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Remote Audio Mixing Jobs in California (NOW HIRING)

Remote Audio Mixing information

See California salary details

$29.1K

$83.3K

$169.3K

How much do remote audio mixing jobs pay per year?

As of Jul 14, 2026, the average yearly pay for remote audio mixing in California is $83,350.00, according to ZipRecruiter salary data. Most workers in this role earn between $49,300.00 and $111,500.00 per year, depending on experience, location, and employer.

What is a Remote Audio Mixing job?

A Remote Audio Mixing job involves adjusting and balancing individual audio tracks to create a polished final mix, all done remotely using digital audio workstations and online collaboration tools. Mixing engineers enhance clarity, depth, and overall quality by adjusting levels, EQ, compression, reverb, and other effects. They work with musicians, podcasters, filmmakers, and content creators to ensure the final product sounds professional. This job requires technical expertise, critical listening skills, and effective communication to meet clients' artistic visions.

What are the key skills and qualifications needed to thrive in the Remote Audio Mixing position, and why are they important?

To thrive in Remote Audio Mixing, you need a solid understanding of audio engineering principles, music theory, and experience with various mixing techniques, often supported by a degree or coursework in audio production. Mastery of digital audio workstations (DAWs) like Pro Tools, Logic Pro, or Ableton Live, as well as familiarity with audio plugins and troubleshooting tools, is essential. Exceptional communication, time management, and attention to detail are crucial soft skills for remote collaboration and delivering high-quality results to clients. These abilities ensure consistent audio quality, meet project deadlines, and facilitate seamless interaction with artists and production teams across distances.

What does a typical day look like for someone working in remote audio mixing?

A typical day for a remote audio mixer involves receiving raw audio files from clients or artists, critically listening to tracks, applying technical adjustments such as balancing levels and EQ, and creatively shaping the final mix. Most mixers collaborate with clients via email or video calls to gather feedback and ensure the project aligns with their vision. You may also work closely with producers, songwriters, or other audio professionals to address revisions or integrate additional elements. Prioritizing multiple projects and managing deadlines independently is important, as work is often self-directed. Effective communication and a strong attention to detail are key to building a reliable reputation and ensuring client satisfaction in this remote environment.

What are the most commonly searched types of Audio Mixing jobs in California? The most popular types of Audio Mixing jobs in California are:
What are popular job titles related to Remote Audio Mixing jobs in California? For Remote Audio Mixing jobs in California, the most frequently searched job titles are:
What cities in California are hiring for Remote Audio Mixing jobs? Cities in California with the most Remote Audio Mixing job openings:
Infographic showing various Remote Audio Mixing job openings in California as of July 2026, with employment types broken down into 58% Full Time, 12% Part Time, and 30% Contract. Highlights an 100% Remote job distribution, with an average salary of $83,350 per year, or $40.1 per hour.
Seasonal Part-Time Audio 1

Seasonal Part-Time Audio 1

The National Football League

Inglewood, CA • Remote

Other

Posted 5 days ago


Job description

NFL Media Technical Operations is seeking an experienced Audio 1 (A1) to lead audio production for live and recorded programming across NFL Media platforms. This position serves as the primary audio lead responsible for the planning, execution, mixing, and overall quality of audio elements supporting studio, remote, and special event productions. 

The ideal candidate possesses extensive live broadcast audio experience, strong technical expertise in modern IP-based audio environments, and a proven ability to perform in fast-paced, high-profile sports production settings. Production services will be based at NFL Media's state-of-the-art broadcast facility in Inglewood, California. 

Responsibilities

  • Serve as the lead audio mixer for live and recorded productions, ensuring the highest level of audio quality and operational excellence.
  • Design, configure, and execute complex audio workflows for studio shows, remote broadcasts, special events, and digital productions.
  • Operate and mix live productions utilizing broadcast audio consoles, playback systems, communication systems, and IP-based audio infrastructure.
  • Collaborate closely with producers, directors, technical directors, engineering teams, and production personnel to deliver consistent and impactful audio experiences.
  • Develop and maintain show-specific audio configurations, routing strategies, and operational workflows.
  • Lead audio planning for remote productions, transmission paths, venue integration, and signal management.
  • Troubleshoot and resolve technical audio issues in real time while maintaining on-air continuity.
  • Oversee proper setup, operation, and optimization of communications systems, including Riedel intercom platforms.
  • Ensure compliance with broadcast audio standards and best practices across stereo, surround sound, and emerging audio formats.
  • Provide guidance, mentorship, and operational direction to A2 and A3 personnel and freelance audio staff as needed.
  • Maintain proficiency in emerging broadcast technologies, IP networking standards, and audio production workflows.
  • Perform other duties as assigned. 

Required Qualifications

  • 7+ years of professional broadcast audio experience, including significant experience mixing live sports and studio productions.
  • Proven experience serving as an Audio 1 (A1) or senior-level broadcast audio mixer in a professional television, streaming, or live event environment.
  • Advanced experience operating SSL audio consoles; experience with SSL System T and S500 platforms strongly preferred.
  • Demonstrated expertise in stereo, 5.1 surround, and multi-channel broadcast audio mixing.
  • Extensive knowledge of IP-based audio infrastructures, including AES67, Dante, SMPTE 2110, and related broadcast networking technologies.
  • Experience supporting complex remote productions, transmission workflows, and large-scale live event broadcasts.
  • Strong understanding of broadcast signal flow, routing, communications systems, and troubleshooting methodologies.
  • Proficiency with playback systems, audio servers, and broadcast production technologies.
  • Experience working with Riedel communications systems and networked intercom environments preferred. 

Qualifications

  • Experience supporting national sports broadcasts and large-scale live events.
  • Dante Certification or equivalent IP audio networking credentials.
  • Experience with EVS audio workflows and replay systems.
  • Familiarity with cloud-based or remote production environments.
  • CTS, Dante, or other relevant industry certifications. 

Other Key Attributes / Characteristics

  • Exceptional leadership, communication, and collaboration skills.
  • Ability to remain calm and make sound decisions in high-pressure live production environments.
  • Demonstrated attention to detail and commitment to operational excellence.
  • Strong troubleshooting and problem-solving capabilities.
  • Ability to prioritize multiple competing demands while maintaining production quality.
  • Strong technical proficiency with broadcast systems, production software, and collaboration tools. 

Terms / Expected Hours of Work

  • Availability to work flexible schedules, including evenings, weekends, holidays, and special events.
  • Ability to support remote productions and occasional travel as business needs require.
  • Seasonal employment up to 7 months. 

Salary / Pay Range

This job posting contains a pay range, which represents the range of salaries or hourly rates that the NFL believes, in good faith, at the time of this posting that it might be willing to pay for the posted job in the location(s) specified. The NFL expects to hire for this position near the middle of the range. Only in truly rare and exceptional circumstances, where an external candidate has experience, credentials or expertise that far exceed those required or expected for the position, would the NFL consider paying a salary or rate near the higher end of the range.