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Live Replay Operator Jobs (NOW HIRING)

Not only does WSAV produce the best newscasts in the market, but we are also the leader in Live Remote Productions. You may be called on to become a sports replay operator using the latest Newtek ...

Not only does WSAV produce the best newscasts in the market, but we are also the leader in Live Remote Productions. You may be called on to become a sports replay operator using the latest Newtek ...

... operators and angles for replay playback and responsible for the proper execution of the show as dictated by the Producer for Orlando Solar Bears games and other live events at the Kia Center, as ...

... operators and angles for replay playback and responsible for the proper execution of the show as dictated by the Producer for Orlando Solar Bears games and other live events at the Kia Center, as ...

The Camera Operator must be fully aware of their role as part of a camera team; work to provide the live show with compelling shots that match the productions standards, and feed the replay operators ...

Digital Network Operator

Santa Monica, CA

$20.25 - $23.25/hr

... replay requests in support of live and on-demand programming. Additional responsibilities include enabling and disabling Closed Captioning as needed to meet accessibility requirements, as well as ...

... live video/television productions of Miami University Athletics events. Essential Duties: Positions include; Camera Operator, NewTek 3-Play Instant Replay Operator, Ross Xpressions Graphics Operator ...

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Live Replay Operator information

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$14

$27

$44

How much do live replay operator jobs pay per hour?

As of Jul 18, 2026, the average hourly pay for live replay operator in the United States is $27.75, according to ZipRecruiter salary data. Most workers in this role earn between $24.04 and $28.12 per hour, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as a Live Replay Operator, and why are they important?

To thrive as a Live Replay Operator, you need a solid understanding of live broadcast workflows, familiarity with video production, and often a degree or training in media production or a related field. Proficiency with replay systems like EVS, Dreamcatcher, or Evertz, and knowledge of broadcast software and hardware are typically required. Attention to detail, quick decision-making, and the ability to work calmly under pressure are key soft skills for this fast-paced role. These skills ensure accurate, timely replay operations that are critical to live event coverage and audience engagement.

What are Live Replay Operators?

Live Replay Operators are specialized technicians who manage the instant replay systems during live broadcasts of sports and other events. They are responsible for capturing, editing, and playing back key moments on demand, often under tight time constraints. Their work is crucial for providing audiences and officials with immediate replays for analysis, entertainment, or review of critical plays. Live Replay Operators must be skilled with broadcast equipment and able to work efficiently in high-pressure, fast-paced environments.

What is the difference between Live Replay Operator vs Video Technician?

AspectLive Replay OperatorVideo Technician
CredentialsTypically requires a high school diploma or equivalent; some roles prefer technical certificationsSimilar credentials; often requires technical certifications or associate degree
Work EnvironmentSports events, live broadcasts, or live event settingsBroadcast stations, production facilities, or live event venues
Industry UsageCommonly used in sports, live entertainment, and broadcastingUsed across broadcasting, production, and AV services
Job FocusManaging live replay feeds, selecting clips during eventsHandling video equipment, troubleshooting, and post-production tasks

The Live Replay Operator primarily manages real-time replay feeds during live events, focusing on selecting and controlling video clips. In contrast, the Video Technician handles broader video equipment setup, maintenance, and troubleshooting, often supporting both live and post-production activities. While both roles require technical skills and may overlap in work environment, their core responsibilities differ significantly.

What are some common challenges faced by Live Replay Operators during live broadcasts, and how can they be managed?

Live Replay Operators often work in high-pressure environments where quick decision-making and attention to detail are crucial. Some common challenges include managing multiple camera feeds, coordinating with the production team for instant replays, and ensuring smooth transitions without disrupting the broadcast flow. To manage these challenges, operators need to stay organized, communicate effectively with directors and other crew members, and remain calm under tight deadlines. Continuous practice with the replay system and familiarity with the broadcast's pacing also help in delivering timely and accurate replays.
More about Live Replay Operator jobs
What cities are hiring for Live Replay Operator jobs? Cities with the most Live Replay Operator job openings:
What states have the most Live Replay Operator jobs? States with the most job openings for Live Replay Operator jobs include:
Infographic showing various Live Replay Operator job openings in the United States as of July 2026, with employment types broken down into 21% Full Time, 72% Part Time, and 7% Temporary. Highlights an 100% In-person job distribution, with an average salary of $57,721 per year, or $27.8 per hour.

Director I, Production

WOWK-TV

Savannah, GA โ€ข On-site

Full-time

Posted 17 hours ago


Job description

Director I, Production

Nexstar Media Group is America's largest local television and media company with 265 owned or operated television stations in 132 markets in 44 states and the District of Columbia. Nexstar's platform delivers exceptional local content and network programming to inform and entertain viewers, while providing premium, scalable local advertising opportunities for advertisers and brands across all screens and devices. Learn more at www.Nexstar.tv.
EEO Statement:
Equal Opportunity Employer Minorities/Women/Veterans/Disabled

Hiring Requirements

WSAV-TV is in one of the most beautiful cities in the world: Savannah, Georgia. WSAV is a state-of-the-art Nexstar facility with all the best tools and toys. We have nice, mild winter weather and a long, hot summer.

WSAV is looking to hire an experienced Production Specialist to primarily be a Newscast Director.This multi-faceted job requires solid experience directing daily studio newscasts using ENPS newsroom software. We use the latest Sony ELC (Enhanced Live Control) Automated Production System with a top-of-the-line Vinten/Hitachi robotic camera system. Experience with this machine, or a similar automated production system like Ross Overdrive or Grass Valley Ignite is required.We will train you to operate our equipment and learn our systems, but this job is not for beginners on automation.

Directing Newscasts is just one of the many things you will do to put all your skills to use in a job where the other assignments can change daily.

Directing/Producing digital-only shows for CTV is becoming a bigger part of our job each day as WSAV expands its digital reach with our new CTV Platform WSAV+. You will have daily and weekly assignments putting together CTV shows with the WSAV News and Sports teams, as well as outside clients and commercial productions.

You'll need great editing skills using Adobe Premiere and Photoshop. You will be editing something every day. From recordings of cut-ins for playback later, preproduction for news, or commercial and marketing projects. You'll work with other members of our Production crew shooting with news team members, editing projects daily and occasionally long-form programming.

Not only does WSAV produce the best newscasts in the market, but we are also the leader in Live Remote Productions. You may be called on to become a sports replay operator using the latest Newtek Tricaster TC-2 Elite and 3Play 425 equipment.Maybe you can run a Jib. We own and operate our own 40-foot jib.

Field experience in audio is a big plus. Audio in our mobile unit is mixed on a Behringer X32 console. We have Yamaha consoles in use with our Sony ELC.

Knowledge of a wide range of professional video cameras from Blackmagic, Panasonic, Hitachi, DSLR cameras such as the Canon C300 MKIII and 80D's, wired and wireless microphone systems, LED studio and location lighting is essential.

Candidates must be willing and physically able to climb ladders and lift medium heavy objects and cases to load and unload trucks, and to work long hours outside on location when necessary.

You should be able to pass a GA DOT physical certification for commercial drivers.You must be willing and able to possibly be trained to drive a large truck (Ford F250) and eventually expected to tow and maneuver our 24-foot production trailer.

If you are a master of some or most of these disciplines, we would be willing to train the right directing candidate on our Sony ELC system. But the expectation is that you will hit the ground running.

This is not your typical Newscast Director position, but a great job in media doing just about everything production in a super nice, newly renovated building with all the latest and greatest gear.Future advancement potential is wide open. You'll be part of a team that is part of the largest company in the business with stations just about everywhere.

It has been almost 5 years since we have had an opening for this position. This is a rare chance to join a great team of professionals that have been together for years, in what we believe is one of the best working environments in the world!

Additional Job Description Details

  • Directing daily newscasts in studio using Sony ELC Automated Production System, ENPS Newsroom software, Ross Xpression Graphics
  • Edit video using Adobe Premiere
  • Being a photographer using various professional video cameras and DSLR's
  • Location Production - Director, replay operator, shooter, audio operator
  • Assist in all aspects of setup of location broadcasts
  • Assist in repair and upkeep of studio, sets and production equipment
  • Pass GA DOT driver certification and drive truck towing 24-foot production trailer
  • Perform miscellaneous job-related duties as assigned

Requirements & Skills:

  • Minimum of two years of television directing experience preferred
  • Deep working knowledge of television production techniques and experience with production automation is necessary
  • Strong interpersonal and communication skills and the ability to work effectively with a wide range of constituencies in a diverse community
  • Creative decision-making skills
  • Skill in organizing resources and establishing priorities
  • Knowledge of professional audio/video equipment
  • Expert knowledge of professional audio and/or video editing and post-production procedures, techniques, and standards
  • Must be able to work flexible hours, as assigned by manager, including weekends, holidays, and during breakings news events.

Physical Demands & Work Environment:
A Director must be able to sit for long periods of time directing newscasts and other programs, conduct telephone conversations, use electronic mail, write letters and memos, conduct face-to-face discussions with individuals, make decisions without supervision, make decisions that impact the results of co-workers, work in close proximity to others, work outdoors in all weather conditions, and work indoors in environmentally controlled conditions. In addition, the Director must be able to lift, set up and operate equipment weighing up to 50 pounds. Must be able to pass GA DOT drivers certification and drive truck towing large trailers.