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Broadcast Engineer Jobs in Utah (NOW HIRING)

VP of Broadcast

Salt Lake City, UT · On-site

$180 - $260/hr

Oversee all live game broadcasts, studio programming, pregame/postgame coverage, shoulder programming, and special broadcast events. * Work closely with the marketing and PR teams to deploy ...

New

Oversee all live game broadcasts, studio programming, pregame/postgame coverage, shoulder programming, and special broadcast events. * Work closely with the marketing and PR teams to deploy ...

... programming logs for 200 stations in 117 markets Scheduling commercials and applying traffic instructions to every scheduled commercial Inventory control, database library management, broadcast ...

... programming logs for 200 stations in 117 markets Scheduling commercials and applying traffic instructions to every scheduled commercial Inventory control, database library management, broadcast ...

Be Seen First

Our Radio stations broadcast HD and either simulcast or multicast separate programming on each channel. Our digital initiatives include web sites, mobile apps, streaming players, Amazon smart speaker ...

Work with Network Engineering, internal IT Teams, and vendors on building and maintaining a multi-site network infrastructure spanning arenas, venues, broadcast flypacks, and regional MDFs.

Network Administrator

Salt Lake City, UT · On-site

$130K - $145K/yr

Work with Network Engineering, internal IT Teams, and vendors on building and maintaining a multi-site network infrastructure spanning arenas, venues, broadcast flypacks, and regional MDFs.

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Broadcast Engineer information

See Utah salary details

$29.1K

$78.8K

$123.4K

How much do broadcast engineer jobs pay per year?

As of Aug 30, 2026, the average yearly pay for broadcast engineer in Utah is $78,835.00, according to ZipRecruiter salary data. Most workers in this role earn between $58,700.00 and $102,400.00 per year, depending on experience, location, and employer.

What does a broadcast engineer do?

A broadcast engineer performs a variety of technical support duties at a radio or television station. Their responsibilities are to maintain broadcast systems and equipment, troubleshoot and repair equipment, and set up broadcasts for live events, such as the news, concerts, or athletic contests. Other responsibilities of a broadcast engineer are to ensure that systems are set up appropriately to provide consistent sound and video quality. A broadcast engineer often has a more supervisory role, training and overseeing other technicians. The qualifications you need to become a broadcast engineer typically include an associate’s or bachelor’s degree.

What are the key skills and qualifications needed to thrive as a broadcast engineer?

To thrive as a Broadcast Engineer, you need strong technical knowledge of audio and video systems, signal flow, and a background in electronics or broadcast technology, often supported by a relevant degree or certification. Familiarity with broadcast automation software, digital editing tools, IP-based transmission systems, and relevant FCC regulations is essential. Excellent problem-solving, attention to detail, and communication skills help you manage live broadcasts and troubleshoot under pressure. These abilities are vital for ensuring reliable, high-quality broadcast operations and minimizing disruptions in fast-paced media environments.

What are some common challenges faced by broadcast engineers during live event coverage?

Broadcast Engineers often encounter challenges such as managing unexpected technical failures, ensuring reliable transmission signals, and adapting to rapidly changing production requirements during live events. Quick troubleshooting skills and the ability to work under pressure are essential, as any downtime can disrupt the broadcast. Collaboration with production teams, camera operators, and IT staff is frequent, making strong communication skills valuable for resolving issues efficiently and maintaining seamless broadcasts.

What is the difference between Broadcast Engineer vs Broadcast Technician?

AspectBroadcast EngineerBroadcast Technician
Required CredentialsTypically a degree in broadcast engineering, electronics, or related field; certifications like SBE or Cisco are commonOften a diploma or associate degree; certifications like SBE or manufacturer-specific training
Work EnvironmentDesign, maintain, and troubleshoot broadcast systems in studios or transmission facilitiesAssist with installation, setup, and maintenance of broadcast equipment on-site or in the field
Employer & Industry UsageBroadcast stations, networks, and media companiesBroadcast stations, production companies, and equipment vendors

Broadcast Engineers focus on designing, maintaining, and troubleshooting broadcast systems, requiring advanced technical skills and certifications. Broadcast Technicians support equipment setup and maintenance, often working under supervision. Both roles are essential in the broadcast industry, but the Engineer role typically involves more complex system management.

Are broadcast engineers in demand?

Broadcast engineers are in steady demand due to the ongoing need for technical expertise in television, radio, and digital media production. They typically require knowledge of broadcast equipment, signal flow, and certifications, and employment opportunities are available in media companies, broadcasting stations, and related industries.

How hard is it to become a broadcast engineer?

Becoming a broadcast engineer typically requires technical knowledge of audio and video systems, often gained through a degree in electronics, broadcasting, or a related field, along with hands-on experience. Certifications such as those from the Society of Broadcast Engineers can enhance job prospects, and familiarity with broadcast equipment and troubleshooting is essential; the role may also involve irregular hours and on-call work.

What are the most commonly searched types of Broadcast Engineer jobs in Utah?

The most popular types of Broadcast Engineer jobs in Utah are:

What are popular job titles related to Broadcast Engineer jobs in Utah?

For Broadcast Engineer jobs in Utah, the most frequently searched job titles are:

What cities in Utah are hiring for Broadcast Engineer jobs?

Cities in Utah with the most Broadcast Engineer job openings:

Infographic showing various Broadcast Engineer job openings in Utah as of August 2026, with employment types broken down into 90% Full Time, 7% Part Time, and 3% Contract. Highlights an 85% Physical, 5% Hybrid, and 10% Remote job distribution, with an average salary of $78,835 per year, or $37.9 per hour.

VP of Broadcast

Socket.dev

Salt Lake City, UT • On-site

$180 - $260/hr

Other

Posted 2 days ago

New


Job description

Description

JOB SUMMARY:

Smith Entertainment Group is seeking an experienced Vice President of Broadcast to lead all television, streaming, and radio broadcast operations for the Utah Jazz and Utah Mammoth. This leadership role will oversee the strategic direction, production execution, talent management, operational planning, and league relationships for both franchises across broadcast platforms while shaping how fans experience Jazz and Mammoth games through compelling, high-quality broadcasts.

SEG has prioritized easily accessible viewing options for Utah Jazz and Utah Mammoth fans, including over-the-air (OTA) broadcasts, in addition to streaming offerings through SEG+, Jazz+, and Mammoth+. SEG recognizes broadcasts as an essential part of building connection, loyalty, and long-term fandom, and is committed to delivering accessible, high-quality viewing experiences for fans wherever they are. This role is critical in maintaining and elevating that experience as sports broadcasting, streaming technology, and fan expectations continue to evolve.

The ideal candidate is an experienced broadcast leader with deep expertise in live sports production, including truck-based event production, talent leadership, partner management, and multi-platform broadcast strategy. This role requires exceptional relationship-building skills, strong operational leadership, and a passion for delivering best-in-class sports broadcasts.

This position is based full-time in Salt Lake City, Utah.

DUTIES & RESPONSIBILITIES: Broadcast Leadership & Strategy
  • Lead the overall vision, strategy, and execution of all Utah Jazz and Utah Mammoth television, streaming, and radio broadcasts.
  • Oversee all live game broadcasts, studio programming, pregame/postgame coverage, shoulder programming, and special broadcast events.
  • Work closely with the marketing and PR teams to deploy compelling storytelling strategies that elevate fan engagement and strengthen the Utah Jazz and Utah Mammoth broadcast brands.
  • Collaborate closely with executive leadership to align broadcast initiatives with organizational priorities, business goals, sponsorship integration, and audience growth strategies.
  • Stay ahead of emerging industry trends, technologies, and best practices in sports broadcasting and streaming.
Production Oversight
  • Provide leadership oversight for all live productions across television, streaming, and radio platforms.
  • Work closely with producers, directors, engineers, and technical managers to ensure world-class production quality and execution.
  • Oversee broadcast planning, rundowns, editorial direction, feature development, music integration, and creative production elements.
  • Ensure consistent execution and production standards across both NBA and NHL broadcasts.
  • Lead production planning for major league events, special programming, and tentpole broadcasts.
  • Collaborate with internal teams to ensure cohesive, high-quality broadcast execution.
Talent Leadership & Development
  • Lead the recruitment, hiring, development, evaluation, and mentorship of on-air talent and broadcast staff.
  • Serve as the primary point of contact for broadcast talent regarding production expectations, assignments, scheduling, appearances, and content direction.
  • Provide coaching and editorial feedback to talent to strengthen on-air performance and audience connection.
  • Foster a collaborative, high-performance culture within the broadcast department.
Broadcast Operations & Partner Management
  • Serve as the primary liaison with all local, regional, national, league, and distribution broadcast partners.
  • Manage relationships with television, streaming, and radio affiliates, production vendors, mobile unit providers, and technical partners.
  • Oversee relationships with flagship radio stations, network affiliates, and streaming distribution partners.
  • Oversee operational logistics for all home and road broadcasts, including crew coordination, transmission needs, technical infrastructure, venue integration, engineering coordination, and affiliate communications.
  • Coordinate closely with league officials, visiting broadcasters, public relations departments, and arena operations teams.
  • Support the continued development and growth of team radio networks and streaming initiatives.
  • Ensure all broadcasts comply with NBA, NHL, FCC, and league production regulations and standards.
  • Work closely with executive leadership on broadcast contract renewals and serve as a strategic resource throughout negotiation and partnership discussions.
Budgeting & Department Management
  • Lead all broadcast department budgeting, forecasting, staffing, scheduling, payroll oversight, and financial planning.
  • Manage broadcast production resources efficiently while maintaining exceptional production quality.
  • Oversee vendor agreements, production contracts, freelance staffing, and operational expenditures.
  • Participate in contract negotiations related to broadcast talent, production services, and distribution partnerships.
Cross-Functional Collaboration
  • Collaborate with partnership teams to execute integrated broadcast elements and branded content opportunities.
  • Work closely with the marketing, content and PR teams to ensure brand and storytelling consistency across all broadcast channels.
  • Support organizational initiatives, league events, and special projects as needed.
QUALIFICATIONS:
  • 10+ years of senior leadership experience in live sports broadcasting, production, or media operations.
  • Bachelor’s degree in Broadcast Journalism, Communications, Media Production, Sports Management, or related field preferred.
  • Extensive experience producing and managing live professional sports broadcasts, preferably within the NBA, NHL, RSN, or national sports media environment.
  • Strong knowledge of television, streaming, and radio broadcast workflows and technologies.
  • Demonstrated success leading large teams in fast-paced, high-pressure live production environments.
  • Proven ability to build strong relationships with league officials, talent, coaches, players, executives, and broadcast partners.
  • Strong understanding of evolving sports media trends, streaming strategies, and audience engagement.
  • Experience managing production budgets and operational planning.
  • Must be available to work nights, weekends, holidays, and extended hours during sports seasons.
  • Must attend the majority of Utah Jazz and Utah Mammoth home games and be available to travel for a designated number of road games, league meetings, and special events annually.

Smith Entertainment Group provides equal employment opportunities to all employees and applicants for employment and prohibits discrimination and harassment of any type without regard to race, color, religion, age, sex, national origin, disability status, genetics, protected veteran status, sexual orientation, gender identity or expression, or any other characteristic protected by federal, state or local laws. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.

We will ensure that individuals with disabilities are provided reasonable accommodation to participate in the job application or interview process, to perform essential job functions, and to receive other benefits and privileges of employment. Please contact us to request accommodation.

Note: The need may arise to revise, supplement, or rescind portions of this job description, and Smith Entertainment Group reserves the right to do so at any time. Employees shall be required to meet the qualifications and perform the duties of any revised job description.

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