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From Home Iatse Jobs (NOW HIRING)

... home here. POSITION SUMMARY We're seeking a Production Manager with live theater and corporate ... You'll run point from planning through integration, ensuring the show delivers on time, on budget ...

... home here. POSITION SUMMARY We're seeking a Production Manager with live theater and corporate ... You'll run point from planning through integration, ensuring the show delivers on time, on budget ...

... Resort, home to Universal Epic Universe, and Universal Studios Hollywood. NBCUniversal is a ... Hourly Rate: $50.225 as determined by the IATSE Union Additional Information As part of our ...

New

Sr. Publicist

Los Angeles, CA · On-site

$50.23/hr

... Resort, home to Universal Epic Universe, and Universal Studios Hollywood. NBCUniversal is a ... Hourly Rate: $50.225 as determined by the IATSE Union Additional Information As part of our ...

New

... Resort, home to Universal Epic Universe, and Universal Studios Hollywood. NBCUniversal is a ... Hourly Rate: $50.225 as determined by the IATSE Union Additional Information As part of our ...

New

From Home Iatse information

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$13

$25

$51

How much do from home iatse jobs pay per hour?

As of Aug 17, 2026, the average hourly pay for from home iatse in the United States is $25.61, according to ZipRecruiter salary data. Most workers in this role earn between $18.27 and $29.33 per hour, depending on experience, location, and employer.

What is a from home IATSE job?

From Home IATSE jobs refer to remote or work-from-home positions that are covered by the International Alliance of Theatrical Stage Employees (IATSE) union. Traditionally, IATSE represents workers in the entertainment industry, such as stagehands, technicians, and artists. With the rise of remote work, some roles—like graphic design, animation, editing, or virtual event support—can now be done from home while still benefiting from union protections and standards. These jobs allow professionals to contribute to film, television, or live events without being on set or in a studio. Eligibility and availability of remote IATSE jobs may depend on your local union and the specific production's needs.

What are common challenges faced by remote workers in IATSE positions and how can they be addressed?

Remote workers in IATSE positions, such as editors, designers, or post-production professionals, often face challenges like communication gaps, time zone differences, and maintaining clear workflows with in-person teams. To address these, it’s important to establish regular check-ins, use collaborative tools (like Slack or Zoom), and maintain detailed documentation of tasks. Developing strong organizational skills and setting clear expectations with supervisors and colleagues can help ensure smooth project progress and foster a supportive virtual work environment.

What are the key skills and qualifications needed to thrive as a remote IATSE worker, and why are they important?

To thrive as a Remote IATSE Worker, you need a solid understanding of technical production, digital event platforms, and union protocols, often backed by relevant experience or certifications in event production or technical theater. Familiarity with software like Zoom, OBS, QLab, and other virtual production tools is typically required. Strong communication, problem-solving, and teamwork skills are crucial for collaborating efficiently in a remote environment. These abilities ensure seamless virtual productions, uphold union standards, and maintain high-quality outcomes in remote event settings.

What is the difference between From Home Iatse vs From Home Stagehand?

AspectFrom Home IatseFrom Home Stagehand
CertificationsTypically requires IATSE union membership and relevant safety certificationsMay require union membership and safety training, but less specialized
Work EnvironmentPrimarily administrative, coordinating productions remotelyOn-site physical work at venues or sets
Industry UsageUsed in film, TV, and live event production for remote rolesUsed in live events, theater, and concert setups

From Home Iatse involves remote coordination and administrative tasks within the entertainment industry, often requiring union credentials. In contrast, From Home Stagehand typically refers to on-site physical work at production venues. Both roles are essential but differ mainly in work environment and specific certifications.

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Infographic showing various From Home Iatse job openings in the United States as of August 2026, with employment types broken down into 1% As Needed, 74% Full Time, 22% Part Time, and 3% Contract. Highlights an 75% Physical, 1% Hybrid, and 24% Remote job distribution, with an average salary of $53,274 per year, or $25.6 per hour.

Ticketing Associate - Part Time

Steppenwolf Theatre

Chicago, IL • On-site

$18.47/hr

Other

Posted 14 days ago


Job description

Ticketing Associate - Part Time

Salary Range $18.47 - $18.47 Hourly Position Type Part Time

Description

Steppenwolf Theatre Company is seeking candidates to join its team of highly skilled Part-Time Ticketing Associates. Ticketing Associate maintains Steppenwolf's smooth and efficient customer service while assisting patrons with all ticket-related transactions using Tessitura CRM. All associates serve as a resource for questions about the Steppenwolf experience, assisting patrons by phone, email and in person; however, the part-time Associate also provides guidance, support and supervision to their colleagues when requested, assisting them in day-to-day box office tasks. Evening and weekend hours are required. A laptop and other necessary equipment will be provided. This is a hybrid work from home/in-person position. Hours for each will be determined by the scheduling Supervisor monthly.

Duties:

  • Using Tessitura CRM, process ticket and membership transactions for patrons by phone, in person and via email: sell and exchange tickets; sell memberships; sell gift certificates; donate tickets and cash; process ticket value from cancelled shows; assemble membership cards, gift certificates and other ticket mailings
  • Serve as a knowledgeable resource for patron questions by phone, email and in person: troubleshoot virtual content, maintain knowledge of parking, accessibility and neighborhood restaurant options, and recommend ticket and membership options to suit patrons' needs
  • Prepare and work will-call shifts, packaging, distributing and re-printing tickets, assisting with line management and directing patrons around campus
  • Take on some supervisory responsibilities when requested: project manage ticket processing and data entry projects (comp request documents etc.); serve as Lead Associate at an increased pay rate, answering Associate questions, performing minor technical troubleshooting, and serving as point of escalation for difficult interactions
  • Other ticket processing, patron communication and database hygiene: assist Audience Services with other data entry, ticket and membership processing as requested, make occasional informational outbound calls to patrons
  • Helping patrons with show-by-show upgrades
  • Data clean-up as necessary
Qualifications

Successful candidates will:

  • Possess prior experience working in a high-volume customer service setting, preferably in a theater.
  • Fast, efficient service techniques in peak service times
  • A relaxed appearance and tone when interacting with guests and colleagues, which includes maintaining an unhurried pace and level modulation of voice and volume
  • Effective, improvisational problem solving in ever-changing situations
  • Strong time-management skills and the ability to work 15-25 hours a week
  • Consistent availability on evenings and weekends, as well as during holiday seasons

Hours of employment are structured in consideration of performances, which are presented Tuesday through Saturday evenings, with matinees on Saturdays, Sundays and select Wednesdays. Extra shift availability is also occasionally available to support special events and extra programming on Monday evenings, weekdays, and weekend mornings.

This position reports to the Associate Director of Audience Services and Ticketing Supervisor and works as part of a team of trained associates. Paid training will be provided.

Compensation: This position is $ 18.47 an hour. The Steppenwolf Theatre Audience Services is governed by a collective bargaining agreement with the IATSE Treasurers and Ticket Sellers Union Local 750.

How to apply: Interested candidates should submit a cover letter, resume and three references through the link provided.

About Steppenwolf: Steppenwolf Theatre Company is the nation's premier Ensemble Theater with 49 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions — from Balm in Gilead and Grapes of Wrath to August: Osage County, Downstate and The Brother/Sister Plays — have made this theatre legendary. Founded in 1976, Steppenwolf started as a group of teens performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 14 Tony Awards, two Pulitzer Prize-winning commissions and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director Brooke Flanagan and Board of Trustees Chair, Keating Crown — Steppenwolf continually redefines the landscape of acting and performance.

Steppenwolf Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world.

Steppenwolf Core Values: Equity + Inclusion Integrity + Curiosity Courage + Collaboration Accountability + Leadership

NO PHONE CALLS OR EMAILS PLEASE

Steppenwolf Theatre Company is an equal opportunity and affirmative action employer. We provide equal employment opportunities (EEO) to all employees and applicants for employment without regard to race, color, religion, sex, national origin, age, disability or genetics. In addition to federal law requirements, Steppenwolf complies with applicable state and local laws governing nondiscrimination in employment in every location in which the company has facilities. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation and training.