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Part Time Film Score Composer Jobs (NOW HIRING)

Staff Usher

San Francisco, CA · On-site

$30.51/hr

Staff Usher Marketing Department Front of the House Work Status: Part-Time Regular FLSA Status: Non ... In 2004, the SF Symphony launched the groundbreaking multimedia Keeping Score series on PBS-TV and ...

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Part Time Film Score Composer information

What does a part time film score composer do?

A part-time film score composer creates original music to accompany films, working on a flexible or contractual basis rather than full-time employment. Their work involves collaborating with directors and producers to understand the mood and narrative of a film, composing and arranging music, and sometimes overseeing recording sessions with musicians. Part-time composers often balance multiple projects or other jobs, and their schedules can vary based on production timelines. They may work remotely or in studios, depending on the project's requirements.

How does a part time film score composer typically collaborate with directors and editors during a project?

As a part-time film score composer, you'll work closely with directors and editors to understand their creative vision and ensure your music enhances the storytelling. This often involves attending spotting sessions to discuss where music should be placed, sharing demo tracks for feedback, and making revisions based on the director's notes. Communication is usually handled through virtual meetings, emails, or project management platforms, especially if you are freelancing or working remotely. Building strong professional relationships and being receptive to feedback are key to delivering a score that aligns with the project's goals.

What are the key skills and qualifications needed to thrive as a part time film score composer, and why are they important?

To thrive as a Part Time Film Score Composer, you need a solid background in music theory, composition, and proficiency on one or more instruments, often supported by a degree or equivalent experience in music. Familiarity with digital audio workstations (DAWs) like Logic Pro or Cubase, knowledge of orchestration software, and the ability to work with sample libraries are typical technical requirements. Creativity, strong communication, and the ability to accept feedback make someone stand out in this position. These skills enable composers to create emotionally resonant scores that enhance storytelling while meeting the unique needs of each film project.

What is the difference between Part Time Film Score Composer vs Part Time Music Supervisor?

AspectPart Time Film Score ComposerPart Time Music Supervisor
CredentialsMusic degree, composition skillsMusic knowledge, licensing experience
Work EnvironmentStudio, editing roomsOn-set, post-production
Industry UsageFilm, TV, media projectsFilm, TV, advertising

While both roles involve music in film, a Part Time Film Score Composer creates original music for scenes, whereas a Part Time Music Supervisor selects and licenses existing music. The composer focuses on composition and scoring, while the supervisor manages music licensing and integration. Both roles require music knowledge but differ in responsibilities and daily tasks.

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What are the most commonly searched types of Film Score Composer jobs?

The most popular types of Film Score Composer jobs are:

What job categories do people searching Part Time Film Score Composer jobs look for?

The top searched job categories for Part Time Film Score Composer jobs are:

Infographic showing various Part Time Film Score Composer job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 64% Full Time, 33% Part Time, and 2% Contract. Highlights an 74% Physical, 1% Hybrid, and 25% Remote job distribution.

$30.51/hr

Part-time

Re-posted 7 days ago


Job description

Staff Usher
Marketing Department
Front of the House
Work Status:
Part-Time Regular
FLSA Status:
Non-Exempt
Location of Job:
Davies Symphony Hall
San Francisco, CA
Hourly rate:
Per Collective Bargaining Agreement:
$30.51 hourly
Schedule:
On Site
Regular Hours:
Varied.
Morning, Matinee, and
Evening Performances
Reports To:
Front of House Manager
Supervisory:
No
THE ORGANIZATION
The San Francisco Symphony is among the most adventurous and innovative arts institutions in the United States, celebrated for its artistic excellence, creative performance concepts, award-winning recordings, and standard-setting education and community engagement programs. Since it was established in 1911, the Symphony has grown in acclaim under a succession of distinguished music directors: Henry Hadley, Alfred Hertz, Basil Cameron, Issay Dobrowen, Pierre Monteux, Enrique Jordá, Josef Krips, Seiji Ozawa, Edo de Waart, Herbert Blomstedt, Michael Tilson Thomas, and Esa-Pekka Salonen. In May 2026, the Symphony announced Elim Chan as the 13th Music Director in its 115-year history, beginning with the 2027-28 season. One of the most sought-after artists of her generation, Elim Chan embodies the spirit of contemporary orchestral leadership with her crystalline precision and expressive zeal.
The San Francisco Symphony presents more than 200 concerts and presentations annually for an audience of nearly 350,000 in its home of Davies Symphony Hall and around the Bay Area. The Orchestra performs a robust schedule of core classical concerts from September through June, and offers a dynamic mix of holiday programs, groundbreaking SoundBox performances, chamber concerts, guest artist recitals, live-to-film presentations, popular artist collaborations, a month-long summer series, and other special events that invite audiences across the Bay Area to connect with the Symphony in ways that resonate with their interests, experiences, and traditions.
As a cornerstone of its mission, the San Francisco Symphony provides some of the most extensive education and community programs offered by any American orchestra. The Symphony's free music education experiences engage students in grades 1-12 throughout the San Francisco Unified School District (SFUSD), serving more than 25,000 students annually.
In 2001, the SF Symphony became the first American orchestra to launch its own in-house record label, SFS Media. Recorded live in concert and engineered at Davies Symphony Hall, SFS Media recordings showcase music by contemporary composers as well as core classical masterworks. In 2023, the San Francisco Symphony partnered with Apple for the launch of a new classical music streaming app, Apple Music Classical, and has since released 17 spatial audio recordings of live concert performances through the app. San Francisco Symphony radio broadcasts, the first in the nation to feature symphonic music when they began in 1926, today carry the Orchestra's concerts across the country. In 2004, the SF Symphony launched the groundbreaking multimedia Keeping Score series on PBS-TV and the web; the series was made available for unlimited free streaming on the Symphony's YouTube channel in 2020. In 2014, the San Francisco Symphony inaugurated SoundBox, an experimental and eclectic live music series, which takes place in an alternative performance space located backstage at Davies Symphony Hall. For its adventurous programming, the Symphony has been honored 19 times by the American Society of Composers, Authors and Publishers, and the Symphony's recordings have garnered France's Grand Prix du Disque and Britain's Gramophone Award, as well as 17 Grammy® Awards.
JOB SUMMARY
The Staff Ushers interact directly with patrons who attend the San Francisco Symphony's wide variety of concerts and other events. They are responsible for providing a helpful, welcoming, professional, efficient and accessible service to all audience members at Davies Symphony Hall.
The Staff Usher position is flexible, and Staff Usher shifts are scheduled by the House Manager on an "as needed" basis. The majority of the work is on weeknights and weekends, with a usual start time of 6pm for evening shows and 12:30pm for matinees. There are also occasional weekday morning and matinee shifts. Most shifts are 4 hours in length, although end times are an estimate and Staff Ushers are expected to remain present until all members of the public have vacated the venue.
Shifts are subject to availability. This position is not eligible for San Francisco Symphony sponsored benefits. However, this position may be eligible for certain benefits through select ordinances of the City of San Francisco.
RESPONSIBILITIES
  • Greet and engage with audience members, ensuring they feel genuinely welcomed to the venue and treated appropriately as an important and valued patron
  • Answer audience queries, ensuring they have access to timely and useful information and guidance
  • Maintain up to date knowledge of the venue, including current policies and procedures and familiarity with current and upcoming concerts
  • Be flexible in relation to duties and working hours which will include weeknight evenings and both matinee and evening shifts on the weekends
  • Provide guidance to Volunteer Ushers. Provide instructions on emergency procedures and be on hand to resolve any conflicts that arise over the course of the show call
  • Attend Emergency Response Plan meetings, implement Emergency Response Plan when necessary and place radio call to First Aid staff when needed
  • Attend Red Cross sponsored CPR, AED and Life Saving courses
  • Participate in providing feedback for the Ushers' Liaison Committee
  • Attend other trainings as required
  • Additional responsibilities as assigned

QUALIFICATIONS AND REQUIREMENTS
  • Staff Ushers must become a member of the Theatrical Employees Union - Local B-18
  • Must be able to provide usher coverage for an assigned area for an extended period of time, which may include standing and traversing stairs
  • Consistent availability on weeknights and weekends
  • Customer service and patron or guest service experience preferred- experience as an usher at a performing arts venue is desirable
  • Excellent verbal communication skills
  • Flexible attitude and patient/tactful in resolving conflict
  • Professional in appearance and polite demeanor

Ability to
  • Work with and provide guidance to Volunteer Ushers
  • Handle conflict resolution in a customer service environment
  • Use ticket scanners and two-way radio / walkie talkie
  • Follow required dress code
  • Exhibit sensitivity to and understanding of San Francisco Symphony's diverse range of audience members
  • Communicate effectively with a diverse range of people, including donors, prospective donors, volunteers, board members and community partners

SUPERVISORY RESPONSIBILITIES
None
PHYSICAL DEMANDS (accommodations available)
  • This role requires sufficient physical ability and mobility to work in a performing arts setting; to stand or sit for prolonged periods of time; to lift, carry, push and pull moderate amounts of weight; to traverse moderate amounts of stairs; to operate ticket scanning equipment requiring repetitive hand and wrist motions

EEO STATEMENT
In alignment with the values statement above, the San Francisco Symphony is committed to providing an environment of mutual respect where equal employment opportunities are available to all applicants and employees without regard to race, color, religion, sex, pregnancy (including childbirth, lactation and related medical conditions), national origin, age, physical and mental disability, marital status, sexual orientation, gender identity, gender expression, genetic information (including characteristics and testing), military and veteran status, and any other characteristic protected by applicable law.