Assistant Director
Los Angeles, CA · On-site
Firsts work long and often unsocial hours on a freelance basis, so a strong commitment to the job is essential. As they also usually work under highly pressurised and stressful conditions, a flexible ...
Assistant Director
Los Angeles, CA · On-site
Firsts work long and often unsocial hours on a freelance basis, so a strong commitment to the job is essential. As they also usually work under highly pressurised and stressful conditions, a flexible ...
Firsts work long and often unsocial hours on a freelance basis, so a strong commitment to the job is essential. As they also usually work under highly pressurised and stressful conditions, a flexible ...
Firsts work long and often unsocial hours on a freelance basis, so a strong commitment to the job is essential. As they also usually work under highly pressurised and stressful conditions, a flexible ...
... DreamWorks Animation, and Focus Features, and the four global television studios under the ... Hollywood Reel Time has an opportunity for an Freelance field photographer to join team. The field ...
... DreamWorks Animation, and Focus Features, and the four global television studios under the ... Hollywood Reel Time has an opportunity for an Freelance field photographer to join team. The field ...
Responsibilities: • Develop and maintain SFRA storefront features (PLP, PDP, Cart, Checkout ... Can we use Freelancer? : No * Named Job Posting? (if Yes - needs to be approved by SCSC) : No
Responsibilities: • Develop and maintain SFRA storefront features (PLP, PDP, Cart, Checkout ... Can we use Freelancer? : No * Named Job Posting? (if Yes - needs to be approved by SCSC) : No
Freelance Multimedia Journalist
$75 - $100/hr
Minimum of 3-5 years of experience in broadcast journalism, with a strong focus on politics and ... Investigate and report on various political stories, including breaking news, in-depth features ...
Freelance Multimedia Journalist
$75 - $100/hr
Minimum of 3-5 years of experience in broadcast journalism, with a strong focus on politics and ... Investigate and report on various political stories, including breaking news, in-depth features ...
Freelance Multimedia Journalist
Washington, DC · On-site
$75 - $100/hr
Minimum of 3-5 years of experience in broadcast journalism, with a strong focus on politics and ... Investigate and report on various political stories, including breaking news, in-depth features ...
Freelance Multimedia Journalist
Washington, DC · On-site
$75 - $100/hr
Minimum of 3-5 years of experience in broadcast journalism, with a strong focus on politics and ... Investigate and report on various political stories, including breaking news, in-depth features ...
Freelance Anchor/Reporter
New York, NY · On-site
$65 - $75/hr
Minimum of 3-5 years of experience in broadcast journalism, with a strong focus on business and/or ... depth features, and investigative pieces. * Conduct thorough research to gather accurate and ...
Freelance Anchor/Reporter
New York, NY · On-site
$65 - $75/hr
Minimum of 3-5 years of experience in broadcast journalism, with a strong focus on business and/or ... depth features, and investigative pieces. * Conduct thorough research to gather accurate and ...
Freelance Anchor/Reporter
New York, NY · On-site
$65 - $75/hr
Minimum of 3-5 years of experience in broadcast journalism, with a strong focus on business and/or ... depth features, and investigative pieces. * Conduct thorough research to gather accurate and ...
Freelance Anchor/Reporter
New York, NY · On-site
$65 - $75/hr
Minimum of 3-5 years of experience in broadcast journalism, with a strong focus on business and/or ... depth features, and investigative pieces. * Conduct thorough research to gather accurate and ...
Manager, Field Scheduling
Stamford, CT · On-site +1
... DreamWorks Animation, and Focus Features, and the four global television studios under the ... and freelance crew members for remote productions and live events, managing crew outreach ...
Quick apply
Manager, Field Scheduling
Stamford, CT · On-site +1
... DreamWorks Animation, and Focus Features, and the four global television studios under the ... and freelance crew members for remote productions and live events, managing crew outreach ...
Manager, Field Scheduling
Stamford, CT · On-site +1
... DreamWorks Animation, and Focus Features, and the four global television studios under the ... and freelance crew members for remote productions and live events, managing crew outreach ...
Manager, Field Scheduling
Stamford, CT · On-site +1
... DreamWorks Animation, and Focus Features, and the four global television studios under the ... and freelance crew members for remote productions and live events, managing crew outreach ...
Manager, Field Scheduling
Stamford, CT · On-site +1
... DreamWorks Animation, and Focus Features, and the four global television studios under the ... and freelance crew members for remote productions and live events, managing crew outreach ...
Manager, Field Scheduling
Stamford, CT · On-site +1
... DreamWorks Animation, and Focus Features, and the four global television studios under the ... and freelance crew members for remote productions and live events, managing crew outreach ...
Visuals Editor
Baltimore, MD · On-site
... a focus on Montgomery and Prince George's counties. * Assign staff and freelance photographers, illustrators and visual contributors for breaking news, features, enterprise stories and special ...
Visuals Editor
Baltimore, MD · On-site
... a focus on Montgomery and Prince George's counties. * Assign staff and freelance photographers, illustrators and visual contributors for breaking news, features, enterprise stories and special ...
... a focus on Montgomery and Prince George's counties. * Assign staff and freelance photographers, illustrators and visual contributors for breaking news, features, enterprise stories and special ...
... a focus on Montgomery and Prince George's counties. * Assign staff and freelance photographers, illustrators and visual contributors for breaking news, features, enterprise stories and special ...
Data Platform Engineer with Databricks & Unity Catalog- Seattle WA
Seattle, WA · On-site
$130K - $156K/yr
Develop, optimize, and manage data pipelines for ETL processes using Databricks, with a focus on ... Ensure data security and compliance with regulations using Databricks and Privacera's features.
Data Platform Engineer with Databricks & Unity Catalog- Seattle WA
Seattle, WA · On-site
$130K - $156K/yr
Develop, optimize, and manage data pipelines for ETL processes using Databricks, with a focus on ... Ensure data security and compliance with regulations using Databricks and Privacera's features.
How to Become a Freelancer with Study.com About Study.com The mission of Study.com is to make ... We focus on increasing access to education because we know information is the ultimate equalizer ...
How to Become a Freelancer with Study.com About Study.com The mission of Study.com is to make ... We focus on increasing access to education because we know information is the ultimate equalizer ...
We produce and distribute premier filmed entertainment and programming through our powerhouse film and television studios, including Universal Pictures, DreamWorks Animation, and Focus Features, and ...
We produce and distribute premier filmed entertainment and programming through our powerhouse film and television studios, including Universal Pictures, DreamWorks Animation, and Focus Features, and ...
Freelance Associate Production Ops Specialist - NBC Sports, Bay Area (Part-Time)
San Francisco, CA · On-site
$28 - $36/hr
We produce and distribute premier filmed entertainment and programming through our powerhouse film and television studios, including Universal Pictures, DreamWorks Animation, and Focus Features, and ...
Freelance Associate Production Ops Specialist - NBC Sports, Bay Area (Part-Time)
San Francisco, CA · On-site
$28 - $36/hr
We produce and distribute premier filmed entertainment and programming through our powerhouse film and television studios, including Universal Pictures, DreamWorks Animation, and Focus Features, and ...
Freelance Associate Production Ops Specialist - NBC Sports, Bay Area (Part-Time)
San Francisco, CA · On-site
$28 - $36/hr
We produce and distribute premier filmed entertainment and programming through our powerhouse film and television studios, including Universal Pictures, DreamWorks Animation, and Focus Features, and ...
Quick apply
Freelance Associate Production Ops Specialist - NBC Sports, Bay Area (Part-Time)
San Francisco, CA · On-site
$28 - $36/hr
We produce and distribute premier filmed entertainment and programming through our powerhouse film and television studios, including Universal Pictures, DreamWorks Animation, and Focus Features, and ...
Happy working as a freelance contractor. * Authorized to work in the United States. * Strong ... Experience working in Python, especially with a focus on analytics and data science workloads
Happy working as a freelance contractor. * Authorized to work in the United States. * Strong ... Experience working in Python, especially with a focus on analytics and data science workloads
Deputy Editor
Miami Beach, FL · On-site
$140K - $160K/yr
Assign and edit long-form features, profiles, essays, and franchise content for each issue ... Manage freelance assignments, pitches, contracts, and budgets with organizational precision and ...
Quick apply
Deputy Editor
Miami Beach, FL · On-site
$140K - $160K/yr
Assign and edit long-form features, profiles, essays, and franchise content for each issue ... Manage freelance assignments, pitches, contracts, and budgets with organizational precision and ...
Freelance Focus Features information
See salary details
$23.52 is the 25th percentile. Wages below this are outliers.
$14.90 - $25.57
31% of jobs
The median wage is $32.14 / hr.
$25.57 - $36.23
31% of jobs
$36.23 - $46.90
4% of jobs
$56.23 is the 75th percentile. Wages above this are outliers.
$46.90 - $57.56
10% of jobs
$57.56 - $68.23
9% of jobs
$68.23 - $78.89
5% of jobs
$78.89 - $89.55
0% of jobs
$89.55 - $100.22
8% of jobs
$100.22 - $110.88
0% of jobs
$110.88 - $121.55
0% of jobs
$121.55 - $132.21
1% of jobs
$14
$47
$132
How much do freelance focus features jobs pay per hour?
As of Aug 21, 2026, the average hourly pay for freelance focus features in the United States is $47.71, according to ZipRecruiter salary data. Most workers in this role earn between $24.28 and $61.78 per hour, depending on experience, location, and employer.
What is a freelance focus feature?
Freelance Focus Features typically refer to articles or stories produced by independent writers for the Focus Features division of Universal Pictures, which is known for distributing and producing independent films. These freelancers are often contracted to write feature content such as interviews, behind-the-scenes articles, or in-depth analyses related to Focus Features films and filmmakers. The work can range from creative storytelling to journalistic reporting, and freelancers usually pitch ideas or receive assignments based on the studio's needs. This allows Focus Features to offer diverse and fresh perspectives in their promotional and editorial content.
What are some common challenges freelance writers face when working with Focus Features on film-related projects?
Freelance writers collaborating with Focus Features often encounter tight deadlines and the need to quickly adapt to shifting project priorities, especially as films move through different stages of production and marketing. Writers are expected to maintain the studio's unique voice and brand style while delivering compelling content, which can require close communication with marketing, publicity, and creative teams. Balancing multiple projects and receiving timely feedback can sometimes be challenging, but strong organizational skills and proactive communication help ensure successful collaboration and project delivery.
What are the key skills and qualifications needed to thrive as a freelance feature writer, and why are they important?
To thrive as a Freelance Feature Writer, you need strong writing, research, and storytelling abilities, often supported by a background in journalism or communications. Familiarity with content management systems (CMS), SEO tools, and editing software is typically required. Outstanding time management, adaptability, and networking skills help you stand out in this competitive field. These skills ensure the production of engaging, high-quality content that meets client expectations and deadlines.
What is the difference between Freelance Focus Features vs Freelance Video Editor?
| Aspect | Freelance Focus Features | Freelance Video Editor |
|---|---|---|
| Credentials | Basic editing skills, software proficiency | Editing software expertise, sometimes certifications |
| Work Environment | Remote, project-based | Remote or on-site, project-based |
| Industry Usage | Film, TV, online content | Film, TV, advertising, online content |
| Search & Comparison | Often compared for editing roles | Commonly searched as a related editing profession |
Freelance Focus Features typically refers to specific elements or highlights within a project, whereas Freelance Video Editor is a role focused on editing entire videos. While both roles require editing skills, Freelance Video Editors often have more specialized credentials and work across various media types. Understanding these differences helps clients find the right freelancer for their project needs.
What cities are hiring for Freelance Focus Features jobs?
Cities with the most Freelance Focus Features job openings:
What are the most commonly searched types of Focus Features jobs?
The most popular types of Focus Features jobs are:
What states have the most Freelance Focus Features jobs?
States with the most job openings for Freelance Focus Features jobs include:
Job description
ResponsibilitiesFirst ADs' main duties are assisting the Director, co-ordinating all production activity, and supervising the cast and crew. They are also in charge of a department of other Assistant Directors and Runners. Overall, they provide the key link between the Director, the cast and the crew, whilst also liaising with the production office, and providing regular progress reports about the shoot.
Before the shoot, the Firsts' main task is to create the filming schedule, working in careful consultation with the Director in order to fulfil his or her creative ambitions. When drawing up the shooting schedule, First ADs must also be aware of budgetary constraints, cast availability and script coverage. Preparing the storyboard, overseeing the hiring of locations, props and equipment, and checking weather reports, are all key pre-production duties for Firsts. During production, they must ensure that everyone is on standby and ready for the Director's cue for action.
First ADs' core responsibility is to keep filming on schedule by driving it forward, so they frequently make announcements and give directions to co-ordinate the cast and crew. They also control discipline on the set, supervise the other Assistant Directors, and oversee the preparation of the daily 'call sheet' (a document detailing daily shooting logistics, which is distributed to all cast and crew). Firsts are also responsible for health and safety on set or location, and must take action to eliminate or minimise hazards at all times.
SkillsFirst ADs must be authoritative team-leaders and motivators, whilst also being approachable team players. They need exceptional organisational and time-management skills. The ability to plan ahead, trouble-shoot and pay close attention to detail is vital in this role. Being an excellent communicator, with tact and diplomacy skills, is also essential as they must routinely deal with problem or even crisis situations. They must also constantly prioritise tasks, and may be frequently interrupted, the ability to multi-task is crucial. Firsts work long and often unsocial hours on a freelance basis, so a strong commitment to the job is essential. As they also usually work under highly pressurised and stressful conditions, a flexible and positive approach is highly valued.
Qualifications/ExperienceNo formal qualifications are required to become a First Assistant Director. Extensive industry experience gained through working on set or on location is the key route to develop the necessary skills. Most First ADs start as Runners, before progressing through the other Assistant Director roles (Third Assistant Director and Second Assistant Director). This route may take a number of years.
In particular, Firsts need specific experience in planning and budgeting (and how this affects scheduling), as well as in-depth knowledge of, and qualifications in, current Health and Safety legislation and procedures. Regular Health and Safety training courses should be undertaken, in order to keep this knowledge up to date. A full driving licence is generally deemed necessary.
Individual course accreditation in certain subject areas is currently being piloted. As part of Creative Skillset's and the BFl's Film Skills Strategy, A Bigger Future2, a network of Academies have been approved as centres of excellence in education and training for film.
Before the shoot, the Firsts' main task is to create the filming schedule, working in careful consultation with the Director in order to fulfil his or her creative ambitions. When drawing up the shooting schedule, First ADs must also be aware of budgetary constraints, cast availability and script coverage. Preparing the storyboard, overseeing the hiring of locations, props and equipment, and checking weather reports, are all key pre-production duties for Firsts. During production, they must ensure that everyone is on standby and ready for the Director's cue for action.
First ADs' core responsibility is to keep filming on schedule by driving it forward, so they frequently make announcements and give directions to co-ordinate the cast and crew. They also control discipline on the set, supervise the other Assistant Directors, and oversee the preparation of the daily 'call sheet' (a document detailing daily shooting logistics, which is distributed to all cast and crew). Firsts are also responsible for health and safety on set or location, and must take action to eliminate or minimise hazards at all times.
SkillsFirst ADs must be authoritative team-leaders and motivators, whilst also being approachable team players. They need exceptional organisational and time-management skills. The ability to plan ahead, trouble-shoot and pay close attention to detail is vital in this role. Being an excellent communicator, with tact and diplomacy skills, is also essential as they must routinely deal with problem or even crisis situations. They must also constantly prioritise tasks, and may be frequently interrupted, the ability to multi-task is crucial. Firsts work long and often unsocial hours on a freelance basis, so a strong commitment to the job is essential. As they also usually work under highly pressurised and stressful conditions, a flexible and positive approach is highly valued.
Qualifications/ExperienceNo formal qualifications are required to become a First Assistant Director. Extensive industry experience gained through working on set or on location is the key route to develop the necessary skills. Most First ADs start as Runners, before progressing through the other Assistant Director roles (Third Assistant Director and Second Assistant Director). This route may take a number of years.
In particular, Firsts need specific experience in planning and budgeting (and how this affects scheduling), as well as in-depth knowledge of, and qualifications in, current Health and Safety legislation and procedures. Regular Health and Safety training courses should be undertaken, in order to keep this knowledge up to date. A full driving licence is generally deemed necessary.
Individual course accreditation in certain subject areas is currently being piloted. As part of Creative Skillset's and the BFl's Film Skills Strategy, A Bigger Future2, a network of Academies have been approved as centres of excellence in education and training for film.
About Focus Features
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