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Steadicam Jobs (NOW HIRING)

Taylor University

Assistant Media Engineer

Upland, IN · On-site

Steadicam Shadow and Pilot systems * Tripods, dollies, and jibs * Professional lighting, dimming, and control systems * Live television production systems * Editing and post-production software

Tribune Media

Broadcast Technician, Part-time

Chicago, IL

$22.13 - $46.68/hr

Studio Camera Operation: Assist with studio jib and Steadicam operation, shot composition, framing, proper balance, spatial awareness, iris, focus, and related camera support. * Audio Assist: Set up ...

WOWK-TV

Broadcast Technician, Part-time

Chicago, IL

$22.13 - $46.68/hr

Studio Camera Operation: Assist with studio jib and Steadicam operation, shot composition, framing, proper balance, spatial awareness, iris, focus, and related camera support. * Audio Assist: Set up ...

Tribune Media

Broadcast Technician, Part-time

Chicago, IL

$22.13 - $46.68/hr

Studio Camera Operation: Assist with studio jib and Steadicam operation, shot composition, framing, proper balance, spatial awareness, iris, focus, and related camera support. * Audio Assist: Set up ...

WOWK-TV

Broadcast Technician, Part-time

Chicago, IL

$22.13 - $46.68/hr

Studio Camera Operation: Assist with studio jib and Steadicam operation, shot composition, framing, proper balance, spatial awareness, iris, focus, and related camera support. * Audio Assist: Set up ...

Nexstar Media Group

Broadcast Technician

Chicago, IL · On-site

$22.13 - $46.68/hr

This full-time role plays a critical part in the smooth execution of daily newscasts and production, handling responsibilities primarily for Jib camera, spanning Steadicam, robo camera, audio support ...

Tribune Media

Broadcast Technician

Chicago, IL

$22.13 - $46.68/hr

This full-time role plays a critical part in the smooth execution of daily newscasts and production, handling responsibilities primarily for Jib camera, spanning Steadicam, robo camera, audio support ...

WOWK-TV

Broadcast Technician

Chicago, IL

$22.13 - $46.68/hr

This full-time role plays a critical part in the smooth execution of daily newscasts and production, handling responsibilities primarily for Jib camera, spanning Steadicam, robo camera, audio support ...

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How much do steadicam jobs pay per hour?

As of Jul 26, 2026, the average hourly pay for steadicam in the United States is $19.71, according to ZipRecruiter salary data. Most workers in this role earn between $13.70 and $19.95 per hour, depending on experience, location, and employer.

What are the common challenges faced by Steadicam Operators on set?

Steadicam Operators often face physical demands, such as carrying heavy equipment for extended periods and maneuvering in tight or complex environments. They must also adapt quickly to last-minute changes in blocking or lighting, which can require precise coordination with directors, camera assistants, and other crew members. Maintaining steady, fluid camera movement during action sequences or long takes is another key challenge. Despite these demands, most operators find the role rewarding due to the creative impact they have on the final visual narrative.

How to become a Steadicam Operator?

To become a Steadicam operator, individuals typically gain experience in camera operation and filmmaking, then receive specialized training in Steadicam equipment from certified courses. Building a strong understanding of camera movement, balance, and safety procedures is essential, along with developing a portfolio and networking within the film industry to find opportunities.

What are the key skills and qualifications needed to thrive in the Steadicam position, and why are they important?

To thrive as a Steadicam Operator, you need expertise in camera operation, a solid understanding of cinematography concepts, and physical strength and endurance. Mastery of Steadicam rigs, camera stabilization gear, and familiarity with various camera systems is essential, and many operators pursue workshops or certification programs for technical proficiency. Strong communication, teamwork, and adaptability help Steadicam Operators collaborate effectively on fast-paced sets. These capabilities ensure smooth, dynamic shots and seamless integration with the film or broadcast production team, contributing to high-quality visual storytelling.

How much does a Steadicam Operator make?

A Steadicam Operator's salary typically ranges from $50,000 to $150,000 annually, depending on experience, location, and the complexity of the projects. Experienced operators working on major productions or with union affiliations tend to earn higher wages and may receive additional benefits. Many operators also work freelance, which can affect income variability based on job availability and rates.

Do cameramen make good money?

Cameramen, including those working as Steadicam operators, can earn a wide range of salaries depending on experience, location, and the type of productions they work on. Entry-level positions may pay less, while experienced professionals working on high-budget projects or in specialized roles can earn higher wages, often supplemented by overtime and per-project fees.

What is a Steadicam job?

A Steadicam job involves operating a specialized camera stabilizer system to capture smooth, dynamic shots while moving. Steadicam operators wear a harness that connects to an arm and gimbal-mounted camera, allowing for fluid motion without the shakiness of handheld filming. They work closely with directors and cinematographers to execute complex tracking shots in film, television, and live events. This role requires technical skill, physical endurance, and a deep understanding of camera movements.

What jobs in the US pay 300,000 a year?

A Steadicam operator can earn $300,000 or more annually, especially with extensive experience, high-profile projects, and working in major entertainment markets. Such roles often require specialized skills, equipment knowledge, and the ability to work long hours on film or television productions.
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Steadicam jobs near you
Infographic showing various Steadicam job openings in the United States as of July 2026, with employment types broken down into 40% Full Time, and 60% Part Time. Highlights an 100% In-person job distribution, with an average salary of $40,987 per year, or $19.7 per hour.
Assistant Media Engineer

Assistant Media Engineer

Taylor University

Upland, IN • On-site

Part-time

Posted 15 days ago

Taylor University rating

8.7

Company rating: 8.7 out of 10

Based on 5 frontline employees who took The Breakroom Quiz

56th of 611 rated colleges and universities

Job description

Location : Upland
Job Type: Part Time Staff
Job Number: 202300029
Area: School of Arts and Humanities
Opening Date: 06/11/2026
Summary
Mission and Commitment
Taylor's mission is to develop servant-leaders marked with a passion to minister Christ's redemptive love, grace, and truth to a world in need.
As a community, Taylor faculty, staff, and students commit to living out Christ's love and truth in the here and now. We worship together, serve one another, and grow in faith as we learn in the classroom, on the field, at chapel, and anywhere else we're doing Life Together.
Position Summary
The Assistant Media Engineer supports the activities, both curricular and co-curricular, of the Film & Media Arts program. As directed by the Chief Media Engineer, the Assistant Media Engineer will work with faculty, students and technology to further the goals of the film & media arts major, dealing primarily with technology such as cameras, Steadicam, jibs, dollies, lighting equipment, networked video, networked editing equipment, live television control room, remote television control trailer, computers/software (especially those related to film/video/audio production) and classroom technology. The person in this position needs to have people skills as well as a very broad and deep understanding of the technology involved in modern film and media production and be able to conform to the processes that have been implemented by the Chief Media Engineer.
Duties and Responsibilities
This position is primarily responsible to:
  • Testify to personal experience of salvation in Jesus Christ, affirm belief in the University's Statement of Faith, abide by and practice our Life Together Covenant, and both personally agree with and support the Foundational Documents of Taylor University.
  • Assist the Chief Media Engineer with research, development, maintenance, repair, and troubleshooting of media production equipment and systems.
  • Diagnose and repair issues with:
    • Cameras and camera support systems
    • Steadicam Shadow and Pilot systems
    • Tripods, dollies, and jibs
    • Professional lighting, dimming, and control systems
    • Live television production systems
    • Editing and post-production software
    • Networked storage, archiving, and asset management systems
  • Troubleshoot equipment and systems to the component level.
  • Document findings and report issues and recommendations to the Chief Media Engineer.
  • Initiate corrective actions, including:
    • Contacting vendors and manufacturers
    • Obtaining technical information and replacement parts
    • Preparing equipment for shipment and repair
  • Plan and execute maintenance projects independently or in collaboration with the Chief Media Engineer.
  • Provide regular verbal progress updates and recommendations regarding equipment maintenance, repair, and operational processes.
  • Interact professionally with students, faculty, staff, vendors, and manufacturers.
  • Support departmental productions, events, and technology operations while maintaining sound judgment and stewardship of valuable equipment.
  • Other duties as assigned.

Typical Qualifications
Education and Experience
  • High school diploma or GED; at least 6 months of experience directly related to the duties and responsibilities specified.
  • Bachelor's degree in a media-related field, preferred.
  • 1 - 2 years professional experience, preferred.
  • Steadicam training, preferred.
Skills and Competencies
Required
  • Experience with:
    • Large-format digital, broadcast, and DSLR cameras
    • Steadicam Shadow and Steadicam Pilot systems
    • Jibs and dollies
    • Professional lighting equipment
    • Pro Tools
    • Apple and PC computer systems
    • Live television production systems
    • Lighting boards and dimmers
    • Audio boards
    • Video switchers and routers
  • Ability to:
    • Read waveform monitors and vectorscopes
    • Solder and crimp connectors
    • Troubleshoot media equipment to the component level
  • Strong communication, organizational, and problem-solving skills.
  • Ability to work independently and collaboratively.
Preferred
  • Steadicam training.
  • Understanding of live music production, electronics, mixing, and mastering.
  • Knowledge of post-production audio workflows.
  • Experience with audio mixing and mastering.
  • Experience using iZotope RX Advanced for audio cleanup and noise removal.
  • Demonstrated ability to meet deadlines while working independently.

Supplemental Information
  • Supervisory Responsibility
    • Reports directly to the Chief Media Engineer.
  • Travel Requirements
    • Periodic in-state travel for recruiting visits, conferences, and departmental activities.
  • Work Schedule
    • Occasional evening and weekend work required.
    • Support may be needed for events such as:
      • Envision Film Festival
      • Red Eye Film Frenzy
      • Concert productions
      • Other department-sponsored media events
    • Approximately 6-7 special events per year.
  • Physical Requirements
    • Ability to stand, walk, crawl, and climb ladders.
    • Ability to lift and carry equipment weighing up to 90 pounds.
    • Perform tasks involving cable installation, lighting maintenance, and equipment setup.
  • Work Environment
    • Primarily indoor work with occasional outdoor event support.
    • Use of cleaning chemicals for maintaining equipment.
    • Required use of hearing protection when appropriate.
    • Commitment to safe work practices when using ladders, lighting systems, and production equipment.
  • Additional Information
    • All essential functions are subject to reasonable accommodation.
    • Additional job-related duties may be assigned by the supervisor.
    • Significant changes to job responsibilities may result in a position review and reclassification.

01
Please use this link to navigate to the Taylor University website to review the following documents, which are part of our Foundational Documents: - Mission Statement- Statement of Faith- Sanctity of Life Statement- Statement on Human Sexuality- Multicultural Philosophy Statementhttps://taylor.edu/about/mission-distinctions-beliefs
  • Yes, I have read this page in its entirety and understand its contents
  • No, I have not read this page in its entirety or I do not understand its contents.

02
In reference to the Foundational Documents: Do you personally support these statements to be your own example of belief, and if hired by Taylor University, would you agree to abide by the Life Together Covenant, Sanctity of Life Statement, the Statement of Human Sexuality, the Statement on Multicultural Philosophy, Taylor University Mission Statement, and Statement of Faith?
  • Yes
  • No

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