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Overnight Audio Post Production Jobs (NOW HIRING)

The Post-Production Coordinator (PPC) at Kinder's will play a pivotal role in our efforts to scale ... Strong understanding of digital media file formats, camera and audio capture technology, aspect ...

We're looking for a Video Editor / VFX Artist to join our post-production team, working primarily ... Package final audio/video assets for delivery to sound engineers and other collaborators

Showing results 21-40

Overnight Audio Post Production information

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$11K

$48.3K

$126.5K

How much do overnight audio post production jobs pay per year?

As of Aug 17, 2026, the average yearly pay for overnight audio post production in the United States is $48,339.00, according to ZipRecruiter salary data. Most workers in this role earn between $26,500.00 and $61,000.00 per year, depending on experience, location, and employer.

What is the difference between Overnight Audio Post Production vs Audio Editor?

AspectOvernight Audio Post ProductionAudio Editor
CredentialsAudio engineering certifications, post-production trainingAudio editing courses, sometimes certifications
Work EnvironmentPost-production studios, often overnight shiftsEditing suites, flexible hours
Industry UsageFilm, TV, advertising post-productionFilm, radio, music, multimedia projects
Primary FocusFinal sound mixing, editing, and mastering for deadlinesEditing and assembling audio clips

Overnight Audio Post Production involves specialized post-production work with a focus on final sound mixing and mastering, often during overnight hours. An Audio Editor primarily focuses on editing audio clips for various media projects, usually with more flexible hours. While both roles require audio editing skills, Overnight Audio Post Production emphasizes completing projects within tight deadlines in a post-production environment.

What cities are hiring for Overnight Audio Post Production jobs?

Cities with the most Overnight Audio Post Production job openings:

What are the most commonly searched types of Audio Post Production jobs?

The most popular types of Audio Post Production jobs are:

What states have the most Overnight Audio Post Production jobs?

States with the most job openings for Overnight Audio Post Production jobs include:

Audio Engineer

Green Leaf Productions Inc

Bethlehem, PA • On-site

Full-time

Re-posted 29 days ago


Job description


We are seeking a Sound Technician/Audio Engineer with proven experience in the film or television industry. This individual will be responsible for capturing high-quality production sound on set—working closely with directors, producers, and camera teams to ensure audio clarity, continuity, and consistency across all types of shoots.

The ideal candidate is highly skilled in both mixing and boom operation, adaptable to various shooting environments, and capable of managing and troubleshooting on-location sound challenges in real time.


Key Responsibilities

  • Operate provided sound equipment during production, including field mixers, boom mics, wireless lavalier systems, and recorders
  • Capture high-quality dialogue, ambient, and sync sound during interviews, scripted scenes, and documentary shoots
  • Monitor sound levels and adjust inputs to prevent clipping, distortion, or signal loss
  • Mic up talent with discretion and care; manage lav placement, cabling, and concealment
  • Collaborate with the Director, DP, and talent to ensure optimal mic positioning and minimal interference
  • Conduct pre-shoot sound checks and troubleshoot equipment or interference issues quickly
  • Log audio files, label takes, and maintain organized records for post-production
  • Maintain, inventory, and properly store all sound equipment
  • Support post-production by delivering clean, well-documented audio files and field notes


Qualifications

  • 4+ years of professional experience as a production sound mixer or boom operator
  • Proficiency with industry-standard gear (e.g., Zoom F8, Sound Devices mixers, Sennheiser/Lectrosonics wireless, Rode/Deity booms, etc.)
  • Strong understanding of on-location audio mixing, gain structure, and mic techniques
  • Experience working in a variety of production environments (studio, field, run-and-gun, interviews)
  • Knowledge of timecode sync, slating, and best practices for multi-cam shoots
  • Ability to work quickly and quietly on set with minimal disruption
  • Familiarity with post-production workflows and audio formats
  • Must be organized, punctual, and responsive under time-sensitive conditions
  • Ability to lift and carry sound gear; must have valid driver’s license and reliable transportation


Please note: While this evergreen posting remains open, we review applications continuously. If you’re interested, we invite you to apply. We appreciate everyone’s interest, though only candidates chosen for an interview will hear back from us.