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Audio Mastering Jobs (NOW HIRING)

Davidson College

Recording Engineer

Davidson, NC · On-site

Collaborate with Music faculty to train students in audio recording and mastering techniques in the recording studio. * Assist Appalachian Ensemble Director with creating audio clips for rehearsal ...

NBCUniversal

Quality Control Technician

Universal City, CA · On-site

$76K - $98K/yr

... mastering and foreign-language versioning. * 3+ years of experience Knowledge of media files, including codecs, video and audio coding formats (wrappers), frame rates, bit rates, sample rates, video ...

Audiocom, Inc.

AV Integration Technician

Norwalk, CT · On-site

$24 - $36/hr

Continually learning and mastering new skills in the evolving A/V landscape. Qualifications * 2+ years of experience preferred. * Working knowledge of products from manufacturers like Savant, Lutron ...

TEKsystems

Music Creative Specialist

Menlo Park, CA · Hybrid

$40 - $48/hr

Hands-on experience with mixing and audio engineering, including gain staging, bus processing, and mastering * Proficiency with digital audio workstations (ProTools preferred) and modern production ...

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Audio Mastering information

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$29.5K

$84.5K

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How much do audio mastering jobs pay per year?

As of Aug 17, 2026, the average yearly pay for audio mastering in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What is an audio mastering?

An Audio Mastering job involves the final step in the music production process, ensuring that audio tracks are polished, balanced, and optimized for distribution. This includes adjusting levels, equalization, compression, and adding final enhancements to achieve a professional sound. Mastering engineers also ensure consistency across an album and prepare files for different formats, including streaming and physical media. Their goal is to make the music sound its best on all playback systems.

What are the main responsibilities of an audio mastering engineer on a typical project?

An Audio Mastering engineer is responsible for preparing the final mix of a recording for distribution, which involves tasks like equalization, compression, limiting, sequencing tracks, and ensuring consistent sound quality across an album or release. They carefully listen to and address any technical flaws, optimize playback across various formats and platforms, and often provide feedback to mixing engineers or artists if necessary. Collaboration is common, as mastering engineers work closely with producers, mixers, and sometimes directly with clients to ensure the finished product aligns with the creative vision. Staying current with industry-standard tools and trends is also a key ongoing responsibility.

What are the key skills and qualifications needed to thrive in the audio mastering position, and why are they important?

To thrive in Audio Mastering, you need a deep understanding of audio engineering principles, critical listening skills, and familiarity with music production, often supported by experience or a relevant degree. Mastering engineers commonly use specialized digital audio workstations (DAWs), high-end plugins, hardware processors, and may hold certifications in audio technology or related fields. Attention to detail, strong communication, and the ability to collaborate with artists and producers are essential soft skills in this role. These competencies ensure the delivery of polished final tracks that meet industry standards and artist expectations.

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What cities are hiring for Audio Mastering jobs?

Cities with the most Audio Mastering job openings:

What are the most commonly searched types of Audio Mastering jobs?

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What states have the most Audio Mastering jobs?

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Audio Mastering jobs near you
Infographic showing various Audio Mastering job openings in the United States as of August 2026, with employment types broken down into 90% Full Time, and 10% Part Time. Highlights an 61% Physical, and 39% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

Recording Engineer

Davidson College

Davidson, NC • On-site

Full-time

Re-posted 7 days ago

Job description


The Recording Engineer, Audio Technician, & Tyler-Tallman Hall manager is responsible for all live event recording, studio recording, audio archival maintenance, and recording distribution for the Music Department and events co-sponsored by the Music Department. This position provides support for Music faculty, staff, lesson instructors, and students on the integration of existing and emerging audio technologies to support instruction and performance. The position will provide technical support for the Electronic Music & Recording Studio and Digital Music Laboratory. The position also includes serving as a manager for Tyler-Tallman Recital Hall and running the sound board for Music events in that space. The position will train and manage any necessary work study students.
  • Recording Engineer
    • Provide high quality digital recording, mixing, and editing for Music Department and Music Department co-sponsored events in Tyler-Tallman Hall (TTH), Duke Family Performance Hall (DFPH), Davidson College Presbyterian Church (DCPC), other campus spaces, and Recording Studio for archive.
    • Manage and backup data to Music Department archival hard drives and cloud.
    • Serve as backup videographer for TTH performances (not video editing).
    • Hire, train, and supervise any necessary work study students.
  • Sound Board Operator for all Music Department and Music Department co-sponsored events in TTH and DCPC
    • Run pre-performance sound checks for performances in TTH requiring live mics.
    • Coordinate with Tech Services' Sound Board Operator for events in DFPH.
    • Coordinate with DCPC staff to run DCPC soundboard.
  • Tyler-Tallman Hall Manager
    • Serve as point person for Music events in TTH (approximately 40 per week during academic year) and non-Music events in TTH (approximately 2 per week during the academic year and sporadically throughout the summer), coordinating with the Director of Production & Promotion as necessary.
    • Serve as point person for any TTH lighting board technical issues.
    • Coordinate with T&I for Crestron migration and projector maintenance in TTH.

Classroom & Lab Maintenance
  • Assist the Music Department in the development and maintenance of the Electronic Music & Recording Studio and Digital Music Laboratory, staying abreast of emerging audio/multimedia software and technologies.
  • Serve as primary technician and provide maintenance for new Digital Creation Space in Sloan expected in summer/fall 2027 or 2028 (which will be approximately double the number of stations of current Digital Music Studio/"Keyboard Lab")
  • Coordinate with T&I for Music Department computer hardware replacements and upgrades in Sloan classrooms, current Digital Music/Keyboard Lab, future Digital Creation Space, and Electronic Music & Recording studio.
  • Manage and oversee departmental software purchases, upgrades, renewals, and master accounts for software subscriptions.
  • Coordinate with T&I and Physical Plant for Crestron migration and other upgrades and projects involving audio technologies in Sloan classrooms.
  • Troubleshoot speaker issues in Sloan classrooms.
  • Coordinate with Physical Plant and campus electricians for any necessary adjustments to infrastructure of wires within Sloan.
  • Maintain a budget for purchasing equipment, hardware, software, keyboards, and accessories necessary for event recording and studio, lab, and classroom maintenance and instruction.
  • Recycle, trade up, upcycle, or find ways to appropriately dispose of obsolete electronics.

Faculty & Staff Support
  • Offer guest sessions on recording for music classes.
  • Collaborate with Music faculty to train students in audio recording and mastering techniques in the recording studio.
  • Assist Appalachian Ensemble Director with creating audio clips for rehearsal purposes.
  • Record DCSO student composition reading sessions in Sloan 200.
  • Serve as Sound Operator for Theatre's & Music's collaborations on musicals.
  • Assist faculty with emergency recordings or livestreams in case of a global pandemic.

Required
  • B.M., B.S., or B.A. in Sound Recording, Sound Engineering, Audio Engineering, Recording Arts, or similar field
  • Five years of relevant hands-on experience required, which may include an M.M., M.S., or M.F.A.; Significant live event audio recording and production experience in orchestral, choral, and jazz big band music and experience working with faculty, preferably in a college environment. Ability to manage a digital recording studio. Excellent audio recording and mastering skills, interpersonal, organizational, and leadership skills, and experience with recent developments in audio technology. Strong oral and written communication skills with a solid customer service orientation.

Preferred
  • Basic skills in audio circuitry, electrical engineering, and soldering.

Information about how to submit an application can be found at https://employment.davidson.edu.
About Us
Davidson is a highly selective, nationally ranked, residential liberal arts college located in Davidson, North Carolina, near Charlotte. We seek to hire talented faculty and staff who are committed to achieving excellence within an inclusive community where diverse backgrounds and perspectives are valued.

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