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Audio Engineering Jobs (NOW HIRING)

$55 - $75/hr

Bachelor's degree in audio engineering, music production, media production, or a related field, or equivalent experience. * 3+ years of professional audio experience in live event production, studio ...

Head of Audio

New York, NY ยท On-site

$120K - $150K/yr

Mentor talented engineers, instill best practices, and create a unified vision for production audio quality. * Thrive in Creativity & Innovation: Collaborate with top-tier producers and production ...

Senior Audio Engineer

Oskaloosa, IA ยท On-site

$98K - $134K/yr

Bachelor's degree in Audio Engineering, Electrical Engineering, Acoustics, Physics, or a related technical field required. * Master's degree in Acoustics, Audio Engineering, Electrical Engineering ...

Senior Audio Engineer

Oskaloosa, IA

$98K - $134K/yr

Bachelors degree in Audio Engineering, Electrical Engineering, Acoustics, Physics, or a related technical field required. * Masters degree in Acoustics, Audio Engineering, Electrical Engineering, or ...

Senior Audio Engineer

Oskaloosa, IA ยท On-site

$98K - $134K/yr

Bachelor's degree in Audio Engineering, Electrical Engineering, Acoustics, Physics, or a related technical field required. * Master's degree in Acoustics, Audio Engineering, Electrical Engineering ...

Showing results 21-40

Audio Engineering information

See salary details

$29.5K

$84.5K

$171.5K

How much do audio engineering jobs pay per year?

As of Sep 5, 2026, the average yearly pay for audio engineering in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What is audio engineering?

Audio engineering is the process of capturing, manipulating, mixing, and reproducing sound using both analog and digital equipment. Audio engineers work in various settings such as recording studios, live concerts, film production, and broadcasting. Their responsibilities include setting up microphones, operating mixing consoles, editing audio files, and ensuring the highest possible sound quality. Audio engineers often collaborate with musicians, producers, and other technical staff to achieve desired sonic results.

What are the key skills and qualifications needed to thrive as an audio engineer, and why are they important?

To thrive as an Audio Engineer, you need a solid understanding of sound theory, audio signal flow, and recording techniques, typically supported by a degree or certification in audio engineering or a related field. Proficiency with digital audio workstations (DAWs) like Pro Tools or Logic Pro, as well as familiarity with mixing consoles, microphones, and audio plugins, is essential. Strong attention to detail, problem-solving abilities, and effective communication skills help audio engineers collaborate with artists and troubleshoot technical issues. These skills and qualities ensure high-quality audio production and smooth workflow in both studio and live environments.

What are some common challenges audio engineers face during live events, and how can they prepare for them?

Audio engineers working live events often encounter unexpected technical issues such as equipment malfunctions, feedback, or changing acoustics due to audience size. Preparing for these challenges involves conducting thorough sound checks, creating backup plans for key equipment, and maintaining clear communication with performers and production teams. Adaptability and troubleshooting skills are essential, as quick decision-making ensures audio quality remains high throughout the event. Regularly updating technical knowledge and collaborating closely with stage crews can also help prevent and address issues efficiently.

What is the difference between Audio Engineering vs Sound Design?

AspectAudio EngineeringSound Design
CredentialsTypically requires a degree or certification in audio engineering or related fieldOften requires a background in audio production, music, or sound design courses
Work EnvironmentRecording studios, live venues, broadcasting, post-productionFilm, video games, theater, multimedia projects
Industry UsageUsed across music, broadcasting, live sound, and post-productionPrimarily in film, gaming, and multimedia industries

Audio engineering focuses on capturing, mixing, and producing sound recordings, while sound design involves creating and manipulating audio elements for various media. Both roles require technical skills, but their applications and environments differ significantly.

What can I do with an audio engineering degree?

An audio engineering degree prepares individuals for careers such as recording engineer, live sound technician, broadcast engineer, or audio post-production specialist. Graduates can work in recording studios, concert venues, film and TV production, or radio stations, often using skills in mixing, editing, and operating audio equipment. Certifications in digital audio workstations and experience with industry-standard tools can enhance job prospects.

What does an audio engineering do?

An audio engineer is responsible for recording, mixing, and mastering sound for music, film, television, or live events. They operate equipment such as mixing consoles, digital audio workstations, and microphones, and often require technical skills and certifications. Their work ensures high-quality sound production tailored to the project's needs.

What jobs can an audio engineer do?

An audio engineer can work in various roles such as recording engineer, live sound technician, mixing engineer, mastering engineer, broadcast engineer, and sound designer. They typically operate audio equipment, use digital audio workstations, and may work in studios, concert venues, film production, or broadcasting environments.
More about Audio Engineering jobs

What cities are hiring for Audio Engineering jobs?

Cities with the most Audio Engineering job openings:

What states have the most Audio Engineering jobs?

States with the most job openings for Audio Engineering jobs include:

Infographic showing various Audio Engineering job openings in the United States as of August 2026, with employment types broken down into 78% Full Time, and 22% Part Time. Highlights an 89% In-person, and 11% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

$55 - $75/hr

Other

Medical, Dental, Life, Retirement, PTO

Posted 4 days ago


Key responsibilities

  • Serve as the lead audio engineer for live and virtual events, designing, operating, and troubleshooting audio systems to ensure clear sound for speakers and program elements.

  • Prepare and manage audio equipment, input lists, patch sheets, and stage plots, and coordinate with production teams to support event setup and execution.

  • Record, edit, mix, and deliver audio content for studio productions, podcasts, and media appearances, maintaining quality standards and technical specifications.


Job description

Make a difference with us! At Alliance Defending Freedom, we believe God has brought you here for His purposeโ€”to stand for truth and defend the God-given right to live and speak it. Together, we protect religious freedom, free speech, the sanctity of life, marriage and family, and parental rights. Review our Statement of Faith to ensure weโ€™re a fit for you.

Locations: Scottdale, AZ

Team Overview

As the Audio Engineer, you will serve as the lead audio engineer for ADF's live and virtual eventsโ€”conferences, seminars, galas, and webinarsโ€”owning front-of-house, monitor, and broadcast mixes so that every speaker and program element is heard clearly. Between events, you serve as the primary audio engineer for ADF's Arizona studio and media hit studio, capturing and mixing audio for video productions, podcasts, and live national media appearances.

Key Responsibilities Live Event Audio
  • Serve as the A1 for assigned ADF events, designing and operating the audio system - front of house, monitors, and broadcast/stream mixes to a high standard of clarity, intelligibility, and consistency.
  • Design system and loudspeaker configurations for each room, tune and align systems to the space, and adapt to venue acoustics and house infrastructure.
  • Coordinate and manage wireless microphone and in-ear monitor systems, including frequency coordination, RF scanning, antenna distribution, and battery management, to keep channels clean in congested environments.
  • Prepare input lists, patch sheets, stage plots, and console show files in advance of load-in, and communicate audio requirements to the producer, venue, and crew.
  • Mic, sound check, and support presenters, panelists, and musicians, briefing them on microphone technique and monitoring so they are comfortable on stage.
  • Load in, set up, operate, strike, and load out audio systems, including consoles, amplification, loudspeakers, cabling, playback, and production intercom.
  • Coordinate audio with video switching, lighting, and show control cues so that the program runs as a single, rehearsed production.
  • Diagnose and resolve audio problems in real time during live events, applying redundancy and backup plans to minimize disruption to attendees and stream audiences.
  • Serve as the primary audio engineer for ADF's Arizona studio and media hit studio, setting up and operating microphones, mixers, and monitoring for video shoots, podcasts, and interviews.
  • Provide audio for live media hits with national broadcast outlets, including IFB, mix-minus, and clean feeds to remote networks, and confirm signal quality and levels before air.
  • Record, edit, mix, and master audio for produced content, including dialogue cleanup, noise reduction, loudness normalization, and delivery to broadcast and web specifications.
  • Maintain and improve studio acoustics, signal flow, and routing, including audio-over-IP networks (e.g., Dante) where deployed.
  • Deliver finished audio assets to the standards required by ADF's post-production and communications teams, and archive session files and raw audio for reuse.
Systems, Maintenance & Readiness
  • Maintain, test, and repair audio equipment and inventory, including consoles, wireless systems, microphones, and cabling, and keep firmware and show files current.
  • Prepare and pack audio packages for travel, tracking equipment out and back and confirming everything returns in working order.
  • Recommend equipment purchases, upgrades, and standardization to the Production Manager, Arizona, including specifications and cost estimates.
  • Maintain safe working conditions during load-in, show, and load-out, including safe electrical loading, rigging of loudspeaker arrays where applicable, and cable management.
  • Observe hearing conservation and sound level practices appropriate to each venue, program, and audience.
  • Partner with the Live Event Producer, video and lighting technicians, and freelance crew to deliver a unified production, and serve as the audio point of contact for presenters, communications staff, and event owners.
  • Train and support other AV team members on basic audio operation so that events the A1 cannot cover are still well served.
  • Conduct post-event review of audio performance and apply lessons learned to future events and studio work.
  • Research developments in audio technology and recommend adoption where they would strengthen ADFโ€™s events and studio capabilities.
Minimum Qualifications
  • Bachelorโ€™s degree in audio engineering, music production, media production, or a related field, or equivalent experience.
  • 3+ years of professional audio experience in live event production, studio recording, and post-production audio settings, including primary A1 responsibility for events using professional-grade systems.
  • Demonstrated experience with mixing front of house and monitors live, for spoken word and music, in rooms of varying size and acoustics.
  • Ability to manage multiple events, studio sessions, and competing deadlines simultaneously, delivering consistent audio quality with sometimes limited crew, taking a show from load-in through load-out independently when required.
  • Knowledge of live sound reinforcement principles, digital audio consoles and the workflow of building, saving, and recalling show files (Yamaha, DiGiCo, Allen & Heath, Avid).
  • Knowledge of RF and wireless microphone systems, audio-over-IP and digital audio networking as applied to production (Dante, AES67), and the networking fundamentals that support it.
  • Knowledge of broadcast and steaming audio requirements, studio recording and post-production practices.
  • Ability to lift, carry, and set up audio equipment and road cases, and work from ladders or lifts where loudspeaker deployment requires it.
  • Ability to travel to and work on-site at event venues, including some evenings and weekends as events requireโ€”approximately 20% travel (85% domestic, 15% international; the ability to obtain a valid passport is required for international travel).
Preferred Qualifications
  • Dante certification, AVIXA CTS (Certified Technology Specialist) or similar industry certifications.

At Alliance Defending Freedom, we offer a competitive compensation and benefits package to support your well-being and growth. While we do not disclose specific salary ranges, our compensation is competitive with top non-profit law firms. Our benefits include 100% covered medical and dental insurance, medical and dependent care reimbursement, paid disability, long-term care, life insurance, and a 401(k) plan with a 4% company match. We prioritize work-life balance with paid time off and 12 paid holidays each year.

Want to Know More About ADF? Statement of Faith

Based on our adherence to the inspired, infallible, inerrant, and authoritative Word of God in Scripture, we profess with the Christian Church throughout time and around the world the faith expressed in the Apostles' Creed:

I believe in God, the Father almighty, creator of heaven and earth.
I believe in Jesus Christ, his only Son, our Lord,
who was conceived by the Holy Spirit,
born of the Virgin Mary,
suffered under Pontius Pilate,
was crucified, died, and was buried;
On the third day he rose again; he ascended into heaven,
he is seated at the right hand of the Father,
and he will come to judge the living and the dead.
I believe in the Holy Spirit,
the holy catholic Church,
the communion of saints,
the forgiveness of sins,
the resurrection of the body,
and the life everlasting.
Amen.

Doctrinal Distinctives
  • We believe in the spiritual unity and equality of believers in our Lord Jesus Christ.
  • We believe that the Lordship of Christ requires us as disciples to seek to conform our actions, thoughts, and desires in obedience to Him.
  • We believe God creates each person with an immutable biological sex โ€” male or female โ€” that reflects the image and likeness of God.
  • We believe God designed marriage as a unique conjugal relationship joining one man and one woman in a single, exclusive, life-long union, and God intends sexual intimacy only to occur within that relationship.
  • We believe God endows all human life with inherent dignity, and it must be respected and protected from conception to natural death.
  • We believe that God has endowed all humans with the natural, and inalienable right of religious freedom to believe, pursue truth, and live within ordered liberty such that no civil government may justly infringe upon it.
  • We believe that God, through His Son, Jesus Christ, calls all of us to deny ourselves, take up our cross, and follow Him, knowing that He promises us abundant and eternal life.
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