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Entry Level Studio Audio Engineer Jobs (NOW HIRING)

GBH Studios which manage and staff studio and EFP production, Fraser Studio operations, GBH public ... Freelance Audio Engineer (Post-Production & Studio Operations)Affiliation: NABET UnionPosition ...

The Audio Engineer is responsible for the setup, operation, monitoring, and maintenance of ... Route and manage audio signals between control rooms, studios, arena systems, and press box.

Head Audio Engineer

MA ยท On-site

$23.58 - $26/hr

Three meals a day, free access to classes, performances, talks, and studio usage. During the Festival there are three Head Audio Engineer positions, one for each of the Pillow's primary venues: the ...

Audio Engineer

Phoenix, AZ ยท On-site

$55K - $65K/yr

Run the Wheatstone control boards and keep studio audio humming, live and remote * Edit like a pro: clean, trim, balance, sweeten and optimize every second * Format shows for SiriusXM, Westwood On ...

This role provides dedicated audio expertise across the full production lifecycle, from recording ... in studio and field environments. ยท Run boom microphones and wireless lavaliers, managing ...

You must have experience operating an audio console for both live and recorded programming. A ... Maintain studio audio equipment * Manage audio for live and taped broadcasts, including mic sources ...

Studio Engineer

Santa Monica, CA ยท On-site

$73K - $95K/yr

Position Overview As a Studio Engineer , you will be responsible for recording, editing, and mixing audio across all stages of our artists' music production and promotional activities. You will ...

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Entry Level Studio Audio Engineer information

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$40.5K

$86.4K

$142.5K

How much do entry level studio audio engineer jobs pay per year?

As of Sep 10, 2026, the average yearly pay for entry level studio audio engineer in the United States is $86,381.00, according to ZipRecruiter salary data. Most workers in this role earn between $65,000.00 and $103,500.00 per year, depending on experience, location, and employer.

What is the difference between Entry Level Studio Audio Engineer vs Recording Engineer?

AspectEntry Level Studio Audio EngineerRecording Engineer
CredentialsBasic audio training, certifications often preferredSimilar credentials, often with specialized recording certifications
Work EnvironmentRecording studios, post-production facilitiesRecording studios, live venues, remote sessions
Job FocusAssisting with recording, editing, and mixingCapturing sound, setting up recording sessions, editing
Industry UsageCommonly used in music, film, and broadcast industriesPrimarily in music production and sound recording

The Entry Level Studio Audio Engineer and Recording Engineer roles share similar credentials and work environments, often overlapping in industry usage. The main difference lies in their focus: entry level engineers assist with various stages of audio production, while recording engineers primarily handle the capturing and initial editing of sound recordings.

More about Entry Level Studio Audio Engineer jobs

What cities are hiring for Entry Level Studio Audio Engineer jobs?

Cities with the most Entry Level Studio Audio Engineer job openings:

What are the most commonly searched types of Studio Audio Engineer jobs?

The most popular types of Studio Audio Engineer jobs are:

What states have the most Entry Level Studio Audio Engineer jobs?

States with the most job openings for Entry Level Studio Audio Engineer jobs include:

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For Entry Level Studio Audio Engineer jobs, the most frequently searched job titles are:

Infographic showing various Entry Level Studio Audio Engineer job openings in the United States as of September 2026, with employment types broken down into 1% Internship, 87% Full Time, 9% Part Time, and 3% Contract. Highlights an 86% Physical, 4% Hybrid, and 10% Remote job distribution, with an average salary of $86,381 per year, or $41.5 per hour.

Audio Engineer

Boston, MA โ€ข On-site

Other

Posted 5 days ago


Job description

GBH enriches people's lives through programs and services that educate, inspire, and entertain, fostering citizenship and culture, the joy of learning, and the power of diverse perspectives. At GBH, we believe in the advantages of coming together to build community, mentor and learn from colleagues, and connect more deeply with our mission. As a result, the majority of our staff are hybrid and work both from home and onsite. Our current hybrid approach requires staff to work onsite a minimum of two days each week, every Tuesday and Wednesday, Hybrid staff are also welcome to come in additional days each week or may be asked to come in on other days by their manager. The GBH Production Group oversees GBH production and post-production operations and is comprised of two divisions: GBH Studios which manage and staff studio and EFP production, Fraser Studio operations, GBH public spaces, and the remote studio at Boston Public Library. GBH OutPost, which provides post-production services, including color-grading and online, audio mixing and sweetening, sound booth recording, and duplication/encoding operations.

Position Title: Freelance Audio Engineer (Post-Production & Studio Operations)Affiliation: NABET UnionPosition Overview

We are seeking a versatile Freelance NABET Audio Engineer to join our team. Primary responsibilities focus on audio post-production utilizing Pro Tools for both internal GBH productions and external client projects. In addition to post-production, this role involves cross-functional support for studio operations and basic technical maintenance.

Key Responsibilities
  • Audio Post-Production & Mixing: Edit, track-lay, mix, and sweeten audio for broadcast and digital non-broadcast media using Pro Tools.
  • Voiceover & Sound Design: Engineer narration sessions, design sound effects when needed, and deliver final mix deliverables compliant with industry broadcast standards.
  • Collaborative Workflow: Partner closely with Senior Post Production Manager and Post-Production Supervisors to achieve the creative and technical vision for each project.
  • Studio & Technical Support: Assist with studio and EFP live sessions and other duties as assigned.
  • Adaptability: Work flexibly across multiple technical roles within The Production Group (cross-training provided).
Qualifications & Experience
  • Experience: 5โ€“10 years of professional experience in audio post-production and studio recording environments.
  • Technical Mastery: Advanced proficiency in Pro Tools, audio plug-ins, signal flow, and technical audio processing for broadcast standards.
  • Mindset: Strong customer-service orientation, excellent communication skills, and a collaborative approach.
  • Flexibility: Willingness to adapt to varied technical assignments and learn internal workflows.
Salary Range

N/A - N/A Compensation offered within this range is determined by skills, experience and internal pay equity.

GBH is an equal opportunity employer. The community and audience we serve are diverse, and we wish to foster that diversity in our workplace. Toward that end, GBH does not discriminate against individuals in hiring, employment, or promotion based on race, religion, color, sex/gender, gender identity and gender expression, age, marital status, national origin, sexual orientation, citizenship, disability, veteran or military status, political belief, pregnancy, genetic information, or any other characteristic protected by law.

Application Process Assistance

GBH will reasonably accommodate applicants with disabilities who need adjustments to participate in the application or interview process. To initiate an accommodation request, contact the Human Resource department by sending an email to human_resources@wgbh.org or by calling 617-300-2000.

GBH is the leading multiplatform creator for public media in America. As the largest producer of content for PBS and partner to NPR and PRX, GBH delivers compelling experiences, stories and information to audiences wherever they are. GBH produces digital and broadcast programming that engages, illuminates and inspires, through drama and science, history, arts, culture and journalism. It is the creator of such signature programs as MASTERPIECE, ANTIQUES ROADSHOW, FRONTLINE, NOVA, AMERICAN EXPERIENCE, Arthur and Molly of Denali and a catalog of streaming series, podcasts and on-demand video. GBHโ€™s television channels include GBH 2, GBH 44, GBH Kids and national services WORLD and Create. With studios and a newsroom headquartered in Boston, GBH reaches across New England with GBH 89.7, Bostonโ€™s Local NPR; CRB Classical 99.5; and CAI, the Cape and Islands NPR station. Dedicated to making media accessible to and inclusive of our diverse culture, GBH is a pioneer in delivering media to those who are deaf, hard of hearing, blind and visually impaired. GBH creates curriculum-based digital content for educators nationwide with PBS LearningMedia and has been recognized with hundreds of the nationโ€™s premier broadcast, digital and journalism awards. Find more information at gbh.org.

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