1

Temporary Music Audio Engineer Jobs (NOW HIRING)

Live music is our passion and where we find our common ground. There has never been a better time ... Audio Control Boards operation * Oversee visiting audio techs, especially during shows

Record all major music department performances * Compile and edit performance for the needs of the ... Bachelor's degree in audio engineering, recording arts or music is preferred. * A minimum of three ...

Live music is our passion and where we find our common ground. There has never been a better time ... Audio Control Boards operation * Oversee visiting audio techs, especially during shows

Live music is our passion and where we find our common ground. There has never been a better time ... Audio Control Boards operation * Oversee visiting audio techs, especially during shows

next page

Showing results 1-20

Temporary Music Audio Engineer information

See salary details

$29.5K

$84.5K

$171.5K

How much do temporary music audio engineer jobs pay per year?

As of Jul 15, 2026, the average yearly pay for temporary music audio engineer in the United States is $84,456.00, according to ZipRecruiter salary data. Most workers in this role earn between $50,000.00 and $113,000.00 per year, depending on experience, location, and employer.

What is the difference between Temporary Music Audio Engineer vs Music Producer?

AspectTemporary Music Audio EngineerMusic Producer
CredentialsAudio engineering certifications, music technology knowledgeMusic production courses, industry experience
Work EnvironmentRecording studios, live events, post-productionStudio, project-based, collaborative settings
Employer & Industry UsageRecording studios, film, TV, live eventsRecord labels, independent artists, studios

Temporary Music Audio Engineers focus on technical audio tasks for specific projects, often on a short-term basis. Music Producers oversee the entire music creation process, including artistic direction and project management. While both roles require audio knowledge, engineers emphasize technical skills, whereas producers combine technical and creative leadership.

What cities are hiring for Temporary Music Audio Engineer jobs? Cities with the most Temporary Music Audio Engineer job openings:
What are the most commonly searched types of Music Audio Engineer jobs? The most popular types of Music Audio Engineer jobs are:
What states have the most Temporary Music Audio Engineer jobs? States with the most job openings for Temporary Music Audio Engineer jobs include:
A1 (Broadcast Audio Engineer)

A1 (Broadcast Audio Engineer)

Broadcast Management Group, Inc.

Chicago, IL • On-site

Full-time

Re-posted 10 days ago


Job description

Audio Technician / A1 (Broadcast Audio Engineer)
Broadcast Management Group (BMG) is a full-service media production company providing managed services and live production solutions across News, Sports, Entertainment, Music, and Digital Streaming. We support some of the industry's leading broadcast and media organizations through innovative production workflows and technical excellence.
Position Summary
The Audio Technician / A1 is responsible for the setup, operation, maintenance, and troubleshooting of audio systems for live television broadcasts, digital streaming productions, and special events. This position plays a critical role in ensuring broadcast-quality audio for talent, guests, remote contributors, and audiences across multiple platforms.
The ideal candidate thrives in fast-paced live production environments, possesses strong technical skills, remains calm under pressure, and delivers exceptional communication and client service.
Key Responsibilities
Set up, operate, and monitor audio systems for live television broadcasts, digital streaming productions, and special events.
Mix live audio sources including talent microphones, remote guests, IFBs, playback, music, and studio feeds.
Maintain consistent broadcast-quality audio levels throughout live productions.
Monitor audio signals and quickly diagnose and resolve issues before they impact air.
Guest & Talent Coordination
Coordinate guests ahead of live appearances and scheduled segments.
Conduct pre-show audio and video checks ("faxing out" guests) to ensure technical readiness.
Prepare and hand off guests for live broadcasts.
Set up and manage lavalier microphones, IFBs, wireless microphone systems, and talent communication devices.
Manage microphone batteries, wireless frequencies, and talent audio requirements.
Escort and assist guests as needed while maintaining a professional on-air experience.
Remote Production Support
Configure and manage Zoom, Skype, Teams, LiveU, and other remote contribution systems.
Establish and troubleshoot remote guest connections for live broadcasts.
Monitor remote audio quality and coordinate with guests and production staff to ensure successful live hits.
Support hybrid and remote production workflows.
Audio Networking & Communications
Configure, operate, and troubleshoot Dante audio networks.
Operate and support RTS intercom systems and communications workflows.
Understand and manage audio signal flow, routing, patching, and IP-based audio infrastructure.
Support communications between control rooms, studios, and remote production teams.
Equipment Maintenance & Technical Support
Perform routine maintenance, testing, and quality control on audio equipment.
Troubleshoot audio consoles, microphones, wireless systems, IFBs, codecs, routers, and communications systems.
Assist with equipment upgrades, installations, and studio maintenance projects.
Maintain accurate equipment inventory and documentation.
Ensure all audio systems are operational and production-ready.
Production Support
Assist with studio setup, strike, and production preparation.
Collaborate closely with Producers, Directors, Technical Directors, Engineers, and Talent.
Follow show rundowns and production schedules while adapting to last-minute changes.
Support special productions, remote broadcasts, and field operations as assigned.
Contribute to a positive team environment and assist across departments when needed.
Required Qualifications
Experience working in live television, broadcast, streaming, or live event production environments.
Strong knowledge of live audio mixing and broadcast audio workflows.
Experience operating professional digital audio consoles.
Experience with Dante audio networking.
Experience with RTS intercom systems.
Familiarity with LiveU and remote production technologies.
Experience managing Zoom, Skype, Teams, and other remote guest platforms.
Understanding of signal flow, audio routing, patching, and troubleshooting.
Strong organizational and communication skills.
Excellent client-facing and talent-facing professionalism.
Ability to remain calm and make decisions under live broadcast pressure.
Preferred Qualifications
Experience in a live television control room environment.
Knowledge of wireless microphone coordination and RF management.
Familiarity with audio-over-IP workflows.
Experience with news, sports, or entertainment broadcasts.
Understanding of broadcast networking infrastructure.
Experience supporting multiple studios or control rooms.
Skills & Competencies
Strong troubleshooting abilities
Excellent attention to detail
Effective communication skills
Professional guest and client management
Ability to multitask in high-pressure environments
Team-oriented mindset
Adaptability and willingness to learn new technologies

Broadcast Management Group logo

About Broadcast Management Group

Sourced by ZipRecruiter

We are a video production company dedicated to solving technical and creative challenges of any scale or complexity At Broadcast Management Group, we believe there is no one-size-fits-all solution to production. Every project requires a unique approach. And every client has different desires and objectives. Our job is to understand those goals, desires, and dreams and craft a custom production solution that delivers results. This philosophy applies to all facets of our organization, from live production, consulting, and integration to events, staffing, and creative. We’ve spent nearly two decades helping clients across the globe achieve their production goals. From large-scale, multi-camera productions, engineering technical facilities, and launching OTT networks from the ground up. Our work tells the story of what we’ve done, where we’ve been, and the clients we’ve been fortunate to collaborate with.

Industry

Broadcasting

Company size

51 - 200 Employees

Headquarters location

Washington, DC, US

Year founded

2005

Social media