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Broadcast Music Jobs (NOW HIRING)

iHeartMedia, Inc.

Broadcast Producer

Los Angeles, CA · On-site

Podcasting, the fastest-growing new media, today has more monthly users than streaming music ... What We Need: We're seeking a Broadcast Producer assist with the planning and production of live ...

iHeartMedia

Broadcast Producer

Burbank, CA · On-site

Podcasting, the fastest-growing new media, today has more monthly users than streaming music ... What We Need: We're seeking a Broadcast Producer assist with the planning and production of live ...

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Broadcast Music information

See salary details

$32K

$86.6K

$135.5K

How much do broadcast music jobs pay per year?

As of Aug 22, 2026, the average yearly pay for broadcast music in the United States is $86,597.00, according to ZipRecruiter salary data. Most workers in this role earn between $64,500.00 and $112,500.00 per year, depending on experience, location, and employer.

What is broadcast music?

Broadcast music refers to music that is played or transmitted over radio, television, or internet streaming services for public listening. This type of music is often licensed by organizations to ensure that songwriters, composers, and publishers are compensated when their works are used in broadcasts. Broadcast music plays an essential role in enhancing the content and mood of programs, advertisements, and live events. The management and licensing of broadcast music are typically handled by performance rights organizations such as BMI or ASCAP.

What are the key skills and qualifications needed to thrive in broadcast music?

To thrive in Broadcast Music, you need a solid understanding of music theory, audio production, and broadcasting principles, often supported by a degree in music, audio engineering, or a related field. Proficiency with digital audio workstations (DAWs), sound editing software, and broadcast equipment is typically required. Creativity, strong communication, and adaptability are standout soft skills for collaborating with artists and handling dynamic broadcast environments. These skills and qualities are crucial for producing engaging content and maintaining high technical standards in competitive media landscapes.

What are some typical challenges faced by professionals working in broadcast music production, and how can these be addressed?

Professionals in broadcast music production often face challenges such as tight deadlines, last-minute changes to programming, and coordinating with large teams including directors, audio engineers, and talent. Managing the technical aspects of live broadcasts while ensuring musical quality can also be demanding. To succeed, strong communication skills, adaptability, and the ability to stay calm under pressure are essential. Building collaborative relationships and maintaining a thorough understanding of broadcast technology can help address these challenges and ensure smooth productions.

What is the difference between Broadcast Music vs Music Licensing Specialist?

AspectBroadcast MusicMusic Licensing Specialist
Required CredentialsMusic industry knowledge, licensing understandingLegal and licensing certifications, industry knowledge
Work EnvironmentMusic publishers, media companies, radio/TV stationsLegal firms, licensing agencies, media companies
Employer & Industry UsageMusic rights management, performance rights organizationsMusic licensing, copyright compliance, legal consulting

Broadcast Music primarily involves managing music rights and royalties for performances, often within performance rights organizations. A Music Licensing Specialist focuses on negotiating and securing licenses for various uses of music, ensuring legal compliance. While both roles require knowledge of music rights and licensing, Broadcast Music professionals typically work within rights organizations, whereas Licensing Specialists often operate in legal or licensing firms. Understanding these differences helps clarify career paths and employer expectations in the music industry.

More about Broadcast Music jobs

What cities are hiring for Broadcast Music jobs?

Cities with the most Broadcast Music job openings:

What states have the most Broadcast Music jobs?

States with the most job openings for Broadcast Music jobs include:

What job categories do people searching Broadcast Music jobs look for?

The top searched job categories for Broadcast Music jobs are:

Broadcast Music jobs near you
Infographic showing various Broadcast Music job openings in the United States as of August 2026, with employment types broken down into 50% Full Time, 49% Part Time, and 1% Contract. Highlights an 96% Physical, and 4% Remote job distribution, with an average salary of $86,597 per year, or $41.6 per hour.

Broadcast Audio Operations Director

Met Opera

Manhattan, NY • On-site

$124 - $168/hr

Other

Posted 10 days ago

Job description

Rate of pay per CBA: $2,814 weekly / $146,328 annual

The Metropolitan Opera Media Department produces approximately 70 live and pre-recorded broadcasts each season, between September and June, for the Saturday matinee series on the Robert K. Johnson Foundation-Metropolitan Opera International Radio Network, the Met Opera Radio channel on SiriusXM, and the Live in HD series in cinemas worldwide. The Audio Operations Director oversees the technical planning and broadcast engineering for the Met’s broadcasts and participates as a member of the broadcast engineering team. The Audio Operations Director must bring a musical background and sensibility to the work. This position is under the creative direction of the Met’s Music Producers and reports to the Senior Radio Producer and the Assistant General Manager, Media.

Primary Responsibilities
  • Technical planning, design, and maintenance of the Met’s in-house broadcast facilities, including equipment budgeting and purchases
  • Technical set-up (e.g., microphones, wireless systems, cabling, mix console, and VO booth) for all broadcast and recording scenarios, including music mix, live announcer, live interviews, and pre recorded features. Broadcast productions range from stereo to 128+ tracks and include multiple locations and wireless systems within the Met.
  • Technical and engineering support for the broadcast Music Producers, including preparation of mixing board and communication of microphone setup to relevant departments before each broadcast rehearsal and broadcast
  • Audio technical coordination for Live in HD transmissions
  • Transmission operations for a network of over 200 radio stations worldwide and internet streaming partners, including end-to-end connections and quality assurance throughout broadcasts
  • Live broadcast mixing and recording and board operation, including live mixing on large frame consoles with multiple microphones and talking heads including host, commentators, and guests, and triggering live playback of prerecorded features
  • Recording, editing, mixing, and music underscoring of radio features, interviews, promos, and trailers, including VO, performance excerpts, and music beds
Management and Administration
  • Organization and communication of broadcast information and requirements to departments throughout the organization and to the Live in HD team
  • Organization of broadcast engineer work assignments and schedule for both on-staff and freelance engineers, and recruitment and training of new hires, in coordination with the Senior Radio Producer
  • Management of relationships with key vendors (NPR Content Depot, telecom service, Studer, etc.), including contracts, budget, schedule, maintenance of equipment, and monitoring of services
  • Planning, budgeting, and supervision of technical capital projects
  • Creation of annual budget for equipment purchases and handling of orders, Overseeing of asset management planning and execution, including long-term storage of assets
Skills and Qualifications
  • minimum 15 years professional engineering experience (in broadcast, studio and remote recording)
  • experience working in a supervisory position with a team of engineers
  • experience with operations planning, design and maintenance
  • extensive classical music training and knowledge
  • live recording and mixing, including familiarity with large-frame consoles such as the Studer Vista line and digital audio workstations such as Pyramix
  • post-production editing and mixing, with advanced ProTools fluency
  • live on-air broadcast engineering
  • Knowledge of and compliance to broadcast standards
  • Experience with broadcast IP codecs
  • Experience with intercommunications systems – RTS, Clearcom, or Riedel
  • IP networking knowledge for broadcast infrastructure
  • technical maintenance engineering
  • extensive experience with both analog formats and digital systems
  • transmission technology knowledge/experience
  • television broadcast experience
  • new media technology knowledge/experience
  • experience with asset management systems such as Soundminer, Enco, or Amazon Glacier
Physical Demands
  • The Broadcast Audio Operations Director carries enormous responsibility and must coordinate and cooperate with people from diverse departments of the Met and beyond. Judgment, discretion, and people skills are of paramount importance.
  • The position requires schedule flexibility and the ability to work nights and weekends, with weekly rehearsals and broadcasts.
  • The Broadcast Audio Operations Director must be able to work effectively under pressure and on tight deadlines.

The Metropolitan Opera is an equal opportunity employer. We are committed to providing an environment of mutual respect where equal employment opportunities are available to all applicants and existing employees without regard to race, color, religion, sex, pregnancy (including childbirth, lactation and related medical conditions), national origin, citizenship status, age, physical and mental disability, marital status, sexual orientation, gender identity, gender expression, genetic information (including characteristics and testing), military and veteran status, or any protected category prohibited by local, state or federal laws.

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