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Live Sound Engineering Jobs (NOW HIRING)

Audio Engineering Intern

Manhattan, NY · On-site

$18.50 - $24/hr

WE ARE SPECIFICALLY LOOKING FOR INTERNS WHO WORK WITH RECORDING ARTISTS, FILM/TV/LIVE SOUND ENGINEERS ARE NOT IDEAL CANDIDATES.* Company Description Invite Only Studios is an experiential recording ...

Mix and operate live sound for productions and events, maintaining consistent sound quality and ... Knowledge of audio engineering principles to accomplish work. * Knowledge of professional sound ...

Mix and operate live sound for productions and events, maintaining consistent sound quality and ... Knowledge of audio engineering principles to accomplish work. * Knowledge of professional sound ...

Mix and operate live sound for productions and events, maintaining consistent sound quality and ... Knowledge of audio engineering principles to accomplish work. * Knowledge of professional sound ...

Sound Technician

Jackson, MS · On-site

$40K - $45K/yr

MPB programming focuses on the people, resources and attractions that reflect Mississippi's unique ... live events, studio recordings, and multimedia productions. They ensure high-quality sound during ...

Strong working knowledge of digital sound consoles , wireless microphones, and effects processing ... programming, and troubleshooting lighting rigs. * Ability to work calmly under pressure in a live ...

... and live sound techniques upon request. * 10% - Assist the Technical Director, assistant recording engineer and outside production entities in recording and editing album recordings by KU Faculty ...

... engineering. * Supervisory skills are required. * Some mechanical skills in the use of hand and ... Supervise and/or assist the mixing of live sound for all productions, projects and related events ...

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Live Sound Engineering information

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$46.5K

$146.9K

$174K

How much do live sound engineering jobs pay per year?

As of Jul 11, 2026, the average yearly pay for live sound engineering in the United States is $146,868.00, according to ZipRecruiter salary data. Most workers in this role earn between $116,500.00 and $173,000.00 per year, depending on experience, location, and employer.

What is the difference between Live Sound Engineering vs Audio Technician?

AspectLive Sound EngineeringAudio Technician
CredentialsAudio engineering certifications, technical trainingTechnical certifications, equipment training
Work EnvironmentConcerts, events, live venuesRecording studios, broadcast, live events
Industry UsageMusic concerts, festivals, theaterBroadcast, recording, live events

Live Sound Engineering focuses on managing sound during live performances, ensuring audio quality for audiences. Audio Technicians support audio systems across various settings, including recording and broadcast. While both roles require technical skills and certifications, Live Sound Engineers specialize in real-time sound management at events, whereas Audio Technicians may work in studio or broadcast environments. Understanding these differences helps clarify career paths and job expectations in the audio industry.

What is live sound engineering?

Live sound engineering is the process of managing and operating audio equipment during live events such as concerts, theater productions, and conferences. Live sound engineers are responsible for setting up microphones, speakers, and mixing consoles to ensure high-quality sound for the audience and performers. Their duties also include balancing audio levels, controlling feedback, and troubleshooting technical issues in real-time. This role requires both technical skills and a keen ear for sound to adapt to varying venues and performance styles.

How much do live sound engineers earn?

Live sound engineers typically earn between $30,000 and $70,000 annually, depending on experience, location, and the scale of events they work on. Entry-level positions may start lower, while experienced engineers working at large venues or touring acts can earn higher salaries or hourly rates. Many also supplement income through freelance work and overtime during events.

How much money do live sound engineers make?

Live sound engineers typically earn between $30,000 and $80,000 annually, depending on experience, location, and the size of events they work on. Entry-level positions may pay less, while experienced engineers working at large concerts or festivals can earn higher wages and additional performance-based pay.

What engineers make $500,000?

In live sound engineering, earning $500,000 annually is uncommon and typically requires extensive experience, high-profile clients, or working in large-scale concert productions or touring. Most live sound engineers earn significantly less, with top professionals in the industry reaching higher income levels through reputation, specialization, and additional business ventures.

What are some common challenges faced by live sound engineers during events, and how can they be addressed?

Live sound engineers often encounter challenges such as unexpected technical issues, acoustical problems in various venues, and managing last-minute changes from performers or organizers. To address these, it's important to arrive early for thorough sound checks, maintain clear communication with performers and event staff, and stay adaptable under pressure. Being proactive with equipment maintenance and having backup solutions ready can also help ensure the show runs smoothly and professionally.

What are the key skills and qualifications needed to thrive as a Live Sound Engineer, and why are they important?

To thrive as a Live Sound Engineer, you need a solid understanding of audio principles, acoustics, and signal flow, often supported by formal training or a degree in audio engineering. Proficiency with mixing consoles, digital audio workstations (DAWs), microphones, and PA systems is essential, and certifications from organizations like AVIXA or Dante can be advantageous. Strong problem-solving, communication, and teamwork skills help you adapt quickly to on-site challenges and collaborate with performers and crew. These competencies ensure high-quality sound experiences and smooth event operations in dynamic live environments.

Are live sound engineers in demand?

Live sound engineers are in demand due to the ongoing need for audio support at concerts, events, and productions. Employment opportunities often depend on experience, technical skills with mixing consoles and audio equipment, and the ability to work flexible hours in dynamic environments.
More about Live Sound Engineering jobs
What cities are hiring for Live Sound Engineering jobs? Cities with the most Live Sound Engineering job openings:
What states have the most Live Sound Engineering jobs? States with the most job openings for Live Sound Engineering jobs include:
Infographic showing various Live Sound Engineering job openings in the United States as of July 2026, with employment types broken down into 94% Full Time, 4% Part Time, and 2% Contract. Highlights an 87% Physical, 3% Hybrid, and 10% Remote job distribution, with an average salary of $146,868 per year, or $70.6 per hour.
Lecturer of Music Industry-Live Sound and Event Production

Lecturer of Music Industry-Live Sound and Event Production

Troy University

Troy, AL • On-site

Full-time

Posted 10 hours ago


Troy University rating

8.5

Company rating: 8.5 out of 10

Based on 5 frontline employees who took The Breakroom Quiz

70th of 552 rated colleges and universities


Job description

Posting Details
Position Information
Posting Number
F1069P
Position Title
Lecturer of Music Industry-Live Sound and Event Production
Position Type
Faculty
Department
Music - Troy
Division
College of Arts and Humanities
Campus
Troy
Faculty Rank
Lecturer
If Faculty position
10 Month
Is this position tenure track or non-tenure track?
Non-Tenure Track
Work Status
Full-Time (FT)
Temporary
No
Location
Troy - T01
Job Summary
Troy University is seeking an energetic and experienced music industry professional to join the faculty of the John M. Long School of Music faculty. The Music Industry program is well-established, and includes multiple, music focused undergraduate majors as well as a graduate degree option through the MBA- Music Industry Emphasis offered in collaboration with the Sorrell College of Business.
The successful candidate will teach courses in live sound, concert production, and related areas while providing technical and production leadership for the American Popular Music Ensemble (POPulus) and other Music Industry program events. This position combines classroom instruction with hands-on experiential learning through real-world concert production and student technical training.
Responsibilities include teaching core undergraduate music industry courses, mentoring student production crews, coordinating production logistics for concerts and recruitment events within the School of Music, and serving as lead audio engineer for POPulus performances and other program concerts including Bands, choirs, Jazz Ensemble, and chamber groups. This role will help ensure that program concerts and events are produced at professional industry standards while serving as meaningful training environments for students preparing for careers in live sound, touring, concert production, and event technology; provide leadership in the planning, coordination, and maintenance of live production systems and infrastructure supporting Music Industry program performances and events; mentor student engineers and technical crews while helping students develop the skills, professionalism, and industry awareness necessary for careers in the live entertainment industry.
Additional responsibilities may include assisting with music industry program development, supporting student recruitment and outreach activities, mentoring student production teams, and contributing to experiential learning opportunities that connect classroom instruction with real world production environments.
The start date for the position is August 1, 2026. Review of applications will begin immediately and will continue until the position is filled.
Required Documents
1. Cover Letter
2. List of three References
3. Curriculum Vitae
4. Unofficial Transcripts
5. A Portfolio including three examples of professional work related to live sound, concert production, or audio engineering. Please upload a text file with links only.
In Class Teaching Percentage
Online Teaching Percentage
Minimum Qualifications
1. Master's degree in music, music technology, audio engineering, or a related field, or
equivalent professional experience.
2. Significant professional experience in three or more of the following areas:
• Live Sound Engineering
• Concert Production
• Lighting Design
• System Tuning and Alignment
• RF Coordination and Wireless System Management
• Network Audio Protocols
• Equipment Repair and Maintenance
• Monitor Engineering
• Backline Technician or Instrument Technology
3. Demonstrated professional experience mixing live concerts using modern digital
console systems in professional performance environments.
4. Experience and/or understanding of current and emerging practices in digital
production technologies and live performance systems.
5. Demonstrated effective written, oral communication, and presentation skills.
Preferred Qualifications
1. Significant professional experience in additional areas such as:
• Video engineering and LED wall systems
• Live streaming and broadcast audio
• Tour management and show advancing
• Production rigging and staging
• Site operations and concert infrastructure
• Integrated control systems
• Health and safety compliance for live event environments
• Music business and copyright
• Career mentorship and student placement
2. Documented successful college or professional teaching experience.
3. Experience mentoring student production teams, technical crews, or interns in live
performance environments.
4. Experience coordinating production logistics for concerts, festivals, touring events, or
venue operations.
5. Experience with community outreach, recruitment performances, or public concert
programming.
6. Engagement in professional, scholarly, or creative activity contributing to the field of
music industry or live production.
Will this position require driving (personal vehicle, university vehicle, utility vehicle, or golf cart) in order to perform the job duties?
No
Work Hours
40 hour work week
List any hazardous conditions or physical demands required by this position
N/A
Does this position have supervisory responsibility?
No
Posting Date
06/11/2026
Closing Date
Open Until Filled
No
Special Instructions to Applicants
Academic Term Position Will Begin
Quick Link
https://www.troyuniversityjobs.com/postings/47629

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