, and troubleshooting methodologies.
  • Proficiency with playback systems, audio servers, and broadcast production technologies.
  • Experience working with Riedel communications systems and networked intercom environments preferred. 

Qualifications

  • Experience supporting national sports broadcasts and large-scale live events.
  • Dante Certification or equivalent IP audio networking credentials.
  • Experience with EVS audio workflows and replay systems.
  • Familiarity with cloud-based or remote production environments.
  • CTS, Dante, or other relevant industry certifications. 

Other Key Attributes / Characteristics

  • Exceptional leadership, communication, and collaboration skills.
  • Ability to remain calm and make sound decisions in high-pressure live production environments.
  • Demonstrated attention to detail and commitment to operational excellence.
  • Strong troubleshooting and problem-solving capabilities.
  • Ability to prioritize multiple competing demands while maintaining production quality.
  • Strong technical proficiency with broadcast systems, production software, and collaboration tools. 

Terms / Expected Hours of Work

  • Availability to work flexible schedules, including evenings, weekends, holidays, and special events.
  • Ability to support remote productions and occasional travel as business needs require.
  • Seasonal employment up to 7 months. 

Salary / Pay Range

This job posting contains a pay range, which represents the range of salaries or hourly rates that the NFL believes, in good faith, at the time of this posting that it might be willing to pay for the posted job in the location(s) specified. The NFL expects to hire for this position near the middle of the range. Only in truly rare and exceptional circumstances, where an external candidate has experience, credentials or expertise that far exceed those required or expected for the position, would the NFL consider paying a salary or rate near the higher end of the range.

Apply