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Live Broadcast Camera Operator Jobs (NOW HIRING)

The Camera Operator is responsible for the maintenance and operation of the video camera as ... Live sports video production experience required. * Proficiency in professional broadcast camera ...

The Camera Operator is responsible for the maintenance and operation of the video camera as ... Live sports video production experience required. * Proficiency in professional broadcast camera ...

Camera Operator

Chicago, IL · On-site

$20.50 - $22.50/hr

Weigel Broadcasting Co. is a family-owned media company based in Chicago, Illinois. The company ... Camera Operator: Weigel Broadcasting in Chicago, IL, is seeking a thoughtful, detail-oriented, and ...

Camera Operator

Chicago, IL · On-site

$20.50 - $22.50/hr

Weigel Broadcasting Co. is a family-owned media company based in Chicago, Illinois. The company ... Camera Operator: Weigel Broadcasting in Chicago, IL, is seeking a thoughtful, detail-oriented, and ...

Live Action Camera Operator

Charlotte, NC · On-site

$150 - $400/day

Sports (Dance) Videographer / Camera Operator Duration: February - June 2026 Location: Nationwide ... Conduct daily video/audio checks to ensure broadcast quality * Film and log performances, manage ...

Live Action Camera Operator

Charleston, SC · On-site

$150 - $400/day

Sports (Dance) Videographer / Camera Operator Duration: February - June 2026 Location: Nationwide ... Conduct daily video/audio checks to ensure broadcast quality * Film and log performances, manage ...

Live Action Camera Operator

Nashville, TN · On-site

$150 - $400/day

Sports (Dance) Videographer / Camera Operator Duration: February - June 2026 Location: Nationwide ... Conduct daily video/audio checks to ensure broadcast quality * Film and log performances, manage ...

Sports (Dance) Videographer / Camera Operator Duration: February - June 2026 Location: Nationwide ... Conduct daily video/audio checks to ensure broadcast quality * Film and log performances, manage ...

The Live Broadcast Producer keeps Swish's streams running and looking sharp. You own the technical ... OBS, cameras, lighting, audio, graphics. When something breaks mid-stream, you fix it before fans ...

Sports (Dance) Videographer / Camera Operator Duration: February - June 2026 Location: Nationwide ... Conduct daily video/audio checks to ensure broadcast quality * Film and log performances, manage ...

Sports (Dance) Videographer / Camera Operator Duration: February - June 2026 Location: Nationwide ... Conduct daily video/audio checks to ensure broadcast quality * Film and log performances, manage ...

Sports (Dance) Videographer / Camera Operator Duration: February - June 2026 Location: Nationwide ... Conduct daily video/audio checks to ensure broadcast quality * Film and log performances, manage ...

Live Action Camera Operator

Columbus, OH · On-site

$150 - $400/day

Sports (Dance) Videographer / Camera Operator Duration: February - June 2026 Location: Nationwide ... Conduct daily video/audio checks to ensure broadcast quality * Film and log performances, manage ...

Live Action Camera Operator

Kansas City, MO · On-site

$150 - $400/day

Sports (Dance) Videographer / Camera Operator Duration: February - June 2026 Location: Nationwide ... Conduct daily video/audio checks to ensure broadcast quality * Film and log performances, manage ...

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Live Broadcast Camera Operator information

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$13

$28

$62

How much do live broadcast camera operator jobs pay per hour?

As of Jul 1, 2026, the average hourly pay for live broadcast camera operator in the United States is $28.16, according to ZipRecruiter salary data. Most workers in this role earn between $17.31 and $30.53 per hour, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a Live Broadcast Camera Operator, and why are they important?

To thrive as a Live Broadcast Camera Operator, you need strong technical knowledge of camera equipment, composition, and shot framing, often backed by experience or a relevant degree in film, broadcasting, or communications. Familiarity with broadcast control systems, camera rigs, and live production software such as Tricaster or Ross Video is typically required. Excellent communication, quick decision-making, and the ability to stay calm under pressure are crucial soft skills for this fast-paced role. These skills ensure high-quality, seamless live broadcasts and enable effective collaboration with directors and production teams.

What is the difference between Live Broadcast Camera Operator vs Video Camera Operator?

AspectLive Broadcast Camera OperatorVideo Camera Operator
CredentialsRelevant certifications, camera operation trainingSimilar certifications, focus on various filming types
Work EnvironmentTV studios, live events, sports broadcastsFilm sets, corporate videos, commercials
Industry UsageBroadcast media, live event productionFilm, advertising, corporate media

The main difference is that a Live Broadcast Camera Operator specializes in capturing live television and event broadcasts, requiring quick adjustments and real-time operation. In contrast, a Video Camera Operator may work on pre-recorded projects like films or commercials. Both roles require similar skills and certifications but differ mainly in work environment and the nature of the projects.

What are some common challenges faced by live broadcast camera operators during live events, and how can they be managed?

Live broadcast camera operators often face challenges such as quickly adapting to changing lighting conditions, capturing unpredictable action, and maintaining smooth communication with the production team. To manage these challenges, operators need to have a strong understanding of both their equipment and the event's flow, remain flexible, and stay attentive to director cues via headsets. Building experience with different event types and collaborating closely with other crew members can also help operators anticipate movements and deliver high-quality shots under pressure.

What does a live broadcast camera operator do?

A live broadcast camera operator is responsible for capturing video footage during live events such as news broadcasts, sports games, concerts, and other live productions. They operate professional video cameras and collaborate closely with directors and producers to ensure the right shots and angles are captured in real time. Their role requires technical knowledge of camera equipment, an eye for composition, and the ability to work efficiently under pressure. They may also perform minor equipment adjustments and troubleshoot issues that arise during the broadcast.
More about Live Broadcast Camera Operator jobs
What cities are hiring for Live Broadcast Camera Operator jobs? Cities with the most Live Broadcast Camera Operator job openings:
What states have the most Live Broadcast Camera Operator jobs? States with the most job openings for Live Broadcast Camera Operator jobs include:
What job categories do people searching Live Broadcast Camera Operator jobs look for? The top searched job categories for Live Broadcast Camera Operator jobs are:
Infographic showing various Live Broadcast Camera Operator job openings in the United States as of June 2026, with employment types broken down into 46% Full Time, and 54% Part Time. Highlights an 95% Physical, 2% Hybrid, and 3% Remote job distribution, with an average salary of $58,583 per year, or $28.2 per hour.
Part Time Camera Operator

Part-time

Posted 9 days ago


Job description

PLEASE NOTE THIS POSITION IS FOR THE UPCOMING SEASON OF 2026-27.  WE WILL NOT START THE INTERVIEWING PROCESS UNTIL MID-AUGUST WITH AN ANTICIPATED START DATE OF MID-SEPTEMBER.

 

Have you ever thought about working in sports?

We are recruiting for part-time, game night staff for the Orlando Magic, Osceola Magic, and Orlando Solar Bears.  Whether you are a college student, a teacher with a flexible schedule, someone looking to re-enter the workforce, or someone just looking for additional income, our part-time, event roles could be perfect for you.

What our Part-Time hiring process is like:

While every position is different, our part-time hiring process is typically a two-step process, sometimes more depending on the nature of the role.  After you apply, your resume will be reviewed by our hiring manager for that particular role.

After interviews have been conducted, candidates whom the hiring manager selected will be contacted by our Talent Acquisition team.  Candidates who are not selected to move forward will be contacted via email.  We would love to call 100% of the candidates, however we typically interview well over 250 candidates during this part-time hiring week, and we want to give every candidate the decision as soon as possible.

 

A quick summary about the role:

The Camera Operator maintains the camera and related equipment and operates it during Orlando Magic/Orlando Solar Bears games and other live events at the Kia Center, as well as Osceola Magic games at Osceola Heritage Park in Kissimmee, FL. They are responsible for the proper operation of their camera for the show as dictated by the Director and Producer.

 What the position will be responsible for:

The Camera Operator is responsible for the maintenance and operation of the video camera as dictated by the Producer and Director at the Kia Center and Osceola Magic during live events.

  • Work with the Video Shader and Kia Center Broadcast Technology Services (BTS) department to properly set up prior to the event and take down and store all camera gear and related equipment at the conclusion of the event as directed.
  • Testing of all equipment with the Video Shader at Kia Center prior to the opening of doors, including but not limited to the Sony HDC-3500H wireless cameras, Sony FX6 or equivalent cinema cameras, Sony HDC-3500L cameras, lenses, tripods, cabling, headsets, WaveCentral wireless system and ancillary equipment is required. Proper set up and operation of pan/tilt head, zoom and focus controls, balanced operation, headset communication and monitor return is required.
  • Operate multiple Sony HDC cameras with Telemetrics controller for in-game crowd elements and pre/post-game interviews as needed.
  • Testing of all equipment with the BTS EIC at Osceola Heritage Park prior to the opening of doors, including but not limited to the Hitachi SK-HD1000 cameras, lenses, tripods, cabling, headsets, Teradek wireless system and ancillary equipment is required. Proper set up and operation of pan/tilt head, zoom and focus controls, balanced operation, headset communication and monitor return is required.
  • Following the instructions of the show Producer and Director instantaneously during the show in a fast-paced environment.
  • Collaborate with the production team during cue-to-cue rehearsal.
  • Meet with the Director prior to event start to go over the Production Schedule (game script) and any necessary shot requirements and expectations.
  • Creative and quick thinking shot selection and framing with an awareness of the whole production team is required. The Camera Operator must be fully aware of their role as part of a camera team; work to provide the live show with compelling shots that match the productions standards, and feed the replay operators the game and event action they require. The In-Arena show focuses on a combination of taking the fans to the best seat in the house along with a concentration on engaging crowd shots and entertainment.
  • Report any technology or equipment issues promptly to Video Shader and EIC.
  • Assist in the technical strike of the Broadcast Technology Equipment, including but not limited to the radio equipment, camera equipment, and scorer’s table
  • Maintain accurate up-to-date availability and information on ACStaff.com
  • Makes decisions with little or no choice as to the methods and procedures used in achieving results.
  • All other duties as assigned.
     What is required for the role:
    • High school diploma or general education degree (GED) required.
    • College degree preferred or equivalent experience.
    • 2 years of live video production required or preferred.
    • Knowledge of NBA, Orlando Magic basketball, ECHL and Orlando Solar Bears Hockey preferred.
    • Live sports video production experience required.
    • Proficiency in professional broadcast camera equipment required.
    • Proficient in all Microsoft Office products and other related computer skills required.
    • Ability to meet tight deadlines and work well under pressure.
    • Strong organizational skills, time management skills and attention to detail required.
    • Strong verbal and written communication skills with an emphasis on business writing skills.
    • Ability to prioritize and manage multiple tasks/projects.
    • Ability to work independently without supervision, be self-directed and demonstrate initiative.
    • Strong team synergy skills and ability to work collaboratively with others whom you have no direct authority over.
    • Excellent ability to establish rapport with others and ability to build strong interpersonal relationships.
    • Exhibit good judgment and decision-making skills.
    • Willingness to work a flexible schedule including nights, weekends, holidays and be on-call as necessary based on the changing priorities of the department.
      Physical requirements
      • Standing and sitting for long periods of time, walking with camera equipment up and down stairs throughout the game, ability to lift and carry 50 pounds.

      If this opportunity is a job you're passionate about and it fits with your skills and experience, then we welcome you to take the next step and apply!

      All offers of employment are contingent on successful completion of our pre-employment screenings, that will include a background check and may include a drug screen.

      Please note that this is not necessarily an exhaustive list of all responsibilities, duties, skills, efforts, requirements or working conditions associated with the job. While this is intended to be an accurate reflection of the current job, management reserves the right to revise the job or to require that other or different tasks be performed as assigned.

       

      The Orlando Magic are not accepting unsolicited assistance from search firms for this employment opportunity. All resumes submitted by search firms to any employee at the Orlando Magic via-email, the internet or in any form and/or method without a valid written Statement of Work in place for this position from Orlando Magic HR/Recruitment will be deemed the sole property of the Orlando Magic. No fee will be paid in the event the candidate is hired by the Orlando Magic as a result of the referral or through other means.

       

      The Orlando Magic is an Equal Opportunity Employer that does not discriminate on the basis of actual or perceived race, religion, color, sex (including pregnancy and gender identity), sexual orientation, parental status, national origin, age, disability, family medical history or genetic information, political affiliation, military service, any other non-merit based factor or any other characteristic protected by applicable federal, state or local laws. Our leadership team is dedicated to this policy with respect to recruitment, hiring, placement, promotion, transfer, training, compensation, benefits, employee activities and general treatment during employment. If you’d like more information about your EEO rights as an applicant under the law, please visit http://www1.eeoc.gov/employers/poster.cfm