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Live Sound Production Jobs (NOW HIRING)

Point Park University

Sound Supervisor

Pittsburgh, PA · On-site

Supervise and/or assist the mixing of live sound for all productions, projects and related events. (15%) * Coordinate student and over hire labor and/or rental equipment for produced, presented, and ...

Point Park University

Sound Supervisor

Pittsburgh, PA · On-site

Supervise and/or assist the mixing of live sound for all productions, projects and related events. (15%) * Coordinate student and over hire labor and/or rental equipment for produced, presented, and ...

Point Park University

Sound Supervisor

Pittsburgh, PA · On-site

Supervise and/or assist the mixing of live sound for all productions, projects and related events. (15%) * Coordinate student and over hire labor and/or rental equipment for produced, presented, and ...

CYNET SYSTEMS

Audio / Video Technician

Santa Clara, CA · On-site

$24 - $29/hr

Understanding and troubleshooting Crestron, Bi-Amp and Extron, Allen & Heath 30-channel digital mixers for live sound production, Vaddio type video switchers and digital camera equipment, Clear Com ...

AT Hospitality

Audio Visual Technician

Cincinnati, OH

$20 - $22/hr

General knowledge of live sound production, mixing consoles, wireless microphone systems, sound reinforcement, and event production workflows. * Experience supporting conferences, concerts, social ...

Ntta

$73K - $95K/yr

Installs, configures, operates, maintains, and upgrades of Crestron, Bi-Amp, Extron, 32-channel digital mixers for live sound production, Swagit type video switchers and camera equipment, PC software ...

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Live Sound Production information

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How much do live sound production jobs pay per hour?

As of Jul 23, 2026, the average hourly pay for live sound production in the United States is $16.61, according to ZipRecruiter salary data. Most workers in this role earn between $14.90 and $17.79 per hour, depending on experience, location, and employer.

What engineers make $500,000?

In the field of live sound production, very few engineers earn $500,000 annually. Typically, high earnings are associated with senior-level professionals, those working in large-scale concert productions, or individuals with extensive experience, specialized skills, and management responsibilities. Most live sound engineers earn a median salary significantly below this figure, with top-tier professionals potentially reaching high six-figure incomes through consulting, touring, or owning production companies.

How to get into the live sound industry?

To enter the live sound industry, gain experience by volunteering or working as a stagehand or audio assistant, and learn to operate sound equipment such as mixers and speakers. Developing technical skills, understanding acoustics, and obtaining certifications like the OSHA or manufacturer-specific training can improve job prospects. Entry-level roles often require flexibility with schedules and a willingness to start in smaller venues or events.

What is the difference between Live Sound Production vs Audio Engineer?

AspectLive Sound ProductionAudio Engineer
CredentialsAudio engineering certifications, technical trainingAudio engineering certifications, recording certifications
Work EnvironmentConcerts, live events, festivalsRecording studios, post-production, broadcast
Employer & IndustryEvent companies, concert venues, festivalsRecording studios, media companies, broadcast stations

Live Sound Production focuses on managing sound during live events, ensuring quality audio for audiences. Audio Engineers often work in recording studios or post-production, handling sound recordings and editing. While both roles require similar technical skills and certifications, their work environments and primary responsibilities differ significantly.

What are the key skills and qualifications needed to thrive as a Live Sound Production professional, and why are they important?

To thrive in Live Sound Production, you need expertise in audio engineering, signal flow, and acoustics, often supported by a relevant degree or technical training. Familiarity with mixing consoles, digital audio workstations (DAWs), microphones, and industry-standard audio processing equipment is essential. Excellent problem-solving, communication, and adaptability are crucial soft skills for handling live event pressures and collaborating with artists and crews. These skills ensure high-quality audio experiences, smooth event execution, and the ability to respond effectively to unexpected technical challenges.

What is live sound production?

Live sound production is the process of managing and delivering audio for live events, such as concerts, theater performances, or conferences. It involves setting up and operating audio equipment like microphones, mixers, amplifiers, and speakers to ensure clear and balanced sound for both the audience and performers. Live sound professionals must adjust audio levels, address feedback issues, and adapt to changing conditions in real time. The goal is to create an optimal listening experience that enhances the overall event.

Are live sound engineers in demand?

Live sound engineers are in demand due to the ongoing need for audio support at concerts, events, and productions. Employment opportunities often depend on experience, technical skills with mixing consoles and audio equipment, and the ability to work flexible hours in dynamic environments.

What are some common challenges faced by professionals in live sound production, and how can they be managed?

Professionals in live sound production often encounter challenges such as unpredictable acoustics, last-minute equipment issues, and the need to adapt quickly to changes during live events. Managing these challenges typically involves thorough pre-event sound checks, maintaining backup equipment, and strong communication with performers and event staff. Building experience and staying calm under pressure are also essential, as live sound engineers must troubleshoot and resolve issues in real time to ensure the best possible audio experience.

How much money do live sound engineers make?

Live sound engineers typically earn between $30,000 and $80,000 annually, depending on experience, location, and the scale of events they work on. Entry-level positions may pay less, while experienced professionals working at large events or for major clients can earn higher salaries or hourly rates. Many also supplement income through freelance work and overtime.
More about Live Sound Production jobs
What cities are hiring for Live Sound Production jobs? Cities with the most Live Sound Production job openings:
What states have the most Live Sound Production jobs? States with the most job openings for Live Sound Production jobs include:
What job categories do people searching Live Sound Production jobs look for? The top searched job categories for Live Sound Production jobs are:
Live Sound Production jobs near you
Infographic showing various Live Sound Production job openings in the United States as of July 2026, with employment types broken down into 1% As Needed, 64% Full Time, 27% Part Time, and 8% Contract. Highlights an 79% Physical, 2% Hybrid, and 19% Remote job distribution, with an average salary of $34,551 per year, or $16.6 per hour.
Sound Supervisor

Sound Supervisor

Point Park University

Pittsburgh, PA • On-site

Full-time

Posted 20 hours ago

Point Park University rating

6.4

Company rating: 6.4 out of 10

Based on 8 frontline employees who took The Breakroom Quiz

475th of 560 rated colleges and universities

Job description

POSITION: Sound Supervisor
DEPARTMENT: Playhouse
REPORTS TO: Technical Director
WORK SCHEDULE: Fully on-campus
PRIMARY FUNCTION: To take the lead responsibility for the delivery and management of all sound requirements for the Pittsburgh Playhouse productions, related projects and events; and to contribute to the creation of the highest standards in all the Playhouse operations.
QUALIFICATIONS:
  • Minimum Bachelor's degree or equivalent with at least 3 years professional sound experience in sound design and/or audio engineering.
  • Supervisory skills are required.
  • Some mechanical skills in the use of hand and power tools.
  • The ability to read, generate, and understand ground plans, sections, sound plots, and electrical schematics.
  • The ability to implement and hang a speaker plot and troubleshoot
  • Strong oral and written communications skills are required.
  • The ability to instruct students and over hires on material relevant to sound is required.
  • Great interpersonal and organizational skills.
  • Minimum Dante Level 1 certification and experience with networked sound systems and equipment.

DUTIES:
  1. Responsible for maintaining a safe working environment for students and staff. Oversee students working with sound equipment. Suggest student designers based on experience and competence. (15%)
  2. Hang, mic and/or reinforce sound and sound equipment for all Playhouse productions, events, and related projects in all venues. Design sound and program sound consoles as needed for productions/events. (15%)
  3. Supervise and/or assist the mixing of live sound for all productions, projects and related events. (15%)
  4. Coordinate student and over hire labor and/or rental equipment for produced, presented, and rental content as needed. (10%)
  5. Work with the technical director to create timelines to meet scheduled deadlines. (5%)
  6. Provide in-house designs as required by Technical Director. (5%)
  7. Attend strikes and store all sound equipment. Maintain sound equipment and storage area.(10%)
  8. Troubleshoot all sound problems. (10%)
  9. Attend all production, department head and any pertinent meetings relating to sound. (10%)
  10. Responsible for adhering to budget and reporting all expenses.(5%)

Non-Essential:
  1. Maintain a current knowledge of all developments of all sound technology and recommend upgrades in sound equipment to the Technical Director. (30%)
  2. Complete any and all evaluations for sound department in a timely fashion.(30%)
  3. Responsible for all managerial paperwork including work study and apprenticeships. (30%)
  4. Perform other related duties as assigned. (10%)

WORK ENVIRONMENT: Occasional exposure to objectionable conditions such as weather conditions, or confined, noisy, or dirty locations.
PHYSICAL DEMANDS:
  • Job requires repetitive lifting of light weight objects with frequent bending and stooping, or repetitively lift average weight objects where frequent bending or stooping alternates with lighter activities. Occasionally lifts heavy objects (over 50 lbs).
  • Frequently work at a fast pace with unscheduled interruptions.
  • Mobility within the office. Ability to walk, sit, stand and climb stairs. Ability to use hands and fingers, to handle office equipment, records and files. Occasionally required to reach with arms and hands, and to stoop, kneel or crouch. Vision abilities required by this job include the ability to read and discern written errors on paper and electronic documents. Ability to talk and hear. Ability to lift up to 15 pounds.

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