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Television Director Jobs (NOW HIRING)

Utah Mammoth

Television Director

Salt Lake City, UT · On-site

The Utah Mammoth Television Director is an experienced hockey director and collaborative production leader responsible for the live visual execution of Utah Mammoth television broadcasts. The ...

Hampton City Schools

Television Engineer

Hampton, VA · On-site

$50K - $67K/yr

Mr. Andrew Foley, Director of Television Services (PEG-TV) Employment Period: 12 Months Employment Status: Full-time Pay Grade: G-216 Hiring Range: $50,466 - $67,408 Start Date: Immediately ...

Hampton City Schools

Television Engineer

Hampton, VA

$50K - $67K/yr

Andrew Foley, Director of Television Services (PEG-TV) Employment Period: 12 Months Employment Status: Full-time Pay Grade: G-216 Hiring Range: $50,466 $67,408 Start Date: Immediately Responsible for ...

GRAY TELEVISION

NEWSCAST DIRECTOR - WANF

Atlanta, GA · On-site

The portfolio includes 77 markets with the top-rated television station and 100 markets with the ... The Newscast Director plays a critical role in ensuring the work of news producers, editors ...

Gray Television

NEWSCAST DIRECTOR - WANF

Atlanta, GA · On-site

The portfolio includes 77 markets with the top-rated television station and 100 markets with the ... The Newscast Director plays a critical role in ensuring the work of news producers, editors ...

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Television Director information

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$55.5K

$108.7K

$170.5K

How much do television director jobs pay per year?

As of Aug 16, 2026, the average yearly pay for television director in the United States is $108,675.00, according to ZipRecruiter salary data. Most workers in this role earn between $83,000.00 and $125,500.00 per year, depending on experience, location, and employer.

How does a television director typically collaborate with producers and crew during the production process?

A television director works closely with producers to interpret the creative vision and ensure the show runs smoothly. They coordinate with camera operators, lighting technicians, and sound engineers to achieve the desired look and pacing for each scene. During rehearsals and live recordings, the director provides real-time instructions and feedback to both the cast and crew. Effective communication and leadership are key, as the director must balance creative goals with logistical constraints and deadlines.

How do you become a television director?

To become a television director, individuals typically gain experience by working in entry-level roles such as production assistant or assistant director, then progress by directing short projects or episodes to build a portfolio. A background in film or television production, strong leadership skills, and knowledge of camera work and editing are essential, often complemented by relevant training or a degree in film, media, or related fields.

What is the difference between Television Director vs Film Director?

AspectTelevision DirectorFilm Director
Required CredentialsTypically a bachelor's degree in film, media, or related field; experience in TV productionSimilar educational background; often more emphasis on film production experience
Work EnvironmentTelevision studios, production sets, post-production facilitiesMovie sets, post-production studios, film festivals
Employer & Industry UsageTV networks, production companies, streaming platformsFilm studios, independent filmmakers, production companies
Common Search & Comparison IntentUnderstanding roles, responsibilities, and career paths in TVDifferences in directing films vs TV shows

While both Television Directors and Film Directors oversee the creative aspects of visual storytelling, Television Directors typically work on episodic content with faster production schedules, whereas Film Directors focus on feature-length movies with longer production timelines. Both roles require strong leadership, storytelling skills, and technical knowledge, but their work environments and project scopes differ significantly.

How much money do television directors make?

Television directors' salaries vary based on experience, the type of production, and the network or studio. On average, they earn between $30,000 and $150,000 per episode, with top directors in high-profile series earning more. Many directors also receive residuals and benefits depending on their contracts and union agreements.

What does a television director do?

A Television Director is responsible for overseeing the creative aspects of a television production. They work closely with producers, actors, and crew to bring the script to life, guiding camera angles, pacing, and overall visual style. The director makes key decisions about how scenes are staged and shot, ensuring the final product matches the intended vision. Their role is crucial in both live broadcasts and pre-recorded shows, requiring strong leadership and communication skills.

What are the key skills and qualifications needed to thrive as a television director?

To thrive as a Television Director, you need a solid background in film or television production, creative vision, and experience managing cast and crew, often supported by a relevant degree or extensive on-set experience. Familiarity with industry-standard editing software, camera equipment, and live broadcast systems is typically required. Strong leadership, communication, and problem-solving skills help you collaborate effectively and adapt to fast-changing production environments. These skills and qualities are vital for delivering high-quality content on time and ensuring cohesive teamwork throughout the production process.

What does a television director actually do?

A television director is responsible for overseeing the creative aspects of a TV production, including interpreting the script, directing actors and crew, and making decisions on camera angles, lighting, and shot composition. They work closely with producers, editors, and technical staff to ensure the show aligns with the vision and is completed on schedule, often using tools like teleprompters and production schedules.
More about Television Director jobs

What cities are hiring for Television Director jobs?

Cities with the most Television Director job openings:

What are the most commonly searched types of Television jobs?

The most popular types of Television jobs are:

Who are the top companies hiring for Television Director jobs?

The top employers for Television Director jobs are:

What states have the most Television Director jobs?

States with the most job openings for Television Director jobs include:

Television Director jobs near you
Infographic showing various Television Director job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 85% Full Time, 12% Part Time, 1% Temporary, and 1% Contract. Highlights an 92% Physical, 3% Hybrid, and 5% Remote job distribution, with an average salary of $108,675 per year, or $52.2 per hour.

Television Director

Utah Mammoth

Salt Lake City, UT • On-site

Full-time

This job post has expired 2 days ago. Applications are no longer accepted.

Job description

Description


Employment Type: Seasonal Full-Time or Freelance

Reports To: Head of Broadcasting, Utah Mammoth

Location: Utah during season preferred; qualified candidates based elsewhere will be considered


JOB SUMMARY:

The Utah Mammoth Television Director is an experienced hockey director and collaborative production leader responsible for the live visual execution of Utah Mammoth television broadcasts.


The Television Director will unify camera coverage, technical execution, storytelling, pacing, replay integration, and emotional moments to deliver seamless, engaging productions that elevate the Mammoth viewer experience.


The position works closely with the Head of Broadcasting, producers, technical crews, on-air talent, and organizational stakeholders to execute broadcasts aligned with Utah Mammoth and Smith Entertainment Group standards, values, philosophies, and production objectives.


DUTIES & RESPONSIBILITIES:

  • Direct all Utah Mammoth games available for local team production, including approximately four preseason games, up to 84 regular-season games, and every available first-round playoff game.
  • Travel with the team and direct both home and road game productions.
  • Direct home-game pregame and postgame programming.
  • Lead unified camera coverage and shot selection that clearly captures gameplay, strategy, personality, atmosphere, and emotion.
  • Collaborate with producers to establish the visual storytelling, pacing, tone, and structure of each broadcast.
  • Provide clear, decisive communication to the technical director, camera operators, replay team, graphics, audio, talent, and other production personnel.
  • Lead technical and live-production crews before, during, and after broadcasts.
  • Participate in production planning, crew calls, pregame meetings, technical preparation, and rehearsals.
  • Anticipate developing storylines and adjust coverage in real time to capture critical moments on and off the ice.
  • Evaluate, plan, test, and implement new broadcast technologies and production concepts, coordinating with technical directors, vendors, and production crews well in advance of game day to ensure unique workflows are clearly understood, technically sound, and successfully executed.
  • Review completed broadcasts and identify opportunities to improve execution, consistency, creativity, and production quality.
  • Provide ongoing crew training, performance feedback, evaluations, and staffing recommendations.
  • Help establish consistent directing standards, workflows, camera assignments, and communication practices throughout the season.
  • Build productive relationships with the production team, broadcast talent, hockey operations, marketing, community relations, ownership, and external production partners.
  • Maintain a calm, prepared, collaborative, and solutions-oriented environment during high-pressure live productions.


REQUIRED QUALIFICATIONS:

  • Minimum of five years of experience directing professional hockey broadcasts.
  • Extensive live sports directing experience from a mobile production unit or television production truck.
  • Strong technical knowledge of live broadcast systems, workflows, equipment, and production positions.
  • Demonstrated familiarity with 1080p, HDR, SMPTE ST 2110, remote production, and cloud-production workflows.
  • Advanced understanding of hockey coverage, including camera placement, line changes, special teams, replay opportunities, officiating, crowd reaction, and developing game stories.
  • Ability to lead large technical and production crews through clear, concise, and respectful communication.
  • Ability to make immediate creative and technical decisions under pressure.
  • Availability to work nights, weekends, holidays, preseason games, regular-season games, and first-round playoff broadcasts.
  • Ability to travel for approximately half of the assigned broadcast schedule.


PREFERRED QUALIFICATIONS:

  • Previous NHL directing experience.
  • Experience directing NHL pregame, postgame, studio, or playoff programming.
  • Experience developing crews and implementing consistent production standards across a full season.
  • Experience integrating emerging broadcast technologies, alternate productions, enhanced data, tracking systems, or customized viewing experiences.


COMPETENCIES:

  • Calm and decisive leadership under pressure.
  • Exceptional preparation and attention to detail.
  • Collaborative and inclusive leadership.
  • Adaptability in changing production environments.
  • Personal and professional accountability.
  • The ability to elevate both people and production quality.
  • Strong relationship-building and communication skills.
  • A passion for innovation and the practical implementation of new ideas.
  • Commitment to SEG's core values: Transparent, All-In, One Team, Community-Obsessed, and Scrappy.


POSITION IMPACT:

The Television Director will bring critical front-bench experience, technical knowledge, creative judgment, and collaborative leadership to the Utah Mammoth broadcast operation. This individual will help unify the production team, optimize broadcast execution, implement innovative production concepts, and consistently elevate the experience of Mammoth viewers.

PHYSICAL DEMANDS:

  • This person must be able to communicate and express themselves both written and verbally.
  • This person must be able to observe, inspect, estimate, and assess.
  • This person must be able to sit, stand, bend, walk, and climb stairs for long periods of time.
  • This person must be able to lift 20 lbs.


Utah Mammoth provides equal employment opportunities to all employees and applicants for employment and prohibits discrimination and harassment of any type without regard to race, color, religion, age, sex, national origin, disability status, genetics, protected veteran status, sexual orientation, gender identity or expression, or any other characteristic protected by federal, state or local laws. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.


We will ensure that individuals with disabilities are provided reasonable accommodation to participate in the job application or interview process, to perform essential job functions, and to receive other benefits and privileges of employment. Please contact us to request accommodation.


Note: The need may arise to revise, supplement, or rescind portions of this job description, and Utah Mammoth reserves the right to do so at any time. Employees shall be required to meet the qualifications and perform the duties of any revised job description.

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