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Broadcast Monitoring Jobs (NOW HIRING)

Teton Ridge

Chief Broadcast Engineer

Fort Worth, TX · On-site

$100K - $150K/yr

Remote troubleshooting and monitoring is accepted and encouraged when on-premises presence is not ... Minimum 5-7 years of professional experience in broadcast/studio engineering, with progressive ...

NEP Group

Broadcast Studio Engineer

New York, NY · On-site

Manage and monitor the broadcast system engineering operations at NEP Studios. * Perform preventative maintenance and trouble shooting while executing changes and engineering updates on the broadcast ...

TCT Network

Television Broadcast Technician

Akron, OH · On-site

Monitor video and audio signals to detect problems and rectify them immediately to maintain broadcast quality. * Ensure synchronization of video, audio, and graphics during live broadcasts or ...

Nexstar Media Group

Broadcast Engineer

High Point, NC · On-site

In partnership with the Director of Technology, provide direct oversight, monitoring, and management for the broadcast transmitters, guyed towers, and remote facility sites. This includes performing ...

TCT Network

Television Broadcast Technician

Akron, OH · On-site

Monitor video and audio signals to detect problems and rectify them immediately to maintain broadcast quality. * Ensure synchronization of video, audio, and graphics during live broadcasts or ...

Starz

Broadcast Media IP Engineer

Denver, CO · Hybrid

Monitor system health, availability, and performance across on-site, cloud, and IP-based broadcast environments. * Ensure signal integrity, timing accuracy, and consistent quality of service across ...

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How much do broadcast monitoring jobs pay per hour?

As of May 28, 2026, the average hourly pay for broadcast monitoring in the United States is $33.33, according to ZipRecruiter salary data. Most workers in this role earn between $18.99 and $42.79 per hour, depending on experience, location, and employer.

What is a Broadcast Monitoring job?

A Broadcast Monitoring job involves tracking, analyzing, and reporting on broadcast content across television, radio, and digital platforms. Professionals in this role use specialized software and tools to monitor media coverage, advertisements, and public sentiment. They help organizations ensure compliance, measure media impact, and assess brand visibility. This job is essential for media agencies, news organizations, and brands that need real-time insights into their broadcast presence.

What are the key skills and qualifications needed to thrive in the Broadcast Monitoring position, and why are they important?

To thrive in Broadcast Monitoring, you need strong attention to detail, analytical skills, and an understanding of broadcast media workflows, often supported by a background in communications, media studies, or a related field. Familiarity with media monitoring software, video and audio logging systems, and data analysis tools is commonly required. Excellent organizational skills, adaptability, and the ability to work effectively both independently and in teams are key soft skills. These competencies ensure accurate tracking, reporting, and analysis of broadcast content, which are essential for clients to make informed decisions.

What are typical daily responsibilities for someone working in Broadcast Monitoring?

A typical day in Broadcast Monitoring involves tracking radio and television broadcasts for specific keywords, topics, or advertisements, analyzing content for compliance or media coverage, and preparing detailed reports for clients or internal teams. You may use specialized software to log, tag, and review audio and video content, ensuring accuracy in data collection. Collaboration with other media professionals and communication with clients or stakeholders are also common, particularly to clarify requirements or discuss findings. The work can be fast-paced, especially during major news events or advertising campaigns, requiring adaptability and sharp focus. Overall, the role is vital in helping organizations maintain brand reputation and monitor public messaging.
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Broadcast Monitoring jobs near you
Infographic showing various Broadcast Monitoring job openings in the United States as of May 2026, with employment types broken down into 2% Internship, 17% As Needed, 20% Full Time, 4% Part Time, 50% Contract, and 7% Nights. Highlights an 45% Physical, 53% Hybrid, and 2% Remote job distribution, with an average salary of $69,322 per year, or $33.3 per hour.
Broadcast IP Infrastructure Engineer

Broadcast IP Infrastructure Engineer

diversified

New York, NY • On-site

Other

Posted 16 days ago

Job description

Broadcast IP Infrastructure Engineer (SMPTE 2110)  

Position Overview 

The Broadcast IP Infrastructure Engineer is responsible for supporting and maintaining a modern SMPTE ST 2110-based broadcast infrastructure powering studio production environments. 

This role focuses on maintaining the IP-based routing, timing, and signal transport systems that deliver video and audio signals across the studio ecosystem. The engineer will configure, monitor, and troubleshoot IP broadcast infrastructure while ensuring the studio remains fully operational and production-ready for live and recorded productions. 

In addition to IP infrastructure responsibilities, this role supports studio production equipment and control room technologies, ensuring reliable operation of cameras, microphones, teleprompters, display systems, and other critical studio hardware. 

The engineer works closely with broadcast engineering, IT networking teams, and production staff to maintain highly reliable media infrastructure supporting executive-level studio productions. 

Location: New York, NY 
Schedule: Full-Time | On-Site 

Key Responsibilities 

IP Media Architecture 

  • Support and maintain a SMPTE ST 2110 IP media architecture used for real-time transport of video, audio, and ancillary signals across studio infrastructure. 

  • Maintain synchronization of broadcast devices using Precision Time Protocol (PTP) and associated timing infrastructure. 

  • Support orchestration and device discovery workflows using NMOS control frameworks. 

  • Monitor and troubleshoot multicast media traffic and IP transport flows across broadcast networks. 

  • Assist with maintaining high-availability broadcast networks supporting leaf-spine or similar high-bandwidth media architectures. 

IP Broadcast Infrastructure 

  • Configure, maintain, and troubleshoot Evertz Ultrix FR12 routing platforms and associated broadcast control systems. 

  • Support hybrid broadcast environments integrating SDI and IP media workflows. 

  • Ensure reliable media signal transport across IP broadcast infrastructure. 

  • Assist with integration of IP routing systems with studio production technologies. 

  • Maintain signal flow integrity across broadcast routing and monitoring platforms. 

Studio Production Readiness 

  • Prepare and validate studio technical systems to ensure the environment is fully operational prior to productions. 

  • Perform readiness checks across cameras, routing systems, audio capture systems, display infrastructure, and monitoring systems. 

  • Coordinate with production teams to verify system configuration and technical readiness for live or recorded productions. 

Studio Equipment Support 

  • Provide break/fix troubleshooting and maintenance across studio production equipment. 

  • Support and maintain robotic camera systems and PTZ camera infrastructure. 

  • Maintain and troubleshoot studio audio systems including ceiling array microphones and DSP processing systems. 

  • Support teleprompter systems, ensuring reliable operation during studio productions. 

  • Diagnose and resolve issues impacting studio production workflows. 

Studio Display & Graphics Systems 

  • Support large-format display infrastructure including Sony video walls and Sony CLED (Crystal LED) display systems. 

  • Ensure proper signal routing and synchronization between broadcast routing systems and display technologies. 

  • Assist with support and troubleshooting of Disguise (d3) media server platforms used for studio graphics and LED environments. 

Network & Systems Integration 

  • Work closely with IT networking teams to troubleshoot infrastructure issues including: 

  • Multicast traffic 

  • VLAN configuration 

  • Quality of Service (QoS) 

  • Network bandwidth allocation 

  • Support hybrid broadcast infrastructures integrating SDI and IP transport systems. 

System Monitoring & Maintenance 

  • Perform system monitoring and health checks across broadcast infrastructure. 

  • Maintain documentation including network topology, signal flow diagrams, and system configuration. 

  • Test redundancy and failover systems across broadcast routing and IP network infrastructure. 

  • Assist with lifecycle maintenance and upgrades of broadcast infrastructure systems. 

Required Qualifications:

  • 5–8+ years of experience supporting broadcast engineering or media infrastructure environments. 

  • Hands-on experience supporting SMPTE ST 2110 broadcast environments. 

  • Experience with Evertz routing platforms including Ultrix FR12. 

  • Strong understanding of multicast networking, PTP timing, NMOS orchestration, and IP media transport. 

  • Experience supporting studio production environments or broadcast control rooms. 

  • Ability to diagnose and resolve issues affecting broadcast video, audio, and IP media systems. 

Preferred Qualifications:

  • Experience supporting large-scale broadcast IP infrastructure environments. 

  • Familiarity with Sony video walls or Sony CLED display systems. 

  • Experience supporting Disguise media server platforms. 

  • Experience supporting robotic/PTZ camera systems. 

  • Experience supporting ceiling array microphone systems. 

  • Knowledge of AES67 or Dante audio networking. 

  • Experience using ticketing systems such as ServiceNow or Jira. 

Additional Requirements:

  • Ability to lift up to 50 pounds. 

  • Comfortable working in control rooms, studios, and equipment rack environments. 

  • Ability to troubleshoot and respond to issues quickly in live production environments. 

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