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Concert Review Jobs (NOW HIRING)

Production Manager

La Jolla, CA ยท On-site

$80K - $90K/yr

Oversee all outside venue contracts and advance concert production requirements with the venue, as assigned. Oversee the APM's development of production estimates for visiting presenters. Review ...

AVP, Thought Leadership

Chicago, IL ยท On-site

$156K - $290K/yr

Managing content review and revision * Identifying and securing talent in concert with Business Unit leads * Working with talent agencies and Business Unit leads to secure speakers * Managing the ...

Managing content review and revision * Identifying and securing talent in concert with Business Unit leads * Working with talent agencies and Business Unit leads to secure speakers * Managing the ...

Upsell Crew Member

Hartford, CT

$12 - $16/hr

... concert data and metrics?If so, this is the Live Nation position for you. This position is ... Plan and review best practices with Operations Manager and General Manager as shows play off.

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Concert Review information

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How much do concert review jobs pay per hour?

As of Jul 22, 2026, the average hourly pay for concert review in the United States is $33.09, according to ZipRecruiter salary data. Most workers in this role earn between $19.23 and $25.72 per hour, depending on experience, location, and employer.

What are the typical daily and weekly responsibilities of a Concert Reviewer?

As a Concert Reviewer, your primary tasks include attending live music performances, taking detailed notes during events, and promptly writing and editing comprehensive reviews. You may also need to interview performers, research background information about artists or venues, and manage deadlines for publication. Many reviewers collaborate with editors, photographers, and other writers to ensure high-quality coverage and may be required to promote their work on social media or through other digital channels. Balancing attendance at evening or weekend concerts with writing responsibilities is common, making time management an essential part of the job.

What is a Concert Review job?

A Concert Review job involves attending live music performances and writing detailed critiques about the event. Reviewers evaluate aspects such as the artist's performance, sound quality, stage presence, audience engagement, and overall atmosphere. They may work for newspapers, magazines, blogs, or online platforms, providing insights for music fans and industry professionals. Strong writing skills, musical knowledge, and an ability to articulate observations clearly are essential for this role.

What are the key skills and qualifications needed to thrive in the Concert Review position, and why are they important?

To thrive as a Concert Reviewer, you need excellent writing skills, a deep understanding of music, and experience with journalistic or critical analysis, often supported by a background in journalism, communications, or music studies. Familiarity with content management systems, audio recording tools, and social media platforms is also highly beneficial to publish and promote reviews. Attention to detail, strong observational abilities, and the capacity to engage diverse audiences with articulate, insightful critiques are key soft skills. These skills ensure reviews are both informative and engaging, establishing credibility and attracting readership in a competitive media landscape.

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What cities are hiring for Concert Review jobs? Cities with the most Concert Review job openings:
What are the most commonly searched types of Concert Review jobs? The most popular types of Concert Review jobs are:
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What job categories do people searching Concert Review jobs look for? The top searched job categories for Concert Review jobs are:
Infographic showing various Concert Review job openings in the United States as of July 2026, with employment types broken down into 1% As Needed, 77% Full Time, 20% Part Time, 1% Temporary, and 1% Contract. Highlights an 90% Physical, 8% Hybrid, and 2% Remote job distribution, with an average salary of $68,819 per year, or $33.1 per hour.

Production Manager

La Jolla Music Society

La Jolla, CA โ€ข On-site

$80K - $90K/yr

Full-time

Posted 14 days ago


Job description

LA JOLLA MUSIC SOCIETY

Job Title:Production Manager

Department:Artistic

Reports to:Director of Production & Operations

Status:Full-time, exempt

Start Date: August 24th, 2026

Salary:$80-90,000 / year

Job Type: In Person

WHO WE ARE

La Jolla Music Society is one of the most prestigious and highly respected performing arts presenters in the United States. Our winter season presentations showcase a rich variety of classical, jazz, global roots, spoken word, family, and dance programming, at its state-of-the-art venue, The Conrad, as well as off-site venues throughout San Diego. In addition to our winter season and award-winning Learning & Engagement Programs, La Jolla Music Society also produces SummerFest, a renowned four-week chamber music festival featuring world-class artists and ensembles performing an array of concerts and programs curated by SummerFest Music Director, Inon Barnatan.

SUMMARY

Reporting to the Director of Production & Operations, the Production Manager leads the production team in performance-related operations, including overseeing the scheduling of IATSE crews and event and concert operations. This position oversees and directly participates in the planning and advancing of all concert production activities at The Conrad, including equipment rentals, labor scheduling, staging requirements, and other logistical arrangements before, during, and after each production. Finally, this position works closely with the artistic programming team to estimate, create, and monitor production budgets.

JOB DESCRIPTION

Direct reports: Assistant Production Manager (APM), Production Coordinator/Stage Manager

CONCERTS: LJMS, RENTALS, & VISITING PRESENTERS (35%)

Advance production schedules and staging/personnel requirements for each concert with tour managers, musicians, agents, and rental clients.

Develop and distribute detailed production schedules for all concerts, rental events, and rehearsals with venue and LJMS staff, as needed.

For all events, notify facilities of any incidents requiring documentation.

In coordination with the APM, conduct a concert check-in prior to the start of each performance and at intermission.

Be on-site for all performances unless APM is assigned.

Act as fill-in Stage Manager when the Production Coordinator / Stage Manager is unavailable.

Oversee rental tech calls and meetings, as needed.

Act as backup production contact for rental events as needed.

STAFFING & SCHEDULING (25%)

Train, supervise, and evaluate production staff, including coaching, performance management, and annual evaluations.

Hire and train seasonal staff, including SummerFest stage managers. As needed, supervise recording engineers, on-site filmmakerโ€”in-residence, and other production-related seasonal staff, as required.

Lead the coordination and scheduling of IATSE crew to satisfy stage requirements for load-ins, rehearsals, and concerts.

Work closely with the Tech Director to schedule internal tech positions for concerts and events and additional IATSE needs.

Contract and schedule vendors for rental, delivery, transfer, and pickup of any required backline instruments and equipment, as assigned.

Maintain and update monthly production staffing schedules with the Artistic Planning Director.

BUDGETING & ADMINISTRATION (25%)

Oversee the creation of production budgets for SummerFest and Winter Seasons, with the artistic programming team.

In collaboration with the artistic programming team, develop and monitor budgets for all production activities, ensuring that artistsโ€™ needs are met within budget.

Maintain proper records including performance reports, year-to-date (YTD) budget actuals, settlements, invoices, and executed contracts.

Submit all invoices to the Production Coordinator for processing.

Manage the ArtsVision database calendar, schedule concert allotments, and add relevant production information, equipment, and timelines.

Lead weekly MAPLE meetings and other joint meetings with artistic, production, tech, and facilities.

In conjunction with the Director of Production & Operations, work with artistic programming staff on future-season and long-range planning for LJMS. Prepare budget projections as needed.

Work with the Artistic Director and Director of Artistic Planning to review prospective artist and performance riders for budget and production feasibility.

Work closely with the Artistic Director to lead planning of media partnerships, on-site interviews, filming, etc.

CONTRACT PROCESS (15%)

Coordinate with artistic programming staff to ensure that artistsโ€™ requirements are understood and met during the contract process.

Oversee all outside venue contracts and advance concert production requirements with the venue, as assigned.

Oversee the APM's development of production estimates for visiting presenters.

Review rental contracts and standard operating procedures with the APM and Artistic Rentals & Partnerships Director.

QUALIFICATIONSPREVIOUS EXPERIENCE

Five to seven yearsโ€ฏof professional experience in live event production or performing arts environments is required.

One to two years of supervisory experience is required.

Previous work in stage management is required.

Experience leading or supervising IATSE or other union crews.

Previous education or training in theatre production, audio, lighting, media production, or stage management is preferred.

Ability to demonstrate working knowledgeโ€ฏof concert production and advancing, vendor negotiation, labor scheduling, and artist communication.

SKILLS

Familiarity with audio, video, and lighting systems is required.

Practical understanding of theatrical systemsโ€ฏsufficient to support, troubleshoot, and coordinate live productions.

Strong organization, communication, and collaboration skills.

Clear written and verbal communication skills, particularly for production documentation and show notes.

Ability to work calmly and effectively in time critical, showโ€‘day conditions.

EQUAL OPPORTUNITY EMPLOYER STATEMENT

By exemplifying broad representation throughout the institution, it is our goal to dissipate traditional lines of separation, enabling audiences, artists, staff, donors, and students to connect with those who are different from themselves. We believe that through that connectionโ€”both on stage and offโ€”we can enrich all our lives, broaden our experience, open our minds, and achieve La Jolla Music Societyโ€™s mission. We seek to create a working environment where everyone knows they are welcome and valued regardless of who they are or how they identify; where difference is encouraged; and where those differences help us learn from one another.