Thesefacilities include editing suites, sound mixing stages, foley rooms, color correction rooms, a ... Oversees all SFTV Post-Production facilities, workflows, scheduling, and maintenance for both ...
Thesefacilities include editing suites, sound mixing stages, foley rooms, color correction rooms, a ... Oversees all SFTV Post-Production facilities, workflows, scheduling, and maintenance for both ...
Manager, Post Production
Los Angeles, CA · On-site
These facilities include editing suites, sound mixing stages, foley rooms, color correction rooms ... Oversees all SFTV Post-Production facilities, workflows, scheduling, and maintenance for both ...
Manager, Post Production
Los Angeles, CA · On-site
These facilities include editing suites, sound mixing stages, foley rooms, color correction rooms ... Oversees all SFTV Post-Production facilities, workflows, scheduling, and maintenance for both ...
... production, sound editing, and podcast workflows using Logic Pro or Pro Tools. Preferred ... Hands-on experience with media asset management (MAM) systems and post-production archiving ...
... production, sound editing, and podcast workflows using Logic Pro or Pro Tools. Preferred ... Hands-on experience with media asset management (MAM) systems and post-production archiving ...
Post-Production Producer
Las Vegas, NV · On-site
This role acts as the central operational hub for the post-production phase, managing schedules, review loops, and deliverables to drive projects through editing, color, sound, and finishing. By ...
Post-Production Producer
Las Vegas, NV · On-site
This role acts as the central operational hub for the post-production phase, managing schedules, review loops, and deliverables to drive projects through editing, color, sound, and finishing. By ...
AUDIO CLEAN UP SPECIALIST (Berkeley)
Berkeley, CA · On-site
$300/wk
This is a Contracted position in the field of Post Production - Editing, Compositing, Motion ... Our sound designer has not been able to clean up this section.We need an Audio Clean Up Specialist ...
AUDIO CLEAN UP SPECIALIST (Berkeley)
Berkeley, CA · On-site
$300/wk
This is a Contracted position in the field of Post Production - Editing, Compositing, Motion ... Our sound designer has not been able to clean up this section.We need an Audio Clean Up Specialist ...
Video Editor
Austin, TX · On-site
$70K/yr
Own post production of video projects, including story arc/narrative construction, editing, color grading, and sound design. * Manage a pipeline of video projects at this stage simultaneously.
Video Editor
Austin, TX · On-site
$70K/yr
Own post production of video projects, including story arc/narrative construction, editing, color grading, and sound design. * Manage a pipeline of video projects at this stage simultaneously.
... sound editing and duplication equipment. Separate instruments, vocals, and other sounds, then combine sounds later during the mixing or post-production stage. Set up, test, and adjust recording ...
... sound editing and duplication equipment. Separate instruments, vocals, and other sounds, then combine sounds later during the mixing or post-production stage. Set up, test, and adjust recording ...
Music Engineer - Freelance
Sunrise, FL · On-site
... using sound editing and duplication equipment. * Separate instruments, vocals, and other sounds, then combine sounds later during the mixing or post-production stage. * Set up, test, and adjust ...
Music Engineer - Freelance
Sunrise, FL · On-site
... using sound editing and duplication equipment. * Separate instruments, vocals, and other sounds, then combine sounds later during the mixing or post-production stage. * Set up, test, and adjust ...
Post Production Supervisor
Santa Monica, CA · On-site
$115K - $130K/yr
Post Production Management ... Oversee the work of in-house post artists at GSS Studios and day player vendors, including editors ...
Post Production Supervisor
Santa Monica, CA · On-site
$115K - $130K/yr
Post Production Management ... Oversee the work of in-house post artists at GSS Studios and day player vendors, including editors ...
Post-Production Manager
Indianapolis, IN · On-site
Post-Production Manager This is a full-time, in-person position located in Indianapolis, Indiana ... Partnering closely with the Directors of Audio and Video Editing, this person manages the editing ...
Quick apply
Post-Production Manager
Indianapolis, IN · On-site
Post-Production Manager This is a full-time, in-person position located in Indianapolis, Indiana ... Partnering closely with the Directors of Audio and Video Editing, this person manages the editing ...
Post Production Manager / Editor
$75K - $80K/yr
In this role, you will act as the right hand to the Post Production Supervisor, ensuring our media pipeline runs flawlessly while also editing short-form commercial campaigns across the BDG sphere.
Quick apply
Post Production Manager / Editor
$75K - $80K/yr
In this role, you will act as the right hand to the Post Production Supervisor, ensuring our media pipeline runs flawlessly while also editing short-form commercial campaigns across the BDG sphere.
Post Production Supervisor
Studio City, CA · On-site
$75K - $111K/yr
Working closely with writer/producers, editors, audio mixers, and production leadership, this role ... The Post Production Supervisor coordinates resources across online editing, audio sweetening, voice ...
Post Production Supervisor
Studio City, CA · On-site
$75K - $111K/yr
Working closely with writer/producers, editors, audio mixers, and production leadership, this role ... The Post Production Supervisor coordinates resources across online editing, audio sweetening, voice ...
Post Production Assistant
New York, NY · On-site
$20 - $25/hr
Job Title: Post Production Assistant Location : New York FLSA: Non-Exempt Reports To: Post ... Help Assistant Editors (AEs) and Finishing team as needed with media and coordination tasks such as ...
Post Production Assistant
New York, NY · On-site
$20 - $25/hr
Job Title: Post Production Assistant Location : New York FLSA: Non-Exempt Reports To: Post ... Help Assistant Editors (AEs) and Finishing team as needed with media and coordination tasks such as ...
Post Production Supervisor
Studio City, CA · On-site
$75K - $111K/yr
Working closely with writer/producers, editors, audio mixers, and production leadership, this role ... The Post Production Supervisor coordinates resources across online editing, audio sweetening, voice ...
Post Production Supervisor
Studio City, CA · On-site
$75K - $111K/yr
Working closely with writer/producers, editors, audio mixers, and production leadership, this role ... The Post Production Supervisor coordinates resources across online editing, audio sweetening, voice ...
Post Production Manager / Editor
New York, NY · On-site
$75K - $80K/yr
In this role, you will act as the right hand to the Post Production Supervisor, ensuring our media pipeline runs flawlessly while also editing short-form commercial campaigns across the BDG sphere.
Post Production Manager / Editor
New York, NY · On-site
$75K - $80K/yr
In this role, you will act as the right hand to the Post Production Supervisor, ensuring our media pipeline runs flawlessly while also editing short-form commercial campaigns across the BDG sphere.
... editing, and general post-production organization. Audio Post / Sound Design Gain exposure to dialogue cleanup, sound effects, Foley, music placement, audio editing, and introductory mixing ...
... editing, and general post-production organization. Audio Post / Sound Design Gain exposure to dialogue cleanup, sound effects, Foley, music placement, audio editing, and introductory mixing ...
Post Production Lead
San Francisco, CA · On-site
$81.25/hr
This is a unique position ideally suited for an experienced editor who has exceptional technical skills and knowledge of post production systems and media management. IT skills are key, and skills in ...
Post Production Lead
San Francisco, CA · On-site
$81.25/hr
This is a unique position ideally suited for an experienced editor who has exceptional technical skills and knowledge of post production systems and media management. IT skills are key, and skills in ...
Post Production Lead
San Francisco, CA · On-site
This is a unique position ideally suited for an experienced editor who has exceptional technical skills and knowledge of post production systems and media management. IT skills are key, and skills in ...
Quick apply
Post Production Lead
San Francisco, CA · On-site
This is a unique position ideally suited for an experienced editor who has exceptional technical skills and knowledge of post production systems and media management. IT skills are key, and skills in ...
Audio Engineer
Bethlehem, PA · On-site
Support post-production by delivering clean, well-documented audio files and field notes Qualifications * 3+ years of professional experience as a production sound mixer or boom operator
Quick apply
Audio Engineer
Bethlehem, PA · On-site
Support post-production by delivering clean, well-documented audio files and field notes Qualifications * 3+ years of professional experience as a production sound mixer or boom operator
Adjunct Faculty in Sound
Chicago, IL · On-site
... post-production sound. While sound is a focus, students experience a comprehensive cinema education from cinematography, editing, color correction through advanced workflows. Considerations:
Adjunct Faculty in Sound
Chicago, IL · On-site
... post-production sound. While sound is a focus, students experience a comprehensive cinema education from cinematography, editing, color correction through advanced workflows. Considerations:
Post Production Sound Editing information
See salary details
$5.29 - $8.63
0% of jobs
$8.63 - $11.98
0% of jobs
$11.98 - $15.32
19% of jobs
$18.07 is the 25th percentile. Wages below this are outliers.
$15.32 - $18.66
7% of jobs
The median wage is $21.45 / hr.
$18.66 - $22.01
28% of jobs
$22.01 - $25.35
7% of jobs
$25.35 - $28.69
13% of jobs
$28.86 is the 75th percentile. Wages above this are outliers.
$28.69 - $32.04
5% of jobs
$32.04 - $35.38
4% of jobs
$35.38 - $38.72
2% of jobs
$38.72 - $42.07
14% of jobs
$5
$25
$42
How much do post production sound editing jobs pay per hour?
What does a post production sound editor do?
A typical day for a Post Production Sound Editor involves reviewing raw audio tracks, cleaning up and synchronizing dialogue, adding sound effects and ambiance, and ensuring overall audio quality aligns with the project's goals. You might attend meetings with directors or sound supervisors to discuss creative direction and address specific audio needs or revisions. Collaboration is common, as you often work closely with other editors, mixers, and sometimes composers to ensure a cohesive final product. The role requires balancing meticulous attention to detail with the ability to meet tight deadlines in a fast-paced environment.
What skills and qualifications are needed for post production sound editing?
To thrive as a Post Production Sound Editor, you need a strong grasp of audio editing techniques, a keen ear for detail, and familiarity with the basics of sound design, often supported by formal training in audio engineering or a related field. Proficiency with digital audio workstations (DAWs) such as Pro Tools, as well as knowledge of industry-standard plugins and audio restoration tools, is essential. Strong communication, collaboration, and time management skills are important soft skills for working effectively with directors, producers, and other post-production team members. These qualities ensure the final audio seamlessly enhances the visual content and meets the creative vision and technical standards of each project.
What is post production sound editing?
A Post Production Sound Editing job involves refining and enhancing the audio elements of a film, TV show, or other media after filming is complete. This includes cleaning up dialogue, adding sound effects, balancing levels, and ensuring seamless audio transitions. Sound editors work closely with directors and sound designers to create an immersive auditory experience. Their work is essential for maintaining clarity, realism, and emotional impact in the final production.

Loyola Marymount University rating
9.3
Based on 5 frontline employees who took The Breakroom Quiz
10th of 616 rated colleges and universities
Job description
Overview:
The Production Administration Team (PAT) at Loyola Marymount University (LMU) -School of Film and Television (SFTV), a top-ranked film school, serves students in Film Production, Screenwriting, Recording Arts, Animation, and Film Studies. The students in Film Production produce approximately 800 films per year. Each project is overseen by a staff member in PAT. Projects are monitored for adherence torules, policies, and procedures codified in the SFTV Handbook, and most importantly, for the highest level of workplace safety.
PAT provides services and maintains available facilities and equipment in 5 buildings across two campuses, including sound stages, scene and prop shop, professional cinema-quality camera packages, grip/electric equipment, and production sound equipment for both project and classroom use.
The Post Production department oversees the facilities for video and sound editing as well as sound recording, animation, and the theaters. Thesefacilities include editing suites, sound mixing stages, foley rooms, color correction rooms, a recording studio, computer labs, and three theaters, as well as drawing, motion capture, and stop animation rooms. For a more complete list of equipment and facilities, please see theSFTV website. SFTV is a certified Avid Learning Partner (ALP), both teaching and using The Adobe Creative Suite and DaVinci Resolve.
Position Specific Responsibilities/Accountabilities
Leads the strategic integration of the Animation and Theater teams into the Post Productiondepartment under the direction of the Head of Production.
Oversees all SFTV Post-Production facilities, workflows, scheduling, and maintenance for both production and class use, including:
Maintenance and upgrade of all Post Production facilities and labs.
Facilities' scheduling for individual student use.
Classroom support.
Internal SFTV help desk/repair ticket system.
Oversees and is accountable for managing the overall Post Production budget and associated sub-budgets. Ensures costs are forecasted, overages avoided, and staff adherence to purchasing and reconciliations processes.
Leads and models adherence to standards, policies, and procedures as outlined in the Post Production Handbook. Ensures standards are clearly and accurately definedand oversees publication of the Post Production Handbook.
Advises the Head of Production and faculty on annual and off-cycle equipment requisition requests.
Oversees and supervises SFTV post-production staff, including:
Editing Support Specialist
Sound Support Specialist
Animation Support Specialist
Theater Support Specialist / Manager
Post-Production Help Desk and other student workers (approx. 60 total)
Supervision includes but is not limited to recruitment, hiring, and onboarding,training, evaluation, performance management, and close oversight of staff's activities.
Serves as the point person and
Solves technical problems for students, faculty, and staff.
Ensures proper, complete and updated software installs in labs and on specialized computers.
Manages small-scale and large-scale technical projects with assigned staff members.
Works with staff to test new hardware and software with a focus on post-production needs.
Collaborates with Production Administration, Camera, Production Sound, and Grip/Electric staff on designing and providing seamless workflows from script to screen.
Develops long-term plans for the department, including
Post-Production workflows including picture, sound, visual effects and virtual production.
Software and equipment strategies, and budgets.
Researches and recommends new replacement software and hardware to support the curriculum.
New equipment and methods.
Oversees comprehensive training and resources to support students, staff, and faculty, including:
Development of tutorials, documentation, and video tutorials to facilitate understanding of software, hardware, and post-production workflows, including 2K, 4K, and future UHD workflows.
Training for post-production graduate students, teaching, and lab assistants.
Training and managing Post-Production Help Desk student workers. Provides one-on-one training in various aspects of post-production hardware and software for faculty and staff development.
Designs focused tutorial sessions.
Stays current with industry standards and technical developments, which may include attending trade shows, webinars, and industry events. Disseminates information about new trends to the SFTV community and fosters discussion about the technical future of the school.
Participates in planning and execution of both internal and outward-facing events, including screenings, showcases, festivals, and panel discussions. Supports the technical needs of the event itself as well as their audio and multi-cam capture and streaming.
Liaises with faculty on current needs and long-term planning.
Assists in cross-functional work with the Dean's Office, Administration and Operations, Faculty Services, Student Services and/or other SFTV departments, including public events or any other use of SFTV facilities or resources.
Collaborates with the IT department on hardware and software upgrades and maintenance. Consult SFTV Operations department on RMP computer/laptop requests and parameters for software purchases.
Interfaces with Facilities Management on installations and renovations, as directed by the Head of Production and the SFTV Director of Operations as needed.
Other duties as assigned or requested.
Loyola Marymount University Expectations
Exhibit behavior that supports the mission, vision, and values of the university. Communicate and employ interpersonal actions that model high standards of professional, responsible, accountable, and ethical conduct. Demonstrate a commitment to outstanding customer service.
Requisite Qualifications
Typically, a Bachelor's Degree or equivalent experience. M.F.A. is preferred. Incumbent will be expected to continueupgrading knowledge and skills.
A minimum of seven years of varied and progressively more responsible duties in the post-production areaof the entertainment industry, such as:
Strong track record as Post Production Supervisor in Film and Television
Experience as an editor, assistant editor or sound editor
Experience in project delivery (active/passive)
Experience in virtual production
Experience in Animation.
Proven track record in staff management required.
Experience in a corporate environment is highly desirable including experience with
HR processes
Record keeping
Inter-collegial and inter-departmental interactions
Professional communications
Experience in a university setting is desirable.
Experience in project management is strongly desired.
Experience in the WorkDay platform highly desired.
Excellent written and verbal communication skills.
Highly developed crisis/conflict management skills are required, specifically de-escalation.
High degree of empathy, respect for and ability to connect with people from diverse backgrounds, ages and cultures required.
Proven ability to work calmly and efficiently in a high-paced, high-volume environment.
Understanding of, and ability to follow, organizational structure and defined processes.
Ability to work both independently and follow direction.
Ability to prioritize and manage multiple projects simultaneously. Must be organized, detail-oriented, and demonstrate initiative, quick problem-solving, thinking ahead, and follow-through.
High level of discretion and judgement is required to handle confidential information within the academic environment.
Keen understanding of the role ofacademic support staffin interaction with students is required.
Ability to work flexible schedule to allow for evenings and some weekend work during production periods (~10 weeks/semester).
Ability to travel at short notice, including for set visits out-of-town or trade shows.
Demonstrated ability to supervise multiple reports expected.
Direct working knowledge of all aspects of film and television production including production workflow, scheduling, budgeting, risk management and insurance, minor's work requirements, guild and union contracts, equipment, facilities and accounts.
Ability to assist students in the development of professional attitudes and disciplines while performing work on class projects or working as TAs or Graduate Assistants.
Comprehensive knowledge of the entertainment industry and practical experience in all aspects of the post-production process.
In-depth understanding of post-production workflows from set capture to finishing for multiple storytelling forms (narrative, documentary, trans-media, virtual production).
Strong technical proficiency in post-production hardware and software setups. Certification (or willingness to get certification) as an Avid ASCR and with other post-production software (such as Adobe products/ProTools/DaVinci Resolve, etc.) taught in SFTV classes.
Ability to research, learn, and test updates and new software and hardware to support SFTV classes, work closely with LMU IT to resolve software and hardware issues, and adapt to changes in curricula and assist with implementation.
Ability to write and edit narratives, prepare memos, reports, handbooks, and other documents independently and efficiently.
Excellent computer skills and knowledge of industry standard software expected, including required MS365 suite, Word, Excel, Outlook, Slack, MM Budgeting, MM Scheduling, HotSheets, Premiere, After Effects, ProTools, Avid Media Composer.
The above statements are intended to describe the general nature and level of work being performed. They are not intended to be construed as an exhaustive list of all responsibilities, duties and skills required of this position.
#HERC# #HEJ#
Staff Term (Fixed Term)Salary range
$87,000.00 - $117,500.00 Salary commensurate with education and experience.Please note that this position may not be eligible for visa sponsorship now or in the future.
Loyola Marymount University, a Carnegie classified R2 institution in the mainstream of American Catholic higher education, seeks outstanding applicants who value its mission and share its commitment to inclusive excellence, the education of the whole person, and the building of a just society. LMU is an equal opportunity employer committed to providing an environment free from discrimination and harassment as defined by federal, state and local law. We invite all persons in the full diversity of their being, life experience, and beliefs to apply. (Visit www.lmu.edu for more information.)What Loyola Marymount University employees say
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About Loyola Marymount University
Sourced by ZipRecruiter
Industry
Colleges, universities, and professional schools
Company size
1,001 - 5,000 Employees
Headquarters location
Los Angeles, CA, US
Year founded
1918