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Remote Live Music Production Jobs (NOW HIRING)

Develop expertise around live music events; this role will serve as an SME for live music ... Remote, USA PHYSICAL DEMANDS The physical demands described here are representative of those that ...

As a DJ at Toussaint Productions, you will be responsible for creating unforgettable musical ... Perform live sets at a variety of venues such as weddings, corporate functions, parties, and ...

As a DJ at Toussaint Productions, you will be responsible for creating unforgettable musical ... Perform live sets at a variety of venues such as weddings, corporate functions, parties, and ...

Provide remote support and system monitoring for clients throughout the US * Proactively address ... music products.The Music & Arts division operates more than 220+ stores specializing in band ...

About Hook Hook is a social music platform, backed by top-tier investors, building the next ... This role is remote or hybrid for candidates applying from the NY metro area. What you'll do * Own ...

Coordinate the Music team to source stems, cue sheets, and live vs. streaming handoff; ensure ... Weekly Production Meetings: Coordinate weekly meetings and issue decisions and action items; manage ...

Provide remote support and system monitoring for clients throughout the US * Proactively address ... music products.The Music & Arts division operates more than 220+ stores specializing in band ...

Hybrid, Remote, or On-Site Employment Type: Full-Time Pay: Competitive hourly rate Pay Differential ... music products. The Music & Arts division operates more than 220 stores specializing in band ...

Hybrid, Remote, or On-Site Employment Type: Full-Time Pay: Competitive hourly rate Pay Differential ... music products. The Music & Arts division operates more than 220 stores specializing in band ...

About Hook Hook is a social music platform, backed by top-tier investors, building the next ... This role is remote or hybrid for candidates applying from the NY metro area. What you'll do * Own ...

Senior Analytics Engineer

Atlanta, GA ยท Remote

$125K - $165K/yr

... theater, and live music event tickets on behalf of artists, promoters, teams, venues, and ... a productivity multiplier with appropriate critical judgment. * Solid understanding of data ...

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Remote Live Music Production information

See salary details

$11K

$48.3K

$126.5K

How much do remote live music production jobs pay per year?

As of Jun 10, 2026, the average yearly pay for remote live music production in the United States is $48,339.00, according to ZipRecruiter salary data. Most workers in this role earn between $26,500.00 and $61,000.00 per year, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a Remote Live Music Production professional, and why are they important?

To thrive in Remote Live Music Production, proficiency in audio engineering, live sound mixing, and a solid understanding of music theory are essential, often supported by relevant degrees or certifications. Familiarity with digital audio workstations (DAWs), live streaming platforms, and audio interface hardware is typically required. Strong communication, problem-solving abilities, and adaptability help professionals coordinate with artists and technicians across locations. These skills ensure high-quality live music experiences and seamless technical execution in remote settings.

What is the difference between Remote Live Music Production vs Remote Audio Engineer?

AspectRemote Live Music ProductionRemote Audio Engineer
CredentialsMusic production certifications, audio engineering knowledgeAudio engineering certifications, mixing/mastering skills
Work EnvironmentCollaborating with artists, producers remotely, live event setupsStudio or remote mixing, editing, mastering
Industry UsageMusic festivals, concerts, live streaming eventsRecording studios, broadcast, post-production

Remote Live Music Production involves coordinating and managing live music events remotely, often including live streaming and real-time sound management. Remote Audio Engineers focus on mixing, editing, and mastering audio recordings from a remote location. While both roles require audio expertise and remote collaboration, Live Music Production emphasizes event coordination and live sound, whereas Audio Engineering centers on post-production and sound quality enhancement.

What are common challenges faced in remote live music production and how can they be managed?

Remote live music production often involves managing technical issues such as audio latency, internet connectivity, and synchronization between performers in different locations. To address these challenges, teams typically use specialized software and hardware designed for low-latency streaming, and conduct thorough pre-event sound checks. Clear communication and defined roles among team members are essential for smooth collaboration, and it's also important to have contingency plans for technical difficulties. By staying organized and leveraging the right tools, producers can deliver high-quality live music experiences remotely.

What is remote live music production?

Remote live music production refers to the process of producing, mixing, and broadcasting live music performances from different locations using digital technology. It allows musicians, sound engineers, and producers to collaborate in real time without being physically present in the same venue. This approach has become increasingly popular due to advancements in streaming technology and the need for virtual events. Remote live music production can include live concerts, studio sessions, or virtual festivals, all coordinated and delivered over the internet.
More about Remote Live Music Production jobs
What cities are hiring for Remote Live Music Production jobs? Cities with the most Remote Live Music Production job openings:
What are the most commonly searched types of Live Music Production jobs? The most popular types of Live Music Production jobs are:
What states have the most Remote Live Music Production jobs? States with the most job openings for Remote Live Music Production jobs include:
Infographic showing various Remote Live Music Production job openings in the United States as of June 2026, with employment types broken down into 93% Full Time, 4% Part Time, 1% Temporary, and 2% Contract. Highlights an 94% Physical, 2% Hybrid, and 4% Remote job distribution, with an average salary of $48,339 per year, or $23.2 per hour.
Production Manager, Remote & Studio

Production Manager, Remote & Studio

Digital Remedy

Santa Monica, CA โ€ข Remote

Full-time

Medical, Dental, Vision, Life, Retirement, PTO

Posted 24 days ago


Job description

This Production Manager will manage all aspects of planning and executing full-scale productions for LIVE remote events and studio shows both domestic and International. Reporting to the Production Director, Remotes & Studio, this role requires a highly organized, proactive, and quick-thinking professional with strong communication and interpersonal skills.

The ideal candidate will have at least 3 years of experience in production management, or a related role, within the sports or entertainment production industry, along with a proven ability to oversee complex remote productions, manage operations and venue logistics, and work closely with venue management and the host broadcaster. This individual must also uphold a professional appearance and demeanor, serving as an ambassador and representative of Tennis Channel on an international stage. Proficiency in Microsoft Office (Outlook, Excel, Word, PowerPoint) is required, with experience in Smartsheet preferred and familiarity with Lasso Scheduling considered a plus.

This role is based in our Santa Monica, CA office.

In this role, you will:

ย  Support Remote Production Responsibilities

  • Serve as a key resource for all production teams in studio and on remote, acting as the primary liaison between a wide variety of entities (e.g., Facility Management, senior-level Production, Production and Technical Crews, Talent, Site Operations, Vendors, Tournament Directors, and other TV Network Representatives)
  • Organize and coordinate with host venues and broadcasters all facilities, including VandA bookings, office space, power, venue coordination and logistics, shipping, and Transmision
  • Supervise and coordinate staff requirements and needs for remote productions, both foreign and domestic.
  • Help source and identify experienced crews for remote ATP 1000 productions, both foreign and domestic.
  • Oversee the acquisition and distribution of various production elements, such as event footage, music and music cue sheets, graphic elements, and equipment.
  • Partner with Travel and Finance teams to coordinate hotel needs, both foreign and domestic.
  • Organize and manage credentials, venue access, parking, catering, and crew scheduling
  • Plan and coordinate rental equipment tracking, logistics, and shipping (both foreign and domestic).
  • Develop and ensure quality control of all production books.
  • Manage and maintain schedules, production books, and call sheets using Lasso software and established Excel spreadsheets.
  • Collaborate closely with the team to create daily crew call times and schedules.
  • Manage and maintain planning documents, including schedules, trackers, and planning spreadsheets.
  • Partner with the Director of Finance to manage costs, coordinate crew and show requirements, and ensure timely processing of crew timecards and contracts/deal memos.

Support Studio Production Responsibilities

  • Assist in supervising and maintaining studio coordination, staff, and facilities, alongside the Productionย Coordinator
  • Serve as the primary liaison between a wide variety of entities during world feed production.
  • Partner with the Manager, Production Accountant to coordinate crew and technical show requirements and ensure timely processing of crew timecards and contracts/deal memos.
  • Collaborate with production teams to ensure assigned productions meet network creative and technical objectives
  • Develop and ensure quality control of all production books and daily schedules.
  • Help train new hires on production department processes and procedures.ย 

ย  Qualifications:

  • 3-5 years' experience in production management, or a related role, within the sports or entertainment production industryย 
  • Domestic and International travel required. Traveling between the United States and Europe to attend as needed Grand Slams & tournaments; total travel time averages 4 months per year
  • Willingness to work 50+ hours/week on a flexible schedule that includes day, night, weekend and holiday shifts (Tennis season is Jan-Nov; heaviest workloads occur in the Summer months May-Sept)
  • Ability to adapt and thrive in constantly changing environments, filled with unpredictable challenges and interaction with all personality types
  • Enthusiasm for managing hands-on projects and the resourcefulness to 'get your hands dirty' and make things happen
  • Proven and strong ability to multi-task, adapt to fast-paced environment and manage several productions start-to-finish

Tennis Channel is proud to be equal opportunity employer and a drug free workplace. Employment practices will not be influenced or affected by virtue of an applicant's or employee's race, color, religion, sex (including pregnancy, gender identity, and sexual orientation), national origin, age, disability, genetic information, military or veteran status or any other characteristic protected by law.

About Tennis Channel
Tennis Channelย is the only multiplatform destination dedicated solely to tennis year-round. Together, the Tennis Channel flagship network, Tennis Channel 2, and the Tennis Channel app (tennischannel.com) deliver the most accessible and concentrated single-sport coverage anywhere. As the exclusive U.S. home of the ATP Tour and WTA Tour, Tennis Channel features live coverage of every Masters 1000 tournament - including Indian Wells, the Miami Open, Madrid, Rome, Cincinnati, and more - alongside live studio programming including its premier series, TC Live. Tennis Channel 2, a free FAST channel available in over 100 million homes, brings fans matches from across the globe at every level of the game. The Tennis Channel app brings it all together in one place, delivering live and on-demand matches, original content, and a personalized multi-view experience for fans, available on mobile and connected TV devices. Owned by Sinclair, Tennis Channel is also a co-owner of PickleballTV (pickleballtv.com), a joint venture with the Professional Pickleball Association.


About Sinclair
Sinclair, Inc. (Nasdaq: SBGI) is a diversified media company and a leading provider of local news and sports. The Company owns, operates and/or provides services to 178 television stations in 81 markets affiliated with all major broadcast networks; owns Tennis Channel, the premium destination for tennis enthusiasts; multicast networks CHARGE, Comet, ROAR and The Nest. Sinclair's AMP Media produces a growing portfolio of digital content and original podcasts. Additional information about Sinclair can be found atwww.sbgi.net.ย 


About the Team
The life-blood of our organization is our people. We have a compelling story, a goal-oriented culture, and we take really good care of people. How good? Here is a glimpse: great benefits, open-door policy, upward mobility and a strong desire to see you succeed. Ready to be part of a winning team? Let's talk.

The base salary compensation range for this role is $112,500 to $125,000. Final compensation for this role will be determined by various factors such as a candidates' relevant work experience, skills, certifications, and geographic location. Full time positions are eligible for benefits that include participation in a retirement plan, life and disability insurance, health, dental and vision plans,ย flexible spending accounts, sick leave, vacation time, personal time, parental leave and employee stock purchase plan.

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