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Internship Audio Mix Engineer Jobs (NOW HIRING)

The Audio Engineer is responsible for the setup, operation, monitoring, and maintenance of ... Mix live audio for in-house public address (PA), broadcast, radio, and streaming platforms. * Set ...

Collaborate with the video editor, mix engineer, and talent booker, and delegate tasks within the team * Direct host in interview recordings * Edit episode audio and/or video in Descript * Ability to ...

Audio Engineer - Full Time/Exempt Reports to: Audio Manager Summary: The Audio Engineer provides ... Ability to mix audio with a multitude of source and destination types * Monitor inventory ...

Audio Engineer

Glendale, AZ · On-site

$70 - $90/hr

Audio Engineer - Full Time/Exempt Reports to: Audio Manager Summary: The Audio Engineer provides ... Ability to mix audio with a multitude of source and destination types * Monitor inventory ...

... mix engine, to audio output for headphones, built-in speakers, and external multi-channel systems ... Minimum Qualifications Strong C++ systems programming skills (C++17 or later) with experience ...

Audio Engineer Job Summary: Position: Audio Engineer - Full Time/Exempt Reports to: Audio Manager ... Ability to mix audio with a multitude of source and destination types * Monitor inventory ...

Collaborate with the video editor, mix engineer, and talent booker, and delegate tasks within the team * Direct host in interview recordings * Edit episode audio and/or video in Descript * Ability to ...

The Audio Engineer is a hands on technical leadership role responsible for delivering premium live ... Mix and supervise live audio for executive presentations, product launches, comms meetings and ...

Audio Test Engineering Intern

Skokie, IL · On-site +1

$23 - $43/hr

We offer internships with a variety of work arrangements from onsite interns to fully remote in US ... We engineer microphones, headphones, wireless audio systems, conferencing systems, and more. And ...

New

Audio Test Engineering Intern

Skokie, IL · On-site +1

$23 - $43/hr

We offer internships with a variety of work arrangements from onsite interns to fully remote in US ... We engineer microphones, headphones, wireless audio systems, conferencing systems, and more. And ...

... mix engine, to audio output for headphones, built-in speakers, and external multi-channel systems ... Strong C++ systems programming skills (C++17 or later) with experience writing performance-critical ...

We offer internships with a variety of work arrangements from onsite interns to fully remote in US ... We engineer microphones, headphones, wireless audio systems, conferencing systems, and more. And ...

Audio Test Engineering Intern

Skokie, IL · On-site +1

$23 - $43/hr

We offer internships with a variety of work arrangements from onsite interns to fully remote in US ... We engineer microphones, headphones, wireless audio systems, conferencing systems, and more. And ...

Audio DSP Engineering Intern

Niles, IL · On-site

$16.75 - $21.75/hr

We offer internships with a variety of work arrangements from onsite interns to fully remote in US ... We engineer microphones, headphones, wireless audio systems, conferencing systems, and more. And ...

Audio DSP Engineering Intern

Niles, IL · On-site +1

$16.75 - $21.75/hr

We offer internships with a variety of work arrangements from onsite interns to fully remote in US ... We engineer microphones, headphones, wireless audio systems, conferencing systems, and more. And ...

New

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Internship Audio Mix Engineer information

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$11

$19

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How much do internship audio mix engineer jobs pay per hour?

As of Sep 5, 2026, the average hourly pay for internship audio mix engineer in the United States is $19.31, according to ZipRecruiter salary data. Most workers in this role earn between $16.11 and $20.91 per hour, depending on experience, location, and employer.

What is an internship audio mix engineer?

Internship Audio Mix Engineers are entry-level professionals or students who assist experienced audio mix engineers in recording studios, live events, or post-production environments. Their main responsibilities include helping set up audio equipment, organizing session files, learning mixing techniques, and sometimes performing basic mixing tasks under supervision. These internships provide hands-on experience with industry-standard software and hardware, as well as insights into the workflow of professional audio production. Interns also gain valuable networking opportunities and mentorship to help launch their careers in audio engineering.

What does an internship audio mix engineer do?

As an Audio Mix Engineer Intern, you'll typically assist with editing, mixing, and organizing audio sessions for various projects, which may include music, podcasts, or commercial content. You'll often work closely with experienced engineers, learning to use industry-standard software and hardware, and may participate in client sessions or team meetings. Expect routine tasks like session setup, track labeling, and basic troubleshooting, while gradually taking on more technical mixing responsibilities under supervision. This hands-on exposure helps you develop practical skills and build a professional portfolio.

What are the key skills and qualifications needed to thrive as an internship audio mix engineer?

To thrive as an Internship Audio Mix Engineer, you need a foundational knowledge of audio engineering principles, basic mixing techniques, and familiarity with music production, often supported by coursework or a relevant degree. Experience with industry-standard digital audio workstations (DAWs) like Pro Tools or Logic Pro, and an understanding of audio plugins and studio hardware, is typically required. Strong attention to detail, effective communication, and a willingness to learn are crucial soft skills for collaborating with artists and senior engineers. These skills ensure high-quality audio output, smooth teamwork, and professional growth in a competitive industry.

What is the difference between Internship Audio Mix Engineer vs Audio Mix Engineer?

AspectInternship Audio Mix EngineerAudio Mix Engineer
CredentialsTypically pursuing or recent graduate in audio engineering or related fieldProfessional certification or degree in audio engineering or related field
Work EnvironmentEntry-level, supervised, often in recording studios or post-production facilitiesFull-time, independent or team-based, in studios, live venues, or post-production
ResponsibilitiesAssisting with mixing tasks, learning workflows, gaining experienceCreating final mixes, editing, and mastering audio projects

The main difference is that an Internship Audio Mix Engineer is an entry-level position focused on learning and assisting, while an Audio Mix Engineer is a fully responsible professional creating final mixes. Internships serve as a stepping stone toward becoming a full-fledged Audio Mix Engineer.

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Infographic showing various Internship Audio Mix Engineer job openings in the United States as of August 2026, with employment types broken down into 93% Full Time, 3% Part Time, and 4% Contract. Highlights an 86% Physical, 5% Hybrid, and 9% Remote job distribution, with an average salary of $40,174 per year, or $19.3 per hour.

Full-time

Medical, Dental, Life, Retirement, PTO

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Job description

Make a difference with us! At Alliance Defending Freedom, we believe God has brought you here for His purpose—to stand for truth and defend the God-given right to live and speak it. Together, we protect religious freedom, free speech, the sanctity of life, marriage and family, and parental rights. Review our Statement of Faith to ensure we're a fit for you. Locations: Scottdale, AZ Team Overview As the Audio Engineer, you will serve as the lead audio engineer for ADF's live and virtual events—conferences, seminars, galas, and webinars—owning front-of-house, monitor, and broadcast mixes so that every speaker and program element is heard clearly. Between events, you serve as the primary audio engineer for ADF's Arizona studio and media hit studio, capturing and mixing audio for video productions, podcasts, and live national media appearances.

Key Responsibilities

Live Event Audio Serve as the A1 for assigned ADF events, designing and operating the audio system - front of house, monitors, and broadcast/stream mixes to a high standard of clarity, intelligibility, and consistency. Design system and loudspeaker configurations for each room, tune and align systems to the space, and adapt to venue acoustics and house infrastructure.

Coordinate and manage wireless microphone and in-ear monitor systems, including frequency coordination, RF scanning, antenna distribution, and battery management, to keep channels clean in congested environments. Prepare input lists, patch sheets, stage plots, and console show files in advance of load-in, and communicate audio requirements to the producer, venue, and crew. Mic, sound check, and support presenters, panelists, and musicians, briefing them on microphone technique and monitoring so they are comfortable on stage.

Load in, set up, operate, strike, and load out audio systems, including consoles, amplification, loudspeakers, cabling, playback, and production intercom. Coordinate audio with video switching, lighting, and show control cues so that the program runs as a single, rehearsed production. Diagnose and resolve audio problems in real time during live events, applying redundancy and backup plans to minimize disruption to attendees and stream audiences.

Serve as the primary audio engineer for ADF's Arizona studio and media hit studio, setting up and operating microphones, mixers, and monitoring for video shoots, podcasts, and interviews. Provide audio for live media hits with national broadcast outlets, including IFB, mix-minus, and clean feeds to remote networks, and confirm signal quality and levels before air. Record, edit, mix, and master audio for produced content, including dialogue cleanup, noise reduction, loudness normalization, and delivery to broadcast and web specifications.

Maintain and improve studio acoustics, signal flow, and routing, including audio-over-IP networks (e.g., Dante) where deployed. Deliver finished audio assets to the standards required by ADF's post-production and communications teams, and archive session files and raw audio for reuse. Systems, Maintenance & Readiness Maintain, test, and repair audio equipment and inventory, including consoles, wireless systems, microphones, and cabling, and keep firmware and show files current.

Prepare and pack audio packages for travel, tracking equipment out and back and confirming everything returns in working order. Recommend equipment purchases, upgrades, and standardization to the Production Manager, Arizona, including specifications and cost estimates. Maintain safe working conditions during load-in, show, and load-out, including safe electrical loading, rigging of loudspeaker arrays where applicable, and cable management. Observe hearing conservation and sound level practices appropriate to each venue, program, and audience.

Partner with the Live Event Producer, video and lighting technicians, and freelance crew to deliver a unified production, and serve as the audio point of contact for presenters, communications staff, and event owners. Train and support other AV team members on basic audio operation so that events the A1 cannot cover are still well served. Conduct post-event review of audio performance and apply lessons learned to future events and studio work. Research developments in audio technology and recommend adoption where they would strengthen ADF's events and studio capabilities.

Minimum Qualifications

Bachelor's degree in audio engineering, music production, media production, or a related field, or equivalent experience. 3+ years of professional audio experience in live event production, studio recording, and post-production audio settings, including primary A1 responsibility for events using professional-grade systems. Demonstrated experience with mixing front of house and monitors live, for spoken word and music, in rooms of varying size and acoustics.

Ability to manage multiple events, studio sessions, and competing deadlines simultaneously, delivering consistent audio quality with sometimes limited crew, taking a show from load-in through load-out independently when required.

Knowledge of live sound reinforcement principles, digital audio consoles and the workflow of building, saving, and recalling show files (Yamaha, DiGiCo, Allen & Heath, Avid). Knowledge of RF and wireless microphone systems, audio-over-IP and digital audio networking as applied to production (Dante, AES67), and the networking fundamentals that support it. Knowledge of broadcast and steaming audio requirements, studio recording and post-production practices.

Ability to lift, carry, and set up audio equipment and road cases, and work from ladders or lifts where loudspeaker deployment requires it. Ability to travel to and work on-site at event venues, including some evenings and weekends as events require—approximately 20% travel (85% domestic, 15% international; the ability to obtain a valid passport is required for international travel).

Preferred Qualifications

Dante certification, AVIXA CTS (Certified Technology Specialist) or similar industry certifications. At Alliance Defending Freedom, we offer a competitive compensation and benefits package to support your well-being and growth. While we do not disclose specific salary ranges, our compensation is competitive with top non-profit law firms. Our benefits include 100% covered medical and dental insurance, medical and dependent care reimbursement, paid disability, long-term care, life insurance, and a 401(k) plan with a 4% company match.

We prioritize work-life balance with paid time off and 12 paid holidays each year. Want to Know More About ADF? Statement of Faith Based on our adherence to the inspired, infallible, inerrant, and authoritative Word of God in Scripture, we profess with the Christian Church throughout time and around the world the faith expressed in the Apostles' Creed: I believe in God, the Father almighty, creator of heaven and earth. I believe in Jesus Christ, his only Son, our Lord, who was conceived by the Holy Spirit, born of the Virgin Mary, suffered under Pontius Pilate, was crucified, died, and was buried; On the third day he rose again; he ascended into heaven, he is seated at the right hand of the Father, and he will come to judge the living and the dead. I believe in the Holy Spirit, the holy catholic Church, the communion of saints, the forgiveness of sins, the resurrection of the body, and the life everlasting.

Amen. Doctrinal Distinctives We believe in the spiritual unity and equality of believers in our Lord Jesus Christ. We believe that the Lordship of Christ requires us as disciples to seek to conform our actions, thoughts, and desires in obedience to Him. We believe God creates each person with an immutable biological sex — male or female — that reflects the image and likeness of God.

We believe God designed marriage as a unique conjugal relationship joining one man and one woman in a single, exclusive, life-long union, and God intends sexual intimacy only to occur within that relationship. We believe God endows all human life with inherent dignity, and it must be respected and protected from conception to natural death.

We believe that God has endowed all humans with the natural, and inalienable right of religious freedom to believe, pursue truth, and live within ordered liberty such that no civil government may justly infringe upon it. We believe that God, through His Son, Jesus Christ, calls all of us to deny ourselves, take up our cross, and follow Him, knowing that He promises us abundant and eternal life.