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Red Digital Cinema Camera Jobs (NOW HIRING)

TEKsystems

Digital Creator (Social, UGC)

Manhattan, NY · Hybrid

$75 - $95/hr

... digital cinema cameras Excellent lighting skills, particularly for indoor office environments and green screen setups Experience shooting high‑quality employee‑generated content Experience ...

TEKsystems

Digital Creator (Social, UGC)

Manhattan, NY · Hybrid

$75 - $95/hr

... digital cinema cameras Excellent lighting skills, particularly for indoor office environments and green screen setups Experience shooting high‑quality employee‑generated content Experience ...

SFJAZZ

Video Producer

San Francisco, CA · Hybrid

... digital audio mixer * Teradeck Cube 600 Encoders * AJA Ki Pro Ultra & Black Magic Hyperdeck recorders * Elgato Streamdeck * DJI Ronin S Gimbal * Sony A7S III DSLR Camera * Sony FS5 Cinema Camera

SFJAZZ

Video Producer

San Francisco, CA · On-site

... digital audio mixer * Teradeck Cube 600 Encoders * AJA Ki Pro Ultra & Black Magic Hyperdeck recorders * Elgato Streamdeck * DJI Ronin S Gimbal * Sony A7S III DSLR Camera * Sony FS5 Cinema Camera

Fujifilm

$96K - $124K/yr

Maybe you'll get charged up about our Electronic Imaging Division that markets digital cameras ... Maintain a thorough understanding of the Broadcast and Cinema industry, including technical ...

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How much do red digital cinema camera jobs pay per hour?

As of Jun 9, 2026, the average hourly pay for red digital cinema camera in the United States is $25.59, according to ZipRecruiter salary data. Most workers in this role earn between $19.23 and $31.01 per hour, depending on experience, location, and employer.

What are some common challenges faced by technicians working with RED Digital Cinema Cameras on set?

Technicians working with RED Digital Cinema Cameras often encounter challenges such as managing large file sizes due to high-resolution formats, ensuring proper camera calibration, and troubleshooting firmware or compatibility issues with other equipment. The fast-paced environment on set can also require quick problem-solving and effective communication with the production team to minimize downtime. Staying up-to-date with the latest RED camera updates and best practices is essential to maintain smooth workflows and deliver high-quality results.

What is the difference between Red Digital Cinema Camera vs Camera Operator?

AspectRed Digital Cinema CameraCamera Operator
CredentialsTechnical knowledge of camera systems, often with manufacturer-specific trainingRelevant certifications (e.g., FCC, industry courses), experience in operating various cameras
Work EnvironmentFilm sets, studios, post-production facilitiesFilm sets, TV productions, commercials, live events
Industry UsageUsed by cinematographers and camera departments for high-quality filmingOperates cameras during shoots, collaborates with directors and cinematographers

The Red Digital Cinema Camera is a specialized piece of equipment used by cinematographers, while the camera operator is a professional responsible for operating cameras during production. Both roles are essential in filmmaking, with the camera operator focusing on execution and the Red camera serving as a tool for capturing high-quality footage.

What are the key skills and qualifications needed to thrive as a RED Digital Cinema Camera Operator, and why are they important?

To excel as a RED Digital Cinema Camera Operator, you need expertise in cinematography, camera operation, and a deep understanding of digital imaging, often supported by formal training or a degree in film production. Familiarity with RED camera systems, post-production workflows, and industry-standard editing software like DaVinci Resolve or Adobe Premiere is crucial. Creativity, attention to detail, strong communication, and adaptability are standout soft skills in this role. These skills and qualities are vital for capturing high-quality footage and collaborating effectively on dynamic film sets.

What is a Red Digital Cinema Camera?

A Red Digital Cinema Camera is a high-end digital video camera made by RED Digital Cinema, used primarily for professional filmmaking and video production. These cameras are known for their ability to capture high-resolution footage (up to 8K and beyond), wide dynamic range, and RAW recording capabilities, which provide filmmakers with extensive control in post-production. RED cameras are widely used in Hollywood, commercials, and independent film projects due to their image quality and versatility. They support interchangeable lenses and modular accessories, allowing users to customize the camera system to their specific needs.
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Red Digital Cinema Camera jobs near you
Infographic showing various Red Digital Cinema Camera job openings in the United States as of June 2026, with employment types broken down into 1% As Needed, 91% Full Time, 6% Part Time, 1% Temporary, and 1% Contract. Highlights an 89% Physical, 3% Hybrid, and 8% Remote job distribution, with an average salary of $53,229 per year, or $25.6 per hour.
Manager of Production Operations, Qatar

Manager of Production Operations, Qatar

Northwestern University

Evanston, IL • On-site

$89K - $111K/yr

Full-time

Posted 21 days ago

Northwestern University rating

8.3

Company rating: 8.3 out of 10

Based on 45 frontline employees who took The Breakroom Quiz

95th of 535 rated colleges and universities

Job description

Department: NUQ Production & Digital Media
Salary/Grade: ITS/80
T he Manager of Production Operations at Northwestern University in Qatar NU-Q) provides strategic and operational leadership for studio facilities, field production equipment, and media services supporting academic and institutional initiatives. This role oversees the design, installation, maintenance, and daily operation of a multi-studio educational production environment aligned with industry standards and curriculum needs.
Managing a team of production specialists, the role leads equipment lifecycle planning, including capital replacement, preventative maintenance, and asset tracking for a large-scale inventory. It also establishes facility policies, training protocols, and equipment authorization systems that support student learning and faculty instruction across journalism and communication programs.
In close collaboration with faculty, the Manager integrates production resources into coursework and supports a high volume of student productions. The role also oversees live event production and institutional video deliverables, providing multi-camera coverage and content for major university initiatives.
Reporting to the Director of Production and Digital Media, the Manager leads vendor relations, procurement, and technology implementation, including advancing workflows such as 4K production. The role ensures continuity of operations during disruptions by adapting production models to support academic needs, and performs other related duties as assigned.
Strategic Planning
  1. Recommends purchases and capital equipment.
  2. Partners with NU-Q stakeholders on equipment and studio needs to ensure equipment and facilities meet the needs of the NU-Q academic programs.
  3. Advises the Director of Production and Digital Media on equipment, operations, staff allocation, budgets and scalability.

Development
  1. Manages and coordinates Production and Digital Media projects across organization units.
  2. Works closely with the Manager of Broadcast Engineering and Production Coordinator on production field equipment and studio operations.

Performance
  1. Oversees enhancements that will improve the reliability and performance of production field equipment and studio facilities.

Supervises
  1. Provides work direction and/or supervises staff such as team members, subordinates, contractors, vendors, students, etc.
  2. Recommends staff hires/terminations.
  3. Coaches and mentors staff.
  4. Manages projects ensuring timelines and deliverables are met and meet expectations.
  5. Organizes and performs technical training on production field equipment, studio lighting, control room operation and studio camera operation and postproduction software and hardware for NU-Q faculty, staff and students.
  6. Knowledge of Adobe Premiere, Ikegami Studio Cameras, ETC Lighting infrastructure, Red Digital Cinema Cameras, Field Production Lighting, sound, grip equipment and Project Management.

Minimum Qualifications:
  1. Successful completion of a full 4-year course of study in an accredited college or university leading to a bachelor's or higher degree in a major such as communications, film/tv production, or related; OR appropriate combination of education and experience.
  2. 10+ years in a production technical management role or other relevant experience within a Film, TV, or production company is required.
  3. Fluency in English language
  4. Demonstrated advanced knowledge of video production equipment and practices
  5. Demonstrated knowledge of video editing software Adobe Premiere
  6. Ability to use both PC and Mac applications.
  7. Ability to work closely with students and student employees.
  8. Demonstrated organizational skills, ability to take initiative and work independently.
  9. Ability to manage a multidisciplinary technical team.
  10. Ability to lift/move equipment up to 20Kg (approx. 44.0 Lbs.)

Preferred Qualifications:
  1. Successful completion of a master's degree in an accredited college or university in a major such as communications, film/tv production, or related; OR appropriate combination of education and experience.
  2. 15+ years in a production technical management role or other relevant experience within a Film, TV, or production company.
  3. Experience working within an educational environment.
  4. Knowledge of Middle East culture and customs.
  5. Demonstrated knowledge of field production within in a film/tv environment.
  6. Knowledge of equipment rental and hiring processes.
  7. Knowledge of current digital cinema audio and video standards and workflows.
  8. Excellent knowledge of Adobe Premiere, Ikegami Studio Cameras, ETC Lighting infrastructure, Red Digital Cinema Cameras, Field Production Lighting, sound, grip equipment and Project Management.

The target budgeted salary for this position is $89,129 to $111,411 annually. Offers will be based on candidate experience and education, as well as equity within Northwestern University.
Northwestern University is an Equal Opportunity Employer and does not discriminate on the basis of protected characteristics, including disability and veteran status. View Northwestern's non-discrimination statement . Job applicants who wish to request an accommodation in the application or hiring process should contact the Office of Civil Rights and Title IX Compliance. View additional information on the accommodations process .

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