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Live Sound Engineering Jobs (NOW HIRING)

Berklee

Loft Engineer & Events Assistant

Boston, MA · On-site

$17.51/hr

Sound engineering 1-2 student and faculty Loft concerts per week (depending on Loft busyness): setting up and breaking down all equipment, running sound checks, live mixing performances, improvising ...

The Buckley School

$41 - $50/hr

... live sound engineering, theatrical lighting, technical direction, and/or venue management.Prior experience in K-12, higher education, or similar educational environments preferred.Demonstrated ...

Crooked Media

Audio Engineer

Los Angeles, CA · On-site

$90K/yr

Technical expertise in sound engineering techniques in studio and live sound environments * Expertise in ProTools and a working knowledge of other audio software and hardware like iZotope RX suite ...

BNEG

Big Night Live - AV Technician

Boston, MA · On-site

$28/hr

If necessary, assisting the production manager and live sound engineer with technical advance specific to your position * Assisting with any special events operations in any of the previous mentioned ...

Anthro SoCal

Audio Lead

Ontario, CA · On-site

Key Responsibilities Your role combines expert live sound engineering with high-level team and asset management: * Audio Infrastructure Design: Evaluate and determine specific room audio needs ...

New

Point Park University

Sound Supervisor

Pittsburgh, PA · On-site

... engineering. * Supervisory skills are required. * Some mechanical skills in the use of hand and ... Supervise and/or assist the mixing of live sound for all productions, projects and related events ...

Point Park University

Sound Supervisor

Pittsburgh, PA · On-site

... engineering. * Supervisory skills are required. * Some mechanical skills in the use of hand and ... Supervise and/or assist the mixing of live sound for all productions, projects and related events ...

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Live Sound Engineering information

See salary details

$46.5K

$146.9K

$174K

How much do live sound engineering jobs pay per year?

As of Aug 21, 2026, the average yearly pay for live sound engineering in the United States is $146,868.00, according to ZipRecruiter salary data. Most workers in this role earn between $116,500.00 and $173,000.00 per year, depending on experience, location, and employer.

What is live sound engineering?

Live sound engineering is the process of managing and operating audio equipment during live events such as concerts, theater productions, and conferences. Live sound engineers are responsible for setting up microphones, speakers, and mixing consoles to ensure high-quality sound for the audience and performers. Their duties also include balancing audio levels, controlling feedback, and troubleshooting technical issues in real-time. This role requires both technical skills and a keen ear for sound to adapt to varying venues and performance styles.

What are the key skills and qualifications needed to thrive as a live sound engineer, and why are they important?

To thrive as a Live Sound Engineer, you need a solid understanding of audio principles, acoustics, and signal flow, often supported by formal training or a degree in audio engineering. Proficiency with mixing consoles, digital audio workstations (DAWs), microphones, and PA systems is essential, and certifications from organizations like AVIXA or Dante can be advantageous. Strong problem-solving, communication, and teamwork skills help you adapt quickly to on-site challenges and collaborate with performers and crew. These competencies ensure high-quality sound experiences and smooth event operations in dynamic live environments.

What are some common challenges faced by live sound engineers during events, and how can they be addressed?

Live sound engineers often encounter challenges such as unexpected technical issues, acoustical problems in various venues, and managing last-minute changes from performers or organizers. To address these, it's important to arrive early for thorough sound checks, maintain clear communication with performers and event staff, and stay adaptable under pressure. Being proactive with equipment maintenance and having backup solutions ready can also help ensure the show runs smoothly and professionally.

What is the difference between Live Sound Engineering vs Audio Technician?

AspectLive Sound EngineeringAudio Technician
CredentialsAudio engineering certifications, technical trainingTechnical certifications, equipment training
Work EnvironmentConcerts, events, live venuesRecording studios, broadcast, live events
Industry UsageMusic concerts, festivals, theaterBroadcast, recording, live events

Live Sound Engineering focuses on managing sound during live performances, ensuring audio quality for audiences. Audio Technicians support audio systems across various settings, including recording and broadcast. While both roles require technical skills and certifications, Live Sound Engineers specialize in real-time sound management at events, whereas Audio Technicians may work in studio or broadcast environments. Understanding these differences helps clarify career paths and job expectations in the audio industry.

Are live sound engineers in demand?

Live sound engineers are in demand due to the ongoing need for audio support at concerts, events, and productions. Employment opportunities often depend on experience, technical skills, and familiarity with sound equipment and mixing consoles. The industry can be competitive, but skilled engineers with certifications and adaptability are sought after.

How much do live sound engineers make?

Live sound engineers typically earn between $30,000 and $70,000 annually, depending on experience, location, and the size of events they work on. Entry-level positions may start lower, while experienced engineers working at large venues or festivals can earn higher wages and additional tips or overtime pay.

How to get a job as a live sound engineer?

To become a live sound engineer, gain experience through internships or entry-level positions, develop skills in audio mixing and troubleshooting, and become proficient with industry-standard equipment and software. Obtaining relevant certifications and building a network in the live event industry can also improve job prospects.

What does a live sound engineer do?

A live sound engineer is responsible for setting up, operating, and maintaining audio equipment during live events such as concerts, theater productions, or conferences. They adjust sound levels, mix audio sources, and ensure clear sound quality for the audience, often using mixing consoles and microphones. Strong technical skills and knowledge of acoustics are essential for this role.
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Cities with the most Live Sound Engineering job openings:

What states have the most Live Sound Engineering jobs?

States with the most job openings for Live Sound Engineering jobs include:

What job categories do people searching Live Sound Engineering jobs look for?

The top searched job categories for Live Sound Engineering jobs are:

Live Sound Engineering jobs near you
Infographic showing various Live Sound Engineering job openings in the United States as of August 2026, with employment types broken down into 92% Full Time, 4% Part Time, 3% Contract, and 1% Nights. Highlights an 85% Physical, 5% Hybrid, and 10% Remote job distribution, with an average salary of $146,868 per year, or $70.6 per hour.

Sound Tech Engineer

Encounter Church Atlanta

Atlanta, GA • On-site

Part-time

Re-posted 13 days ago

Job description


Sound Tech Engineer
Classification: Independent Contractor (1099)
Location: Atlanta, GA
Compensation: Project-based / Per service
Education: Bachelor’s Degree in Audio Engineering or Music Production preferred
Position Overview
Encounter Church Atlanta is seeking a skilled Sound Tech Engineer to provide professional audio services for Sunday worship services, special events, and ministry gatherings. This is an independent contractor position compensated on a project/per-service basis. The ideal candidate brings technical excellence and a heart for ministry, understanding that quality sound is a form of service to God and congregation alike.
Responsibilities
•     Operate front-of-house (FOH) audio system during live worship services and events
•     Manage in-ear monitor (IEM) and stage monitor mixes for worship team and speakers
•     Conduct pre-service soundchecks and coordinate audio needs with worship team leads
•     Set up and break down audio equipment in accordance with service schedules
•     Route and support livestream/broadcast audio in coordination with the media team
•     Troubleshoot audio issues efficiently and discreetly during live services
•     Maintain cleanliness and organization of the tech booth and stage
•     Communicate proactively with worship and production leadership on technical needs
Qualifications

Required
•     4+ years of demonstrated experience operating live sound in a church, event, or venue setting
•     Proficiency with digital mixing consoles (e.g., Behringer X32/M32, Yamaha CL/QL, Allen & Heath)
•     Working knowledge of gain structure, EQ, compression, and effects in a live environment
•     Strong critical listening skills, particularly in a worship music context
•     Reliable, punctual, and able to commit to scheduled services and rehearsals
•     Alignment with Encounter Church’s faith values and ministry culture
Preferred
•     Bachelor’s Degree in Audio Engineering, Music Production, or a related field
•     Studio production and music recording experience, including session tracking, mixing in a DAW environment, and signal chain management
•     Keyboard proficiency and working knowledge of MIDI, virtual instruments, or keys-based worship production
•     Familiarity with Dante/AVB audio networking or digital stage boxes
•     Experience with ProPresenter, Reaper, or live broadcast/streaming audio
•     Background in worship production or professional AV environments
•     Ability to read chord charts or basic musical notation
Contractor Terms
•     This is a 1099 independent contractor engagement; no benefits are provided
•     Compensation is negotiated per service or project; invoicing is contractor’s responsibility
•     Contractor is responsible for their own tax withholding and self-employment taxes
•     Engagement is at-will and may be structured as ongoing or event-specific

Typical Service Commitment
•     Sunday services  (11:00 AM) — arrive approximately 3 to 4 hours prior to service start
•     Midweek rehearsals (Thursdays at 8:00 PM) as scheduled with the worship leader and team
•     Special services: conferences, revivals, holiday services, and community events