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Live Music Audio Engineer Jobs in Oregon (NOW HIRING)

Oregon Shakespeare Festival

Audio Describer

Ashland, OR · On-site

$23.69/hr

Provides audio describing during live performances by * Speaking and enunciating clearly. * Trouble shooting technical glitches. * Setting up and striking equipment prior to and after each ...

Oregon Shakespeare Festival

Audio Describer

Ashland, OR · On-site

$23.69/hr

Provides audio describing during live performances by * Speaking and enunciating clearly. * Trouble shooting technical glitches. * Setting up and striking equipment prior to and after each ...

Audacy, Inc.

Part Time Video/Audio Producer

Portland, OR · On-site

$16.30 - $22/hr

Programming Reporting To: Brand Manager Employment Type: Part Time Location(s): Portland, OR. Work ... your favorite music across 220+ radio stations, premium podcasts, live events and digital ...

Audacy, Inc.

Part Time Video/Audio Producer

Portland, OR · On-site

$16.30 - $22/hr

Programming Reporting To: Brand Manager Employment Type: Part Time Location(s): Portland, OR. Work ... your favorite music across 220+ radio stations, premium podcasts, live events and digital ...

Audacy, Inc.

Part Time Video/Audio Producer

Portland, OR · On-site

$16.30 - $22/hr

Programming Reporting To: Brand Manager Employment Type: Part Time Location(s): Portland, OR. Work ... your favorite music across 220+ radio stations, premium podcasts, live events and digital ...

Audacy, Inc.

Voice Tracking

Portland, OR · On-site

Programming Operations Manager Employment Type: Part -Time Location(s): Portland, O.R. Work ... Audio demo required showcasing voice-tracked breaks, live on-air breaks, interviews, commentary ...

Audacy, Inc.

Voice Tracking

Portland, OR · On-site

Programming Operations Manager Employment Type: Part -Time Location(s): Portland, O.R. Work ... Audio demo required showcasing voice-tracked breaks, live on-air breaks, interviews, commentary ...

Audacy, Inc.

Voice Tracking

Portland, OR

Programming Operations Manager Employment Type: Part -Time Location(s): Portland, O.R. Work ... Audio demo required showcasing voice-tracked breaks, live on-air breaks, interviews, commentary ...

Audacy, Inc.

Promotions Assistant

Portland, OR

Work closely with Programming and Creative Departments to ensure station positioning/branding is ... your favorite music across 220+ radio stations, premium podcasts, live events and digital ...

Audacy, Inc.

Promotions Assistant

Portland, OR · On-site

Work closely with Programming and Creative Departments to ensure station positioning/branding is ... your favorite music across 220+ radio stations, premium podcasts, live events and digital ...

Audacy, Inc.

Promotions Assistant

Portland, OR · On-site

Work closely with Programming and Creative Departments to ensure station positioning/branding is ... your favorite music across 220+ radio stations, premium podcasts, live events and digital ...

Cumulus Media New Holdings Inc.

Sales Assistant

Eugene, OR · On-site

$30K - $35K/yr

Cumulus Media engages listeners with high-quality local programming through 394 owned-and-operated ... audio solutions, industry-leading research and insights, and live event experiences. For more ...

AEG Presents

General Manager - Portland

Portland, OR · On-site

... live music scene. Located at the former Nordstrom site on NE Multnomah Street, the venue sits ... Establish and manage the annual operating calendar, including initial programming strategy, hours ...

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All JobsLive Music Audio Engineer JobsLive Music Audio Engineer Jobs in Oregon

Live Music Audio Engineer information

See Oregon salary details

$11.6K

$51.1K

$133.7K

How much do live music audio engineer jobs pay per year?

As of Aug 9, 2026, the average yearly pay for live music audio engineer in Oregon is $51,108.00, according to ZipRecruiter salary data. Most workers in this role earn between $28,000.00 and $64,500.00 per year, depending on experience, location, and employer.

What does a live music audio engineer do?

A live music audio engineer is responsible for managing sound quality during concerts and live events. They set up, operate, and maintain audio equipment such as microphones, mixers, and speakers to ensure that performers and the audience experience the best possible sound. Their role includes balancing audio levels, minimizing feedback, and troubleshooting technical issues in real time. Live audio engineers often collaborate closely with artists and event staff to meet specific sound requirements for each performance.

What are the key skills and qualifications needed to thrive as a live music audio engineer?

To thrive as a Live Music Audio Engineer, you need a solid background in sound engineering, acoustics, and live audio mixing, often supported by a degree or professional training in audio production. Familiarity with digital and analog mixing consoles, signal processing equipment, and industry-standard software such as Pro Tools or QLab is essential. Excellent problem-solving skills, adaptability, and clear communication are vital soft skills for managing live events and collaborating with performers and crew. These skills ensure high-quality sound, smooth event execution, and a positive experience for both artists and audiences.

What are some common challenges faced by live music audio engineers during live performances, and how can they be managed?

Live Music Audio Engineers often face challenges such as unpredictable acoustics in different venues, quick troubleshooting of technical issues, and adapting to last-minute changes in the performance setup. Managing these challenges involves thorough pre-show sound checks, maintaining clear communication with performers and stage crew, and having contingency plans for equipment failures. Being adaptable, staying calm under pressure, and having a deep understanding of audio equipment are essential for successfully delivering high-quality live sound.

What is the difference between Live Music Audio Engineer vs Sound Technician?

AspectLive Music Audio EngineerSound Technician
CredentialsAudio engineering certifications, technical trainingAudio or technical certifications, on-the-job training
Work EnvironmentConcert venues, festivals, live eventsRecording studios, broadcast stations, live events
Employer & IndustryMusic industry, event production companiesBroadcast, theater, live event companies

While both roles involve managing sound, a Live Music Audio Engineer specializes in mixing and controlling live sound during performances, ensuring optimal audio quality for audiences. A Sound Technician may handle setup, maintenance, and troubleshooting of audio equipment across various settings. The roles often overlap, but the Live Music Audio Engineer focuses more on real-time sound mixing during live events.

What are popular job titles related to Live Music Audio Engineer jobs in Oregon? For Live Music Audio Engineer jobs in Oregon, the most frequently searched job titles are:
What job categories do people searching Live Music Audio Engineer jobs in Oregon look for? The top searched job categories for Live Music Audio Engineer jobs in Oregon are:
What cities in Oregon are hiring for Live Music Audio Engineer jobs? Cities in Oregon with the most Live Music Audio Engineer job openings:
Live Music Audio Engineer jobs near you
Infographic showing various Live Music Audio Engineer job openings in Oregon as of August 2026, with employment types broken down into 63% Full Time, and 37% Part Time. Highlights an 89% In-person, and 11% Remote job distribution, with an average salary of $51,108 per year, or $24.6 per hour.

Audio Describer

Oregon Shakespeare Festival

Ashland, OR • On-site

$23.69/hr

Part-time

Posted 16 days ago

Job description

OSF is Hiring Audio Describer
Department: P&C/Access| Reports to: Volunteer and Access Manager
Status: Part-Time, Non-Exempt
Expected Start Date: August 17, 2026
Expected End Date: October 27,2026
Pay Rate: $23.69 hourly (with signing of Union contract, this may increase)
Location: Ashland, OR

This position is represented by IATSE Local 154.

Principal Duties and Responsibilities (Essential Functions**):

    Prepares pre-show narrative and audio description scripts by

    • Attending show introductions, technical and dress rehearsals, and previews as needed.
    • Writing a 10–15-minute pre-show narration that includes costume and set design descriptions, cast lists, background information, and other information as applicable.
    • Notating a full script with legible audio description information.
    • Rehearsing during preview performances.
    • Continually updating AD scripts to match any script changes made during the run of each show, such as blocking, dialogue, timing.
    • Rehearsing audio description with Volunteer and Access Manager or peer.

    Provides audio describing during live performances by

    • Speaking and enunciating clearly.
    • Trouble shooting technical glitches.
    • Setting up and striking equipment prior to and after each performance.

    Prepares to provide audio description for all productions

    • Watches production during dress rehearsals or preview performances.
    • Rehearses all audio description scripts during the first two weeks of a production’s run.

    Ensures a positive patron experience by

    • Assisting patron as needed to provide delivery the device and guidance for usage.
    • Checking-in with patrons during intermission and after the performance.
    • Retrieving the delivery device at the end of the performance.
    • Interacting in a professional manner.

    Advocates for improvements by

    • Documenting patron feedback.
    • Documenting and trouble-shooting technical issues.

    Embraces the Festival’s commitment to Inclusion, Diversity, Equity and Accessibility by

    • Behaving in a manner that enhances relationships among all company members, particularly those belonging to groups of diverse backgrounds, including but not limited to race, ethnicity, gender, nationality, sexual orientation, religion, language, ability, age and socioeconomic status
    • Interrupting behaviors that hinder our diversity and inclusion efforts

    Other Duties and Responsibilities:

    • Communicates with House staff regarding patron and device needs.
    • Attend meetings as scheduled.
    • Assist in training new Audio Describers as needed or assigned

    Minimum Qualifications & Skills:

    • High school diploma or equivalent required; college experience or degree preferred.
    • Strong writing and grammatical skills required.
    • Strong attention to detail.
    • Strong customer service experience, including speaking with the public.
    • Strong communication skills.
    • Must be able to work independently.
    • Strong problem solving skills.

    Other Skills, Ability and/or Knowledge:

    • Self-directed, able to handle multiple tasks simultaneously, problem solver.
    • Knowledge of Word and Excel as needed.
    • Excellent reading, spelling, vocabulary and editing skills.
    • Ability to learn audio description equipment.
    • Ability to work with colleagues across the organization.

    Physical Ability:

    • Must be able to access all levels of the theaters using stairs.
    • Must have the ability to see, hear, and speak clearly.
    • Must be able to sit for extended period of time.
    • Specific abilities include auditory and visual concentration.

    Hours Requirements:

    • Ability to work flexible shifts Tuesday – Sunday, including days/evenings/weekends as scheduled.
    • Maintain an open schedule with irregular work hours.

    Preferred Qualifications & Skills:

    • Bachelor’s degree preferred.
    • Background in theatre.
    • Bilingual.
    • Prior training and/or experience in theatre audio description.
    • Understanding of appropriate communication when interacting with people who are Blind or Low Vision