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Remote Live Music Production Jobs (NOW HIRING)

The Live Remote Sports Director is the creative and technical authority in the production truck on ... Contribute creatively to all show elements including content selection, music, graphics packages ...

Remote Become a part of our customer's team as an Audio Production Expert, demonstrating your ... tracks live to highlight your distinctive creative approach. We are committed to capturing ...

Location US-Remote Job Post Information* : External Company Name Oak View Group Job Post ... the live music industry by connecting with promoters, agents, managers, venues and production ...

Location US-Remote Job Post Information* : External Company Name Oak View Group Job Post ... the live music industry by connecting with promoters, agents, managers, venues and production ...

Be Seen First

Talent Scouting: Identify and evaluate emerging artists, Live performers, songwriters, and ... Oversee the production of music projects from initial concept to final release. Collaborate with ...

New

This is a remote role that will work primarily on the New York-based Market stories and industry ... the live music industry by connecting with promoters, agents, managers, venues and production ...

This is a remote role that will work primarily on the New York-based Market stories and industry ... the live music industry by connecting with promoters, agents, managers, venues and production ...

... theater, and live music event tickets on behalf of artists, promoters, teams, venues, and ... THE POSITION The Product Operations Associate will work alongside our product leads, engineering ...

Remote We are seeking an Applied Machine Learning Engineer with a strong focus on practical ... in music product development and improve manual music processes. This position is ideal for ...

Principal Software Engineer

Atlanta, GA ยท Remote

$138K - $185K/yr

... theater, and live music event tickets on behalf of artists, promoters, teams, venues, and ... Partner with Architects, the Head of Product Engineering, and the executive team on long-range ...

Senior Software Engineer

Atlanta, GA ยท Remote

$125K - $165K/yr

... theater, and live music event tickets on behalf of artists, promoters, teams, venues, and ... REQUIREMENTS * 5+ years building production software, with a track record of leading non-trivial ...

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Remote Live Music Production information

See salary details

$11K

$48.3K

$126.5K

How much do remote live music production jobs pay per year?

As of Jun 13, 2026, the average yearly pay for remote live music production in the United States is $48,339.00, according to ZipRecruiter salary data. Most workers in this role earn between $26,500.00 and $61,000.00 per year, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a Remote Live Music Production professional, and why are they important?

To thrive in Remote Live Music Production, proficiency in audio engineering, live sound mixing, and a solid understanding of music theory are essential, often supported by relevant degrees or certifications. Familiarity with digital audio workstations (DAWs), live streaming platforms, and audio interface hardware is typically required. Strong communication, problem-solving abilities, and adaptability help professionals coordinate with artists and technicians across locations. These skills ensure high-quality live music experiences and seamless technical execution in remote settings.

What is the difference between Remote Live Music Production vs Remote Audio Engineer?

AspectRemote Live Music ProductionRemote Audio Engineer
CredentialsMusic production certifications, audio engineering knowledgeAudio engineering certifications, mixing/mastering skills
Work EnvironmentCollaborating with artists, producers remotely, live event setupsStudio or remote mixing, editing, mastering
Industry UsageMusic festivals, concerts, live streaming eventsRecording studios, broadcast, post-production

Remote Live Music Production involves coordinating and managing live music events remotely, often including live streaming and real-time sound management. Remote Audio Engineers focus on mixing, editing, and mastering audio recordings from a remote location. While both roles require audio expertise and remote collaboration, Live Music Production emphasizes event coordination and live sound, whereas Audio Engineering centers on post-production and sound quality enhancement.

What are common challenges faced in remote live music production and how can they be managed?

Remote live music production often involves managing technical issues such as audio latency, internet connectivity, and synchronization between performers in different locations. To address these challenges, teams typically use specialized software and hardware designed for low-latency streaming, and conduct thorough pre-event sound checks. Clear communication and defined roles among team members are essential for smooth collaboration, and it's also important to have contingency plans for technical difficulties. By staying organized and leveraging the right tools, producers can deliver high-quality live music experiences remotely.

What is remote live music production?

Remote live music production refers to the process of producing, mixing, and broadcasting live music performances from different locations using digital technology. It allows musicians, sound engineers, and producers to collaborate in real time without being physically present in the same venue. This approach has become increasingly popular due to advancements in streaming technology and the need for virtual events. Remote live music production can include live concerts, studio sessions, or virtual festivals, all coordinated and delivered over the internet.
More about Remote Live Music Production jobs
What cities are hiring for Remote Live Music Production jobs? Cities with the most Remote Live Music Production job openings:
What are the most commonly searched types of Live Music Production jobs? The most popular types of Live Music Production jobs are:
What states have the most Remote Live Music Production jobs? States with the most job openings for Remote Live Music Production jobs include:
Infographic showing various Remote Live Music Production job openings in the United States as of June 2026, with employment types broken down into 93% Full Time, 4% Part Time, 1% Temporary, and 2% Contract. Highlights an 94% Physical, 2% Hybrid, and 4% Remote job distribution, with an average salary of $48,339 per year, or $23.2 per hour.
Director, Remote Productions

Director, Remote Productions

Warnerbros

Atlanta, GA โ€ข Remote

Full-time

Posted 15 days ago


Job description

Welcome to Warner Bros. Discovery... the stuff dreams are made of.

Who We Are...

When we say, "the stuff dreams are made of," we're not just referring to the world of wizards, dragons and superheroes, or even to the wonders of Planet Earth. Behind WBD's vast portfolio of iconic content and beloved brands, are the storytellers bringing our characters to life, the creators bringing them to your living rooms and the dreamers creating what's next...

From brilliant creatives, to technology trailblazers, across the globe, WBD offers career defining opportunities, thoughtfully curated benefits, and the tools to explore and grow into your best selves. Here you are supported, here you are celebrated, here you can thrive.

Your New Role...

The Live Remote Sports Director is the creative and technical authority in the production truck on game day. Reporting to the Coordinating Director of Live Remote Productions, this role is responsible for directing all camera, replay, graphics, and audio elements of live and near-live remote sporting events for TNT Sports broadcasts. The Director collaborates closely with Producers, Technical Directors, Associate Directors, and Broadcast Associates to execute production plans that are both strategically sound and visually stunning. This position requires significant travel and a flexible schedule aligned to the live sports calendar.

Role Accountabilities...

  • Serve as the primary creative authority in the production truck, calling all camera cuts, replay sequences, graphics deployments, and transitions during live remote broadcasts.
  • Direct high-profile NHL, MLB, and NCAA events with a consistent, broadcast-quality "look and feel" that upholds TNT Sports standards and brand identity.
  • Collaborate with the Producer pre-game to develop and execute a comprehensive production plan, including camera placements, show flow, graphics stings, music cues, and replay priorities.
  • Lead and mentor Associate Directors (ADs) and Broadcast Associates (BAs), providing constructive, real-time coaching that elevates the entire crew.
  • Actively champion the integration of new broadcast technologies, including MFP Productions (Remote Integration) workflows, IP-based production systems, and next-generation replay platforms.
  • Communicate proactively and professionally with all departments-engineering, graphics, audio, EVS operators, and league/team media relations-to ensure seamless execution.
  • Think forward: review upcoming games and events in advance and develop production plans that allow operations and engineering teams to prepare thoroughly.
  • Contribute creatively to all show elements including content selection, music, graphics packages, and special production elements for marquee broadcasts.
  • Adapt quickly and calmly in dynamic live-event environments, solving technical and creative challenges without disrupting the broadcast.
  • Maintain awareness of league rules, broadcast rights requirements, and credentialing protocols for all sports properties.
  • Be available for a 24/7 live sports schedule including weekends, holidays, and playoff runs as required.

Qualifications & Experiences...

Required:

  • Minimum 5 years of experience as a Director in remote live sports production at a regional network level or higher.
  • Demonstrated directing experience on NCAA basketball, NHL, MLB, or NASCAR broadcasts at a regional network level or higher; experience across multiple TNT Sports properties strongly preferred.
  • Extensive hands-on experience directing in full large-scale production trucks and MFP production environments.
  • Deep working knowledge of multi-camera production, replay systems (EVS or equivalent), broadcast graphics platforms, and production switchers.
  • Experience with computer-based rundown formats and the ability to read and execute complex show formats under live conditions.
  • Proven ability to remain composed and decisive in high-pressure, fast-moving live broadcast situations.
  • Strong interpersonal and communication skills; able to lead a large crew and build productive relationships with league and team media relations personnel.
  • Demonstrated ability to mentor and develop emerging production talent.

Preferred:

  • Experience directing national-level live sports broadcasts for a major network or sports cable property.
  • Familiarity with IP-based broadcast workflows and cloud-based production tools.
  • Experience directing both regular-season and playoff/championship-level events.
  • Forward-thinking mindset with a track record of proposing and adopting new production techniques or technologies.

HOW TO APPLY

Are you ready to take the director's chair on the biggest stages in live sports? We want to hear from you.

Submit your application-including a current resume and a link to a recent directing reel or highlight package. In your cover letter, please tell us about a live broadcast moment that challenged you and how you responded. Applications without a reel or highlight package will not be considered.

How We Get Things Done...

This last bit is probably the most important! Here at WBD, our guiding principles are the core values by which we operate and are central to how we get things done. You can find them at www.wbd.com/guiding-principles/ along with some insights from the team on what they mean and how they show up in their day to day. We hope they resonate with you and look forward to discussing them during your interview.

Championing Inclusion at WBD

Warner Bros. Discovery embraces the opportunity to build a workforce that reflects a wide array of perspectives, backgrounds and experiences. Being an equal opportunity employer means that we take seriously our responsibility to consider qualified candidates on the basis of merit, without regard to race, color, religion, national origin, gender, sexual orientation, gender identity or expression, age, mental or physical disability, and genetic information, marital status, citizenship status, military status, protected veteran status or any other category protected by law.

If you're a qualified candidate with a disability and you require adjustments or accommodations during the job application and/or recruitment process, please visit our accessibility page for instructions to submit your request.