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Contract Parabolic Microphone Operator Jobs (NOW HIRING)

We are the employer of choice as the owner and operator of Ball Arena, DICK'S Sporting Goods Park ... Sideline Parabolic microphone operation and/or production assistant duties will at a broadcast ...

We are the employer of choice as the owner and operator of Ball Arena, DICK'S Sporting Goods Park ... Sideline Parabolic microphone operation and/or production assistant duties will at a broadcast ...

Software Engineer III

Pittsburgh, PA · On-site

$55.75 - $75/hr

Pittsburgh, PA (5 days' on-site) Duration: 1 Year Contract We are looking for a Software Engineer ... Primarily focused on performant GUI's for large scale multi-camera and microphone arrays, and post ...

Software Engineer III

Pittsburgh, PA

$53.75 - $72.25/hr

Pittsburgh, PA (5 days' on-site) Duration: 1 Year Contract We are looking for a Software Engineer ... Primarily focused on performant GUI's for large scale multi-camera and microphone arrays, and post ...

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Contract Parabolic Microphone Operator information

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$11

$36

$86

How much do contract parabolic microphone operator jobs pay per hour?

As of Jun 22, 2026, the average hourly pay for contract parabolic microphone operator in the United States is $36.98, according to ZipRecruiter salary data. Most workers in this role earn between $17.31 and $62.74 per hour, depending on experience, location, and employer.

What is the difference between Contract Parabolic Microphone Operator vs Sound Technician?

AspectContract Parabolic Microphone OperatorSound Technician
CredentialsMay require specialized training in microphone setup and operationTypically holds audio engineering certifications or technical training
Work EnvironmentOutdoor or event settings focusing on capturing distant soundsIndoor studio, live events, or broadcast environments
Industry UsageUsed mainly in surveillance, wildlife recording, or sports broadcastingCommon in film, TV, radio, and live event production

While both roles involve audio equipment, a Contract Parabolic Microphone Operator specializes in operating parabolic microphones for capturing distant sounds, often outdoors or in specific environments. A Sound Technician has broader responsibilities in managing audio equipment across various settings. The roles overlap in technical skills but differ in focus and work environment.

How far can a parabolic microphone work?

A contract parabolic microphone can typically pick up sounds from distances of up to 1000 meters (about 3,280 feet) in optimal conditions, such as quiet environments and with proper aiming. The effective range depends on factors like the microphone's size, quality, environmental noise, and the skill of the operator. Proper setup and calibration are essential for maximizing range and audio clarity in surveillance or event monitoring tasks.

How much do boom mic operators make?

Boom mic operators typically earn between $20 and $50 per hour, with annual salaries ranging from approximately $40,000 to $80,000 depending on experience, location, and project complexity. Experienced operators with specialized skills or working on high-budget productions can earn higher wages, especially when working on long-term or high-profile projects.

How to get a job as a boom operator?

To become a boom operator, gain experience in audio recording and film production, often starting with entry-level roles or internships. Develop skills in handling boom microphones, audio equipment, and working on set environments, and consider obtaining relevant certifications or training in sound recording. Building a network within the industry and creating a demo reel can also improve job prospects.
More about Contract Parabolic Microphone Operator jobs
What cities are hiring for Contract Parabolic Microphone Operator jobs? Cities with the most Contract Parabolic Microphone Operator job openings:
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What job categories do people searching Contract Parabolic Microphone Operator jobs look for? The top searched job categories for Contract Parabolic Microphone Operator jobs are:
Infographic showing various Contract Parabolic Microphone Operator job openings in the United States as of June 2026, with employment types broken down into 56% Full Time, 42% Part Time, 1% Contract, and 1% Nights. Highlights an 80% Physical, 2% Hybrid, and 18% Remote job distribution, with an average salary of $76,911 per year, or $37 per hour.
Production Operations Intern

$19.29/hr

Part-time, Internship

Posted 7 days ago


Job description

Job Title: Production Operations Intern
Department: Production Administration
Business Unit: KSE Altitude
Location: Centennial, CO
Reports To: Senior Director of Operations, Altitude Sports
Employment Type: Part-Time /Hourly/ Non - Exempt
Supervisor Position: No
___________________________________________________________________________________
Kroenke Sports amp; Entertainment (KSE) is an American Sports and Entertainment holding company based in Denver, Colorado. KSE is committed to providing world class sports and entertainment for both live and broadcast audiences. We are the employer of choice as the owner and operator of Ball Arena, DICK’S Sporting Goods Park, the Paramount Theatre, Denver Nuggets (NBA), the Colorado Avalanche (NHL), Colorado Mammoth (NLL), Colorado Rapids (MLS), Altitude Sports amp; Entertainment, Major League Fishing/Fishing League Worldwide (MLFLW), Winnercomm, Outdoor Sportsman Group and SkyCam.
Nature of Work:
The goal of the Production Operation Intern is to learn what it takes to prop up a broadcast production. This position will place you into the group executing the daily needs of the overall department: helping in the studio on camera, logging content, assisting with production shoots and working on graphics. Behind the scenes operations covers a wide range of various technical aspects that are invaluable to the execution of all live broadcast events. In this role you will learn about the overall technical operations of the behind-the-scenes part of live television, giving you a wide array of knowledge about the business. By the end of the internship, it is the hope that you will feel like a part of the Production Operations team. Please note this position has emphasis on behind-the-scenes production work and not an on-air talent path. This position will be scheduled for 20 to 29 hours per week, some hours at Ball Arena and/or various production shooting locations, but many at the Network Operations Center in Centennial.
Examples of work performed:
  • Logging and attaching metadata information for Nuggets, Avalanche, Denver University, Air Force, and Mammoth game highlights
  • Learning studio production, its structure and then operation of camera, lighting, with the possibility of virtual graphics and social media posting.
  • Learning remote production and working with the Remote Production Coordinator while at the Ball Arena or other regional venues during game event nights.
  • Act as production assistant on shoots, possibly drone, at various locations at Ball Arena, Denver University, Dick’s Sporting Goods Park and around Denver
  • Training on various broadcast level equipment in technical center and in the field
  • Creation of lower third ticker graphics for playout in Master Control
  • Sideline Parabolic microphone operation and/or production assistant duties will at a broadcast production.
  • General duties as assigned
This description is a summary only and describes the general level of work being performed, it is not intended to be all-inclusive. The duties of this position may change from time to time and/or based on business needs. We reserve the right to add or delete duties and responsibilities at the discretion of the supervisor and/or hiring authority.
Working Conditions amp; Physical Demands:
  • Will be required to work nights and weekends.
  • Physical Demands: While performing the duties of this job, the employee could also be required to stand, walk or sit for longer periods of time. The employee will also be asked to lift and/or move items up to 50 pounds.
  • Willing to work outdoors in any condition
Qualifications
  • Minimum
    • Technical School or College in Broadcasting or related field
    • Applicants must meet minimum qualifications at the time of hire.
  • Preferred
    • Experience or classwork related to broadcast production
Competencies/Knowledge, Skills amp; Abilities
  • Ability to maintain positive attitude and demonstrate professionalism
  • Ability to complete work accurately and in a timely manner
  • Ability to work independently amp; in a group setting and demonstrate good judgment skills
  • Ability to communicate effectively orally and in writing
  • Excellent interpersonal skills
  • Ability to multi-task, prioritize, adapt to changing environment
  • Familiarity with cameras, editing equipment, lighting, and/or studio experience
Compensation
  • Base Hourly Range $19.29/ hour
Equal Employment Opportunity
Kroenke Sports amp; Entertainment (KSE) provides equal employment opportunities to all employees and applicants for employment and prohibits discrimination and harassment of any type without regard to race, color, religion, age, sex, national origin, disability status, genetics, protected veteran status, sexual orientation, gender identity or expression, or any other characteristic protected by federal, state or local laws. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.