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Television Director Jobs (NOW HIRING)

Hampton City Schools

Television Engineer

Hampton, VA · On-site

$50K - $67K/yr

Mr. Andrew Foley, Director of Television Services (PEG-TV) Employment Period: 12 Months Employment Status: Full-time Pay Grade: G-216 Hiring Range: $50,466 - $67,408 Start Date: Immediately ...

Hampton City Schools

Television Engineer

Hampton, VA · On-site

$50K - $67K/yr

Andrew Foley, Director of Television Services (PEG-TV) Employment Period: 12 Months Employment Status: Full-time Pay Grade: G-216 Hiring Range: $50,466 $67,408 Start Date: Immediately Responsible for ...

WOWK-TV

NewsNation - Director - Part-time

New York, NY · On-site

$85 - $100/hr

Qualifications * 5+ years of live television directing experience in a network, cable, or major ... market broadcast environment. * Strong understanding of control room operations, live news ...

Gray Television

NEWSCAST DIRECTOR - WANF

Atlanta, GA · On-site

The portfolio includes 77 markets with the top-rated television station and 100 markets with the ... The Newscast Director plays a critical role in ensuring the work of news producers, editors ...

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Television Director information

See salary details

$55.5K

$108.7K

$170.5K

How much do television director jobs pay per year?

As of Sep 6, 2026, the average yearly pay for television director in the United States is $108,675.00, according to ZipRecruiter salary data. Most workers in this role earn between $83,000.00 and $125,500.00 per year, depending on experience, location, and employer.

What does a television director do?

A Television Director is responsible for overseeing the creative aspects of a television production. They work closely with producers, actors, and crew to bring the script to life, guiding camera angles, pacing, and overall visual style. The director makes key decisions about how scenes are staged and shot, ensuring the final product matches the intended vision. Their role is crucial in both live broadcasts and pre-recorded shows, requiring strong leadership and communication skills.

What are the key skills and qualifications needed to thrive as a television director?

To thrive as a Television Director, you need a solid background in film or television production, creative vision, and experience managing cast and crew, often supported by a relevant degree or extensive on-set experience. Familiarity with industry-standard editing software, camera equipment, and live broadcast systems is typically required. Strong leadership, communication, and problem-solving skills help you collaborate effectively and adapt to fast-changing production environments. These skills and qualities are vital for delivering high-quality content on time and ensuring cohesive teamwork throughout the production process.

How does a television director typically collaborate with producers and crew during the production process?

A television director works closely with producers to interpret the creative vision and ensure the show runs smoothly. They coordinate with camera operators, lighting technicians, and sound engineers to achieve the desired look and pacing for each scene. During rehearsals and live recordings, the director provides real-time instructions and feedback to both the cast and crew. Effective communication and leadership are key, as the director must balance creative goals with logistical constraints and deadlines.

What is the difference between Television Director vs Film Director?

AspectTelevision DirectorFilm Director
Required CredentialsTypically a bachelor's degree in film, media, or related field; experience in TV productionSimilar educational background; often more emphasis on film production experience
Work EnvironmentTelevision studios, production sets, post-production facilitiesMovie sets, post-production studios, film festivals
Employer & Industry UsageTV networks, production companies, streaming platformsFilm studios, independent filmmakers, production companies
Common Search & Comparison IntentUnderstanding roles, responsibilities, and career paths in TVDifferences in directing films vs TV shows

While both Television Directors and Film Directors oversee the creative aspects of visual storytelling, Television Directors typically work on episodic content with faster production schedules, whereas Film Directors focus on feature-length movies with longer production timelines. Both roles require strong leadership, storytelling skills, and technical knowledge, but their work environments and project scopes differ significantly.

More about Television Director jobs

What cities are hiring for Television Director jobs?

Cities with the most Television Director job openings:

What are the most commonly searched types of Television jobs?

The most popular types of Television jobs are:

Who are the top companies hiring for Television Director jobs?

The top employers for Television Director jobs are:

What states have the most Television Director jobs?

States with the most job openings for Television Director jobs include:

Television Director jobs near you
Infographic showing various Television Director job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 85% Full Time, 12% Part Time, and 2% Contract. Highlights an 90% Physical, 3% Hybrid, and 7% Remote job distribution, with an average salary of $108,675 per year, or $52.2 per hour.

Film/TV Director

Rocket Launch Pictures

Washington, DC

Full-time

Re-posted 13 days ago

Job description

Sight is a new scifi and fantasy web series being produced in Washington, D.C. The first six episodes, based on a short story by Justin McLachlan, debuted at the Mead Theatre Lab at Flashpoint in May as a stage reading, thanks to a grant from the DC Commission on the Arts & Humanities. More details: http://www.washingtoncitypaper.com/blogs/artsdesk/theater/2013/05/24/justin-mclachlans-superhero-stories-hit-flashpoint-this-weekend/ The producers are looking to attach a director to handle eight, 15 - 20 minute episodes

Principal photography is currently slated for the fall, but the schedule is evolving and subject to change. The series is currently in a fundraising phase that involves a combination of grants and crowdfunding. Total project budget is between $20,000 and $30,0000.

Here's what we're hoping for in a candidate: Experience. We're looking for someone with experience and a portfolio, but that doesn't necessarily mean paid work - short films you've done on the side or for things like the 48 Hour Film Festival are acceptable as experience. It's the quality of the work that matters.

Bonus points for significant green screen / compositing work. Resourcefulness. Our budget is really tight and some days you might be working with a small crew or limited equipment.

Excellent Time Management. Our current schedule is ambitious; you'll have a lot of coverage to shoot on a lot of pages per day and your ability to stay on track is super important (see above re: tight budget). Teamwork.

This project is probably a little different than what you're used to doing, especially if you've never worked in episodic television before. A lot of creative decisions, from locations to casting to story, have already been made by the producers. Your primary responsibilities will be to run the set and get the needed coverage each shooting day.

We need someone who can work within this framework. Here's what we need to get started: a portfolio (ideally links to your projects), an idea of your salary requirements (keeping in mind our limited budget), potential scheduling conflicts for the upcoming fall and winter (put those in the cover letter section) and a resume. Members of the DGA are encouraged and welcome to apply, however we are not yet a DGA signatory (we will pursue that if we're interested in working with a DGA member).

Please keep in mind there are no guaranteed minimums on a DGA New Media contract. Sight is a SAG-AFTRA production.

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