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Editorial Photography Jobs (NOW HIRING)

Cohere

Editorial Director

New York, NY · On-site

A24's editorial output. That register. You'll own Cohere's editorial vision, our publishing ... You have a stable of writers, photographers, and filmmakers you trust, and they trust you back. You ...

The Harlem Bee

Editorial Intern

New York, NY · On-site

... photos and videos capturing the sights and sounds of Harlem, NY. The Harlem Bee seeks a part-time ... The intern will have the opportunity to gain experience in local news reporting, editorial program ...

The Harlem Bee

Editorial Intern

New York, NY · On-site

... photos and videos capturing the sights and sounds of Harlem, NY. The Harlem Bee seeks a part-time ... The intern will have the opportunity to gain experience in local news reporting, editorial program ...

Hometown News LLC

Be Seen First

Editorial Assistant

Fort Pierce, FL · On-site

Editorial Assistant - Full-Time (On-Site) Location: Fort Pierce, Florida (Treasure Coast) A growing ... Photography skills a plus About you: You're organized, detail-oriented and adaptable. You enjoy ...

GRAPHCOM Inc

Creative Editorial Intern

Gettysburg, PA · On-site

$14 - $16/hr

The Editorial Intern supports various internal team members by writing and performing ... photography campaign direction. * Make edits as requested by the client. Always spell check and ...

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Editorial Photography information

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$29.5K

$50.3K

$76K

How much do editorial photography jobs pay per year?

As of Jun 9, 2026, the average yearly pay for editorial photography in the United States is $50,294.00, according to ZipRecruiter salary data. Most workers in this role earn between $42,000.00 and $52,000.00 per year, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as an Editorial Photographer, and why are they important?

To thrive as an Editorial Photographer, you need a solid understanding of photography principles, visual storytelling, and often a degree in photography or related field. Mastery of professional cameras, photo editing software like Adobe Lightroom and Photoshop, and familiarity with digital asset management systems are essential. Strong communication, adaptability, and the ability to work under tight deadlines are critical soft skills for collaborating with editors and subjects. These skills ensure impactful visual narratives that meet publication standards and engage target audiences.

What is editorial photography?

Editorial photography refers to images that are used to support the narrative of articles, magazines, newspapers, or online publications. Unlike commercial photography, which is created to advertise or sell a product, editorial photography is meant to tell a story or provide visual context for written content. Editorial photographers often capture real-life events, portraits, or environments that accompany journalistic or feature stories. These images must follow ethical journalism standards and typically require proper permissions and releases. Editorial photography plays a crucial role in engaging readers and enhancing the storytelling of editorial content.

What is the difference between Editorial Photography vs Commercial Photography?

AspectEditorial PhotographyCommercial Photography
CredentialsPortfolio, photography experience, sometimes relevant educationPortfolio, photography experience, sometimes relevant education
Work EnvironmentMagazines, newspapers, online publicationsAdvertising agencies, product companies, brands
Employer & IndustryMedia outlets, publishing housesAdvertising, marketing, product companies
PurposeTell stories, convey messages, artistic expressionPromote products, brands, or services

Editorial photography focuses on storytelling and artistic expression for publications, while commercial photography aims to promote products or brands. Both roles require strong photography skills and a good portfolio, but their end goals and work environments differ significantly.

How does an editorial photographer typically collaborate with writers and editors during an assignment?

Editorial photographers often work closely with writers and editors to ensure that the images they produce effectively complement the story’s narrative and meet publication standards. This collaboration usually involves discussing the article's theme, identifying key moments or subjects to capture, and adapting to editorial feedback throughout the process. Clear communication and flexibility are essential, as last-minute changes or additional image requests are common. Understanding the publication’s visual style and deadlines is also important for seamless teamwork and successful assignments.
More about Editorial Photography jobs
What cities are hiring for Editorial Photography jobs? Cities with the most Editorial Photography job openings:
What states have the most Editorial Photography jobs? States with the most job openings for Editorial Photography jobs include:
What job categories do people searching Editorial Photography jobs look for? The top searched job categories for Editorial Photography jobs are:
Editorial Photography jobs near you
Infographic showing various Editorial Photography job openings in the United States as of June 2026, with employment types broken down into 73% Full Time, 24% Part Time, 1% Temporary, and 2% Contract. Highlights an 91% Physical, 2% Hybrid, and 7% Remote job distribution, with an average salary of $50,294 per year, or $24.2 per hour.
Head of Photography, NYT Wirecutter

Head of Photography, NYT Wirecutter

The New York Times

New York, NY • On-site

Other

Posted 21 days ago

Job description

About the Role, Mission or Department Overview

Wirecutter is looking for a Head of Photography to lead the evolution of our visual storytelling. Photography is central to how we do journalism here, and we're investing to make it even more so. You'll report to the Creative Director, work closely together to set the photography vision for the brand, and have real autonomy to run your department from our dedicated studio in Long Island City.

Our photography aspires to the highest editorial and creative standards. It teaches. It earns trust. It shows readers what they actually need to know - how two products differ, what our testing looks like, what something feels like to live with.

You'll be part of a creative leadership team that is genuinely collaborative and open, and oversee a team of three photographers.

This is an in-office position, based in our Long Island City office.

Responsibilities:

  • Define and drive the photography vision. Work closely with the Creative Director to understand our creative strategy, then push beyond it. Bring a genuine point of view and ideas we haven't thought of yet.
  • Direct product and editorial photography across a range of shoot types: product spreads, individual products and product details, POV shots, and process photography that documents our testing and earns reader trust.
  • Bring video into the mix. Know when a short clip serves a story better than a still, and set up the studio and team workflows to handle both.
  • Train the newsroom. Develop programs and give real feedback to help writers and editors across the organization capture better images themselves.
  • Develop your team. Manage and mentor three in-house photographers. Create the conditions for them to improve their work, advance their careers, and take creative risks.
  • Run a great studio. Manage the physical space, prop closet, and set design. Coordinate with freelance photographers, stylists, and other collaborators. Build systems that keep production efficient without sacrificing quality.
  • Demonstrate support and understanding of our value of journalistic independence and a strong commitment to our mission to seek the truth and help people understand the world.
  • You will report to the Creative Director, NYT Wirecutter.

Basic Qualifications:

  • 8+ years in professional photography or visual direction, with meaningful experience managing a team
  • A strong portfolio of product and editorial photography that informs and builds trust
  • Experience in an editorial or newsroom environment
  • Proven ability to run a working studio
  • Commitment to being in our Long Island City studio most days. This is a hands-on role

Preferred Qualifications:

  • A real instinct for developing people. You give honest feedback and make the people around you better
  • Comfort with short-form video production and the judgment to know when to use it
  • Strong communication and collaboration skills across editorial and creative teams

REQ-019857

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