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Audio Operator Jobs (NOW HIRING)

Newscast Directing, Newscast Audio Operator, Media Center Operator and Master Control Operator. * Operates studio cameras and field cameras for live and taped events * Composes and frames shots ...

Newscast Directing, Newscast Audio Operator, Media Center Operator and Master Control Operator. * Operates studio cameras and field cameras for live and taped events * Composes and frames shots ...

Technical Media Operator

Albany, NY · On-site

$16.50 - $17.50/hr

Newscast Directing, Newscast Audio Operator, Media Center Operator and Master Control Operator. * Operates studio cameras and field cameras for live and taped events * Composes and frames shots ...

The audio revolution is here - and iHeart is leading it! iHeartMedia, the number one audio company in America , reaches 90% of Americans every month -- a monthly audience that's twice the size of any ...

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Audio Operator information

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$5

$33

$54

How much do audio operator jobs pay per hour?

As of Sep 14, 2026, the average hourly pay for audio operator in the United States is $33.65, according to ZipRecruiter salary data. Most workers in this role earn between $19.23 and $53.85 per hour, depending on experience, location, and employer.

What is an audio operator?

Audio Operators, sometimes called sound technicians or audio engineers, are professionals responsible for setting up, operating, and maintaining audio equipment for events, broadcasts, recordings, or live performances. They ensure that microphones, speakers, and other sound equipment function properly and that sound quality is clear and balanced. Their duties can include mixing audio, troubleshooting technical issues, and collaborating with other production staff to create the best possible audio experience. Audio Operators work in a variety of settings such as television studios, radio stations, theaters, and concert venues.

What does an audio operator do?

The responsibilities of an audio operator involve operating a soundboard for live or recorded television, radio, or other media programs. They set up and test microphones and interruptible foldback (IFB) as needed, as well as other equipment. An audio operator utilizes their knowledge of sound and audio mixing techniques, sometimes assisting in the production of commercial or promotional material. Other common duties include collaborating with another audio engineer to determine technical details. They may also handle administrative duties such as filing paperwork and ordering supplies. The qualifications you need to become an audio operator or engineer vary, but many employers prefer candidates with postsecondary education or experience in a similar position.

What are the key skills and qualifications needed to thrive as an audio operator, and why are they important?

To thrive as an Audio Operator, you need a solid understanding of sound engineering principles, audio signal flow, and typically a relevant degree or equivalent experience in audio production. Familiarity with digital audio consoles, microphones, audio editing software, and industry-standard systems like Pro Tools or Dante is essential. Attention to detail, effective communication, and the ability to stay calm under pressure are standout soft skills for this role. These skills and qualities are crucial for ensuring high-quality, reliable audio in live or recorded environments, directly impacting the overall production value.

What are some common challenges audio operators face when working on live events, and how can they prepare for them?

Audio Operators working on live events often encounter challenges such as unexpected equipment malfunctions, feedback issues, and last-minute changes to event schedules or speaker lineups. To prepare, it’s essential to conduct thorough sound checks, keep backup equipment readily available, and maintain clear communication with the production team. Staying calm under pressure and being able to troubleshoot quickly are crucial skills, as live events often require immediate solutions to ensure audio quality is maintained throughout the show.

What cities are hiring for Audio Operator jobs?

Cities with the most Audio Operator job openings:

What are the most commonly searched types of Audio Operator jobs?

The most popular types of Audio Operator jobs are:

What states have the most Audio Operator jobs?

States with the most job openings for Audio Operator jobs include:

What are popular job titles related to Audio Operator jobs?

For Audio Operator jobs, the most frequently searched job titles are:

Infographic showing various Audio Operator job openings in the United States as of September 2026, with employment types broken down into 48% Full Time, 50% Part Time, 1% Contract, and 1% Nights. Highlights an 99% Physical, and 1% Remote job distribution, with an average salary of $69,985 per year, or $33.6 per hour.

Audio Technician/Operator - THE POLAR EXPRESS Train Ride, OKC

Oklahoma City, OK • On-site

$21.50/hr

Full-time

Re-posted 3 hours ago


Key responsibilities

  • Install, operate, maintain, and repair the audio systems during the event to ensure sound designs are maintained with artistic integrity

  • Work with production staff, Sound Designer, and on-site management during load-in and load-out to set up and return the event space appropriately

  • Operate the audio systems during the event under the supervision of the Stage Manager and troubleshoot system problems as needed


Job description

Job Title: Audio Technician/Operator– THE POLAR EXPRESS™ Train Ride

Division/Department: Rail Events Production/Run Crew

Reports To: Production Audio Supervisor & Production Management

Type of position: Non-Exempt/Hourly

Employee Classification: Seasonal

Location: Oklahoma City, OK

Compensation: $21.50/hr

Job Summary: 

The Audio Technician/Operator works with the Sound Designer, production staff, and on-site management during load-in to install all theatrical sound systems in accordance with the system designs. They are responsible for the operation of the audio systems during the entire run of the event. They are also required to maintain the audio systems and troubleshoot in the event of system problems. They work under the supervision of the Production Audio Supervisors, Production Managers, and Stage Managers. Because of the nature of the live event, they may assist in any event-related items as required. They advise the Stage Manager and Local Production Manager of any technical or artistic needs that may arise to keep the integrity of the audio designs.

Essential Duties and Responsibilities:

  • Work with the Sound Designer and production staff to install and maintain audio systems for the event
  • Operate, maintain, and repair the audio systems throughout the duration of the event
  • Responsible for seeing that the sound designs are maintained with artistic integrity throughout the duration of the event
  • Work under the Stage Manager to operate the audio systems during the event
  • Assist the electricians with lighting systems as needed
  • Work with the production staff during load out to see that event space is returned to the railroad appropriately
  • Work with the Director and production staff during rehearsals to incorporate last-minute changes
  • Become familiar with company policies regarding safety
  • Work with the entire event team to maintain a positive, enjoyable, and rewarding environment for all staff and passengers
  • Other duties as assigned

Experience and Requirements:

  • Experience as a theatrical audio technician
  • Experience with Dante. NOTE: Level 1 certification of Audinate Dante required before start of employment
  • Experience with RF systems and Wireless Workbench
  • Experience with QSC Q-SYS software. NOTE: Level 1 certification of Q-SYS required before start of employment
  • Experience with computer networking hardware and software
  • Ability to work alongside the production staff as a team member in an ever-changing environment
  • Ability to work independently with self-motivation and attention to detail as well as excellent organizational skills
  • Demonstrated ability to anticipate, recognize, and solve practical problems and resolve issues
  • Ability to communicate effectively orally and in written form

Work Environment:

  • Majority of time spent in an event setting
  • Varied schedules requiring evenings, weekends, overtime, and holidays
  • Able to stand for prolonged periods of time
  • Varying temperatures and weather conditions; both indoor and outdoor
  • Able to stand and walk on uneven or unsteady surfaces aboard a moving train
  • Time spent in and around active railroad yard

What’s in it for you?

  • Serve others and create a world of make-believe and magic
  • Competitive pay and a chance to build upon your theater network and make lifelong connections
  • Enrich and positively impact the experience for all – big and small
  • Be part of an inclusive team in a supportive environment with high expectations for self and your fellow teammates
  • Catered meals for 5-show days
  • Comp tickets for your friends and family
  • Potential for end-of-season bonus 


Working on THE POLAR EXPRESS™ Train Ride is unlike anything you will ever do.  This immersive experience is entirely unique to Rail Events Productions.  The challenge of producing a full-length production on a moving train is one of the most rewarding experiences as an artist or technician.  With a total cast, crew and front-of-house employees of 60-75 people onsite every day and the possibility of over 2,000 guests, our days can be chaotic. With such a fast-paced environment, the team at Rail Events Productions takes care to properly support and teach everyone the best ways to accomplish their jobs.  We strive to build a space where employees are safe and encouraged to grow throughout their time with the company. 

Rail Events Productions, an American Heritage Railways subsidiary, is an Equal Opportunity Employer