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Outside Broadcasting Jobs (NOW HIRING)

Milwaukee Bucks, LLC.

Broadcast Engineer

Milwaukee, WI · On-site

$75K - $80K/yr

  • Medical

  • Dental

  • Vision

  • Retirement

  • PTO

Job Title: Broadcast Engineer Class: Full Time Reports to: Senior Director, Production & Live ... Coordinates repair of equipment with outside vendors. * Documents and maintains equipment ...

WQED Multimedia

Broadcast Engineer

Pittsburgh, PA · On-site

$41.01/hr

Must be able to work outside of normal business hours, including mornings, nights and weekends ... broadcaster into a multi-platform community resource. Joining WQED now means helping shape how ...

Cascade PBS

Broadcast Equipment Technician

Seattle, WA · On-site

$36.26 - $37/hr

  • Medical

  • Dental

  • Vision

  • Retirement

  • PTO

Install, maintain, repair and monitor broadcast and production equipment: master control, servers ... Ability to work outside regular business hours as needed The hiring process for this role will ...

Cascade PBS

Broadcast Equipment Technician

Seattle, WA

$36.26 - $37/hr

  • Medical

  • Dental

  • Vision

  • Retirement

  • PTO

Install, maintain, repair and monitor broadcast and production equipment: master control, servers ... Ability to work outside regular business hours as needed The hiring process for this role will ...

DAZN

Junior Production Manager

New York, NY · On-site

$67K - $75K/yr

  • Medical

  • Dental

  • Vision

  • Life

  • Retirement

  • PTO

The role will also involve close work with the Production Manager and Head of Production, DAZN finance and Outside Broadcast teams and will ensure the successful production and delivery of all our ...

Reach Media LLC

JR BROADCAST DIRECTOR

Washington, DC · On-site

$55K - $85K/yr

Coordinate control room line ups, studio checks, and outside source line ups with the Broadcast Automation Director. * Anticipate production or technical challenges and assist in resolving them ...

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Outside Broadcasting information

See salary details

$30K

$78K

$165.5K

How much do outside broadcasting jobs pay per year?

As of Aug 17, 2026, the average yearly pay for outside broadcasting in the United States is $78,042.00, according to ZipRecruiter salary data. Most workers in this role earn between $52,500.00 and $90,000.00 per year, depending on experience, location, and employer.

What is outside broadcasting?

Outside broadcasting (OB) refers to the production and transmission of live or recorded television and radio programs from locations outside of a traditional studio. This often involves covering live events such as sports, concerts, and news stories using specialized OB vehicles equipped with production and transmission equipment. OB teams handle complex logistics to ensure high-quality audio and video signals are captured and broadcasted to audiences in real time. The process requires collaboration among engineers, producers, camera operators, and other crew members. Outside broadcasting is essential for bringing dynamic, on-location coverage to viewers around the world.

What are the key skills and qualifications needed to thrive in outside broadcasting, and why are they important?

To thrive in Outside Broadcasting, you need expertise in live production techniques, audiovisual equipment operation, and broadcast engineering, typically supported by a relevant degree or technical diploma. Familiarity with broadcast-specific tools such as vision mixers, audio consoles, satellite uplinks, and industry-standard software is essential. Strong problem-solving skills, teamwork, and the ability to stay calm under pressure are crucial soft skills in this fast-paced environment. These skills and qualities ensure seamless live event coverage, minimize technical disruption, and enable effective collaboration during high-stress broadcasts.

What are some common challenges faced by professionals working in outside broadcasting, and how can they be managed?

Professionals in Outside Broadcasting often encounter challenges such as unpredictable weather, technical issues with transmission equipment, and rapidly changing event schedules. Managing these requires strong problem-solving skills, adaptability, and effective communication within the team. Working closely with engineers, producers, and on-site crew ensures quick resolution of issues and smooth coordination during live events. Building experience in troubleshooting and pre-event planning can also help minimize disruptions and ensure successful broadcasts.

What is the difference between Outside Broadcasting vs Camera Operator?

AspectOutside BroadcastingCamera Operator
Required CredentialsTechnical certifications, broadcast trainingCamera operation training, sometimes certifications
Work EnvironmentOn-location, live events, sports, concertsStudio or on-location, various productions
Employer & IndustryBroadcast networks, production companiesTV stations, production crews

Outside Broadcasting involves managing entire live broadcast setups on location, including multiple cameras and technical equipment. Camera Operators focus on operating cameras during productions. While both roles require technical skills and work in broadcast environments, Outside Broadcasting covers a broader scope of technical coordination, whereas Camera Operators specialize in camera operation.

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What states have the most Outside Broadcasting jobs?

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What job categories do people searching Outside Broadcasting jobs look for?

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Outside Broadcasting jobs near you
Infographic showing various Outside Broadcasting job openings in the United States as of August 2026, with employment types broken down into 86% Full Time, 12% Part Time, and 2% Contract. Highlights an 69% Physical, 1% Hybrid, and 30% Remote job distribution, with an average salary of $78,042 per year, or $37.5 per hour.

Broadcast Production Engineer

ICM Asia Pacific

Washington, DC • On-site

Full-time

Posted 7 days ago

Job description

Job Overview

Broadcast Management Group (BMG) delivers Managed Services, Live Production, and REMI Remote Production - engineered and monitored 24/7 across our national footprint (Washington DC, New York, Chicago, Las Vegas, and Los Angeles). We're looking for a Broadcast Production Engineer to support our REMI facilities, mobile units, and client sites nationwide.

This role travels extensively to support live news, sports, and entertainment broadcasts as Engineer in Charge (EIC), keeping mission-critical equipment running and issues resolved fast. Between shows, you'll work alongside our integration team - installing and testing new gear and helping build engineering signal flow synoptic diagrams and rack elevations. We're looking for someone who wants to be part of a team engineering broadcast-grade infrastructure from the ground up.

Essential Functions

Provide technical production support across BMG facilities and mobile units, keeping equipment running correctly.
Serve as Engineer in Charge (EIC) on location and at BMG's Broadcast Operations Center.
Handle integration and upgrade projects of varying scale.
Read and interpret broadcast engineering AutoCAD drawings.
Work independently or as part of a team on integration projects - equipment commissioning, training, and planned system upgrades.
Perform equipment maintenance as needed, including outside normal business hours.
Terminate, label, and test video, audio, control, and network wiring against wire lists and drawings.
Apply approved broadcast installation standards and wire equipment to BMG's quality and neatness standards.
Contribute ideas for improving systems and workflows.
Interact daily with clients on-site, delivering the BMG experience.
Work closely with producers and help manage crew on show days.
Pack and unpack the production truck with your Crew.
Build shows from the ground up - router configuration, signal flow troubleshooting, and translating show requirements into working solutions with the technical team.
Coordinate and set up transmission for assigned shows.
Maintain a positive, collaborative working relationship with co-workers, supervisors, clients, and vendors.
Mentor and train crew and less experienced team members.
Take end-to-end ownership of large-scale events, overseeing the production crew.

Skills & Experience

  • 5 years of experience in broadcast engineering, live production, or mobile/remote broadcast operations.
  • Proficiency in Adobe Premiere, Final Cut Pro, Avid Media Composer or similar editing platforms.
  • Extensive experience operating recording studio equipment and live sound engineering setups.
  • Strong knowledge of audio systems, sound reinforcement systems operation, and event audio equipment operation.
  • Skilled in digital audio workstation (DAW) software for music mixing, post-production editing, and sound design.
  • Ability to troubleshoot technical issues efficiently across a range of broadcast equipment and AV systems.
  • Expertise in videography, filming techniques, content creation, and video production workflows.
  • Familiarity with signal processing techniques and audio engineering principles for high-quality sound output.

transport).
Comfortable terminating, labeling, and testing video, audio, control, and network cabling to industry standards.
Strong problem-solving skills and the ability to make sound decisions under live-event pressure.
Effective communicator who works well with producers, crew, clients, and vendors.
Willingness to travel extensively and work irregular hours, including nights, weekends, and holidays as production schedules require.
Valid driver's license, with the ability to safely operate and help maintain a production truck.

Preferred (not required)

Prior experience serving as Engineer in Charge (EIC) on live remote or REMI productions.
Experience mentoring or training junior engineers (E2s).
Familiarity with IP-based broadcast standards (SMPTE 2110, NDI, SRT).


Embark on a career where your technical prowess fuels captivating broadcasts! We're dedicated to fostering a creative environment that values innovation, precision, and teamwork-empowering you to excel in every project you undertake.


Work Location: In person


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