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Audio Mixing Jobs in Tennessee (NOW HIRING)

Perform integration, programming and configuration of the equipment: mixers, recording systems processors, computers, etc. * Occasionally make ready all aspects of audio systems prior to client ...

Part-Time Audio/Visual Technician * Be able to be proactive and flexible to job demands * Be able to lift/carry up to 50lbs. * Basic experience setting up and mixing live sound * Experience with ...

Part-Time Audio/Visual Technician * Be able to be proactive and flexible to job demands * Be able to lift/carry up to 50lbs. * Basic experience setting up and mixing live sound * Experience with ...

Strong experience in live sound production and mixing is an absolute requirement. Experience in ... Minimum 3-5 years experience in live audio/event production as primary FOH and PM, including ...

Strong experience in live sound production and mixing is an absolute requirement. Experience in ... Minimum 3-5 years experience in live audio/event production as primary FOH and PM, including ...

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Audio Mixing information

See Tennessee salary details

$11

$16

$21

How much do audio mixing jobs pay per hour?

As of Aug 25, 2026, the average hourly pay for audio mixing in Tennessee is $16.98, according to ZipRecruiter salary data. Most workers in this role earn between $14.86 and $18.99 per hour, depending on experience, location, and employer.

What is audio mixing?

Audio mixing is the process of blending and balancing multiple sound sources, such as vocals, instruments, and effects, into a single cohesive audio track. This involves adjusting levels, applying equalization (EQ), adding effects like reverb or compression, and panning sounds within the stereo field. The goal is to create a polished and professional sound that highlights the important elements of a song or recording. Audio mixing can be done using digital audio workstations (DAWs) or analog equipment, and it's a crucial step in music production and post-production for films, TV, and podcasts.

What are audio mixing jobs?

Audio mixing jobs involve working on post-production in a recording studio or other production facility. An audio engineer or mixer can also work during recording to ensure that the music or sound meets quality requirements. After they record the audio, a mixer uses computers and other post-production equipment to edit the different tracks to create a completed product. Your duties can include mixing several different tracks to achieve the highest quality. You use software such as ProTools to synchronize various audio elements. Your responsibilities include working with producers to ensure that the finished product meets expectations.

What are the key skills and qualifications needed to thrive as an audio mixer, and why are they important?

To thrive as an Audio Mixer, you need a strong understanding of sound theory, acoustics, and audio editing, often supported by formal training or a degree in audio engineering. Familiarity with digital audio workstations (DAWs) like Pro Tools, Logic Pro, and mixing consoles, as well as knowledge of industry-standard plugins and software, is essential. Attention to detail, creative problem-solving, and strong communication skills help set outstanding audio mixers apart. These skills are vital for producing high-quality sound that meets artistic and technical standards in music, film, or broadcast environments.

What are some common challenges audio mixing engineers face when working on projects with tight deadlines?

Audio mixing engineers often encounter the challenge of balancing high-quality output with time constraints, especially on projects with tight deadlines. This can mean making quick decisions about EQ, compression, and effects while ensuring the mix remains clear and balanced. Communication with producers, artists, and other team members is crucial, as last-minute feedback or revisions are common. Staying organized and using efficient workflows, such as template sessions or recall sheets, helps maintain consistency and meet client expectations, even under pressure.

What is the difference between Audio Mixing vs Audio Editing?

AspectAudio MixingAudio Editing
Primary FocusBalancing and blending multiple audio tracks to create a cohesive soundCutting, arranging, and refining audio clips for clarity and accuracy
Skills & CertificationsKnowledge of mixing consoles, DAWs, and audio effects; certifications varyProficiency in editing software; often requires audio engineering knowledge
Work EnvironmentRecording studios, post-production facilities, live sound setupsPost-production studios, editing suites, film and video production
Industry UsageMusic, film, TV, video gamesFilm, TV, podcasts, multimedia projects

Audio Mixing involves blending multiple tracks to achieve the desired sound balance, while Audio Editing focuses on refining individual audio clips for clarity and precision. Both roles are essential in audio production but serve different stages of the process.

Are audio mixing jobs in high demand?

Audio mixing jobs are in steady demand due to the growth of the music, film, and gaming industries, which require skilled professionals to produce high-quality sound. Opportunities often exist for those with proficiency in digital audio workstations (DAWs) and relevant certifications, though competition can vary by location and experience level.

How do you become an audio mixer?

To become an audio mixer, you typically need to gain experience through education in audio engineering or related fields, develop skills in using digital audio workstations and mixing consoles, and build a portfolio by working on various projects. Many professionals start as assistants or in entry-level roles to learn industry standards and techniques before advancing to full-time mixing positions.

What are the most commonly searched types of Audio Mixing jobs in Tennessee?

The most popular types of Audio Mixing jobs in Tennessee are:

What cities in Tennessee are hiring for Audio Mixing jobs?

Cities in Tennessee with the most Audio Mixing job openings:

Infographic showing various Audio Mixing job openings in Tennessee as of August 2026, with employment types broken down into 72% Full Time, and 28% Part Time. Highlights an 92% In-person, and 8% Remote job distribution, with an average salary of $35,309 per year, or $17 per hour.
NASHVILLE SYMPHONY ASSOCIATION
Music Bands and Freelance Musicians • 201 - 500 employees

Full-time

Posted 11 days ago


Job description

  1. Summary

Title: Audio Engineer

Reports to: Director of Production

Employment Status: Full-Time Salaried, Exempt

Overview: As the primary executor of both live and recorded audio for the Nashville Symphony and at the Schermerhorn Symphony Center (SSC), the Audio Engineer helps the Director of Production manage and supervise part-time audio staff and audio production equipment/infrastructure at SSC. This role also works in conjunction with external venues and engineers to ensure the sonic quality of the Nashville Symphony is preserved regardless of the performance context.

  1. Primary Duties and Responsibilities
  1. Collaborate with Director of Production, Artistic Operations staff, orchestra musicians, and conductors to establish and execute audio standards and best-practices consistent with the Nashville Symphony and SSC’s reputation of excellence.
    1. Operate and/or supervise the operation of SSC audio equipment.
    2. Maintain audio equipment, communicating effectively about any repair or replacement needs to the Director of Production in a timely fashion.
    3. Provide audio support for non-orchestral events and concerts at SSC.
  2. Coordinate with other venues, arts organizations, engineers, and artists to cultivate and maintain a high standard of auditory excellence for the Nashville Symphony outside of SSC.
  3. Operate and/or supervise the operation, maintenance, and purchase & installation of SSC audio equipment for the Nashville Symphony, visiting artists/tours, and venue rental clients.
  4. Interpret technical riders and advance audio production for visiting artists and tours congruent with symphony CBA regulations and SSC best practices.
  5. Coordinate with Director of Production and Orchestra Production Manager to complete administrative work related to audio production including coding invoices, scheduling audio labor, and coordinating audio equipment rentals as needed.
  6. Ensure safety of Production Department equipment.
  7. Supervise and direct stagehands for “floor flips” in Laura Turner Concert Hall, as well as other production and maintenance tasks as assigned.

The duties listed above are not all inclusive.  The person in this position is expected to perform other work-related duties as assigned even though they may not be considered primary duties.

  1. Supervisory Responsibilities

Supervision of audio staff, contracted free-lancers, and venders. Carry out supervisory responsibilities in accordance with the organization's policies and applicable laws.

  1. Work Requirements
  1. Education / Experience:
    1. Bachelor’s degree or higher in Audio Engineering or related; or
    2. High School diploma or GED equivalent; and
    3. 5 years of experience mixing and recording in professional settings
  2. Required Soft Skills:
    1. Ability to lead, contribute, and thrive in a team environment.
    2. Strong analytical, organizational, and project management skills and a helpful attitude in developing creative responses and solutions to needs and issues.
    3. Ability to read, analyze, and interpret complex technical manuals and specifications and translate technical terminology to lay terms.
    4. Strong interpersonal skills for balancing the needs of various stakeholders.
    5. Ability to work independently and use independent judgment while keeping supervisor informed of work activity and issues.
    6. Ability to coordinate multiple projects and effectively prioritize tasks while maintaining a calm and professional demeanor.
    7. Ability to work flexible hours, including nights and weekends.
  3. Required Technical Skills:
    1. Familiarity with a variety of analog and digital audio equipment including: consoles, microphones, speakers, amplifiers, wireless systems, AoIP protocols, etc.
    2. Familiarity with Digital Audio Workstations.
    3. Excellent computer and Audio over IP networking skills.
    4. Advanced audio mixing and recording proficiency.
    5. Proficiency with soldering iron and heat gun.

The Nashville Symphony Association reserves the right to revise this job description at any time.  This job description is not a contract for employment. All employees are expected to adhere to all terms and conditions of the Association’s Personnel Policies and Employment Manuals and other Association policies and procedures which may be promulgated and published from time to time.