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Outside Broadcasting Jobs (NOW HIRING)

AEG

Director, Broadcasting

Anaheim, CA · On-site

$100K - $120K/yr

The Director of Broadcasting oversees all internal and external production communications ... Able to work well with all levels of management, staff, outside clients, and vendors * Able to work ...

ASM Global

Broadcast Engineer

Brooklyn, NY · On-site

$30/hr

Collaborates with technicians on various broadcasting equipment such as recording, video and ... Pioneers the set up and transmission of outside broadcast and point-to-point microwave links ...

ASM Global

Broadcast Engineer

New York, NY · On-site

$30/hr

Collaborates withtechnicians on various broadcasting equipment such as recording, video and editing ... Pioneers the set up and transmission of outside broadcast and point-to-point microwave links ...

Nexstar Media Group

Broadcast Engineer

El Paso, TX · On-site

... broadcasting and business operations. * Maintains all broadcast technology and equipment for the ... Sets up and operates equipment and transmission links during outside broadcasts * Installs and ...

Tribune Media

Broadcast Engineer

Erie, PA · On-site

... broadcasting and business operations. * Maintains all broadcast technology and equipment for the ... Sets up and operates equipment and transmission links during outside broadcasts * Installs and ...

WOWK-TV

Broadcast Engineer

El Paso, TX · On-site

... broadcasting and business operations. * Maintains all broadcast technology and equipment for the ... Sets up and operates equipment and transmission links during outside broadcasts * Installs and ...

WOWK-TV

Broadcast Engineer

Erie, PA · On-site

... broadcasting and business operations. * Maintains all broadcast technology and equipment for the ... Sets up and operates equipment and transmission links during outside broadcasts * Installs and ...

Nexstar Media Group

Broadcast Engineer

Erie, PA · On-site

... broadcasting and business operations. * Maintains all broadcast technology and equipment for the ... Sets up and operates equipment and transmission links during outside broadcasts * Installs and ...

Tribune Media

Broadcast Engineer

El Paso, TX · On-site

... broadcasting and business operations. * Maintains all broadcast technology and equipment for the ... Sets up and operates equipment and transmission links during outside broadcasts * Installs and ...

ICM Asia Pacific

Broadcast Engineer

Chicago, IL

Broadcast Management Group (BMG) a leading global broadcast production company focused on providing ... Perform equipment maintenance as needed, scheduling work outside of planned programming timeslots ...

Tribune Media

Part-Time Broadcast Engineer

Dayton, OH · On-site

... broadcasting and business operations. * Maintains all broadcast technology and equipment for the ... Sets up and operates equipment and transmission links during outside broadcasts * Installs and ...

WOWK-TV

Part-Time Broadcast Engineer

Dayton, OH · On-site

... broadcasting and business operations. * Maintains all broadcast technology and equipment for the ... Sets up and operates equipment and transmission links during outside broadcasts * Installs and ...

Milwaukee Bucks, LLC.

Broadcast Engineer

Milwaukee, WI · On-site

$75K - $80K/yr

Job Title: Broadcast Engineer Class: Full Time Reports to: Senior Director, Production & Live ... Coordinates repair of equipment with outside vendors. * Documents and maintains equipment ...

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Outside Broadcasting information

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$30K

$78K

$165.5K

How much do outside broadcasting jobs pay per year?

As of Jun 6, 2026, the average yearly pay for outside broadcasting in the United States is $78,042.00, according to ZipRecruiter salary data. Most workers in this role earn between $52,500.00 and $90,000.00 per year, depending on experience, location, and employer.

What is outside broadcasting?

Outside broadcasting (OB) refers to the production and transmission of live or recorded television and radio programs from locations outside of a traditional studio. This often involves covering live events such as sports, concerts, and news stories using specialized OB vehicles equipped with production and transmission equipment. OB teams handle complex logistics to ensure high-quality audio and video signals are captured and broadcasted to audiences in real time. The process requires collaboration among engineers, producers, camera operators, and other crew members. Outside broadcasting is essential for bringing dynamic, on-location coverage to viewers around the world.

What are the key skills and qualifications needed to thrive in Outside Broadcasting, and why are they important?

To thrive in Outside Broadcasting, you need expertise in live production techniques, audiovisual equipment operation, and broadcast engineering, typically supported by a relevant degree or technical diploma. Familiarity with broadcast-specific tools such as vision mixers, audio consoles, satellite uplinks, and industry-standard software is essential. Strong problem-solving skills, teamwork, and the ability to stay calm under pressure are crucial soft skills in this fast-paced environment. These skills and qualities ensure seamless live event coverage, minimize technical disruption, and enable effective collaboration during high-stress broadcasts.

What are some common challenges faced by professionals working in Outside Broadcasting, and how can they be managed?

Professionals in Outside Broadcasting often encounter challenges such as unpredictable weather, technical issues with transmission equipment, and rapidly changing event schedules. Managing these requires strong problem-solving skills, adaptability, and effective communication within the team. Working closely with engineers, producers, and on-site crew ensures quick resolution of issues and smooth coordination during live events. Building experience in troubleshooting and pre-event planning can also help minimize disruptions and ensure successful broadcasts.

What is the difference between Outside Broadcasting vs Camera Operator?

AspectOutside BroadcastingCamera Operator
Required CredentialsTechnical certifications, broadcast trainingCamera operation training, sometimes certifications
Work EnvironmentOn-location, live events, sports, concertsStudio or on-location, various productions
Employer & IndustryBroadcast networks, production companiesTV stations, production crews

Outside Broadcasting involves managing entire live broadcast setups on location, including multiple cameras and technical equipment. Camera Operators focus on operating cameras during productions. While both roles require technical skills and work in broadcast environments, Outside Broadcasting covers a broader scope of technical coordination, whereas Camera Operators specialize in camera operation.

More about Outside Broadcasting jobs
What cities are hiring for Outside Broadcasting jobs? Cities with the most Outside Broadcasting job openings:
What states have the most Outside Broadcasting jobs? States with the most job openings for Outside Broadcasting jobs include:
What job categories do people searching Outside Broadcasting jobs look for? The top searched job categories for Outside Broadcasting jobs are:
Outside Broadcasting jobs near you
Infographic showing various Outside Broadcasting job openings in the United States as of May 2026, with employment types broken down into 70% Full Time, and 30% Part Time. Highlights an 100% In-person job distribution, with an average salary of $78,042 per year, or $37.5 per hour.

Director, Broadcasting

AEG

Anaheim, CA • On-site

$100K - $120K/yr

Full-time

Posted 4 days ago

Job description

In order to be considered for this role, after clicking "Apply Now" above and being redirected, you must fully complete the application process on the follow-up screen.
The Director of Broadcasting oversees all internal and external production communications, including the club's streaming video network, over-the-air television, and audio broadcast initiatives. The position is responsible for working with partners to ensure best-in-class live game coverage, pre-game and post-game shows, and other related programming. The incumbent serves as the primary contact for local and national rights holders and oversees sponsorship and branding activation initiatives on broadcast platforms. The position is the club's primary broadcast liaison and manages all technical and production operations, including broadcast staff.
Responsibilities
  • Oversee all coordination of TV broadcast production for all home and road games to ensure proper transmission of each Ducks game
  • Serve as liaison between the Ducks, DTC, OTA broadcast partners, and production companies on a game-by-game basis for home and road games
  • Manage a team of 12 people, including four full-time employees, radio and TV broadcast talent, and personnel
  • Oversee production and segmented content for all live broadcasts, including pre-game, in-game, and post-game coverage
  • Oversee production and content for all shoulder programming for DTC TV
  • Develop an overall broadcast theme and content calendar that provides Ducks fans with a rotating slate of TV and audio programming throughout the season and offseason
  • Responsible for managing each layer of the Ducks broadcast department, ensuring flawless operational delivery and execution of all games, programming, and remote productions
  • Manage incoming and outgoing expenses related to the Ducks TV broadcast to properly relay revenue and revenue projections to leadership and ownership throughout the season, including operational costs, revenue-generating features, commercials, and related items
  • Manage all data generated by both Ducks Stream audio and TV, which will be used to provide direction to talent, staff, and leadership on new and innovative ways the Ducks can improve and adjust various broadcast productions
  • Be involved in the editing process for all audio and TV content pieces
  • Manage and oversee all Ducks Stream content and production
  • Execute and manage all aspects of the broadcast department
  • Direct and manage television, radio production, and technical crews
  • Serve as liaison between the Anaheim Ducks, Honda Center, regional and national broadcast partners/rights holders, and local media
  • Serve as point of contact for all television and radio broadcast-related matters, policies, facilities, and technical needs for the National Hockey League, including all regional and national television and radio rights holders
  • Serve as operations and production lead for broadcast elements and content, including graphics, talent interviews, video features, and additional shows
  • Oversee the execution of television and radio sponsor elements, commercial logs, and virtual signage
  • Work cross-functionally with all departments, particularly Corporate Partnerships, Marketing, Community, and Fan Development, to maintain strategic alignment of all contractual elements and programs
  • Manage department operational budget, including ongoing tracking and forecasting
  • As required, fulfill tasks associated with larger Media & Communications department initiatives, including large-scale PR programs and media relations activities

Qualifications
  • Bachelor's degree in Communications, Broadcasting, Technology, or a related field
  • In lieu of a college degree, significant field experience may be considered
  • 8-10 years of experience in broadcast operations, production, or related fields
  • Experience in a video control room or broadcast truck environment preferred
  • Experience planning, implementing, and independently leading multiple projects
  • Experience managing live game remote operations, preferably with a regional sports network
  • Excellent written and verbal communication skills
  • Strong strategic and analytical skills
  • Self-motivated and organized, with the ability to communicate clearly and concisely
  • Knowledge of hockey and the NHL landscape desired
  • Knowledge of all facets of broadcast operations, including crewing, scheduling, signal flow, and production requirements
  • Knowledge of Microsoft Office and Adobe Creative Suite, including Audition and Premiere Pro
  • Able to handle multiple projects at one time, remain detail-oriented, and work well under pressure
  • Able to work well with all levels of management, staff, outside clients, and vendors
  • Able to work a flexible schedule, including attending all home games and working nights, weekends, and holidays as required
  • Able to travel for away games, league conferences, and other meetings or events as required

Knowledge, Skills and Experience
Education - Bachelor's Degree
Experience Required - 8-10 Years
This position is on-site.
We are an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, national origin, sex, sexual orientation, age, disability, gender identity, marital or veteran status, or any other protected class.

About AEG

Sourced by ZipRecruiter

Industry

Recruiting and staffing services

Company size

51 - 200 Employees

Headquarters location

Saint Louis, MO, US

Year founded

1992

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