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Remote Davinci Resolve Colorist Jobs (NOW HIRING)

Slash Financial

Senior Video Editor

New York, NY · On-site +1

$70K - $100K/yr

Color grade footage to a clean, cinematic standard inside DaVinci Resolve. * Collaborate on ... Remote is possible for an exceptional candidate. Compensation $70,000-$100,000, depending on ...

Top Position

Video Editor (Remote)

Fort Lauderdale, FL · Remote

Working in any professional editing software (Premiere Pro, DaVinci Resolve, After Effects, etc ... Fully remote and full-time work (8 hours) from anywhere in the world; * Career opportunities in the ...

Pavago

Video Editor

Video Editor (Social Media + Marketing Content) - Remote Position Type: Full-Time, Remote Working ... Final Cut Pro * DaVinci Resolve * Turn raw footage into: * Short-form (Reels, TikTok, Shorts)

Danbren Media

Wedding Video Editor

Dallas, TX · Remote

$27/hr

Proficiency in Adobe Premiere Pro, Final Cut Pro, or DaVinci Resolve * Strong sense of pacing ... Fully remote (work from home) * Footage delivery: Raw files provided via Dropbox * Schedule:

Fact and Fiction

Editor

Niwot, CO · On-site +1

$350 - $450/day

Color grading skills in Premiere or DaVinci Resolve * Audio mixing and sweetening chops, with an ... Contract terms are competitive and based on experience, with remote eligibility during the ...

Stratford Davis

Social Media Video Specialist

Austin, TX · Remote

$85K - $120K/yr

... or DaVinci Resolve. Pacing & Social Intuition: A strong eye for visual pacing, timing, hook ... Flexibility: 100% remote with flexible hours based on video assignment volume and production ...

New

Stratford Davis

Social Media Video Specialist

Cheyenne, WY · Remote

$85K - $120K/yr

... or DaVinci Resolve. Pacing & Social Intuition: A strong eye for visual pacing, timing, hook ... Flexibility: 100% remote with flexible hours based on video assignment volume and production ...

New

Stratford Davis

Video Editor

Philadelphia, PA · Remote

$85K - $120K/yr

... DaVinci Resolve, or CapCut Pro). * Visual Pacing: Deep understanding of narrative flow, visual ... Fully remote position with flexible working hours based on project availability. HOW TO APPLY Ready ...

New

Stratford Davis

Video Editor

Detroit, MI · Remote

$85K - $120K/yr

... DaVinci Resolve, or CapCut Pro). * Visual Pacing: Deep understanding of narrative flow, visual ... Fully remote position with flexible working hours based on project availability. HOW TO APPLY Ready ...

New

Stratford Davis

Social Media Video Specialist

Fresno, CA · Remote

$85K - $120K/yr

... or DaVinci Resolve. Pacing & Social Intuition: A strong eye for visual pacing, timing, hook ... Flexibility: 100% remote with flexible hours based on video assignment volume and production ...

New

Stratford Davis

Social Media Video Specialist

Billings, MT · Remote

$85K - $120K/yr

... or DaVinci Resolve. Pacing & Social Intuition: A strong eye for visual pacing, timing, hook ... Flexibility: 100% remote with flexible hours based on video assignment volume and production ...

New

Stratford Davis

Social Media Video Specialist

Phoenix, AZ · Remote

$85K - $120K/yr

... or DaVinci Resolve. Pacing & Social Intuition: A strong eye for visual pacing, timing, hook ... Flexibility: 100% remote with flexible hours based on video assignment volume and production ...

New

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Remote Davinci Resolve Colorist information

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How much do remote davinci resolve colorist jobs pay per hour?

As of Jul 26, 2026, the average hourly pay for remote davinci resolve colorist in the United States is $23.39, according to ZipRecruiter salary data. Most workers in this role earn between $16.83 and $31.25 per hour, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a Remote Davinci Resolve Colorist, and why are they important?

To thrive as a Remote Davinci Resolve Colorist, you need a deep understanding of color theory, digital video workflows, and hands-on experience with Davinci Resolve, often supported by a portfolio of completed projects. Proficiency with Davinci Resolve Studio, calibrated monitors, and knowledge of file formats and color spaces are essential, and certifications from Blackmagic Design can be advantageous. Strong communication, time management, and problem-solving skills enable effective collaboration with clients and teams across distances. These abilities ensure consistent, high-quality visual results and smooth remote project delivery in a competitive post-production environment.

What is the difference between Remote Davinci Resolve Colorist vs Remote Video Editor?

AspectRemote Davinci Resolve ColoristRemote Video Editor
Primary RoleColor grading and correction to enhance visual aestheticsEditing footage, assembling scenes, and creating final video cuts
Skills & CertificationsColor grading expertise, DaVinci Resolve proficiency, color theory knowledgeEditing software skills (e.g., Adobe Premiere, Final Cut), storytelling
Work EnvironmentPost-production studios, remote editing suites, freelancePost-production, freelance, media companies
Industry UsageFilm, TV, commercials, music videosFilm, TV, online content, corporate videos

The main difference is that a Remote Davinci Resolve Colorist specializes in color grading to enhance visual tone and mood, while a Remote Video Editor focuses on assembling footage into a coherent story. Both roles require post-production skills but serve different creative functions within the video production process.

What are some common challenges faced by remote DaVinci Resolve Colorists and how can they be addressed?

Remote DaVinci Resolve Colorists often face challenges such as managing color accuracy across different monitors, collaborating efficiently with editors and directors in different locations, and handling large file transfers. To address these, professionals typically invest in color-calibrated reference monitors and use secure, high-speed file-sharing platforms. Regular video calls and review sessions help maintain clear communication with clients and team members, ensuring creative visions are aligned throughout the post-production process.

What is a Remote DaVinci Resolve Colorist?

A Remote DaVinci Resolve Colorist is a professional who specializes in color grading video footage using DaVinci Resolve software, working from a remote location rather than on-site. They adjust color, contrast, and lighting to achieve a desired visual look and mood for films, TV shows, commercials, or other video projects. By collaborating online with clients and production teams, they ensure the final product meets creative and technical standards. Remote colorists often use high-speed internet, calibrated monitors, and secure file transfer systems to deliver their work efficiently.
More about Remote Davinci Resolve Colorist jobs
What cities are hiring for Remote Davinci Resolve Colorist jobs? Cities with the most Remote Davinci Resolve Colorist job openings:
What are the most commonly searched types of Davinci Resolve Colorist jobs? The most popular types of Davinci Resolve Colorist jobs are:
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Remote Davinci Resolve Colorist jobs near you
Infographic showing various Remote Davinci Resolve Colorist job openings in the United States as of July 2026, with employment types broken down into 2% Locum Tenens, 6% As Needed, 12% Full Time, 26% Part Time, 51% Contract, and 3% Summer. Highlights an 82% Physical, 17% Hybrid, and 1% Remote job distribution, with an average salary of $48,641 per year, or $23.4 per hour.

Senior Video Editor

Slash Financial

New York, NY • On-site, Remote

$70K - $100K/yr

Full-time

Posted 9 days ago

Job description

About Slash
Slash is a financial technology company building the modern money stack for businesses. We help founders and operators run their entire financial workflow in one place, and we are growing fast off the back of a brand that punches well above its size. Marketing here is creative-first. We invest in original, high-craft content rather than scaling headcount, and video sits at the center of that bet.
We are hiring a Senior Video Editor to own the craft of our most important work: customer case studies, sit-down interviews, and product demos that look and feel like they came out of a top-tier studio.
About the role
This is not a social-clips role. We are looking for a genuinely talented editor who has shipped larger, higher-quality projects and can carry a piece from raw footage to a polished, broadcast-grade final cut. The ideal person is both a shooter and an editor, comfortable behind a camera on a shoot day and equally at home in the timeline.
You will work directly with our marketing leadership on flagship content, with real creative ownership and a high bar for taste, pacing, and finish.
What you'll do
  • Edit customer case studies, sit-down interviews, and product demos into polished, story-driven films.
  • Own post-production end to end: assembly, story structure, pacing, sound design, and color.
  • Shoot when needed, on location and in studio, as a hybrid shooter-editor.
  • Color grade footage to a clean, cinematic standard inside DaVinci Resolve.
  • Collaborate on creative direction and bring your own ideas, not just execute a brief.
What we're looking for
  • A strong portfolio of larger, high-quality projects. We want to see range across long-form and narrative work, not only social edits.
  • Real editing talent with excellent instincts for pacing, story, and audio.
  • Experience in Premiere Pro or DaVinci Resolve, and a willingness to edit in DaVinci Resolve (we standardize on it for color and team collaboration).
  • The ability to take a project from footage to finish with minimal hand-holding.
  • Comfortable being a shooter as well as an editor. This is a strong plus, not a hard requirement.
Nice to have
  • Hands-on experience shooting with Sony FX3.
  • Color grading in S-Log3 / S-Gamut3.Cine inside DaVinci Resolve.
  • Motion graphics and animation chops (helpful, not required).
  • 3D ability in Blender for custom renders. This would be a real differentiator for us, though it is not necessary.
Location
San Francisco is strongly preferred. We have a tight-knit in-office culture and being in person makes collaboration and shoot days far easier. Remote is possible for an exceptional candidate.
Compensation
$70,000-$100,000, depending on experience and whether you bring shooting ability alongside editing. This role is cash compensation.
How to apply
Apply through our Ashby posting and include a link to your portfolio. Show us a clear scope of the work you have done: the kind of projects, your specific role on each, and the pieces you are proudest of. We care most about high-quality, larger projects, so lead with those.

Apply