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Sound Editor Jobs in Oregon (NOW HIRING)

Thesis

Motion Designer

Portland, OR · On-site

$65K - $85K/yr

Familiar with video editing workflows (Premiere, Final Cut) and sound sync. * Organized, detail-oriented, and able to manage timelines and priorities across multiple deliverables. IN THIS ROLE, YOU ...

Prologis

Real Estate Paralegal

Portland, OR · On-site

$82K - $122K/yr

Lead in the preparation, review, editing and negotiation of legal documentation with supervision by ... Exercises sound judgment, creative thinking, and accountability for outcomes. Hiring Salary Range ...

Haley & Aldrich

Principal

Portland, OR · On-site +1

Establish sound contracts that balance client needs with financial terms and risk management. Track ... preparing, reviewing, and editing technical reports to meet client and project objectives.

Haley & Aldrich

Principal

Portland, OR · On-site +1

Establish sound contracts that balance client needs with financial terms and risk management. Track ... preparing, reviewing, and editing technical reports to meet client and project objectives.

Haley & Aldrich, Inc

Principal

Portland, OR · On-site +1

Establish sound contracts that balance client needs with financial terms and risk management. Track ... preparing, reviewing, and editing technical reports to meet client and project objectives.

Curana Health, Inc.

... demonstrates sound judgment when handling confidential information, and possesses the ... Experience editing and managing PDF documents using Adobe Acrobat. * Ability to organize large ...

New

Haley & Aldrich

Principal

Portland, OR

Establish sound contracts that balance client needs with financial terms and risk management. Track ... preparing, reviewing, and editing technical reports to meet client and project objectives.

Haley & Aldrich, Inc

Principal

Portland, OR · On-site

Establish sound contracts that balance client needs with financial terms and risk management. Track ... preparing, reviewing, and editing technical reports to meet client and project objectives.

Haley & Aldrich

Principal

Portland, OR · On-site

Establish sound contracts that balance client needs with financial terms and risk management. Track ... preparing, reviewing, and editing technical reports to meet client and project objectives.

Cotiviti

... using sound financial and market analysis. Proactively present strategic recommendations. * Work ... Demonstrable knowledge of healthcare claims payment policy and processing, claims editing, and ...

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All JobsSound Editor JobsSound Editor Jobs in Oregon

Sound Editor information

See Oregon salary details

$11

$33

$60

How much do sound editor jobs pay per hour?

As of Jul 16, 2026, the average hourly pay for sound editor in Oregon is $33.41, according to ZipRecruiter salary data. Most workers in this role earn between $22.60 and $41.92 per hour, depending on experience, location, and employer.

How does a Sound Editor typically collaborate with directors and other post-production team members during a film project?

A Sound Editor works closely with directors, producers, and other post-production professionals such as picture editors and sound designers to ensure the audio elements align with the creative vision of the project. Regular meetings and feedback sessions are common, where the Sound Editor presents drafts of the audio track, discusses adjustments, and incorporates input from the team. Effective communication and flexibility are key, as the role often involves revising soundscapes based on evolving creative decisions. This collaborative process helps achieve a cohesive and immersive final product.

How do I become a sound editor?

To become a sound editor, you typically need a bachelor's degree in audio engineering, film production, or a related field, along with experience using digital audio workstations like Pro Tools. Developing strong editing skills, understanding sound design, and building a portfolio through internships or freelance projects are also important steps in entering the profession.

What is the job of a sound editor?

A sound editor is responsible for selecting, editing, and mixing audio elements for film, television, or other media productions. They use specialized software and tools to ensure sound quality, clarity, and synchronization, often collaborating with directors and sound designers to achieve the desired auditory effect.

What is the average salary for a sound editor?

The average salary for a sound editor typically ranges from $40,000 to $80,000 per year, depending on experience, location, and industry. Experienced sound editors working in film, television, or gaming may earn higher salaries, especially with specialized skills and advanced editing software knowledge.

What is the difference between Sound Editor vs Sound Designer?

AspectSound EditorSound Designer
CredentialsAudio editing certifications, relevant experienceAudio editing certifications, creative portfolio
Work EnvironmentPost-production studios, film, TV, video projectsFilm sets, game development, multimedia projects
Industry UsagePrimarily in film, TV, and video editingIn film, gaming, advertising, and multimedia
Primary FocusEditing and assembling audio clipsCreating and designing unique sound effects and atmospheres

While both roles involve working with audio, a Sound Editor primarily focuses on editing and assembling existing audio clips, ensuring clarity and synchronization. A Sound Designer, on the other hand, creates original sound effects and atmospheres to enhance the storytelling. Both roles require similar technical skills and certifications but differ in creative scope and application.

What does a Sound Editor do?

A Sound Editor is responsible for selecting, editing, and mixing audio elements for film, television, video games, or other media productions. Their work includes cleaning up dialogue, adding sound effects, balancing levels, and ensuring the final audio track enhances the storytelling. Sound Editors collaborate closely with directors, producers, and other post-production professionals to create immersive and high-quality audio experiences that match the visual content.

What are the key skills and qualifications needed to thrive as a Sound Editor, and why are they important?

To thrive as a Sound Editor, you need a solid understanding of audio engineering, sound design, and post-production processes, often supported by a degree in audio production or related experience. Proficiency with digital audio workstations (DAWs) like Pro Tools, as well as familiarity with plugins and sound libraries, is typically required. Strong attention to detail, creativity, and effective communication help a Sound Editor collaborate with directors and other team members. These skills ensure high-quality soundtracks that enhance the storytelling and emotional impact of media projects.

Are audio editors in demand?

Audio editors, including sound editors, are in demand across industries such as film, television, gaming, and advertising, especially as media production continues to grow. Skilled professionals with proficiency in editing software like Pro Tools or Adobe Audition and a strong understanding of sound design are sought after to meet industry needs.
What are popular job titles related to Sound Editor jobs in Oregon? For Sound Editor jobs in Oregon, the most frequently searched job titles are:
What job categories do people searching Sound Editor jobs in Oregon look for? The top searched job categories for Sound Editor jobs in Oregon are:
What cities in Oregon are hiring for Sound Editor jobs? Cities in Oregon with the most Sound Editor job openings:
Sound Editor jobs near you
Infographic showing various Sound Editor job openings in Oregon as of July 2026, with employment types broken down into 4% Locum Tenens, 74% Full Time, 15% Part Time, 3% Temporary, 3% Contract, and 1% Nights. Highlights an 75% Physical, 4% Hybrid, and 21% Remote job distribution, with an average salary of $69,493 per year, or $33.4 per hour.
General Assignment Reporter/Weekend Weather Anchor

General Assignment Reporter/Weekend Weather Anchor

Nebraska Broadcasters Association

Portland, OR • On-site

Full-time

Re-posted 13 days ago

Job description

KATU/KUNP is looking for a take-charge General Assignment Reporter/Weekend Weather Anchor to help us present the weather forecast for the weekend news and report 3 days a week. We are seeking a motivated, energetic, creative, and aggressive reporter who can think and perform outside the box. The ideal candidate should be able to develop story ideas and gather information for newscasts, have sound writing skills, a great work ethic, and a can-do attitude.  The best person for this job will have excellent live shot skills and thrives on breaking stories, and they will be responsible for the content of the weather cast on-air and on our digital platforms as well!

No day will look the same as a Reporter, however, the main responsibilities of the role will include:

  • Create, shoot, write and edit meaningful stories for station's newscast that can be used across multiple platforms
  • Provide news on-air as directed from the news management team
  • Engaging with local community members
  • Forecasting, Producing and Presenting clear and concise weather casts, which tell a story and connect with viewers
  • Issue warnings and alerts, produce graphics and maps, and report live during weather events
  • Utilize social media during severe weather, as well as write weather stories
  • Make public appearances on behalf of the station
  • Reviewing material for fairness, accuracy, and balance
  • Work closely with all members of the news team, which would include Producers, Editors, Anchors, News Directors etc..

Additionally, this person should have a...

  • Proven knowledge and experience working with current media creation tools and contemporary newsroom systems
  • Excel in storytelling across multiple platforms
  • Strong writing and copy-editing skills are a must
  • Must be able to work well under pressure to meet strict deadlines
  • Ability to tell memorable and meaningful stories, we value visual and compelling storytelling, both in weathercasts and as a reporter 
  • Ability to demonstrate experience with active and visual live shots
  • In Depth Knowledge of forecasting
  • Sharp news judgement and exceptional writing skills
  • Ability to multitask while meeting deadlines and prioritizing tasks
  • Bachelor's degree in Meteorology is welcomed, however, we will accept an equivalent combination of education and work-related experience.
  • 2 years' experience in weather presentation and reporting preferred
  •  2+ years of experience as a Reporter

EEO AND INCLUSIVITY:

Sinclair is proud to be an equal opportunity employer and a drug free workplace. Employment practices will not be influenced or affected by virtue of an applicant's or employee's race, color, religion, sex (including pregnancy, gender identity, and sexual orientation), national origin, age, disability, genetic information, military or veteran status or any other characteristic protected by law.

About Us

Sinclair, Inc. (Nasdaq: SBGI) is a diversified media company and a leading provider of local news and sports. The Company owns, operates and/or provides services to 177 television stations in 79 markets affiliated with all major broadcast networks; owns Tennis Channel, the premium destination for tennis enthusiasts; and multicast networks CHARGE, Comet, ROAR and The Nest. Sinclair's AMP Media produces a growing portfolio of digital content and original podcasts. Additional information about Sinclair can be found at www.sbgi.net.
 

About the Team

The life-blood of our organization is our people. We have a compelling story, a goal-oriented culture, and we take really good care of people. How good? Here is a glimpse: great benefits, open door policy, upward mobility and a strong desire to see you succeed. Ready to be part of a winning team? Let's talk.

Sinclair, Inc. (Nasdaq: SBGI) is a diversified media company and a leading provider of local news and sports. The Company owns, operates, and/or provides services to 178 television stations in 81 markets affiliated with all major broadcast networks; owns Tennis Channel, the premium destination for tennis enthusiasts; multicast networks CHARGE, Comet, ROAR, and The Nest. Sinclair's AMP Media produces a growing portfolio of digital content and original podcasts. Additional information about Sinclair can be found at www.sbgi.net.The life-blood of our organization is our people. We have a compelling story, a goal-oriented culture, and we take really good care of people. How good? Here is a glimpse: great benefits, open door policy, upward mobility and a strong desire to see you succeed. Ready to be part of a winning team? Let's talk.
Nebraska Broadcasters Association logo

About Nebraska Broadcasters Association

Sourced by ZipRecruiter

The Nebraska Broadcasters Association (NBA) is a key player in the communications industry located in Omaha, NE, US. Officially established in 1934, it was founded with the mission of fostering effective cooperation among broadcasters in Nebraska, advocating for their rights and promoting the highest standards of broadcasting. NBA is the voice for Nebraska’s free over-the-air radio and television broadcasters, serving the public interest since 1934. As a non-profit association, it relies on dues from member broadcasting stations to fulfill its purpose. Among its notable achievements, the association has played a major role in supporting broadcasters and ensuring they maintain adherence to regulations.

Industry

Media and telecom

Company size

1 - 10 Employees

Headquarters location

Omaha, NE, US

Year founded

1934

Social media

Twitter

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