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Red Digital Cinema Camera Jobs (NOW HIRING)

... or digital production environments * Demonstrated experience operating and supporting professional cinema camera systems and production equipment * Experience building, configuring, and ...

Post-secondary education-photography, cinema, or digital focuses preferred. * High School Diploma ... Dodd Camera offers a competitive wage that includes paid vacation, 401K, medical insurance and ...

Post-secondary education-photography, cinema, or digital focuses preferred. * High School Diploma ... Dodd Camera offers a competitive wage that includes paid vacation, 401K, medical insurance and ...

Sales Associate

Cleveland, OH · On-site

$30K - $45K/yr

Post-secondary education-photography, cinema, or digital focuses preferred. * High School Diploma ... Dodd Camera offers a competitive wage that includes paid vacation, 401K, medical insurance and ...

Sales Associate

Solon, OH · On-site

$14 - $18/hr

Post-secondary education-photography, cinema, or digital focuses preferred. * High School Diploma ... Dodd Camera offers a competitive wage that includes paid vacation, 401K, medical insurance and ...

Sales Associate

Cincinnati, OH · On-site

$35K - $40K/yr

Post-secondary education-photography, cinema, or digital focuses preferred. Skills: * Customer ... Dodd Camera offers a competitive wage that includes paid vacation, 401K, medical insurance and ...

Sales Associate

Sugarcreek, OH · On-site

$35K - $40K/yr

Post-secondary education-photography, cinema, or digital focuses preferred. Skills: * Customer ... Dodd Camera offers a competitive wage that includes paid vacation, 401K, medical insurance, and ...

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Red Digital Cinema Camera information

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How much do red digital cinema camera jobs pay per hour?

As of Jun 9, 2026, the average hourly pay for red digital cinema camera in the United States is $25.59, according to ZipRecruiter salary data. Most workers in this role earn between $19.23 and $31.01 per hour, depending on experience, location, and employer.

What are some common challenges faced by technicians working with RED Digital Cinema Cameras on set?

Technicians working with RED Digital Cinema Cameras often encounter challenges such as managing large file sizes due to high-resolution formats, ensuring proper camera calibration, and troubleshooting firmware or compatibility issues with other equipment. The fast-paced environment on set can also require quick problem-solving and effective communication with the production team to minimize downtime. Staying up-to-date with the latest RED camera updates and best practices is essential to maintain smooth workflows and deliver high-quality results.

What is the difference between Red Digital Cinema Camera vs Camera Operator?

AspectRed Digital Cinema CameraCamera Operator
CredentialsTechnical knowledge of camera systems, often with manufacturer-specific trainingRelevant certifications (e.g., FCC, industry courses), experience in operating various cameras
Work EnvironmentFilm sets, studios, post-production facilitiesFilm sets, TV productions, commercials, live events
Industry UsageUsed by cinematographers and camera departments for high-quality filmingOperates cameras during shoots, collaborates with directors and cinematographers

The Red Digital Cinema Camera is a specialized piece of equipment used by cinematographers, while the camera operator is a professional responsible for operating cameras during production. Both roles are essential in filmmaking, with the camera operator focusing on execution and the Red camera serving as a tool for capturing high-quality footage.

What are the key skills and qualifications needed to thrive as a RED Digital Cinema Camera Operator, and why are they important?

To excel as a RED Digital Cinema Camera Operator, you need expertise in cinematography, camera operation, and a deep understanding of digital imaging, often supported by formal training or a degree in film production. Familiarity with RED camera systems, post-production workflows, and industry-standard editing software like DaVinci Resolve or Adobe Premiere is crucial. Creativity, attention to detail, strong communication, and adaptability are standout soft skills in this role. These skills and qualities are vital for capturing high-quality footage and collaborating effectively on dynamic film sets.

What is a Red Digital Cinema Camera?

A Red Digital Cinema Camera is a high-end digital video camera made by RED Digital Cinema, used primarily for professional filmmaking and video production. These cameras are known for their ability to capture high-resolution footage (up to 8K and beyond), wide dynamic range, and RAW recording capabilities, which provide filmmakers with extensive control in post-production. RED cameras are widely used in Hollywood, commercials, and independent film projects due to their image quality and versatility. They support interchangeable lenses and modular accessories, allowing users to customize the camera system to their specific needs.
More about Red Digital Cinema Camera jobs
What cities are hiring for Red Digital Cinema Camera jobs? Cities with the most Red Digital Cinema Camera job openings:
What states have the most Red Digital Cinema Camera jobs? States with the most job openings for Red Digital Cinema Camera jobs include:
What job categories do people searching Red Digital Cinema Camera jobs look for? The top searched job categories for Red Digital Cinema Camera jobs are:
Infographic showing various Red Digital Cinema Camera job openings in the United States as of June 2026, with employment types broken down into 1% As Needed, 91% Full Time, 6% Part Time, 1% Temporary, and 1% Contract. Highlights an 89% Physical, 3% Hybrid, and 8% Remote job distribution, with an average salary of $53,229 per year, or $25.6 per hour.
Adjunct Faculty, Film & Moving Image (Cinematography/Broadcast)

Adjunct Faculty, Film & Moving Image (Cinematography/Broadcast)

Stevenson University

Pikesville, MD

Other

Posted 19 days ago


Job description

Position Description
Posting Number 201200568P Position Title Adjunct Faculty, Film & Moving Image (Cinematography/Broadcast) Department School of Design, Arts, and Communication: Film & Moving Image Position Summary
Adjunct faculty in the School of Design's Department of Film & Moving Image are responsible for teaching courses in cinematography and broadcast production in the Film & Moving Image bachelor's degree program. Classes involve work in the craft, techniques and technologies of digital production.
Education/Experience
MFA in a related field plus teaching experience at the college/university level and at least three years of professional production experience or equivalent combination of education and experience.
Knowledge/Skills/Ability
Industry knowledge of current and emerging digital-cinema cameras
Industry knowledge of current and emerging broadcast production technologies and techniques Industry knowledge of professional lighting techniques and equipment
Working knowledge of a Black Magic ATEM Production Studio 4K switcher
Working knowledge of standard 16mm film cameras and Steenbeck editing tables
Working knowledge of one or more of the following editing applications: Adobe Premiere, Avid Media Composer, Final Cut Pro X
Demonstrated teaching experience in the area of film and digital cinema techniques and technologies
Ability to read, listen, and communicate information and ideas through spoken and written language.
Ability to use various means of communication (e.g. telephone, computer, other electronic devices) to work with students, peers, and outside contacts.
Proven leadership and the ability to work with students of diverse backgrounds.
Excellent communication skills and a strong commitment to excellence in teaching, to service, and to applying technology in the classroom are also required.
Demonstrated ability to effectively communicate verbally and in writing with students, peers, and professional contacts.
Ability to work in Blackboard or a similar online learning management system
Proficiency in Microsoft applications, including PowerPoint, Word, and Excel.
Physical Requirements
Light work: Exerting up to 20 pounds of force occasionally and/or a negligible amount of
force constantly to move objects. Sitting, standing, walking, talking, hearing, keyboarding, and repetitive motions. Close visual acuity. Position requires sitting and standing for extended periods of time and the ability to speak clearly and effectively for an extended period of time.
Essential Functions
Teaching responsibilities include time spent in the classroom, fieldwork, and course preparation; maintaining and improving competence in subjects being taught; preparing teaching materials; conferring with students on course materials; directing individual and group studies and practical exercises; reviewing written examinations and papers; evaluating presentations; and supervising independent study projects. Professional peer review is an essential feature of effective teaching.
Engage in instructional activity totaling no more than 18 contact hours per academic year.
Evaluate, update, and revise courses regularly.
Prepare courses in accordance with published faculty workload guidelines and departmental requirements.
Prepare and distribute course syllabi according to university and departmental requirements. Student advising includes time spent meeting with students regarding academic, curricular and career matters.
Administrative responsibilities include writing syllabi, grading course work, submitting final grades.
Professional development activities include attending department or school meetings, collaborating with other instructors on course design and delivery, and attending other professional development opportunities offered by the University, School, or profession that enhance teaching and personal professional development.
Collegiality, as well as professional and ethical conduct, enhances teaching, learning and the general reputation of all persons in the academy. Therefore, all faculty members are expected to serve in a collegial fashion and in accordance with professional and ethical principles when dealing with other faculty members, students, administrators, and members of the public.
Every faculty member is guaranteed academic freedom in accordance with the statement on academic freedom and responsibilities of faculty members, as in the policy manuals.
Reports To Chair, Department of Film & Moving Image Quick Link for Posting https://stevenson.peopleadmin.com/postings/4364
Posting Information
Number of Available Positions 1 Work Location Owings Mills North Position Category Faculty Position Type Adjunct Faculty Months/Year 9 Hrs/Week 4 Hrs/Year 120 If scheduled to work less than 12 months, beginning date 08/28/2017 Ending Date 05/11/2018 FLSA Exempt Payroll Monthly Hiring Salary Range Anticipated to be $1,191-$1,389 per credit/contact hour (subject to minimum enrollment) Benefits https://www.stevenson.edu/human-resources/benefits/ Recruitment Instructions Open to All Applicants Posting Date 06/07/2017 Closing Date/Application Deadline Open Until Filled Yes EEO Statement
Stevenson University is proud to be an Equal Opportunity Employer.