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Live Broadcast Camera Operator Jobs (NOW HIRING)

Camera Operators (Cam Ops) will be trained to use cameras and video equipment, and learn ... VS Supports live performances and presentations on campus and as needed. All equipment is provided ...

The Audio/Camera Operator is responsible for sound checks, equipment placement, volume and quality ... live and taped productions. * Part time, number hours per week 22-26 * Must be able to work ...

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Live Broadcast Camera Operator information

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$13

$28

$62

How much do live broadcast camera operator jobs pay per hour?

As of Jun 8, 2026, the average hourly pay for live broadcast camera operator in the United States is $28.16, according to ZipRecruiter salary data. Most workers in this role earn between $17.31 and $30.53 per hour, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a Live Broadcast Camera Operator, and why are they important?

To thrive as a Live Broadcast Camera Operator, you need strong technical knowledge of camera equipment, composition, and shot framing, often backed by experience or a relevant degree in film, broadcasting, or communications. Familiarity with broadcast control systems, camera rigs, and live production software such as Tricaster or Ross Video is typically required. Excellent communication, quick decision-making, and the ability to stay calm under pressure are crucial soft skills for this fast-paced role. These skills ensure high-quality, seamless live broadcasts and enable effective collaboration with directors and production teams.

What is the difference between Live Broadcast Camera Operator vs Video Camera Operator?

AspectLive Broadcast Camera OperatorVideo Camera Operator
CredentialsRelevant certifications, camera operation trainingSimilar certifications, focus on various filming types
Work EnvironmentTV studios, live events, sports broadcastsFilm sets, corporate videos, commercials
Industry UsageBroadcast media, live event productionFilm, advertising, corporate media

The main difference is that a Live Broadcast Camera Operator specializes in capturing live television and event broadcasts, requiring quick adjustments and real-time operation. In contrast, a Video Camera Operator may work on pre-recorded projects like films or commercials. Both roles require similar skills and certifications but differ mainly in work environment and the nature of the projects.

What are some common challenges faced by live broadcast camera operators during live events, and how can they be managed?

Live broadcast camera operators often face challenges such as quickly adapting to changing lighting conditions, capturing unpredictable action, and maintaining smooth communication with the production team. To manage these challenges, operators need to have a strong understanding of both their equipment and the event's flow, remain flexible, and stay attentive to director cues via headsets. Building experience with different event types and collaborating closely with other crew members can also help operators anticipate movements and deliver high-quality shots under pressure.

What does a live broadcast camera operator do?

A live broadcast camera operator is responsible for capturing video footage during live events such as news broadcasts, sports games, concerts, and other live productions. They operate professional video cameras and collaborate closely with directors and producers to ensure the right shots and angles are captured in real time. Their role requires technical knowledge of camera equipment, an eye for composition, and the ability to work efficiently under pressure. They may also perform minor equipment adjustments and troubleshoot issues that arise during the broadcast.
More about Live Broadcast Camera Operator jobs
What cities are hiring for Live Broadcast Camera Operator jobs? Cities with the most Live Broadcast Camera Operator job openings:
What states have the most Live Broadcast Camera Operator jobs? States with the most job openings for Live Broadcast Camera Operator jobs include:
What job categories do people searching Live Broadcast Camera Operator jobs look for? The top searched job categories for Live Broadcast Camera Operator jobs are:

Broadcast Production Assistant Internship

AEG

Watertown, SD • On-site

Internship

Posted 13 days ago


Job description

Broadcast Production Internship, Watertown Shamrocks (NAHL)
The Watertown Shamrocks of the North American Hockey League (NAHL) are looking to add one to two broadcast production interns to our production team for the 2026-27 season. The right candidates will be looking to develop their production skills while contributing to a collaborative team environment.
The broadcast production interns will have the opportunity to work with the current staff to produce and assist in various areas of our gameday production team, including but not limited to - replay assistant, camera operations, technical directing, graphics and overlay creation, and producing. Rather than filling a fixed position, we are seeking high potential individuals whose skills and interests will help define the role.
The ideal candidate will be either currently enrolled in or recently graduated from college studying a related field. The student may or may not choose to seek college credit for this internship; the Shamrocks will work with the student's school to ensure the internship works within their requirements for credit if so desired.
Roles to be Filled (Not limited to just the below options)
Director/TD - Operate and manage video switcher; communicate with production staff and camera operators; call for camera angles, videos, graphics, audio, etc. Follows the scripted rundown that is provided day-of from the Director of Broadcasting while also keeping up with broadcasted game action. Previous experience in camera operating, technical directing, sports production, in-house production, audio/video equipment, technical troubleshooting, and extensive knowledge of hockey is a plus but is not required.
Replay - Controls all playback during the game. Captures various camera angles for playback during broadcast and in-house viewing. Responsible for editing plays as they happen for the director to use on-air as well as exporting highlights/promotional material following proper procedure. Previous replay operations experience, sports and in-house production experience, technical troubleshooting, and extensive knowledge of hockey is a plus but is not required.
Graphics and Overlay Creation - Works alongside production team to create graphic templates and overlays to be used for social media and live broadcast production. Follows the scripted rundown that is provided from the Director of Broadcasting to prepare any graphic needs on gameday..
• Work alongside Director of Broadcasting and media team during the week to curate ideas for gameday productions.
• Depending on role and capabilities, work with media team to produce content for social media and broadcasts for both home and away games.
• All other duties as assigned.
Required Knowledge, Skills, and Abilities
• Familiarity with operating a TriCaster, graphics overlay systems, Open Broadcasting Software (OBS) and/or Daktronics Show Control Studio is a plus but is not required. We can teach you!
• Excellent communication and organizational skills.
• Ability to work independently and collaboratively in a team setting.
• Ability to adapt and react on the fly during a live-sporting event.
• Maintains a calm demeanor and works well under pressure in unexpected circumstances.
• Flexibility to work evenings, weekends, and holidays, if required.
Benefits
• Housing provided.
• Two free tickets to each home game.
• Food and drink provided after each home game.
• Academic credit.
• Gain hands-on experience with industry-standard equipment.
The Shamrocks will work with the intern to develop their skills with industry-standard equipment. Our production team is collaborative in nature and the intern will be given the opportunity to seek the projects that will help them achieve their ultimate career goals. Interns should expect to be treated as valued members of the team and encouraged to share opinions and ideas openly. Our goal is to help our interns develop real skills, not send them on coffee runs.
We are an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, national origin, sex, sexual orientation, age, disability, gender identity, marital or veteran status, or any other protected class.

About AEG

Sourced by ZipRecruiter

Industry

Recruiting and staffing services

Company size

51 - 200 Employees

Headquarters location

Saint Louis, MO, US

Year founded

1992