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The Volume Podcast Jobs (NOW HIRING)

... and podcast sessions Shoots social-first content as the primary deliverable on most projects, keeping volume high without letting quality slip Ensures media backup and redundancy on every shoot ...

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Lead Videographer

Greenville, SC · On-site

$60K - $70K/yr

  • PTO

Runs assigned studio productions and podcast sessions * Shoots social-first content as the primary deliverable on most projects, keeping volume high without letting quality slip * Ensures media ...

... and podcast sessions Shoots social-first content as the primary deliverable on most projects, keeping volume high without letting quality slip Ensures media backup and redundancy on every shoot ...

New

We are the team behind the Golden Globe-nominated show The Mel Robbins Podcast, which is #1 most ... Balance multiple fast-moving projects and deadlines in a high-volume production environment

We are the team behind the Golden Globe-nominated show The Mel Robbins Podcast, which is #1 most ... Balance multiple fast-moving projects and deadlines in a high-volume production environment

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The Volume Podcast information

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$61K

$102.1K

$135K

How much do the volume podcast jobs pay per year?

As of Aug 13, 2026, the average yearly pay for the volume podcast in the United States is $102,051.00, according to ZipRecruiter salary data. Most workers in this role earn between $77,000.00 and $123,500.00 per year, depending on experience, location, and employer.

What is The Volume Podcast?

The Volume Podcast is a sports podcast network founded by sports broadcaster Colin Cowherd. It features a variety of shows and hosts, focusing on in-depth sports analysis, commentary, and interviews with athletes and industry experts. The network covers topics across the sports spectrum, including the NFL, NBA, college sports, and more. The Volume aims to provide fresh perspectives and engaging discussions for sports fans. Listeners can access episodes through major podcast platforms like Apple Podcasts and Spotify.

What is the difference between The Volume Podcast vs Content Writer?

AspectThe Volume PodcastContent Writer
Primary RoleHosts and produces podcast episodes focused on industry topicsCreates written content for websites, blogs, and marketing materials
Required SkillsAudio production, interviewing, storytellingWriting, editing, SEO knowledge
Work EnvironmentRecording studios, remote setupsOffice or remote, computer-based work
Industry UsageMedia, entertainment, marketingDigital marketing, publishing, advertising

While The Volume Podcast focuses on audio content creation and industry discussions, a Content Writer specializes in producing written material for digital platforms. Both roles require strong communication skills, but they differ in format and technical expertise. Understanding these differences helps employers and job seekers find the right fit within media and marketing industries.

What are the key skills and qualifications needed to thrive as a podcast producer, and why are they important?

To thrive as a Podcast Producer, you need expertise in audio editing, content development, and project management, often supported by experience in media production or communications. Familiarity with digital audio workstations (DAWs) such as Adobe Audition or Audacity, as well as knowledge of podcast hosting platforms, is typically required. Strong soft skills like creativity, attention to detail, and effective communication help in collaborating with hosts, guests, and marketing teams. These skills are crucial for producing high-quality, engaging content that builds audience loyalty and drives podcast success.

What are some common challenges faced by podcast producers working at The Volume Podcast, and how can they overcome them?

Podcast producers at The Volume Podcast often face the challenge of coordinating multiple schedules, managing tight production timelines, and ensuring high-quality audio output. Collaboration with hosts, editors, and marketing teams is key to streamlining workflows and maintaining consistency. Staying organized with project management tools and clear communication helps producers handle last-minute changes and deliver engaging content on time. Proactively seeking feedback and adapting to evolving audience preferences also helps producers succeed in this dynamic environment.
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What cities are hiring for The Volume Podcast jobs? Cities with the most The Volume Podcast job openings:
What states have the most The Volume Podcast jobs? States with the most job openings for The Volume Podcast jobs include:
Infographic showing various The Volume Podcast job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 78% Full Time, 15% Part Time, 1% Temporary, and 5% Contract. Highlights an 92% Physical, 2% Hybrid, and 6% Remote job distribution, with an average salary of $102,051 per year, or $49.1 per hour.

YouTube Editor - Freelance

Nebraska Broadcasters Association

Santa Monica, CA • On-site

Full-time

Medical, Dental, Vision, Life, Retirement, PTO

This job post has expired today. Applications are no longer accepted.


Job description

The dedicated freelance YouTube Editor creates and refines long-form and short-form video content for YouTube and social platforms, playing a key role in the brand's video content strategy. The role owns the editing process for YouTube-bound content, transforming linear segments into YouTube-optimized long-form videos and editing YouTube-native programming with a focus on audience retention, strong hooks, pacing, and effective chaptering. The freelance YouTube Editor brings a deep understanding of YouTube and YouTube Shorts best practices, applying platform-specific storytelling techniques to maximize engagement and performance.

As a member of the Long-Form Pod, the freelance YouTube Editor partners closely with the Long-Form Video Producer Lead to develop and deliver long-form content for the channel. The role also creates weekly podcast cutdowns for YouTube Shorts, TikTok, and Instagram, turning recurring podcast episodes into compelling short-form content that extends audience reach across platforms. Working within the Director of Video Content's YouTube strategy and the Head of Social's broader social media strategy, the freelance YouTube Editor helps drive content performance through strong editorial judgment, creative storytelling, and platform-native execution.

This freelance role is expected to be approximately 40 hours per week, with schedules aligned to tournament coverage needs. Flexibility to work weekends may be required during key tournaments and high-volume event periods. This freelance engagement is anticipated to run through December 2026, with the potential to be extended through the end of 2027 based on business needs and performance.

This is a freelance role and onsite located in Santa Monica, CA. 

In this freelance role, you will... 

Lead YouTube Editing & Production  (primary lane) 

  • Re-edit linear segments into YouTube-optimized long-form pieces (typically 8-25 minute range), with attention to retention pacing, hook structure, and chaptering. 
  • Produce and edit YouTube-native long-form content from scratch, in partnership with the Long-Form Video Producer Lead and the Director of Video Content. 
  • Maintain the YouTube content calendar in partnership with the Director of Video Content. 
  • Identify which linear content is best suited for YouTube re-editing; build relationships with the linear content team to access source material. 
  • Stage every YouTube upload for the Director of Video Content's pre-publish approval on brand-sensitive pieces; route SEO and thumbnail tests under the same approval flow. 

Create Podcast Weekly Cutdowns  (secondary lane) 

  • Cut the team's weekly podcast episodes down into platform-native short-form pieces for YouTube Shorts, TikTok, and Instagram - the standing recurring deliverable for this lane. 
  • Identify the strongest moments in each weekly episode - clean takes, sharp quotes, debate beats, reactions - and cut them into 30-90 second vertical pieces with platform-native styling (captions, sound, hooks, aspect ratio). 
  • Adapt each cutdown across the three target platforms - Shorts, TikTok, and Instagram Reels - with platform-appropriate length, pacing, captioning, and thumbnail/cover styling. 
  • Maintain a weekly cutdown publish cadence - typically 3-6 cuts per episode across the three platforms - coordinated with the Short-Form Pod and the on-shift coordinator on publish-window timing. 
  • Add platform-native styling to every cutdown (captions, sound mix, end cards) and a thumbnail/cover frame that holds up in feed. 
  • Partner with the Short-Form Video Producer Lead, the Social Media Specialist, and the on-shift coordinator on which cutdowns publish, when, and on which platforms. 

Drive Content & Creative Direction 

  • Apply Tennis Channel brand voice and visual standards on every YouTube piece and every podcast cutdown. 
  • Partner with the Tournament Highlights Editor and the Original/Long-Form Editor on occasional YouTube edits when their formats are a better fit. 
  • Pitch new YouTube formats and serialized programming ideas to the Director of Video Content. 

Stay Ahead of Platform Expertise & Trends 

  • Stay current on Shorts, TikTok, and Reels for the podcast cutdown lane - sound choices, edit timing, hook structures that work for podcast-derived clips. 
  • Run platform-feature tests on YouTube (Shorts placements, Premieres, chapter strategy, format experiments); document what works and roll learnings into the strategy. 
  • Bring YouTube-driven and podcast-cutdown ideas to the Weekly Trending Content Meeting (chaired by the Senior Social Media Manager). 

Partner Cross-Functionally 

  • Pair daily with the Long-Form Video Producer Lead in the Long-Form Pod on YouTube-bound long-form content - concept fit, on-site capture priorities, hand-off, finish. 
  • Partner with the Short-Form Pod and the Social Media Specialist on the podcast cutdown lane - what gets cut, what publishes, when, and on which platforms. 
  • Partner with Programming/Linear to identify which linear segments are candidates for YouTube re-editing; own the actual re-editing under the Director of Video Content's strategic direction. 
  • Coordinate with the Social Graphics Content Specialist on YouTube thumbnails, end cards, lower-thirds, and series art that wraps the channel. 
  • Coordinate with the on-shift coordinator on Shorts publish-window timing and cross-platform asset distribution. 

Key Performance Indicators 

  • YouTube subscriber growth (+100% YoY) - primary KPI. 
  • Average view duration trend on YouTube. 
  • Click-through rate on uploads (target: 6%+ on most uploads, 8%+ on linear re-edits). 
  • Number of linear-to-YouTube re-edits published per month vs. plan. 
  • Audience retention curve quality (qualitative review of retention graphs). 

Key Qualifications 

  • 3-5 years editing and/or producing YouTube content with documented growth results. 
  • Demonstrable track record on a brand or creator channel - must show analytics from prior work, not just edits. 
  • Strong understanding of YouTube algorithm fundamentals: retention, click-through rate, session time, watch time. 
  • Hands-on thumbnail design ability or strong art-direction skills with a designer. 
  • Hands-on short-form vertical editing for Shorts, TikTok, and Instagram Reels - the podcast cutdown lane requires the same craft as a dedicated short-form editor. 
  • Premiere Pro and DaVinci Resolve fluency; CapCut Pro for fastest-turn cutdowns. 
  • Comfort writing - titles, descriptions, occasional voice-over scripts, podcast cutdown captions. 
  • Comfort working at high volume across two distinct cadences - multi-day YouTube production cycles and weekly podcast cutdown turnaround. 
  • Prior experience adapting linear/broadcast content for YouTube. 
  • Sports, news, or entertainment YouTube channel experience. 
  • Podcast or talk-show editing experience - knowing how to find the clip moment inside a long conversation. 
  • Familiarity with YouTube Studio, vidIQ or TubeBuddy, and basic SEO research tools. 

Tennis Channel is proud to be equal opportunity employer and a drug free workplace. Employment practices will not be influenced or affected by virtue of an applicant's or employee's race, color, religion, sex (including pregnancy, gender identity, and sexual orientation), national origin, age, disability, genetic information, military or veteran status or any other characteristic protected by law.

About Tennis Channel
 

Tennis Channel is the only multiplatform destination dedicated solely to tennis year-round. Together, the Tennis Channel flagship network, Tennis Channel 2, and the Tennis Channel app (tennischannel.com) deliver the most accessible and concentrated single-sport coverage anywhere. As the exclusive U.S. home of the ATP Tour and WTA Tour, Tennis Channel features live coverage of every Masters 1000 tournament - including Indian Wells, the Miami Open, Madrid, Rome, Cincinnati, and more - alongside live studio programming including its premier series, TC Live. Tennis Channel 2, a free FAST channel available in over 100 million homes, brings fans matches from across the globe at every level of the game. The Tennis Channel app brings it all together in one place, delivering live and on-demand matches, original content, and a personalized multi-view experience for fans, available on mobile and connected TV devices. Owned by Sinclair, Tennis Channel is also a co-owner of PickleballTV (pickleballtv.com), a joint venture with the Professional Pickleball Association.


About Sinclair
Sinclair, Inc. (Nasdaq: SBGI) is a diversified media company and a leading provider of local news and sports. The Company owns, operates and/or provides services to 177 television stations in 79 markets affiliated with all major broadcast networks; owns Tennis Channel, the premium destination for tennis enthusiasts; and multicast networks CHARGE, Comet, ROAR and The Nest. Sinclair's AMP Media produces a growing portfolio of digital content and original podcasts. Additional information about Sinclair can be found at www.sbgi.net.


About the Team
The life-blood of our organization is our people. We have a compelling story, a goal-oriented culture, and we take really good care of people. How good? Here is a glimpse: great benefits, open-door policy, upward mobility and a strong desire to see you succeed. Ready to be part of a winning team? Let's talk.

The base salary compensation range for this freelance role is $70,350 to $80,000. Final compensation for this role will be determined by various factors such as a candidates' relevant work experience, skills, certifications, and geographic location. Full time positions are eligible for benefits that include participation in a retirement plan, life and disability insurance, health, dental and vision plans, flexible spending accounts, sick leave, vacation time, personal time, parental leave and employee stock purchase plan.

#tennis


Nebraska Broadcasters Association logo

About Nebraska Broadcasters Association

Sourced by ZipRecruiter

The Nebraska Broadcasters Association (NBA) is a key player in the communications industry located in Omaha, NE, US. Officially established in 1934, it was founded with the mission of fostering effective cooperation among broadcasters in Nebraska, advocating for their rights and promoting the highest standards of broadcasting. NBA is the voice for Nebraska’s free over-the-air radio and television broadcasters, serving the public interest since 1934. As a non-profit association, it relies on dues from member broadcasting stations to fulfill its purpose. Among its notable achievements, the association has played a major role in supporting broadcasters and ensuring they maintain adherence to regulations.

Industry

Media and telecom

Company size

1 - 10 Employees

Headquarters location

Omaha, NE, US

Year founded

1934

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