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Day Trailer Editor Jobs (NOW HIRING)

Luma

Editor

Los Angeles, CA · On-site

Version every piece for where it lands: cutdowns, teasers, trailers, aspect ratios, runtimes ... Days 1-30, Immerse & Diagnose. Learn the footage library, the content pillars, brand guidelines ...

Insomniac Events

Insomniac - Video Editor

Calabasas, CA · On-site

... days. The company was founded by Pasquale Rotella and has been based in Los Angeles since it was ... Edit engaging video content for festivals, brand marketing, trailers, social media, and promotional ...

Livenation

Insomniac - Video Editor

Calabasas, CA

... days. The company was founded by Pasquale Rotella and has been based in Los Angeles since it was ... RESPONSIBILITIES Edit engaging video content for festivals, brand marketing, trailers, social media ...

Live Nation, Inc

Insomniac - Video Editor

Calabasas, CA · On-site

... days. The company was founded by Pasquale Rotella and has been based in Los Angeles since it was ... Edit engaging video content for festivals, brand marketing, trailers, social media, and promotional ...

Livenation

Insomniac - Video Editor

Calabasas, CA · On-site

... days. The company was founded by Pasquale Rotella and has been based in Los Angeles since it was ... RESPONSIBILITIES Edit engaging video content for festivals, brand marketing, trailers, social media ...

Live Nation, Inc

... days. The company was founded by Pasquale Rotella and has been based in Los Angeles since it was ... Edit engaging video content for festivals, brand marketing, trailers, social media, and promotional ...

Insomniac Events

Insomniac - Video Editor

Calabasas, CA · On-site

... days. The company was founded by Pasquale Rotella and has been based in Los Angeles since it was ... RESPONSIBILITIES • Edit engaging video content for festivals, brand marketing, trailers, social ...

sweetgreen

Senior Video Editor

Los Angeles, CA · On-site

Every day in each sweetgreen, team members make food from scratch, using fresh ingredients and ... Lead the development of hero edits, campaign films, social-first content, cutdowns, trailers ...

sweetgreen

Senior Video Editor

Los Angeles, CA

Every day in each sweetgreen, team members make food from scratch, using fresh ingredients and ... Lead the development of hero edits, campaign films, social-first content, cutdowns, trailers ...

C2 Staffing

Video Producer/Editor

West Bend, WI

$75K - $90K/yr

Direct Hire Location: Hybrid, West Bend, WI, 3 days/week onsite Compensation: $75-$90K ... trailers, promotional edits, and content variations optimized for YouTube, Meta, TikTok, OTT, and ...

Pushkin Industries

Video Producer/Editor

Manhattan, NY · On-site

$2.0K - $2.5K/wk

... days a week Note: Schedule/compensation excludes Pushkin holidays (unpaid). About Pushkin ... Build episode trailers that create urgency, tease the story, and drive full-episode listens and ...

Pushkin Industries

Video Producer/Editor

Manhattan, NY · On-site

$2.0K - $2.5K/wk

... days a week Note: Schedule/compensation excludes Pushkin holidays (unpaid). ABOUT PUSHKIN ... Build episode trailers that create urgency, tease the story, and drive full-episode listens and ...

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Day Trailer Editor information

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How much do day trailer editor jobs pay per hour?

As of Sep 15, 2026, the average hourly pay for day trailer editor in the United States is $33.31, according to ZipRecruiter salary data. Most workers in this role earn between $26.20 and $40.38 per hour, depending on experience, location, and employer.

What is a day trailer editor?

A Day Trailer Editor is a video editor who specializes in creating short, engaging trailers or highlight reels of daily events, such as news, sports, or entertainment shows. Their work involves quickly assembling footage, adding graphics and sound, and delivering polished trailers within tight deadlines, often on the same day the event occurs. Day Trailer Editors need strong storytelling skills, technical proficiency with editing software, and the ability to work efficiently under pressure. They play a crucial role in promoting content and attracting audiences across various media platforms.

What skills and qualifications are needed to thrive as a day trailer editor?

To thrive as a Day Trailer Editor, you need strong video editing skills, a keen sense of storytelling, and proficiency in industry-standard editing software such as Adobe Premiere Pro or Avid Media Composer. Familiarity with motion graphics tools, sound editing systems, and color grading is typically required, along with experience editing to tight deadlines. Creativity, attention to detail, and the ability to collaborate effectively with producers and creative teams are standout soft skills in this role. These skills ensure the delivery of engaging, high-quality trailers that meet client expectations and tight turnaround times in a fast-paced production environment.

What are the typical challenges faced by a day trailer editor when working with tight deadlines?

As a Day Trailer Editor, one of the main challenges is managing rapid turnaround times while maintaining high-quality storytelling and visual coherence. Editors often receive footage late and must quickly collaborate with producers and creative directors to craft compelling trailers, sometimes with evolving requirements or incomplete assets. Balancing creativity with efficiency, adapting to feedback, and prioritizing key messaging are essential skills to succeed in this fast-paced environment.

What is the difference between Day Trailer Editor vs Film Editor?

AspectDay Trailer EditorFilm Editor
CredentialsTypically requires a degree in film, media, or related field; proficiency in editing softwareSimilar credentials; often a degree in film or media studies; strong editing software skills
Work EnvironmentPost-production studios, editing suites, or on-location during shootsPost-production facilities, editing rooms, or on set
Industry UsagePrimarily in advertising, marketing, and trailer production for films or TVIn film, television, and digital media editing

The Day Trailer Editor specializes in creating short promotional trailers for films or TV shows, focusing on quick, engaging edits. The Film Editor works on assembling the full-length film, ensuring narrative flow and continuity. While both roles require similar skills and tools, the Day Trailer Editor concentrates on short-form content for marketing, whereas the Film Editor handles the entire film project.

What cities are hiring for Day Trailer Editor jobs?

Cities with the most Day Trailer Editor job openings:

What are the most commonly searched types of Trailer Editor jobs?

The most popular types of Trailer Editor jobs are:

What states have the most Day Trailer Editor jobs?

States with the most job openings for Day Trailer Editor jobs include:

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For Day Trailer Editor jobs, the most frequently searched job titles are:

Day Trailer Editor jobs near you

Editor

Los Angeles, CA • On-site

Luma
Arts, Entertainment, and Recreation • 201 - 500 employees
Learn more about Lumaexternal

Full-time

Posted 4 days ago

Job description

Editor
Los Angeles (Dream Lab)
You will own how Dream Lab and Luma show up on the screens people actually watch. The social optimized cut. The behind-the-scenes reel from a shoot. The tutorial that makes a hard creative workflow look obvious.
This role is for an editor who understands what people watch online and knows how to build a hook, find the story, and control the pace to match current trends. It's also for an editor who can shift gears when the material calls for it: from social-first content to original scripted pieces, where narrative instinct, performance, and scene construction matter just as much as the hook.
You'll turn raw footage, behind-the-scenes moments, interviews, tutorials, and original shorts into compelling platform-native content. You'll cut original narrative pieces from assembly to final delivery. You'll work across various formats and aspect ratios, using editing, sound design, motion graphics, captions, and platform-specific storytelling to spotlight our team and collaborators, showcase what our technology can do, and strengthen our online presence.
What You'll Own
  • Cut and publish social video for Dream Lab and Luma across TikTok, Instagram, LinkedIn, and YouTube, vertical and horizontal, at the team's target cadence.
  • Find the hook, story, and structure inside raw footage from Dream Lab shoots, workshops, creator sessions, and partner projects.
  • Turn Luma product moments (Ray3.2, UNI-1.1, Luma Agents) into tutorials and demos that make a complicated creative workflow look easy.
  • Be enthusiastic about trying out the tool and knowing what the team is up to.
  • Build motion graphics into the video components AND text and logo animation that belong to the piece rather than a preset dropped on top.
  • Cut longer-form work: YouTube series episodes, project breakdowns, interviews and profiles of Dream Lab's team, creators, and partners, and original scripted or narrative pieces from assembly through picture lock.
  • Version every piece for where it lands: cutdowns, teasers, trailers, aspect ratios, runtimes, captions, sound design, color.
  • Read the performance data after a piece publishes and change the next hook, format, or opening because of it.
  • Keep footage, project files, graphics, music, and exports organized so the next edit starts fast instead of starting over.
First 90 Days
One way the first 90 could unfold.
  • Days 1-30, Immerse & Diagnose. Learn the footage library, the content pillars, brand guidelines, and how Luma and Dream Lab show up online. Start shipping social cuts in week one and work up to the daily cadence.
  • Days 30-60, Ship & Validate. Hold the cadence. Start using performance data to suggest for changes in hooks and formats
  • Days 60-90, Scale & Systemize. Build the templates, graphics, and project structure that let one shoot become many pieces, and help push the team toward two to three published pieces a day across formats.
What You Bring
  • A portfolio is required and is the most important thing you will share with us. Send Instagram reels/Tik Tok/Youtube videos/other work you are proud of, and send the accounts or channels you ran or cut for with the specific videos you edited completely (graphics-edit), not one clip from a project you touched.
  • 3+ years of professional editing focused on social-first content, digital storytelling, entertainment, or creative marketing.
  • Advanced Adobe Premiere Pro and After Effects and Photoshop.
  • Motion graphics you built yourself, including text and logo animation inside an edit.
  • A real point of view and passion for what makes a social edit work: hooks, pacing, content pillars, and how viewership behaves differently on each platform.
  • Command of pacing, structure, sound design, music, captions, and color correction, plus working knowledge of codecs, frame rates, and post workflows.
  • Comfort with longer-form and narrative work. If you have cut scripted material, show us the piece and tell us what you cut.
  • Self-starter habits: you can take footage to final delivery with light oversight, and you take notes enthusiastically
Nice to Have
  • CapCut, DaVinci Resolve, Avid, or alongside Premiere.
  • Motion graphics templates you built for other people to reuse.
  • A channel, page, or account of your own that you cut and grew.
  • Genuine passion in AI, filmmaking, and where the two meet.
Luma logo

About Luma

Sourced by ZipRecruiter

Industry

Arts, entertainment, and recreation

Company size

201 - 500 Employees

Headquarters location

Santa Monica, CA, US

Year founded

2002

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