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Trailer Editor Jobs (NOW HIRING)

This involves ftp ingestion, quality checks, captioning, editing, and DVD authoring. Key Responsibilities * Organize materials for projects including, schedules, art assets, media assets, trailers ...

... trailers, and speakers * Assist in support of in-practice replay system * Basic Catapult data input ... Knowledge and working proficiency in football video editing systems required, Catapult Thunder and ...

MovieWeb: Movies & TV Reporter

Atlanta, GA · Remote

$25 - $34/hr

... release dates, trailers, interviews and clips, full movies, and more. MovieWeb keeps users ... Previous writing experience (Editing experience is a plus) * The ability to analyze content and ...

You will be editing something every day. From recordings of cut-ins for playback later ... Pass GA DOT driver certification and drive truck towing 24-foot production trailer * Perform ...

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Trailer Editor information

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How much do trailer editor jobs pay per hour?

As of Jul 13, 2026, the average hourly pay for trailer editor in the United States is $28.75, according to ZipRecruiter salary data. Most workers in this role earn between $22.12 and $31.97 per hour, depending on experience, location, and employer.

What Does a Trailer Editor Do?

As a trailer editor, you cut and edit film footage to create a preview trailer for a movie. In this role, you may help decide which scene or scenes to highlight in the trailer and work to fulfill a specific advertising or project goal. For example, action movies often have trailers that portray the movie as fast and exciting, while mystery films may highlight a question while avoiding any information about the answer. Trailer editors often work with other advertising staff to ensure a consistent marketing campaign across all channels. This job frequently involves modifying audio and video and may require coordinating with a special effects studio.

What kind of jobs in media bring in $150,000 a year?

In media, high-paying roles such as senior trailer editors, post-production supervisors, or creative directors can earn $150,000 or more annually. These positions typically require extensive experience, advanced skills in editing software like Avid or Adobe Premiere, and often involve leadership responsibilities in large projects or companies.

What is the difference between Trailer Editor vs Video Editor?

AspectTrailer EditorVideo Editor
CredentialsTypically requires editing experience, possibly film or media-related certificationsRequires general editing skills, often with a broader range of software knowledge
Work EnvironmentPrimarily in film, TV, or advertising industries focusing on trailersIn various industries including corporate, entertainment, social media
Industry UsageCommonly used in entertainment and advertising for promotional contentUsed across multiple sectors for diverse video projects

While both roles involve editing videos, a Trailer Editor specializes in creating promotional trailers for films, TV shows, or commercials, focusing on capturing audience interest. A Video Editor has a broader scope, working on various types of video content across industries. Understanding these differences helps in choosing the right career path or job search focus.

How to become a trailer editor?

To become a trailer editor, gain experience in video editing by working with editing software such as Adobe Premiere Pro or Avid Media Composer. Develop skills in storytelling, pacing, and visual effects, and build a portfolio of trailer projects; some roles may require a background in film or media production. Internships or entry-level positions in editing can provide valuable industry experience.

What are the key skills and qualifications needed to thrive as a Trailer Editor, and why are they important?

To thrive as a Trailer Editor, strong video editing skills, a creative eye for storytelling, and proficiency with editing software such as Adobe Premiere Pro or Final Cut Pro are essential, often supported by a degree in film, media, or a related field. Familiarity with sound design, motion graphics, and industry-standard tools like After Effects is typically required. Excellent communication, time management, and the ability to interpret creative briefs make someone stand out in this position. These skills ensure engaging, high-quality trailers that effectively capture audience attention and convey the intended message under tight deadlines.

What is a Trailer Editor?

A Trailer Editor is a professional responsible for creating captivating trailers for films, TV shows, video games, or other visual media. They skillfully select and arrange footage, sound, and music to craft a compelling preview that attracts audiences and conveys the essence of the full production. Trailer Editors work closely with directors, producers, and marketing teams to ensure the trailer aligns with the project's vision and promotional goals. Their work requires strong storytelling abilities, technical editing skills, and creativity under tight deadlines.

How much money do trailer editors make?

Trailer editors typically earn between $40,000 and $80,000 annually, depending on experience, location, and the complexity of projects. Senior or highly skilled editors working in major markets can earn higher salaries, especially if they have expertise in editing software like Adobe Premiere or Avid Media Composer.

What are some typical challenges faced by trailer editors when working with limited source material?

Trailer editors often encounter the challenge of crafting a compelling narrative from incomplete or unfinished footage, especially when working on projects that are still in post-production. This requires creativity in storytelling and the ability to repurpose available scenes to evoke emotion and excitement without revealing spoilers. Close collaboration with directors, producers, and marketing teams is essential to ensure the trailer aligns with the film’s tone and promotional strategy. Flexibility and strong communication skills are crucial for addressing last-minute changes and meeting tight deadlines.

What does a trailer editor do?

A trailer editor is responsible for assembling and editing video footage to create promotional trailers for films, TV shows, or other media. They select key scenes, add sound and visual effects, and work with editing software to produce a compelling preview that attracts audiences. Strong editing skills and knowledge of storytelling are essential in this role.
What cities are hiring for Trailer Editor jobs? Cities with the most Trailer Editor job openings:
What are the most commonly searched types of Trailer Editor jobs? The most popular types of Trailer Editor jobs are:
What states have the most Trailer Editor jobs? States with the most job openings for Trailer Editor jobs include:

Sr. Coordinator, Global Creative Content Post Production Operations

Sony Pictures

Culver City, CA

Full-time

Posted 4 days ago


Job description

Sony Pictures Television Distribution's Global Creative Content team is seeking a highly organized and technically proficient Senior Coordinator, Post-Production Operations to support the day-to-day operational workflows of a fast-paced creative marketing organization.

Global Creative Content is Sony Pictures Entertainment's in-house creative services organization supporting worldwide television marketing initiatives. The team develops creative solutions through television promotion, trailers, sales presentations, FAST channels, digital marketing, experiential campaigns, branding, motion graphics, editorial content, and emerging media. Working closely with global marketing partners, production teams, and creative leadership, Global Creative Content produces high-quality marketing assets that support the lifecycle of Sony Pictures Television content across domestic and international markets.


This role is responsible for coordinating media asset intake, sourcing, quality control, delivery, archival management, workflow optimization, and technical operations across a high volume of creative marketing projects. Working closely with producers, editors, designers, marketing stakeholders, IT, and external post-production partners, the Senior Coordinator ensures creative assets are organized, technically validated, delivered, and archived while maintaining efficient post-production workflows.
The ideal candidate has a strong foundation in post-production workflows, media management, and digital asset operations. This role is well suited for someone with previous experience as an Assistant Editor, Post-Production Coordinator, or Post-Production Operations professional looking to expand into a specialized operations role within a studio environment.

ResponsibilitiesPost-Production Operations & Workflow Management
  • Coordinate and manage day-to-day media intake, asset sourcing, quality control, delivery, and archival workflows supporting a high volume of creative marketing projects.
  • Manage project assets throughout the creative lifecycle, ensuring materials are received, organized, accessible, and delivered according to established standards.
  • Coordinate asset sourcing across internal and external repositories, production partners, studio systems, and third-party vendors.
  • Evaluate incoming media and proactively identify missing assets, technical issues, and workflow risks.
  • Track project and asset status while maintaining proactive communication with producers, editors, designers, and creative stakeholders.
Media Management & Delivery
  • Maintain media organization across Ci Media Cloud, Runner, shared servers, and Digital Asset Management (DAM) systems.
  • Perform technical quality control of incoming and outgoing media assets, editorial deliverables, graphics packages, and After Effects project collections.
  • Validate deliverables against technical specifications, metadata standards, naming conventions, and archival requirements.
  • Prepare and deliver final assets to internal archive and Digital Asset Management teams.
  • Support ongoing media lifecycle management, storage optimization, archive initiatives, and asset integrity.
Technical Operations & Production Support
  • Liaise with editors, post-production vendors, color facilities, audio partners, finishing houses, and external service providers.
  • Coordinate media transfers, delivery requirements, revisions, and technical troubleshooting.
  • Serve as the primary liaison between Global Creative Content and IT/Technical Operations for editorial workstations, software, plug-ins, shared storage, licenses, and post-production infrastructure.
  • Support software updates, plug-in compatibility, storage management, workstation readiness, and operational continuity.
  • Maintain productive relationships with internal partners and external vendors.
Workflow Optimization
  • Document and maintain workflows, delivery specifications, and best practices.
  • Identify opportunities to improve workflow efficiency, automation, asset management, and operational scalability.
  • Support troubleshooting related to media files, codecs, transcoding, storage systems, and post-production platforms.
  • Assist in evaluating emerging production technologies and AI-enabled workflow tools.
Reporting & Communication
  • Maintain accurate project tracking through Wrike, Airtable, Jira, or comparable systems.
  • Provide proactive communication regarding asset readiness, delivery status, schedule risks, and workflow challenges.
  • Ensure stakeholders have visibility into project progress and operational needs.
Qualifications
  • 2+ years of experience supporting post-production, media operations, assistant editing, asset management, or production coordination within a studio, entertainment marketing agency, production company, or post-production facility.
  • Bachelor's degree from an accredited four-year college or university (Film, Television, Media Production, Communications, or related field preferred).
  • Demonstrated ability to manage large volumes of digital media assets while maintaining organization and file integrity.
  • Experience supporting episodic television, feature film, trailers, promotional content, or creative marketing workflows.
  • Strong understanding of media asset management, codecs, file formats, transcoding, delivery specifications, and archive processes.
  • Working knowledge of Adobe Premiere Pro and Adobe Media Encoder for QC, transcoding, and delivery preparation.
  • Familiarity with Adobe After Effects sufficient to validate project collections, linked assets, and graphics packages.
  • Experience supporting multiple concurrent projects in a deadline-driven environment.
  • Strong communication, organization, and problem-solving skills.
Core Competencies
  • Exceptional organization and attention to detail.
  • Strong ownership, accountability, and follow-through.
  • Ability to anticipate needs and proactively resolve operational challenges.
  • Technical curiosity and desire to improve workflows.
  • Ability to manage multiple priorities in a fast-paced environment.
  • Service-oriented mindset with strong cross-functional communication.
  • Adaptability under changing priorities and deadlines.
Preferred Qualifications
  • Previous experience as an Assistant Editor, Post Production Coordinator, or Post Production Operations professional.
  • Candidates with Assistant Editor backgrounds seeking to transition into post-production operations, media management, or creative operations are strongly encouraged to apply.
  • Experience supporting a film, television, streaming, studio, agency, or entertainment marketing environment is highly preferred.
  • Working knowledge of Adobe Photoshop and Adobe Illustrator to distinguish layered production assets (PSD, AI), key art packages, title treatments, logos, and other creative deliverables during quality control and archive preparation.
  • Familiarity with DaVinci Resolve for specialized event workflows.
  • Familiarity with Avid Media Composer and common studio editorial workflows.
  • Experience with Frame.io, Ci Media Cloud, Google Workspace, DAM systems, AWS/GCP, Wrike, Airtable, or Jira.
  • Knowledge of subtitling, captioning, localization, accessibility, and international delivery workflows.
  • Familiarity with Dolby Vision, Dolby Atmos, HDR/UHD, and modern post-production delivery specifications.
  • Working knowledge of AI-enabled production, media management, and workflow
The anticipated base salary for this position is $56,000 to $75,000. This role may also qualify for annual incentive and/or comprehensive benefits. The actual base salary offered will depend on a variety of factors, including without limitation, the qualifications of the individual applicant for the position, years of relevant experience, level of education attained, certifications or other professional licenses held, and if applicable, the location of the position.

Sony Pictures Entertainment is an equal opportunity employer. We evaluate qualified applicants without regard to race, color, religion, sex, national origin, disability, veteran status, age, sexual orientation, gender identity, or other protected characteristics.

SPE will consider qualified applicants with arrest or conviction records in accordance with applicable law.

Sony Pictures does not allow audio recording, video recording or use of AI note-taking tools during interviews. Please be aware these tools may be enabled as a default and can be difficult to disable once the interview has started, so we recommend you check your device and disable these tools prior to the start of your interview. If recording or the use of the tools occurs during the interview and cannot be promptly turned off or disabled, the interviewer may end the interview.

To request an accommodation for purposes of participating in the hiring process, you may contact us at SPE_Accommodation_Assistance@spe.sony.com.