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Music Editor Jobs (NOW HIRING)

VASL

Video Editor (Remote)

San Francisco, CA · Remote

Appropriate music and sound effects * Seamless transitions and optimized pacing for audience retention Utilize AI-based tools to: * Enhance editing efficiency and workflow * Generate content ...

Lemonlight

Video Editor

Marina, CA

Incorporating music/ editings * Ensuring that it is done perfectly and seem smooth Video Editor requirements are: * Experience as a Video Editor * Excellent video editing skills * Proficient with 2D ...

VASL

Video Editor (Remote)

San Francisco, CA · On-site +1

Appropriate music and sound effects * Seamless transitions and optimized pacing for audience retention Utilize AI-based tools to: * Enhance editing efficiency and workflow * Generate content ...

HighKey Agency

YouTube Video Editor

$25/hr

Using pacing, cutaways, music, sound design, and visual emphasis intentionally * Creating edits that feel dynamic, modern, and highly watchable This role sits between narrative editing and high ...

Evening Post Publishing

Free Times Editor

Columbia, SC

... music, food and various odd points around and in between. The role also serves as deputy editor for ... Post and Courier Columbia, a satellite publication of The Post and Courier newspaper in Charleston ...

Pavago

Video Editor

Video Editor (Social Media + Marketing Content) - Remote Position Type: Full-Time, Remote Working ... Leveling * Add music + SFX (licensed properly) * Perform color correction & grading for a ...

MrBeast

Editor, Vertical Platforms

Greenville, NC · On-site

Beyond traditional editing, you'll also bring projects to life with motion graphics, After Effects ... Adding creative flair: animations, transitions, music, and sound design to enhance the viewing ...

MrBeast

Video Editor

Greenville, NC · On-site

Implement creative choices during editing - including scenario structure for animations, finding the right music for certain clips and reactions, and determining what should be supported visually ...

WWE

Senior Editor

Stamford, CT

We are looking for a Video Editor with strong creative instincts, a refined editorial voice, and ... If you love film, television, and music-and bring that sensibility into your work-you'll feel right ...

TKO Group Holdings, Inc.

Senior Editor

Stamford, CT · On-site

We are looking for a Video Editor with strong creative instincts, a refined editorial voice, and ... If you love film, television, and music-and bring that sensibility into your work-you'll feel right ...

Warner Music Group

Sr. Music Producer

Los Angeles, CA · On-site

A network of highly-skilled freelance music professionals (composers, musicians, engineers, editors, etc.); * At least 10+ years of professional experience in a music production or post-production ...

TKO Group Holdings, Inc.

Senior Editor

Stamford, CT

We are looking for a Video Editor with strong creative instincts, a refined editorial voice, and ... If you love film, television, and music-and bring that sensibility into your work-you'll feel right ...

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Music Editor information

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How much do music editor jobs pay per hour?

As of Jun 26, 2026, the average hourly pay for music editor in the United States is $31.60, according to ZipRecruiter salary data. Most workers in this role earn between $21.39 and $39.66 per hour, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a Music Editor, and why are they important?

To thrive as a Music Editor, you need a strong background in music theory, audio editing, and familiarity with copyright laws, often supported by a degree in music, audio engineering, or related field. Proficiency with digital audio workstations (DAWs) like Pro Tools or Logic Pro, as well as experience with synchronization and cueing software, is typically required. Attention to detail, strong communication, and creative problem-solving are essential soft skills for collaborating with directors, composers, and sound teams. These skills ensure seamless integration of music into media projects, maintaining artistic vision and technical excellence.

How much does a music editor earn?

The average salary for a music editor ranges from $40,000 to $80,000 annually, depending on experience, location, and the industry sector. Skilled music editors with proficiency in digital audio workstations and sound editing tools tend to earn higher salaries, especially in larger markets or with specialized expertise.

What jobs make $10,000 a month without a degree?

A music editor can potentially earn $10,000 or more per month through freelance work, high-profile projects, or working for major media companies, especially with extensive experience and strong industry connections. Success often depends on skills in audio editing software, a solid portfolio, and the ability to secure high-paying clients or contracts.

What is the difference between Music Editor vs Sound Editor?

AspectMusic EditorSound Editor
CredentialsMusic or audio editing certifications, music production knowledgeAudio engineering or sound design certifications, technical audio skills
Work EnvironmentFilm, TV, advertising, music productionFilm post-production, video games, multimedia projects
Industry UsagePrimarily in film, TV, and music industriesBroader media including film, TV, and digital media
Common Search IntentDifferences between music editing and sound editing rolesUnderstanding sound editing vs music editing

Music Editors focus on selecting, editing, and synchronizing music tracks for media projects, ensuring musical elements fit seamlessly. Sound Editors handle a wider range of audio elements, including dialogue, sound effects, and music, to create a cohesive soundscape. While both roles require audio editing skills, Music Editors specialize in musical content, whereas Sound Editors work on all audio components within a project.

How to get a job as a music editor?

To become a music editor, gain experience in editing and music production through internships or entry-level roles, develop strong skills in audio editing software like Pro Tools or Adobe Audition, and build a portfolio of your work. A relevant degree in music, audio engineering, or a related field can be beneficial, and networking within the industry can help identify job opportunities.

How does a Music Editor typically collaborate with composers and sound designers during a film or television project?

A Music Editor works closely with both composers and sound designers to ensure that the music aligns seamlessly with the visual narrative and overall soundscape of a project. This involves attending spotting sessions, creating temp tracks, and making precise edits so that cues fit the timing and emotional tone of each scene. Throughout production, the Music Editor acts as a bridge between creative and technical teams, ensuring the director's vision is realized while meeting technical requirements for mixing and post-production. Effective communication and flexibility are key, as priorities and creative choices often evolve during the editing process.

What jobs pay $500,000 a year in the US?

In the US, high-paying roles such as top-tier music editors, senior executives, specialized surgeons, and successful entrepreneurs can earn $500,000 or more annually. These positions often require extensive experience, advanced skills, and sometimes ownership stakes or bonuses. Most roles at this level are found in industries with high revenue potential or in leadership positions within large organizations.

What does a music editor do?

A music editor is responsible for selecting, editing, and synchronizing music for film, television, or other media productions. They work closely with directors, composers, and sound editors to ensure that the music fits the mood, timing, and emotional impact of each scene. Their tasks may include spotting where music should be placed, creating temp tracks, and making sure all music cues are correctly timed. Music editors also handle technical aspects, such as preparing music for the final mix and ensuring licensing requirements are met.
More about Music Editor jobs
What cities are hiring for Music Editor jobs? Cities with the most Music Editor job openings:
What are the most commonly searched types of Music Editor jobs? The most popular types of Music Editor jobs are:
What states have the most Music Editor jobs? States with the most job openings for Music Editor jobs include:
What job categories do people searching Music Editor jobs look for? The top searched job categories for Music Editor jobs are:
Music Editor jobs near you
Infographic showing various Music Editor job openings in the United States as of June 2026, with employment types broken down into 58% Full Time, 14% Part Time, 14% Temporary, and 14% Contract. Highlights an 95% Physical, 1% Hybrid, and 4% Remote job distribution, with an average salary of $65,728 per year, or $31.6 per hour.

Assistant Editor / Junior Video Editor

Random Golf Club

Austin, TX • Remote

Other

Posted 9 days ago

Job description

Assistant Editor / Junior Video Editor
Role Overview
We are looking for a highly organized and capable Assistant Editor to support our long-form YouTube and documentary-style golf content.
This role goes beyond media management. The ideal candidate can organize footage, sync external audio when needed, build timelines, make editorial decisions, and create strong rough cuts that can be handed off to a Senior Editor for finishing.
Most projects involve long-form golf content, with source footage typically ranging from 3–6 hours across multiple cameras and audio sources. The Assistant Editor will be responsible for organizing this footage and building a coherent rough cut, often in the 60–90 minute range, that can then be refined by a Senior Editor.
Final published videos typically range from 20–50 minutes in length, depending on the project.
The goal is to reduce the time spent on project setup and first-pass editing while maintaining the storytelling style and pacing our audience expects.
Why This Role Exists
Our goal is to increase the volume and consistency of our long-form content without sacrificing quality.
By bringing on an Assistant Editor, we aim to reduce the amount of time spent on footage review, syncing, organization, timeline assembly, and first-pass editing so that the Senior Editor can focus on storytelling, pacing, graphics, music, and final polish.
Success in this role is not measured by how many clips are organized or how quickly footage is synced. Success is measured by how much meaningful editing time is saved and how effectively projects move through post-production.
The ideal outcome is a workflow that allows us to increase our publishing cadence while maintaining the quality and storytelling standards our audience expects.
Core Responsibilities
Project Preparation
  • Download and organize source media
  • Create project structures and folder hierarchies
  • Sync external audio when applicable
  • Organize and synchronize footage from multiple cameras
  • Label and organize footage
  • Prepare project files for editorial

Rough Cut Assembly
  • Review footage and identify usable moments
  • Assemble story beats from outlines, scripts, or production notes
  • Create rough cuts from interviews, on-course footage, and b-roll
  • Remove obvious mistakes, dead space, and unusable takes
  • Organize selects and alternate takes
  • Flag sections that feel repetitive, confusing, unnecessary, or off-topic
  • Prepare projects for final edit

Timeline Organization
  • Maintain clean timelines
  • Label tracks consistently
  • Organize graphics placeholders
  • Add markers and editor notes
  • Flag missing footage, pickups, story gaps, or technical issues

Editorial Support
  • Assist with transcripts and paper edits
  • Pull archival footage references when needed
  • Add temporary music to establish pacing and tone where appropriate
  • Build timelines from scripts, outlines, and production notes

Desired Skills
Required
  • Strong Adobe Premiere Pro experience
  • Proficient in Adobe After Effects
  • Experience organizing and editing footage from multiple cameras
  • Understanding of documentary and YouTube storytelling
  • Strong organizational skills
  • Ability to work independently
  • Excellent communication

Strongly Preferred
  • Experience with golf content
  • Familiarity with golf terminology and tournament coverage
  • Experience working with long-form YouTube content
  • Familiarity with Frame.io

Golf Content Experience
Many of our productions involve multiple cameras following different golfers throughout a round.
The ideal candidate is comfortable working with footage that may include:
  • One camera dedicated to a primary host
  • Additional cameras following other players
  • Separate audio sources recorded throughout the day
  • Long-form golf rounds requiring footage synchronization and timeline organization
Depending on the project, footage may be synchronized using tools such as Syncaila, timecode, audio waveforms, or manual syncing methods.
Editors should be comfortable building organized timelines that keep multiple players, cameras, and storylines easy to follow throughout a round.
What Success Looks Like
By the time a project reaches the Senior Editor:
  • All media is downloaded and organized
  • Audio and footage are synchronized where applicable
  • Multiple camera angles and player storylines are organized and easy to follow
  • Story structure is assembled
  • Major selects are identified
  • A coherent rough cut has been created
  • Timelines are clean and easy to navigate
  • Missing assets, story gaps, or technical issues have been flagged
A typical project may begin with 3–6 hours of source footage and be reduced to a structured 60–90 minute rough cut that clearly communicates the story and intent of the final piece.
The Senior Editor should be focused on:
  • Story refinement
  • Pacing
  • Music selection
  • Graphics
  • Visual polish
  • Final delivery
—not project setup or initial assembly.
Growth Opportunities
This role is designed to grow with the right candidate.
As trust and responsibility increase, there will be opportunities to take on more editorial ownership and contribute to larger portions of the final edit.
Over time, the Assistant Editor may be trained to assist with advanced post-production tasks including:
  • Golf shot tracing and ball-flight graphics
  • Motion graphics and animation in After Effects
  • Visual storytelling enhancements
  • Graphic package implementation
  • Additional finishing and polish work
Candidates with a strong interest in developing both editorial and motion graphics skills are encouraged to apply.
Ideal Candidate
We’re looking for someone who genuinely understands storytelling, not just software.
A great candidate can watch hours of footage and identify:
  • The strongest story beats
  • Repetitive sections
  • Emotional moments
  • Good transitions
  • Potential cold opens
  • Opportunities to tighten pacing
They should be able to take a collection of footage and create a coherent rough cut that makes editorial sense before handing it off for finishing.
The best candidates will not simply organize footage—they will save meaningful time in the editing process and help increase the overall output of the channel.
Application Requirements
Please include:
  • Resume
  • Portfolio or editing reel
  • 2–3 examples of long-form editing work
  • A brief note outlining your editing experience and interest in this role

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