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Music Editor Jobs (NOW HIRING)

Part-Time Editor

Needham, MA

$27.55 - $36.73/hr

The editor's primary responsibility will be executing those edits with precision, efficiency, and ... Execute detailed producer edit notes, including music replacement, segment assembly, and refinement

Part-Time Editor

Needham, MA

$27.55 - $36.73/hr

The editor's primary responsibility will be executing those edits with precision, efficiency, and ... Execute detailed producer edit notes, including music replacement, segment assembly, and refinement

Part-Time Editor

Needham, MA

$27.55 - $36.73/hr

The editor's primary responsibility will be executing those edits with precision, efficiency, and ... Execute detailed producer edit notes, including music replacement, segment assembly, and refinement

Part-Time Editor

Needham, MA

$27.55 - $36.73/hr

The editor's primary responsibility will be executing those edits with precision, efficiency, and ... Execute detailed producer edit notes, including music replacement, segment assembly, and refinement

Part-Time Editor

Needham, MA · On-site

$27.55 - $36.73/hr

The editor's primary responsibility will be executing those edits with precision, efficiency, and ... Execute detailed producer edit notes, including music replacement, segment assembly, and refinement

Part-Time Editor

Needham, MA

$27.55 - $36.73/hr

The editor's primary responsibility will be executing those edits with precision, efficiency, and ... Execute detailed producer edit notes, including music replacement, segment assembly, and refinement

Part-Time Editor

Needham, MA · On-site

$27.55 - $36.73/hr

The editor's primary responsibility will be executing those edits with precision, efficiency, and ... Execute detailed producer edit notes, including music replacement, segment assembly, and refinement

Use pacing, jump cuts, music, sound design, tension, silence, and visual rhythm to elevate storytelling and emotional impact * Adapt storytelling styles and editing approaches based on platform ...

Part-Time Editor

Needham, MA · On-site

$27.55 - $36.73/hr

The editor's primary responsibility will be executing those edits with precision, efficiency, and ... Execute detailed producer edit notes, including music replacement, segment assembly, and refinement

Part-Time Editor

Needham, MA

$27.55 - $36.73/hr

The editor's primary responsibility will be executing those edits with precision, efficiency, and ... Execute detailed producer edit notes, including music replacement, segment assembly, and refinement

Part-Time Editor

Needham, MA

$27.55 - $36.73/hr

The editor's primary responsibility will be executing those edits with precision, efficiency, and ... Execute detailed producer edit notes, including music replacement, segment assembly, and refinement

Part-Time Editor

Needham, MA · On-site

$27.55 - $36.73/hr

The editor's primary responsibility will be executing those edits with precision, efficiency, and ... Execute detailed producer edit notes, including music replacement, segment assembly, and refinement

We are looking for talented Assistant Editors who are knowledgeable yet open to new ideas, and the ... music, and food scene featuring an increasing number of unique, locally-owned businesses and ...

... a skilled video editor to join us on a remote, work-from-home basis. What You'll Do For each ... A 3-5 minute cinematic highlight film -- emotionally paced, music-driven, showcasing the best ...

New

Editor

San Francisco, CA · Remote

$65K - $100K/yr

Handle sound design and basic mix work, including music selection, SFX, and dialogue cleanup ... Stay current on editing trends, techniques, and tools that can elevate our work What We're Looking ...

Short Form Editor (Remote)

Austin, TX · Remote

$1.0K - $1.7K/yr

Use strong storytelling with music and sound effects to connect emotionally. * Show skill in adding ... Ideally, experience editing short-form content for other creators * Strong storytelling skills and ...

Senior Editor

Costa Mesa, CA · On-site

$100K - $110K/yr

Senior Editor Location: Costa Mesa (on-site) Salary - $100,000 - $110,000 About the Role We are ... Audio fundamentals: dialogue cleanup, mix balance, music and SFX integration * Large-format ...

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Showing results 1-20

Music Editor information

See salary details

$11

$31

$57

How much do music editor jobs pay per hour?

As of Jul 16, 2026, the average hourly pay for music editor in the United States is $31.60, according to ZipRecruiter salary data. Most workers in this role earn between $21.39 and $39.66 per hour, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a Music Editor, and why are they important?

To thrive as a Music Editor, you need a strong background in music theory, audio editing, and familiarity with copyright laws, often supported by a degree in music, audio engineering, or related field. Proficiency with digital audio workstations (DAWs) like Pro Tools or Logic Pro, as well as experience with synchronization and cueing software, is typically required. Attention to detail, strong communication, and creative problem-solving are essential soft skills for collaborating with directors, composers, and sound teams. These skills ensure seamless integration of music into media projects, maintaining artistic vision and technical excellence.

Are audio editors in demand?

Audio editors, including music editors, are in demand due to the growth of digital media, streaming platforms, and content creation. Skills in audio editing software like Pro Tools or Adobe Audition and a strong understanding of sound design increase employability in this field.

What is the difference between Music Editor vs Sound Editor?

AspectMusic EditorSound Editor
CredentialsMusic or audio editing certifications, music production knowledgeAudio engineering or sound design certifications, technical audio skills
Work EnvironmentFilm, TV, advertising, music productionFilm post-production, video games, multimedia projects
Industry UsagePrimarily in film, TV, and music industriesBroader media including film, TV, and digital media
Common Search IntentDifferences between music editing and sound editing rolesUnderstanding sound editing vs music editing

Music Editors focus on selecting, editing, and synchronizing music tracks for media projects, ensuring musical elements fit seamlessly. Sound Editors handle a wider range of audio elements, including dialogue, sound effects, and music, to create a cohesive soundscape. While both roles require audio editing skills, Music Editors specialize in musical content, whereas Sound Editors work on all audio components within a project.

How do you become a music editor?

To become a music editor, you typically need a background in music, audio engineering, or film production, along with proficiency in editing software such as Avid Pro Tools or Adobe Premiere. Gaining experience through internships or entry-level positions and developing strong attention to detail are important steps in building a career as a music editor.

How does a Music Editor typically collaborate with composers and sound designers during a film or television project?

A Music Editor works closely with both composers and sound designers to ensure that the music aligns seamlessly with the visual narrative and overall soundscape of a project. This involves attending spotting sessions, creating temp tracks, and making precise edits so that cues fit the timing and emotional tone of each scene. Throughout production, the Music Editor acts as a bridge between creative and technical teams, ensuring the director's vision is realized while meeting technical requirements for mixing and post-production. Effective communication and flexibility are key, as priorities and creative choices often evolve during the editing process.

What is the role of a music editor?

A music editor is responsible for selecting, editing, and synchronizing music to fit visual media such as films, TV shows, or commercials. They work closely with directors and sound teams, using software like Pro Tools or Logic Pro to ensure the music enhances the overall production. Attention to detail and a good understanding of music theory are essential skills for this role.

How much do music editors get paid?

Music editors typically earn between $40,000 and $80,000 annually, depending on experience, location, and the industry sector. Entry-level positions may start lower, while experienced editors working on major projects or in high-cost areas can earn higher salaries, often supplemented by proficiency in editing software and industry connections.

What does a music editor do?

A music editor is responsible for selecting, editing, and synchronizing music for film, television, or other media productions. They work closely with directors, composers, and sound editors to ensure that the music fits the mood, timing, and emotional impact of each scene. Their tasks may include spotting where music should be placed, creating temp tracks, and making sure all music cues are correctly timed. Music editors also handle technical aspects, such as preparing music for the final mix and ensuring licensing requirements are met.
More about Music Editor jobs
What cities are hiring for Music Editor jobs? Cities with the most Music Editor job openings:
What are the most commonly searched types of Music Editor jobs? The most popular types of Music Editor jobs are:
What states have the most Music Editor jobs? States with the most job openings for Music Editor jobs include:
Infographic showing various Music Editor job openings in the United States as of July 2026, with employment types broken down into 2% Locum Tenens, 1% Internship, 73% Full Time, 16% Part Time, 4% Temporary, and 4% Contract. Highlights an 75% Physical, 4% Hybrid, and 21% Remote job distribution, with an average salary of $65,728 per year, or $31.6 per hour.
Associate Editor

$26/hr

Full-time

This job post has expired today. Applications are no longer accepted.


Research Foundation of the City University of New York rating

7.4

Company rating: 7.4 out of 10

Based on 9 frontline employees who took The Breakroom Quiz

226th of 710 rated non-profit organizations


Job description

Thank you for considering a career with the Research Foundation of The City University of New York (RFCUNY).
The team at RFCUNY is made up of dedicated, talented professionals committed to providing the services that allow CUNY researchers, faculty, and staff to focus on their intellectual curiosity and scientific discoveries.
We are pleased that you are interested in exploring opportunities to join RFCUNY.
Primary Location:
The GRADUATE CENTER
Bargaining Unit:
Yes
General Description:
Répertoire International de Littérature Musicale (RILM) seeks an Associate Editor who will be responsible for abstracting and indexing publications in German and French or Italian. RILM publishes RILM abstracts of music literature (along with a suite of other resources), which is widely recognized as the world's premiere abstracted bibliography on music and related disciplines. RILM was established in 1966 and operates under the joint sponsorship of the International Musicological Society, the International Association of Music Libraries, Archives, and Documentation Centres, and the International Council for Traditional Music.
RILM abstracts covers research on all types of music and related studies, published in all document types (books, articles, reviews, collections, among others) anywhere in the world and in any language. The database is fully searchable, with in-depth vocabulary-controlled indexing and detailed abstracts. The data are written, input, and edited to a high uniform standard by an international staff of specialists from all subject areas. The database contains over 1.8 million bibliographic records and is published online.
The successful candidate will be responsible for abstracting and indexing scholarship published in the German language, in addition to publications in French or/and Italian, making sure that they are fully and accurately represented in RILM abstracts.
The candidate will also work on bibliographic records related to other geographic areas, applying RILM's editorial style as detailed in RILM's editing and indexing style manuals, improving the prose, punctuation, and factual content of the material through research, and will engage professionally and culturally with music scholarship of the areas of responsibility.
  • Edit, index, translate, and when needed write abstracts of scholarly literature on music received from diverse sources and of varied quality and intelligibility, bringing them to a high standard of literacy and scholarship.
  • Work on development of indexing vocabularies.
  • Track the scholarship and publishing in European countries, and work on the development of relevant networks.
  • Advise the marketing/sales teams about academic networks in Europe.
  • Other duties as assigned.
  • Full-time (a minimum of 35 hours per week). After a lengthy training period, the schedule of when these hours are fulfilled can be flexible.

Qualifications:
  • PhD in musicology/ethnomusicology or cultural studies with focus on music is strongly preferred.
  • Experience in editing and the ability to organize data into logical concepts, with proven research and writing skills.
  • Superior written English skills and excellence in focused, detailed work.
  • In addition to English, native or near native fluency in German, with knowledge of French and/or Italian. Other languages are a plus.
  • Willingness to engage in administrative and technological work.
  • Scholarly / academic network is desired.

Applicants should submit a cover letter, curriculum vitae, statement about his/her own scholarly and research interests, and a list of three references with contact information. Only candidates selected for an interview will be contacted.
Pay Range:
$26.00 - $26.00
RFCUNY Benefits
RFCUNY Employee Benefits and Accruals (link to https://www.rfcuny.org/RFWebsite)
About the Research Foundation
The Research Foundation of The City University of New York (RFCUNY) is a nonprofit educational corporation founded in 1963 to provide post-award fiscal and administrative support for CUNY's research and sponsored programs. RFCUNY's services allow CUNY researchers, faculty, and staff to focus on their intellectual curiosity and scientific discoveries, on projects and programs that serve our local and global communities, proposing concrete solutions to society's most pressing challenges.
RFCUNY serves as a fiscal agent and works closely with all the CUNY campus Grants Offices to perform the core functions of post-award financial management for CUNY research projects and sponsored programs. These functions include legal assessment and signing of agreements where RFCUNY is named as a fiscal agent; setting up award accounts; preparing sub-awards and assisting PIs in monitoring the work of the recipients of sub-awards; supporting project directors with hiring and managing research project and sponsored program staff; supporting the purchasing and paying for goods and services with grant and program funds; managing financial aspects of projects including accounts receivable, financial reporting, invoicing, budget monitoring, and cost compliance with uniform guidance; ensuring that sponsor financial requirements are met; monitoring compliance with applicable project and financial management rules and laws; supporting the management of independent and external audits and financial reviews; and providing data, information, management expertise, and other supports to CUNY's research and sponsored programs.
Equal Employment Opportunity Statement
The Research Foundation of the City University of New York is an Equal Opportunity/Affirmative Action/Americans with Disabilities Act/E-Verify Employer. It is the policy of the Research Foundation of CUNY to provide equal employment opportunities free of discrimination based on race, color, age, religion, sex, pregnancy, childbirth, national origin, disability, marital status, veteran status, sexual orientation, gender identity, genetic information, marital status, domestic violence victim status, arrest record, criminal conviction history, or any other protected characteristic under applicable law.

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