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Temporary Audio Archive Jobs (NOW HIRING)

... audio, and brand identity. Post-Production Assembly & Edit Support * Rough Assemblies & Selects ... Archiving & Delivery: Export, spot-check, and back up final project files and master assets across ...

NJ · On-site

$60 - $80/hr

On‑site: event manager(s), coordinators, temporary and freelance staff ... Utilize program folder on the company server to archive all program information. Partner with major ...

New

This is a temporary position (10 weeks @ 37.5 hours/week) that includes a $1500 stipend. Exact ... archive Optional: Prior experience with audio-visual equipment, databases, data entry, or other ...

The Role This is a temporary, contract position through the end of 2026 with the potential to ... Ability to set up a studio shoot, camera, audio, lighting, seamless, etc. * Willingness to travel ...

New

Media Room Assistant

Boston, MA · On-site

$28.53/hr

Audio recording fundamentals * Basic lighting technique Job Summary: We are seeking a Media Room ... Tag and archive content * Manage storage locations * Ensure version control * Keep project naming ...

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Temporary Audio Archive information

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$17

$31

$53

How much do temporary audio archive jobs pay per hour?

As of Sep 3, 2026, the average hourly pay for temporary audio archive in the United States is $31.13, according to ZipRecruiter salary data. Most workers in this role earn between $25.96 and $35.10 per hour, depending on experience, location, and employer.

What is the difference between Temporary Audio Archive vs Audio Technician?

AspectTemporary Audio ArchiveAudio Technician
CredentialsTypically no formal certification required, but familiarity with audio storage and cataloging systems helpsOften requires technical certifications or training in audio equipment and editing
Work EnvironmentPrimarily office or digital environment, managing audio files and archivesVaries from studio, live events, to broadcast settings, working with audio equipment
Industry UsageUsed in media companies, archives, libraries, and production houses for managing audio assetsCommon in broadcasting, recording studios, live events, and post-production

The Temporary Audio Archive focuses on managing and preserving audio files temporarily, often in digital formats, without extensive technical setup. In contrast, an Audio Technician actively works with audio equipment, recording, mixing, and troubleshooting. Both roles are essential in media industries but differ mainly in technical involvement and work environment.

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Cities with the most Temporary Audio Archive job openings:

What are the most commonly searched types of Audio Archive jobs?

The most popular types of Audio Archive jobs are:

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The top searched job categories for Temporary Audio Archive jobs are:

Infographic showing various Temporary Audio Archive job openings in the United States as of August 2026, with employment types broken down into 69% Full Time, 28% Part Time, 1% Temporary, and 2% Contract. Highlights an 78% Physical, 2% Hybrid, and 20% Remote job distribution, with an average salary of $64,756 per year, or $31.1 per hour.

Junior Editor (intern)

PLURAL

Manhattan, NY • On-site

$23/hr

Other

This job post has expired today. Applications are no longer accepted.


Job description

Plural is a multidisciplinary marketing company. Our team’s mission is to bring a culture of creativity, a posture of possibility, and an abundance of craft to the world. We are practitioners, facilitating a strategic social-first approach to modern media.

As a Junior Editor (Contractor/Intern) at Plural, you will serve as a core post-production engine across our internal media initiatives and partner campaign workflows. Working under the guidance of the Team Lead, Production & Editor, this role is tailored for a detail-oriented, high-energy college senior who understands the crucial difference between traditional narrative editing and fast-paced, social-first commercial editing.

In this position, you will take ownership of editing Plural’s internal video assets while providing essential post-production support on client work through rough assemblies, selects, and project setups. You will also serve as a key anchor in the studio, keeping post-production pipelines moving smoothly when the team is out traveling or on-location for production shoots.

Key Responsibilities

Internal Video Editing & Plural Storytelling

  • Internal Video Ownership: Lead assembly and final cuts for Plural’s internal media properties, including Plural Perspectives episodes, internal case studies, studio sizzle reels, and BTS content.
  • Commercial Pacing & Craft: Cut engaging short-form and digital video assets with a sharp eye for commercial visual rhythm, platform-native pacing, trending audio, and brand identity.

Post-Production Assembly & Edit Support

  • Rough Assemblies & Selects: Support editors and producers by ingesting raw footage, organizing project bins, creating selects, and cutting initial rough assemblies for commercial client projects.
  • Commercial Storytelling: Apply an understanding of commercial storytelling - focusing on hook timing, concise messaging, visual rhythm, and graphic integration - rather than traditional long-form narrative structures.
  • Cutdowns & Reformatting: Adapt master edits into platform-native cutdowns for TikTok, Instagram Reels, and YouTube Shorts, ensuring correct aspect ratios and compression specs.

Workflow Continuity & Project Prep

  • Travel Coverage & Studio Continuity: Act as a reliable post-production contact in the studio to field edit requests, deliver revisions, and manage pipeline assets when the team is traveling for physical shoots.
  • Project Setup & Technical Standards: Meticulously build out Premiere Pro project files according to Plural’s post-production guidelines (the PLOG), including folder optimization, file naming, and proxy creation.
  • Archiving & Delivery: Export, spot-check, and back up final project files and master assets across local archive drives and cloud servers.
  • Academic & Experience Level: Current College Senior pursuing a degree in Film/Video Production, Post-Production, Digital Media, or a related field, with 1–2 years of practical experience gained through internships, freelancing, or student production groups.
  • Editing Focus: Demonstrated focus in video editing, with a clear understanding of the differences in pacing, structure, and intent between commercial brand work and narrative storytelling.
  • Software Proficiency: Intermediate expertise in Adobe Premiere Pro and Media Encoder. Working familiarity with After Effects, Photoshop, and DaVinci Resolve is a plus.
  • Technical Foundations: Strong grasp of post-production technical fundamentals - video codecs, aspect ratios, frame rates, audio leveling, color correction, and proxy workflows.
  • Adaptability & Pace: Comfortable working in a fast-paced, iterative studio environment with quick turnaround times and constructive feedback loops.
  • Location & Availability: NYC-based and available for a minimum of 2 full days per week in-studio (Mondays and Tuesdays, with potential for Thursdays; 8 hours/day) at our Lower East Side studio (195 Chrystie St) from September 2026 through the end of January 2027.
You’re a Great Fit If You:
  • Love video pacing, sound design, and modern social video trends.
  • Possess a proactive problem-solving mindset and take pride in organized folder structures.
  • Can jump in independently to assemble a cut or organize footage when lead editors are away on set.
  • Are eager to build a professional post-production portfolio in a collaborative, agency studio environment.
Role & Contract Details
  • Timeline: September 2026 – End of January 2027 (~5 Months)
  • Schedule: Temporary Contract (Minimum 16–24 hours per week); Minimum 2 full days in-studio (Mondays and Tuesdays required, Thursdays optional).
  • Reports To: Team Lead, Production & Editor
  • Location: 195 Chrystie St (Studio 901-D), Lower East Side, NYC.
  • Compensation: Paid Hourly ($23 / hour)
  • Occasional weekday or weekend work on a project-by-project basis.
About Plural

Based in the Lower East Side of NYC, we cultivate and celebrate communities, strengthening our partner’s digital presence as well as create captivating creative content that resonates and inspires the communities we connect with.

We form long-term relationships with our partners built on mutual respect, healthy creative collaboration, inspiration, and sustained growth. We partner with a wide variety of brands and organizations bringing pivotal value as an extension of the partner team.

Plural’s partnerships range from local businesses to global brands, organizations, nonprofits, and personalities. Our partner list includes Seven Seven Six Fund, AERIN Beauty, AllModern, Cash App, EarlyBird, Deseret Wellness, DKNY, Jack Conte, Joss & Main, NAPAWF, Pure Utah, The Grand, Tom Ford Beauty, and Turf Design.

We act as a business partner, not a supplier.

We lead with business empathy.

We believe our unique perspectives make us stronger.

We are human-centered and empathic.

We encourage collaboration and play.

We create together.

We learn together.

We grow together.

We are Plural.

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