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Tv Audio Engineer Jobs (NOW HIRING)

Apple

Core Audio Software Engineer

Cupertino, CA · On-site

... TV, Apple Watch, AirPods, HomePod, and Apple Vision Pro. We are looking for a seasoned audio ... Minimum Qualifications Strong C++ systems programming skills (C++17 or later) with experience ...

Apple Inc.

Core Audio DSP Software Engineer

Cupertino, CA · On-site

$147.40 - $272.10/hr

... Apple TV and Vision Pro. MGCTs Audio team provides the audio foundation for various high profile ... The team is looking for talented engineers who are passionate about championing the performance and ...

Apple

Core Audio Software Engineer

Cupertino, CA

$184K - $324K/yr

... TV, Apple Watch, AirPods, HomePod, and Apple Vision Pro. We are looking for a seasoned audio ... Minimum Qualifications Strong C++ systems programming skills (C++17 or later) with experience ...

Apple

Core Audio System Software Engineer

Cupertino, CA

$184K - $324K/yr

... and Apple TV. Our Audio team provides the foundational audio infrastructure that powers ... You will solve complex engineering challenges, develop new features and capabilities, and maintain ...

Apple Inc.

Core Audio Software Engineer

Cupertino, CA · On-site

$181.10 - $318.40/hr

... TV, Apple Watch, AirPods, HomePod, and Apple Vision Pro. We are looking for a seasoned audio ... Strong C++ systems programming skills (C++17 or later) with experience writing performance-critical ...

AGBO

Audio Director

Raleigh, NC · On-site +1

... television. The Russo Brothers and AGBO have generated more than $7 billion at the global box ... Own the implementation of audio in-engine in close partnership with programmers and engineers

AGBO Films LLC

Audio Director

Raleigh, NC · On-site +1

... television. The Russo Brothers and AGBO have generated more than $7 billion at the global box ... Own the implementation of audio in-engine in close partnership with programmers and engineers

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Tv Audio Engineer information

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$29.5K

$84.5K

$171.5K

How much do tv audio engineer jobs pay per year?

As of Aug 26, 2026, the average yearly pay for tv audio engineer in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What does a TV audio engineer do?

A TV Audio Engineer is responsible for managing and controlling the sound quality during television productions, broadcasts, or live events. Their duties include setting up microphones, mixing audio from various sources, and ensuring clear and balanced sound for viewers. They work closely with producers, directors, and other technical staff to meet the specific audio requirements of each program. TV Audio Engineers also troubleshoot audio issues in real-time and may maintain or repair audio equipment as needed.

What are the key skills and qualifications needed to thrive as a TV audio engineer?

To thrive as a TV Audio Engineer, you need a solid understanding of audio engineering principles, signal flow, and broadcast standards, often supported by a degree in audio production or a related field. Familiarity with digital audio consoles, DAWs (such as Pro Tools), broadcast audio routers, and relevant industry certifications are typically required. Excellent problem-solving, attention to detail, and strong communication skills help you adapt quickly to live production demands and collaborate with production teams. These skills and qualities ensure high-quality sound, smooth broadcasts, and effective teamwork in fast-paced television environments.

What are some common challenges a TV audio engineer faces when working on live broadcasts?

TV Audio Engineers working on live broadcasts often encounter challenges such as managing unpredictable sound sources, quickly troubleshooting technical issues, and ensuring audio clarity despite last-minute changes. They must maintain high sound quality under tight time constraints while coordinating closely with directors, producers, and on-air talent. Adaptability and the ability to remain calm under pressure are crucial, as live environments leave little room for error or delay.

What is the difference between Tv Audio Engineer vs Broadcast Audio Technician?

AspectTv Audio EngineerBroadcast Audio Technician
CredentialsAudio engineering certifications, technical trainingAudio certifications, broadcast technology training
Work EnvironmentTV studios, live events, post-productionBroadcast stations, live feeds, remote locations
Industry UsageTelevision production, entertainmentNews, sports, live broadcasts

Both Tv Audio Engineers and Broadcast Audio Technicians require similar certifications and work in television environments. However, Tv Audio Engineers often focus on studio and post-production audio, while Broadcast Audio Technicians handle live broadcast feeds and remote setups. Understanding these differences helps clarify career paths and job expectations in the television industry.

How much do television sound engineers make?

Television sound engineers typically earn a median annual salary of around $50,000 to $70,000, depending on experience, location, and the complexity of the production. Entry-level positions may start lower, while experienced engineers working on major broadcasts or in large markets can earn higher wages. Skills in audio equipment, mixing, and certification can influence earning potential.

Is there a demand for TV audio engineers?

TV audio engineers are in demand due to the ongoing need for high-quality sound in television production, live broadcasts, and post-production. Skills in audio mixing, editing, and familiarity with industry-standard equipment increase employability in this field, which is expected to grow with the expansion of digital and streaming media platforms.
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Tv Audio Engineer jobs near you
Infographic showing various Tv Audio Engineer job openings in the United States as of August 2026, with employment types broken down into 94% Full Time, 2% Part Time, and 4% Contract. Highlights an 85% Physical, 5% Hybrid, and 10% Remote job distribution, with an average salary of $84,456 per year, or $40.6 per hour.

Audio Engineer

Bethlehem, PA • On-site

Green Leaf Productions Inc
Broadcasting • 11 - 50 employees
Learn more about Green Leaf Productions Incexternal

Full-time

Re-posted 9 days ago

Job description


We are seeking a Sound Technician/Audio Engineer with proven experience in the film or television industry. This individual will be responsible for capturing high-quality production sound on set—working closely with directors, producers, and camera teams to ensure audio clarity, continuity, and consistency across all types of shoots.

The ideal candidate is highly skilled in both mixing and boom operation, adaptable to various shooting environments, and capable of managing and troubleshooting on-location sound challenges in real time.


Key Responsibilities

  • Operate provided sound equipment during production, including field mixers, boom mics, wireless lavalier systems, and recorders
  • Capture high-quality dialogue, ambient, and sync sound during interviews, scripted scenes, and documentary shoots
  • Monitor sound levels and adjust inputs to prevent clipping, distortion, or signal loss
  • Mic up talent with discretion and care; manage lav placement, cabling, and concealment
  • Collaborate with the Director, DP, and talent to ensure optimal mic positioning and minimal interference
  • Conduct pre-shoot sound checks and troubleshoot equipment or interference issues quickly
  • Log audio files, label takes, and maintain organized records for post-production
  • Maintain, inventory, and properly store all sound equipment
  • Support post-production by delivering clean, well-documented audio files and field notes


Qualifications

  • 4+ years of professional experience as a production sound mixer or boom operator
  • Proficiency with industry-standard gear (e.g., Zoom F8, Sound Devices mixers, Sennheiser/Lectrosonics wireless, Rode/Deity booms, etc.)
  • Strong understanding of on-location audio mixing, gain structure, and mic techniques
  • Experience working in a variety of production environments (studio, field, run-and-gun, interviews)
  • Knowledge of timecode sync, slating, and best practices for multi-cam shoots
  • Ability to work quickly and quietly on set with minimal disruption
  • Familiarity with post-production workflows and audio formats
  • Must be organized, punctual, and responsive under time-sensitive conditions
  • Ability to lift and carry sound gear; must have valid driver’s license and reliable transportation


Please note: While this evergreen posting remains open, we review applications continuously. If you’re interested, we invite you to apply. We appreciate everyone’s interest, though only candidates chosen for an interview will hear back from us.

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