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On Call Audio Book Recording Jobs (NOW HIRING)

Los Angeles LGBT Center

Audio Technician

Los Angeles, CA · On-site

Relief/On-Call, Non-Exempt CENTER'S MISSION : Building a world where LGBT people thrive as healthy ... Experience with QLab, Recording Software, & Spotify * Bilingual Spanish/English. The Los Angeles ...

Greensky Credit

Audio Visual Engineer

Alpharetta, GA · On-site

... recording, and post-event media handoff). * Partner with AV integrators and vendors on installs ... live/on-call support during high-visibility events. * 3+ years working in hybrid meeting ...

NPR

Audio Engineering Supervisor

Washington, DC

... requests and rotating on-call duties during nights, weekends, and holidays. While primary ... Familiarity with audio/video recording and editing platforms and associated workflows, especially ...

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All JobsOn Call Audio Book Recording Jobs

On Call Audio Book Recording information

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$29.5K

$84.5K

$171.5K

How much do on call audio book recording jobs pay per year?

As of Jun 10, 2026, the average yearly pay for on call audio book recording in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What is the difference between On Call Audio Book Recording vs Voice Actor?

AspectOn Call Audio Book RecordingVoice Actor
CredentialsVoice training, recording experienceVoice training, acting skills
Work EnvironmentHome studio or recording studioStudio, on-location, or home studio
Industry UsageAudio book production companies, publishersMedia, entertainment, advertising
Search & ComparisonOften compared for narration roles in audiobooks

On Call Audio Book Recording typically involves narrating audiobooks on a freelance or on-demand basis, often from a home studio. Voice Actors have broader roles in media, commercials, and animation but share similar vocal skills. Both require voice training and recording experience, but On Call Audio Book Recording is more specialized for audiobook narration, while Voice Acting covers a wider range of voice work.

More about On Call Audio Book Recording jobs
What are the most commonly searched types of Audio Book Recording jobs? The most popular types of Audio Book Recording jobs are:
What job categories do people searching On Call Audio Book Recording jobs look for? The top searched job categories for On Call Audio Book Recording jobs are:
On Call Audio Book Recording jobs near you
Infographic showing various On Call Audio Book Recording job openings in the United States as of June 2026, with employment types broken down into 1% As Needed, 79% Full Time, and 20% Part Time. Highlights an 95% Physical, 1% Hybrid, and 4% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

On Call Head Audio

Madison Elementary District

Phoenix, AZ

$30/hr

Other

Posted 26 days ago

Job description

Madison Elementary School District #38
Position Title: On Call Head Audio
Length of Work Year: On Call/Substitute
Salary Information: $30.00/hour
Department: Madison Center for the Arts
Supervision: Supervised by Technical Director
Reports To: Stage Manager, Technical Director and Lighting Designer
This position is an on-call, activated on a show-by-show basis.
Overview: The Head of Audio oversees the audio needs for the event or show, ensuring smooth operations. They are responsible for managing audio systems and structures for crew and production.
QUALIFICATIONS:
  1. 1-2 years experience of live audio mixing.
  2. Experience with Qlab, TheatreMix, and other professional live entertainment computer software.
  3. Professional experience with Yamaha Digital consoles
  4. Experience with Dante networks and Dante Controller (At least Dante Level 2 Certification preferred)
  5. Experience with and working knowledge of live entertainment multi projector systems and programming.
  6. Experience with both Audio and Video system network setup and troubleshooting.
  7. Experience with Shure ULXD, and Wireless Workbench a plus.
  8. Ability to work closely with people in a professional and positive manner.
  9. Ability to work closely and creatively with design teams, directors, and other members of the staff.
  10. Proficiency with computers and standard office suite, ability to generate and maintain professional level paperwork and tracking for each production.
  11. Ability to multitask while maintaining productivity.
  12. Ability to remain levelheaded in high-stress environments.
  13. Ability to troubleshoot under pressure and remain composed.
  14. Ability to work independently and meet deadlines.
RESPONSIBILITIES:
  1. Coordinate with production staff, designers, and performers, overseeing sound setup, operation, and strike for rehearsals and performances, ensuring sound quality, and troubleshooting any issues that arise.
  2. Ensure compliance with safety protocols and industry best practices is crucial.
  1. Serve as the primary audio contact for the event or show.
  2. Assist with event load-in, setup, operation, and load-out.
  3. Manage and maintain the venue's audio systems and equipment.
  4. Troubleshoot and resolve technical issues efficiently under time-sensitive conditions.
  5. Supervise and mentor the audio team.
  6. Ensure compliance with safety protocols.
  7. Lead in facilitating all audio needs for all rental events/productions, including the testing, maintenance and upkeep of all audio equipment, projectors, and sound equipment in The Madison.
  8. Review sound plots to evaluate feasibility and implementation in The Madison
  9. Lead in preparing and installing equipment based on plots and designer supplied specifications; including but not limited to tech table set-up, i.e. tables, headsets, and video monitors, god mic, etc.
  10. Collaborate to produce show-related audio paperwork.
  11. Maintain organized and accurate records of design execution for a given production. Make archival copies of all paperwork and show files.
  12. Adhere to the proper shut-down of all audio, special effects, stage equipment and other electrical appliances, assuring that the theatre is left in a safe, secure, and appropriately lit manner and that equipment is locked in a secure place.

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