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Audio Sound Engineer Jobs in Arizona (NOW HIRING)

Makes minor programming changes under direction of engineer or programmer. * Demonstrates job site ... Knowledge of audio: sound reinforcement, paging, public address, background music, commercial ...

Experience with and working knowledge of live entertainment multi projector systems and programming ... Coordinate with production staff, designers, and performers, overseeing sound setup, operation, and ...

Makes minor programming changes under direction of engineer or programmer. * Demonstrates job site ... Knowledge of audio: sound reinforcement, paging, public address, background music, commercial ...

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Hands-on experience in construction, A/V, or engineering. * Strong skills in leadership ... of sound, audio-video, network infrastructure, and security systems for industries including ...

AV Field Engineer

Phoenix, AZ · On-site

$114.62/hr

Experience with Audio tuning, equalization, and DSP programming * Strong communication skills with ... Proven Results. American Sound took on a complex video wall retrofit with professionalism ...

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Audio Sound Engineer information

See Arizona salary details

$27.5K

$78.7K

$159.8K

How much do audio sound engineer jobs pay per year?

As of Aug 26, 2026, the average yearly pay for audio sound engineer in Arizona is $78,703.00, according to ZipRecruiter salary data. Most workers in this role earn between $46,600.00 and $105,300.00 per year, depending on experience, location, and employer.

What are the key skills and qualifications needed to thrive as an audio sound engineer?

To thrive as an Audio Sound Engineer, you need a solid understanding of audio theory, acoustics, and recording techniques, often supported by a degree or certification in audio engineering or a related field. Proficiency with digital audio workstations (DAWs) like Pro Tools or Logic Pro, as well as familiarity with microphones, mixing consoles, and signal processing equipment, is essential. Strong attention to detail, effective communication, and problem-solving abilities help set top engineers apart. These skills ensure high-quality sound production, efficient collaboration with clients and teams, and successful completion of complex audio projects.

How does an audio sound engineer typically collaborate with other professionals during a live event or studio recording?

Audio Sound Engineers work closely with producers, musicians, event coordinators, and technical staff to ensure high-quality sound. During live events, they coordinate with stage managers and performers to set up microphones, monitors, and mixing consoles, making real-time adjustments as needed. In a studio setting, engineers collaborate with artists and producers to capture the desired sound, troubleshoot equipment issues, and often assist with post-production editing and mixing. Strong communication and teamwork are essential, as the engineer is a key link between creative vision and technical execution.

What is the difference between Audio Sound Engineer vs Audio Technician?

AspectAudio Sound EngineerAudio Technician
CredentialsTypically requires a degree in audio engineering or related fieldOften has technical certifications or vocational training
Work EnvironmentRecording studios, live concerts, film setsSound equipment setup, maintenance, and troubleshooting
Job FocusDesigning, mixing, and producing soundInstalling, repairing, and operating audio equipment

Audio Sound Engineers focus on creating and mixing sound for recordings, live events, or films, requiring creative and technical skills. Audio Technicians handle the technical setup and maintenance of audio equipment. While both roles require technical knowledge, the engineer's role is more creative and production-oriented, whereas the technician's role is more technical and support-focused.

How much does an audio sound engineer get paid?

The average salary for an audio sound engineer varies by experience and location but typically ranges from $40,000 to $80,000 annually. Entry-level engineers may earn less, while experienced professionals working in live events, recording studios, or broadcasting can earn higher wages, often supplemented by overtime and freelance opportunities.

Is there a demand for audio sound engineers?

The demand for audio sound engineers remains steady across industries such as music, film, television, and live events, with growth driven by increasing media production and technological advancements. Skills in digital audio workstations, mixing, and sound design are highly valued, and employment opportunities are available in both freelance and full-time roles.

What jobs can an audio sound engineer do?

An audio sound engineer can work in various roles such as recording engineer, live sound technician, mixing engineer, mastering engineer, or audio post-production specialist. They may work in recording studios, concert venues, film and television production, or broadcasting, often using tools like mixing consoles, digital audio workstations, and microphones.

What are popular job titles related to Audio Sound Engineer jobs in Arizona?

For Audio Sound Engineer jobs in Arizona, the most frequently searched job titles are:

What job categories do people searching Audio Sound Engineer jobs in Arizona look for?

The top searched job categories for Audio Sound Engineer jobs in Arizona are:

What cities in Arizona are hiring for Audio Sound Engineer jobs?

Cities in Arizona with the most Audio Sound Engineer job openings:

Infographic showing various Audio Sound Engineer job openings in Arizona as of August 2026, with employment types broken down into 1% As Needed, 85% Full Time, 11% Part Time, 1% Temporary, and 2% Contract. Highlights an 92% Physical, 2% Hybrid, and 6% Remote job distribution, with an average salary of $78,703 per year, or $37.8 per hour.

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Job description

On Call Head Audio

This position is an on-call, activated on a show-by-show basis.

The Head of Audio oversees the audio needs for the event or show, ensuring smooth operations. They are responsible for managing audio systems and structures for crew and production.

Qualifications:

  • 1-2 years experience of live audio mixing.
  • Experience with Qlab, TheatreMix, and other professional live entertainment computer software.
  • Professional experience with Yamaha Digital consoles
  • Experience with Dante networks and Dante Controller (At least Dante Level 2 Certification preferred)
  • Experience with and working knowledge of live entertainment multi projector systems and programming.
  • Experience with both Audio and Video system network setup and troubleshooting.
  • Experience with Shure ULXD, and Wireless Workbench a plus.
  • Ability to work closely with people in a professional and positive manner.
  • Ability to work closely and creatively with design teams, directors, and other members of the staff.
  • Proficiency with computers and standard office suite, ability to generate and maintain professional level paperwork and tracking for each production.
  • Ability to multitask while maintaining productivity.
  • Ability to remain levelheaded in high-stress environments.
  • Ability to troubleshoot under pressure and remain composed.
  • Ability to work independently and meet deadlines.

Responsibilities:

  1. Coordinate with production staff, designers, and performers, overseeing sound setup, operation, and strike for rehearsals and performances, ensuring sound quality, and troubleshooting any issues that arise.
  2. Ensure compliance with safety protocols and industry best practices is crucial.
  3. Serve as the primary audio contact for the event or show.
  4. Assist with event load-in, setup, operation, and load-out.
  5. Manage and maintain the venue's audio systems and equipment.
  6. Troubleshoot and resolve technical issues efficiently under time-sensitive conditions.
  7. Supervise and mentor the audio team.
  8. Ensure compliance with safety protocols.
  9. Lead in facilitating all audio needs for all rental events/productions, including the testing, maintenance and upkeep of all audio equipment, projectors, and sound equipment in The Madison.
  10. Review sound plots to evaluate feasibility and implementation in The Madison
  11. Lead in preparing and installing equipment based on plots and designer supplied specifications; including but not limited to tech table set-up, i.e. tables, headsets, and video monitors, god mic, etc.
  12. Collaborate to produce show-related audio paperwork.
  13. Maintain organized and accurate records of design execution for a given production. Make archival copies of all paperwork and show files.
  14. Adhere to the proper shut-down of all audio, special effects, stage equipment and other electrical appliances, assuring that the theatre is left in a safe, secure, and appropriately lit manner and that equipment is locked in a secure place.