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Director Remote Audio Production Jobs in Missouri

rossvideo

$42 - $55.50/hr

Senior Director, Technical Product Management - Audio Systems What we offer: Ross offers ... Remote

Steris Corporation

Director, Engineering (Remote)

MO · On-site +1

Remote based role with up to 75% travel What You'll do as a Director, Engineering * Set priorities ... New Product Introduction, insourcing, and network/site transfers projects. * Quality, compliance ...

MDstaffers

Telehealth Psychiatrist (Missouri)

MO · Remote

This is a flexible, fully remote opportunity where you can provide consults from a private setting ... in audio/video and intuitive EMR module Benefits: • Excellent consultation-based pay • No ...

Jobgether

This is an autonomous, remote-first leadership opportunity for an experienced mobile advertising ... Collaborate with internal product, solutions, technical, and commercial teams to develop tailored ...

SupplyLogic

Senior Account Director

Kansas City, MO · Remote

Recommend new products and solutions to enhance client campaigns QUALIFICATIONS AND SKILLS: * 5+ ... The remote work environment is centered around delivering exceptional customer experiences through ...

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Director Remote Audio Production information

What does a director of remote audio production do?

A Director of Remote Audio Production oversees the planning, coordination, and execution of audio production for live or recorded events that occur outside of a traditional studio setting. This role involves managing technical teams, selecting appropriate equipment, ensuring high-quality sound capture and transmission, and troubleshooting issues in real-time. Directors also collaborate with producers, engineers, and other creatives to deliver seamless audio experiences for broadcasts, streaming, or live events. Their expertise is crucial in environments such as sports, concerts, or large-scale conferences where remote audio needs are complex.

What are the key skills and qualifications needed to thrive as a director of remote audio production?

To excel as a Director of Remote Audio Production, you need extensive experience in audio engineering, production management, and a solid understanding of broadcast standards, typically backed by a relevant degree or equivalent experience. Expertise with digital audio workstations (DAWs), remote collaboration tools, streaming platforms, and industry-standard audio hardware is crucial. Strong leadership, problem-solving, and communication skills help coordinate dispersed teams and ensure seamless production workflows. These abilities are vital for delivering high-quality audio content efficiently, often across multiple locations and under tight deadlines.

How does a director of remote audio production typically collaborate with other departments during live events or productions?

A Director of Remote Audio Production works closely with broadcast engineers, producers, technical directors, and on-site audio teams to ensure seamless audio quality during live events. Collaboration often involves pre-event planning meetings to align on technical requirements, real-time communication during broadcasts to troubleshoot issues, and post-event reviews to optimize future workflows. This role acts as a bridge between creative and technical teams, ensuring both the artistic vision and technical standards are met, often under tight deadlines and in rapidly changing environments.

What is the difference between Director Remote Audio Production vs Remote Audio Engineer?

AspectDirector Remote Audio ProductionRemote Audio Engineer
Primary RoleOversees audio projects, manages teams, and ensures production qualityExecutes technical audio tasks, mixes, and edits audio content
CredentialsExperience in audio production, leadership skills, possibly a degree in audio or mediaTechnical audio certifications, audio engineering degree or equivalent experience
Work EnvironmentRemote, often in a managerial or supervisory capacityRemote or studio-based, focused on technical execution
Industry UsageUsed in media companies, production studios, broadcastingCommon in recording studios, broadcasting, podcasting

The main difference is that the Director Remote Audio Production focuses on overseeing and managing audio projects remotely, while the Remote Audio Engineer handles the technical audio work. Both roles require audio expertise, but the director role emphasizes leadership and project management.

What are popular job titles related to Director Remote Audio Production jobs in Missouri?

For Director Remote Audio Production jobs in Missouri, the most frequently searched job titles are:

What job categories do people searching Director Remote Audio Production jobs in Missouri look for?

The top searched job categories for Director Remote Audio Production jobs in Missouri are:

What cities in Missouri are hiring for Director Remote Audio Production jobs?

Cities in Missouri with the most Director Remote Audio Production job openings:

Director Remote Audio Production jobs near you

Senior Software Developer - Audio (Job Req #2026-049)

rossvideo

Remote

$42 - $55.50/hr

Full-time

Medical, PTO

Re-posted 13 days ago

Job description

Job Overview:

Lama is a small, focused audio development team in Europe operating within Ross Video. As part of the Technical Team, you will work directly with the full lifecycle of production-grade software—from early prototypes to stable, shipping features. This primarily remote role involves close collaboration with the Technical Team to design, implement, test, and refine modern C++ and DSP solutions for real-time audio applications.

You will contribute both to new product development and to the ongoing evolution of our existing software. The role offers room to influence technical direction, support sound decision-making, and take responsibility for well-defined areas of the product.

Who you report to:Senior Director, Technical Product Management - Audio Systems

What we offer:

Ross offers competitive salaries, comprehensive health plans, and several perks to help you perform at your best. Some of these perks include flexible hours, generous paid time off, fitness/wellness allowance, an employee share ownership program, development support, and a ton of fun social activities and events! Best of all, you will be part of the Ross Video family, and we've got an energizing environment here.  

What the job is all about:

  • Designing and implementing modern C++ and DSP components for real-time audio processing

Who you are:

  • You enjoy new technical challenges, and are excited at the prospect of writing code for actual, shipping products
  • You are a self-starter, happy to take the reins and take initiative
  • When you complete a task, you naturally look for areas to refine or improve
  • You like people. Knowledge is all around you, and you know that finding and talking to the right people is the way to get things done
  • You recognize that communication skills are as important as technical skills
  • You know how to ask questions - and how to listen to answers. 
  • You absorb knowledge like a sponge. You're happy to dig through code, track down obscure issues, and solve problems other people haven't
  • You have strong proficiency in modern C++
  • You have demonstrated experience in audio DSP programming, ideally for commercial audio products (VST plug-ins, DAWs, or hardware FX processors)
  • You bring practical experience with JUCE
  • You are comfortable with lock-free and multi-threaded programming for real-time audio
  • Experience with SIMD optimization for real-time audio is a plus
  • Experience with PyTorch, TensorFlow, ONNX, or similar ML tools in an audio context is a plus

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